Decision

Home > Literature > Decision > Page 1
Decision Page 1

by Allen Drury




  Table of Contents

  Dedication

  Foreword

  Allen Drury’s Note to the Reader

  Acknowledgments

  Major Characters

  The Constitution

  BOOK ONEChapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  BOOK TWOChapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  BOOK THREEChapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  BOOK FOURChapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  BOOK FIVEChapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  DEMOCRACY

  A Novel of the Supreme Court

  Allen Drury

  DECISION

  A Novel of the Supreme Court

  Allen Drury

  Back in print! A gripping novel about the deterioration of the criminal justice system and the mysterious, powerful body at its core—the Supreme Court of the United States.

  Earle Holgren—murderer, terrorist, lost soul—is the center of a vortex that sweeps up a fascinating cast of characters in their ambitions, politics, honor, and scandal. From the eight Justices of the Supreme Court, to the Attorney General of South Carolina who sees a compelling, controversial trial as an opportunity for demagoguery that might pave his path to the White House, to the idealistic defense lawyer who seeks to save a man she knows to be a psycopathic killer, to a driven Washington journalist in love with one of the Justices whose marriage is crumbling, and other Justices with their own agendas, vendettas, and secrets.

  Decision is a sweeping tale that begins at a nuclear power plant in South Carolina, works its way through the courts of that state, and finally to the halls of the Supreme Court. From the master of spellbinding political fiction, author of Advise and Consent

  ***

  Smashwords Edition - 2014

  WordFire Press

  www.wordfirepress.com

  ISBN: 978-1-61475-083-3

  Copyright © 1983. Allen Drury.

  Originally published by Doubleday & Co.

  Copyright © 2014, Kevin D. Killiany and Kenneth A. Killiany

  Foreword © 2014 Kevin D. Killiany

  “To the Reader” previously unpublished, copyright © 2014,

  Kevin D. Killiany and Kenneth A. Killiany

  We would like to thank the Hoover Institution Library and Archive for the care with which they have maintained our uncle’s archive and their assistance in making previously unpublished material available—Kevin D. Killiany, Kenneth A. Killiany

  All rights reserved. No part of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording or by any information storage and retrieval system, without the express written permission of the copyright holder, except where permitted by law. This novel is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination, or, if real, used fictitiously.

  Cover design by Janet McDonald

  Cover artwork images by Shutterstock

  Book Design by RuneWright, LLC

  www.RuneWright.com

  Published by

  WordFire Press, an imprint of

  WordFire, Inc.

  PO Box 1840

  Monument CO 80132

  Electronic Version by Baen Books

  www.baen.com

  ***

  Dedicated to

  The Supreme Court of the United States

  without whose highly independent and

  individualistic members this novel—

  and a lot of other things in the UnitedStates—

  could never have happened.

  ***

  Foreword

  Kevin D. Killiany

  In 1982, Diane Rehm said of Allen Drury’s latest novel: “Decision takes us inside the Supreme Court, as the human beings on that Court struggle with their personal biases and their public duties. At the center are characters who are real, ambitious, murderous, caring: all the stuff of Washington and political life.” In a time when many political novels were rife with caricatures or dimensionless puppets meant to symbolize conflicting ideologies, Allen Drury always wrote, as he frequently said, about ordinary, decent, well-intentioned people who are called upon to face extraordinary circumstances.

  Our Uncle Al disliked shorthand, both in storytelling and in life. He didn’t approve of applying simplistic labels to people because in his experience, people—particularly political people—were very complex creatures. He said that when he first came to Washington in the forties it was not at all uncommon for a senator to be conservative in the aggregate but liberal on specific issues, and vice versa. One had to know where a person stood on foreign policy and labor and socialized medicine and “a whole range of issues”—one could never assume that the party to which the senator belonged dictated his or her vote on every issue.

  Depending on his mood, Al was either bemused or annoyed that he was popularly pigeonholed as a Conservative. This public perception was based on two facts: he made no secret of his deep distrust of the Soviet leadership and he was outspoken in his despair at what he saw happening to his beloved institution of journalism. As a reporter in the forties and fifties, he’d understood his duty to be report the facts and explain issues—and he was known for doing a good job at both. But in the sixties he saw the news media becoming, in his words, “arrogant and overbearing and not always very accurate.” He was particularly disturbed to see the major networks and news services moving away from disseminating information and insights toward choosing what was reported and actively seeking to influence public opinion.

  But Al could not be defined by those two convictions, no matter how strongly he held them. He felt as strongly about civil rights. Our mother, seven and a half years his junior, told us stories of living with him in Washington while she attended art school. One of those stories was about going with him to a local meeting of the NAACP, which he supported. This involved a certain amount of risk in the 1940s, when our nation’s capital was a viciously segregated city. Though Al was never expansive about his relationship with NAACP, that he was comfortable enough to bring his little sister along says something about the level of respect on both sides of the equation. His journal from his first two years as a Senate correspondent shows obvious sympathy for the voting rights of Southern blacks. When demonstrators were being beaten and jailed during the marches of the 1960s, he maintained that the duty and purpose of the police force was to protect the nonviolent protestors from the violent mobs.

  Another indication that his interest in the human element at the center of every issue developed early in his life: while at Stanford, Al developed a keen interest in the Confederacy—which would seem the antithesis of his stance on racial equality. What fascinated him was not their racism, but the secessionists’ perception of the world and their place in it; the reasoning behind the choices they made. Years after Stanford, his study of Southern politics in the nineteenth century would give him insights into Southern politicians of the twentieth as a journalist and equip him to create authentic, three-dimensional Southern characters as a novelist. He discovered an unexpe
cted benefit in the late sixties when he was investigating South Africa’s civil unrest and the repression of apartheid. His knowledge of the Confederacy as a nation that saw itself unjustly besieged helped him understand the thinking and culture of the white minority. This evident understanding enabled him to earn the cooperation of the Afrikaners and gain an access to their society seldom granted foreign journalists.

  Al believed the arts, active and unfettered, contributed to the quality of our culture. In the 1980s, as a member of the National Council of the National Endowment for the Arts, he wanted the Endowment to move away from funding big institutions, such as the New York Met, that would have no trouble surviving without a few hundred thousand of the Endowment’s dollars. Instead he advocated that many, smaller sums of money be given—no strings attached—to small, independent institutions and even individual writers, painters, musicians, and sculptors. He also believed that well-educated and knowledgeable citizens were essential to America’s strength. He supported providing children in poor urban and rural settings with top-quality schools and practical access to higher learning.

  At the same time Al believed strongly in the liberty of the individual and that the Constitution strictly limited our government’s ability to infringe on personal rights and freedoms. He saw no legitimate grounds for government oversight of people’s private lives, religious convictions, or business practices. Those of us who knew him well know that by today’s standards, depending on the question at hand, Al’s political position would be described as ranging from Progressive to Libertarian. That may border on hyperbole, but at its core is a kernel of truth. Al understood that different circumstances require different approaches; that different problems require different solutions.

  No matter what the issue, Al believed in the strength—and the process—of American democracy. He affirmed this in a speech delivered in 1987, at a celebration of our Constitution’s bicentennial. He said: “When the chaos, confusion, cupidity, and stupidity in Washington seem to be rising to one of their periodic highs, it is difficult for some to believe that this, too, will pass, as it always does.… The percentage of good men and women in government will still outweigh the bad. And the sound decisions they make will still, on balance, outweigh the silly.”

  Allen Drury was friends with both Lyndon Johnson and Barry Goldwater. He saw no conflict—or anything particularly unusual—in that. Neither did they. Al was outspoken in calling for the resignations of both Richard Nixon and Jimmy Carter. Though very forthright in expressing his political opinions, Al guarded his privacy when it came to his voting, even from his family. From conversations and observations we’re reasonably sure he voted for LBJ in 1964 and almost certainly for Clinton in 1992, but he would never confirm nor deny speculation. All we are sure of is that even in the voting booth, he defied easy categories.

  Which should not be surprising, because Al didn’t think in terms of categories. He saw that although the men and women who were elected to serve the American people disagreed on how best to get there, they shared the goal of making this country and society as good as it could be. Of course, a shared goal did not automatically produce unity; common ground was elusive. Inevitably, the men and women of the House and Senate had confrontations, but they also had compromises; they learned to leaven their principles with practicality and their visions with pragmatism. They balanced the determination to reach their ideals with the wisdom to recognize when the best they could do was good enough. Al knew, and showed in his stories, that working politicians—which is to say politicians who work at governance—are, to quote the oft-cited maxim, practitioners in the art of the possible.

  And, as the ordinary, decent, men and women of whom Allen Drury wrote soon discovered, the art of the possible is not a gentle discipline. Ill-considered acts had far-reaching consequences. Small compromises and reasonable accommodations could compound into things never intended. Favors carried hidden price tags. And even when everyone involved negotiated in good faith, each person might have to choose between their convictions, their constituents, their country, and their character.

  Allen Drury knew how the people we elected to represent us came together—sometimes amicably, often times not—to go about the business of governing our nation. He saw how the men and women who make up what we all too often think of as a homogenous, impersonal “federal government” fought their daily battles, individually for what each believed and collectively for all of us. Through his novels he gives us a glimpse of what he saw.

  —Kevin D. Killiany

  ***

  Allen Drury’s

  Note to the Reader

  (previously unpublished)

  Some months after Advise and Consent’s publication, I received a letter from a doctor, I think in Brooklyn, who asked, “Mr. Drury, do you know that on page so-and-so you misspelled the word such-and-such? Now, why do authors like you put things like that in their books?”

  By that time I had heard from some others of the type who joy in nit-picking minor details, most of them injected during the printing process and quite beyond the capability of author and copy-editor to catch. And I had had it.

  Dear Dr. So-and-So,” I wrote back, “authors like me put things like that in their books so that readers like you can spend all your time looking for them instead of paying attention to what the story is all about.”

  Writing now about the world’s most nit-picking profession, the law, I fully expect to receive communications of the same caliber. To them my answer must be the same. Aided by a goodly crew, several of them members of the Supreme Court itself, I have done my best to be true to the letter and the spirit of the law. If in some instance I have failed, it is not the fault of these; nor is it anything to which I intend to devote much apology. There will no doubt be critics who dance around such slippages, if any, and archly make much of them: let them dance. They have little better to do, and it is, of course, an excellent excuse for not telling you what the story is all about.

  It is on the latter that an author has a right to be judged, and no doubt will be.

  I am indebted to the aforementioned Justices for intimate details of their daily operation, as I am indebted to Mark W. Cannon, Administrative Assistant to the Chief Justice; Francis J. Lorson, Clerk of the Court; Garrett McGurn, public information officer; and many others around the Court, all invariably kind and helpful. Representative John L. Napier of the Sixth District of South Carolina and Dee Lide, chief counsel of the Senate Judiciary Committee, where invaluable in helping me understand the laws and criminal procedures of their state. Without the assistance of my old friend from Senate reporting days, Robert A. Barr of U.S. News and World Report—who is such a great fact-digger that he very probably knows more than anybody else about almost everything on the Hill—many a detail might have escaped me. And to William Howard Eichstadt go thanks once again for his usual fine job of deciphering and typing the manuscript and, as first reader, for his constructive and helpful suggestions along the way.

  None of these is responsible in the slightest degree for any conclusions I may have drawn from information so generously given, or the use I may have made of it. My friends at the Court, I suspect, will not be overly happy to find their institution being portrayed as being subject to the same human pressures as beset all of us. No more will my South Carolina friends be pleased by the occasional shadow of their state’s sometimes unhappy past. And no doubt there will be critics, some of whom have made quite a good thing out of peek-and-tattle about the Court, who will condemn me because I have not made it out to be the weak and worthless institution they in their profitable wisdom have concluded it to be.

  To them all, I can only say: this is how I see it.

  This is not an exposé of the Court in fictional form. No more is it a paean to the Court. It is, I hope, a story of people and the law and how humanly vulnerable, though often well-meaning, both can be. It is not the minor error on page so-and-so that matters. It is the human tale unfolded within
the framework of the Court, against the background of the law.

  And on that, petitioner rests.

  —Allen Drury

  ***

  Acknowledgments

  For unfailing courtesy and helpfulness during research I am indebted to Justices who spoke confidentially but with complete freedom and candor about the ways and personalities of their peculiar institution. I am also grateful to several high-ranking members of the Court’s small and efficient staff whom I could name but who I am sure, in true Court tradition, would prefer to remain anonymous. They know who they are and I thank them for their help. They are a highly competent body of men and women, deeply devoted to their unique employment and their unique employers. The Court’s smooth day-to-day functioning rests in large measure on their dedicated work.

  For research in the laws of South Carolina I am indebted to former Rep. John L. Napier of the Sixth District of South Carolina, and to Vinton D. Lide, at time of writing chief counsel to the Senate Judiciary Committee. Their informed help was most generously and unstintingly given. Many thanks must also go to Robert Barr of U.S. News & World Report, an old friend from freshman reporter days on the Hill who still covers Congress and knows more about it than almost anybody else around the place, for his characteristically generous, tenacious and indefatigable pursuit of facts for me.

  To Professor Gerald Gunther of Stanford University, perhaps the nation’s leading constitutional law expert, I am grateful for the list of supplemental reading transmitted via my nephew, Kenneth Killiany; to my sister, Anne E. Killiany, for many helpful editorial suggestions; and to Bill Howard Eichstadt for his usual fine job of manuscript typing and his customary sound and constructive suggestions as first reader.

 

‹ Prev