by Unknown
At Franklin Street, half a block from the rooming-house into which he had shadowed the young man that afternoon, the detective stopped his coupe.
"You want to drop out here?" he asked.
Scuttle Zeipp looked sidewise, speculatively, into the elder man's ugly face.
"It'll do," the young man said, "but you're a damned good guesser, just the same." He stopped with a hand on the door. "It's a go, is it, Alec? Fifty-fifty?"
"I wouldn't say so." Alec Rush grinned at him with hideous good nature. "You're not a bad lad, Scuttle, and if there's any gravy you'll get yours, but don't count on me mobbing up with you."
Zeipp's eyes jerked to slits, his lips snarled back from yellow teeth that were set edge to edge.
"You sell me out, you damned gorilla, and I'll—" He laughed the threat out of being, his dark face young and careless again. "Have it your own way, Alec. I didn't make no mistake when I throwed in with you. What you say goes."
"Yeah," the ugly man agreed. "Lay off that joint out there until I tell you. Maybe you'd better drop in to see me tomorrow. The phone book'll tell you where my office is. So long, kid."
"So long, Alec."
In the morning Alec Rush set about investigating Hubert Landow. First he went to the City Hall, where he examined the gray books in which marriage licenses are indexed. Hubert Britman Landow and Sara Falsoner had been married six months before, he learned.
The bride's maiden name thickened the red in the detective's bloodshot eyes. Air hissed sharply from his flattened nostrils. "Yeah! Yeah!" he said to himself, so raspingly that a lawyer's skinny clerk, fiddling with other records at his elbow, looked frightenedly at him and edged a little away.
From the City Hall, Alec Rush carried the bride's name to two newspaper offices, where, after studying the files, he bought an armful of six-month-old papers. He took the papers to his office, spread them on his desk, and attacked them with a pair of shears. When the last one had been cut and thrown aside, there remained on his desk a thick sheaf of clippings.
Arranging his clippings in chronological order, Alec Rush lighted a black cigar, put his elbows on the desk, his ugly head between his palms, and began to read a story with which newspaper-reading Baltimore had been familiar half a year before.
Purged of irrelevancies and earlier digressions, the story was essentially this:
Jerome Falsoner, aged forty-five, was a bachelor who lived alone in a flat in Cathedral Street, on an income more than sufficient for his comfort. He was a tall man, but of delicate physique, the result, it may have been, of excessive indulgence in pleasure on a constitution none too strong in the beginning. He was well-known, at least by sight, to all night-living Baltimoreans, and to those who frequented race-track, gambling-house, and the furtive cockpits that now and then materialise for a few brief hours in the forty miles of country that lie between Baltimore and Washington.
One Fanny Kidd, coming as was her custom at ten o'clock one morning to "do" Jerome Falsoner's rooms, found him lying on his back in his living-room, staring with dead eyes at a spot on the ceiling, a bright spot that was reflected sunlight—reflected from the metal hilt of his paper-knife, which protruded from his chest.
Police investigation established four facts:
First, Jerome Falsoner had been dead for fourteen hours when Fanny Kidd found him, which placed his murder at about eight o'clock the previous evening.
Second, the last persons known to have seen him alive were a woman named Madeline Boudin, with whom he had been intimate, and three of her friends. They had seen him, alive, at some time between seven-thirty and eight o'clock, or less than half an hour before his death. They had been driving down to a cottage on the Severn River, and Madeline Boudin had told the others she wanted to see Falsoner before she went. The others had remained in their car while she rang the bell. Jerome Falsoner opened the street door and she went in. Ten minutes later she came out and rejoined her friends. Jerome Falsoner came to the door with her, waving a hand at one of the men in the car—a Frederick Stoner, who knew Falsoner slightly, and who was connected with the district attorney's office. Two women, talking on the steps of a house across the street, had also seen Falsoner, and had seen Madeline Boudin and her friends drive away.
Third, Jerome Falsoner's heir and only near relative was his niece, Sara Falsoner, who, by some vagary of chance, was marrying Hubert Landow at the very hour that Fanny Kidd was finding her employer's dead body. Niece and uncle had seldom seen one another. The niece— for police suspicion settled on her for a short space—was definitely proved to have been at home, in her apartment in Carey Street, from six o'clock the evening of the murder until eight-thirty the next morning. Her husband, her fiancé then, had been there with her from six until eleven that evening. Prior to her marriage, the girl had been employed as stenographer by the same trust company that employed Ralph Millar.
Fourth, Jerome Falsoner, who had not the most even of dispositions, had quarrelled with an Icelander named Einar Jokumsson in a gambling-house two days before he was murdered. Jokumsson had threatened him. Jokumsson—a short, heavily built man, dark-haired, dark-eyed —had vanished from his hotel, leaving his bags there, the day the body was found, and had not been seen since.
The last of these clippings carefully read, Alec Rush rocked back in his chair and made a thoughtful monster's face at the ceiling. Presently he leaned forward again to look into the telephone directory, and to call the number of Ralph Millar's trust company. But when he got his number he changed his mind.
"Never mind," he said into the instrument, and called a number that was Goodbody's. Minnie, when she came to the telephone, told him that Polly Vanness had been identified as one Polly Bangs, arrested in Milwaukee two years ago for shoplifting, and given a two-year sentence. Minnie also said that Polly Bangs had been released on bail early that morning.
Alec Rush pushed back the telephone and looked through his clippings again until he found the address of Madeline Boudin, the woman who had visited Falsoner so soon before his death. It was a Madison Avenue number. Thither his coupe carried the detective.
No, Miss Boudin did not live there. Yes, she had lived there, but had moved four months ago. Perhaps Mrs. Blender, on the third floor, would know where she lived now. Mrs. Blender did not know. She knew Miss Boudin had moved to an apartment house in Garrison Avenue, but did not think she was living there now. At the Garrison Avenue house: Miss Boudin had moved away a month and a half ago—somewhere in Mount Royal Avenue, perhaps. The number was not known.
The coupe carried its ugly owner to Mount Royal Avenue, to the apartment building he had seen first Hubert Landow and then Scuttle Zeipp visit the previous day. At the manager's office he made inquiries about a Walter Boyden, who was thought to live there. Walter Boyden was not known to the manager. There was a Miss Boudin in 604, but her name was B-o-u-d-i-n, and she lived alone.
Alec Rush left the building and got in his car again. He screwed up his savage red eyes, nodded his head in a satisfied way, and with one finger described a small circle in the air. Then he returned to his office.
Calling the trust company's number again, he gave Ralph Millar's name, and presently was speaking to the assistant cashier.
"This is Rush. Can you come up to the office right away?"
"What's that? Certainly. But how—how—? Yes, I'll be up in a minute."
None of the surprise that had been in Millar's telephone voice was apparent when he reached the detective's office. He asked no questions concerning the detective's knowledge of his identity. In brown today, he was as neatly inconspicuous as he had been yesterday in gray.
"Come in," the ugly man welcomed him. "Sit down. I've got to have some more facts, Mr. Millar."
Millar's thin mouth tightened and his brows drew together with obstinate reticence.
"I thought we settled that point, Rush. I told you—"
Alec Rush frowned at his client with jovial, though frightful exasperation.
&nb
sp; "I know what you told me," he interrupted. "But that was then and this is now. The thing's coming unwound on me, and I can see just enough to get myself tangled up if I don't watch Harvey. I found your mysterious man, talked to him. He was following Mrs. Landow, right enough. According to the way he tells it, he's been hired to kill her."
Millar leaped from his chair to lean over the yellow desk, his face close to the detective's.
"My God, Rush, what are you saying? To kill her?"
"Now, now! Take it easy. He's not going to kill her. I don't think he ever meant to. But he claims he was hired to do it."
"You've arrested him? You've found the man who hired him?"
The detective squinted up his bloodshot eyes and studied the younger man's passionate face.
"As a matter of fact," he croaked calmly when he had finished his examination, "I haven't done either of those things. She's in no danger just now. Maybe the lad was stringing me, maybe he wasn't, but either way he wouldn't have spilled it to me if he meant to do anything. And when it comes right down to it, Mr. Millar, do you want him arrested?"
"Yes! That is—" Millar stepped back from the desk, sagged limply down on the chair again, and put shaking hands over his face. "My God, Rush, I don't know!" he gasped.
"Exactly," said Alec Rush. "Now here it is. Mrs. Landow was Jerome Falsoner's niece and heir. She worked for your trust company. She married Landow the morning her uncle was found dead. Yesterday Landow visited the building where Madeline Boudin lives. She was the last person known to have been in Falsoner's rooms before he was killed. But her alibi seems to be as air-tight as the Landows'. The man who claims he was hired to kill Mrs. Landow also visited Madeline Boudin's building yesterday. I saw him go in. I saw him meet another woman. A shoplifter, the second one. In her rooms I found a photograph of Hubert Landow. Your dark man claims he was hired twice to kill Mrs. Landow—by two women neither knowing the other had hired him. He won't tell me who they are, but he doesn't have to."
The hoarse voice stopped and Alec Rush waited for Millar to speak. But Millar was for the time without a voice. His eyes were wide and despairingly empty. Alec Rush raised one big hand, folded it into a fist that was almost perfectly spherical, and thumped his desk softly.
"There it is, Mr. Millar," he rasped. "A pretty tangle. If you'll tell me what you know, we'll get it straightened out, never fear. If you don't—I'm out!"
Now Millar found words, however jumbled.
"You couldn't, Rush! You can't desert me—us—her! It's not—You're not—"
But Alec Rush shook his ugly pear-shaped head with slow emphasis.
"There's murder in this and the Lord knows what all. I've got no liking for a blindfolded game. How do I know what you're up to? You can tell me what you know—everything—or you can find yourself another detective. That's flat."
Ralph Millar's fingers picked at each other, his teeth pulled at his lips, his harassed eyes pleaded with the detective.
"You can't, Rush," he begged. "She's still in danger. Even if you are right about that man not attacking her, she's not safe. The women who hired him can hire another. You've got to protect her, Rush."
"Yeah? Then you've got to talk."
"I've got to—? Yes, I'll talk, Rush. I'll tell you anything you ask. But there's really nothing—or almost nothing—I know beyond what you've already learned."
"She worked for your trust company?"
"Yes, in my department."
"Left there to be married?"
"Yes. That is—No, Rush, the truth is she was discharged. It was an outrage, but— "
"When was this?"
"It was the day before the—before she was married."
"Tell me about it."
"She had—I'll have to explain her situation to you first, Rush. She is an orphan. Her father, Ben Falsoner, had been wild in his youth—and perhaps not only in his youth—as I believe all the Falsoners have been. However, he had quarrelled with his father—old Howard Falsoner—and the old man had cut him out of the will. But not altogether out. The old man hoped Ben would mend his ways, and he didn't mean to leave him with nothing in that event. Unfortunately he trusted it to his other son, Jerome.
"Old Howard Falsoner left a will whereby the income from his estate was to go to Jerome during Jerome's life. Jerome was to provide for his brother, Ben, as he saw fit. That is, he had an absolutely free hand. He could divide the income equally with his brother, or he could give him a pittance, or he could give him nothing, as Ben's conduct deserved. On Jerome's death the estate was to be divided equally among the old man's grandchildren.
"In theory, that was a fairly sensible arrangement, but not in practice—not in Jerome Falsoner's hands. You didn't know him? Well, he was the last man you'd ever trust with a thing of that sort. He exercised his power to the utmost. Ben Falsoner never got a cent from him. Three years ago Ben died, and so the girl, his only daughter, stepped into his position in relation to her grandfather's money. Her mother was already dead. Jerome Falsoner never paid her a cent.
"That was her situation when she came to the trust company two years ago. It wasn't a happy one. She had at least a touch of the Falsoner recklessness and extravagance. There she was: heiress to some two million dollars—for Jerome had never married and she was the only grandchild—but without any present income at all, except her salary, which was by no means a large one.
"She got in debt. I suppose she tried to economise at times, but there was always that two million dollars ahead to make scrimping doubly distasteful. Finally, the trust company officials heard of her indebtedness. A collector or two came to the office, in fact. Since she was employed in my department, I had the disagreeable duty of warning her. She promised to pay her debts and contract no more, and I suppose she did try, but she wasn't very successful. Our officials are old-fashioned, ultra-conservative. I did everything I could to save her, but it was no good. They simply would not have an employee who was heels over head in debt."
Millar paused a moment, looked miserably at the floor, and went on:
"I had the disagreeable task of telling her her services were no longer needed. I tried to —It was awfully unpleasant. That was the day before she married Landow. It—" He paused and, as if he could think of nothing else to say, repeated, "Yes, it was the day before she married Landow," and fell to staring miserably at the floor again.
Alec Rush, who had sat as still through the recital of this history as a carven monster on an old church, now leaned over his desk and put a husky question:
"And who is this Hubert Landow? What is he?"
Ralph Millar shook his downcast head.
"I don't know him. I've seen him. I know nothing of him."
"Mrs. Landow ever speak of him? I mean when she was in the trust company?"
"It's likely, but I don't remember."
"So you didn't know what to make of it when you heard she'd married him?"
The younger man looked up with frightened brown eyes.
"What are you getting at, Rush? You don't think—Yes, as you say, I was surprised. What are you getting at?"
"The marriage license," the detective said, ignoring his client's repeated question, "was issued to Landow four days before the wedding-day, four days before Jerome Falsoner's body was found."
Millar chewed a fingernail and shook his head hopelessly.
"I don't know what you're getting at," he mumbled around the finger. "The whole thing is bewildering."
"Isn't it a fact, Mr. Millar," the detective's voice filled the office with hoarse insistence, "that you were on more friendly terms with Sara Falsoner than with anyone else in the trust company?"
The younger man raised his head and looked Alec Rush in the eye—held his gaze with brown eyes that were doggedly level.
"The fact is," he said quietly, "that I asked Sara Falsoner to marry me the day she left."
"Yeah. And she—?"
"And she—I suppose it was my fault. I was clumsy, crude, whateve
r you like. God knows what she thought—that I was asking her to marry me out of pity, that I was trying to force her into marriage by discharging her when I knew she was over her head in debt! She might have thought anything. Anyhow, it was—it was disagreeable."
"You mean she not only refused you, but was—well—disagreeable about it?"
"I do mean that."
Alec Rush sat back in his chair and brought fresh grotesqueries into his face by twisting his thick mouth crookedly up at one corner. His red eyes were evilly reflective on the ceiling.
"The only thing for it," he decided, "is to go to Landow and give him what we've got."
"But are you sure he—?" Millar objected indefinitely.
"Unless he's one whale of an actor, he's a lot in love with his wife," the detective said with certainty. "That's enough to justify taking the story to him."
Millar was not convinced.
"You're sure it would be wisest?"
"Yeah. We've got to go to one of three people with the tale—him, her, or the police. I think he's the best bet, but take your choice."
The younger man nodded reluctantly.
"All right. But you don't have to bring me into it, do you?" he said with quick alarm. "You can handle it so I won't be involved. You understand what I mean? She's his wife, and it would be—"
"Sure," Alec Rush promised; "I'll keep you covered up."
Hubert Landow, twisting the detective's card in his fingers, received Alec Rush in a somewhat luxuriously furnished room in the second story of the Charles-Street Avenue house. He was standing—tall, blond, boyishly handsome—in the middle of the floor, facing the door, when the detective—fat, grizzled, battered, and ugly—was shown in.
"You wish to see me? Here, sit down."
Hubert Landow's manner was neither restrained nor hearty. It was precisely the manner that might be expected of a young man receiving an unexpected call from so savage-visaged a detective.
"Yeah," said Alec Rush as they sat in facing chairs. "I've got something to tell you. It won't take much time, but it's kind of wild. It might be a surprise to you, and it might not. But it's on the level. I don't want you to think I'm kidding you."
