"Well, I think I might weep or some such thing," Harrington said, "and I wouldn't want to do that."
25
At quarter to two in the morning Jimmy used the tweezers to unlock his door again, and went downstairs. A few embers glowed in the fireplace, and one of the kerosene lamps was still lit, standing on the card table like a beacon calling ships in from sea. They'd watched The Thing tonight (direction credited to Christian Nyby but more probably the work of producer Howard Hawks, with a screenplay by Charles Lederer, based on Who Goes There? a short story by John W. Campbell, Jr.) and after. ward the lady called Mom had insisted that a light be left on. "Otherwise," she'd said, "I won't sleep."
She was asleep, and so was the lady called May, both floating peacefully on their air mattresses under mounds of blankets. The three men, called John and Andy and Stan, were presumably asleep in the next room, from which no light at all shone. (They'd been careful, he'd noticed, not to use their last names around him, but they'd been free about using first names, so they were probably all aliases. That's the way professional criminals like these operated; he'd been impressed by their constant references to some previously worked-out master plan, or "book," that they were following through this crime.)
It took less than ten minutes to do what he had to do in the living room, and then he moved swiftly and silently back upstairs, pausing at the top for one last glance down at the sleeping figures in the soft light; they weren't such
bad people, really. Probably given psychological scars in their childhoods, and not born into an economic level where treatment could be given at an early age. Understanding, as Dr. Schraubenzieher was fond of pointing out, is the key to nothing except further understanding, but in the last analysis what else is there? All of life is either ignorance or knowledge, there's no third possibility.
Back in the room, he dressed himself as warmly as possible and then once more removed the boards from the window. With his Air France bag over his shoulder, out the window he went, replaced the boards as before, and made his way down the rope.
He had no flashlight with him this time, but on the other hand there was neither wind nor rain to struggle against, and a flashlight could lead to his being discovered before he was ready. The clouded sky made the night almost as dark as last time, but now he had traveled the dirt road un. masked and in daylight, when he'd been taken out to call his father, and he was sure he could find the road in the dark and, once having found it, stay on it by the sense of touch.
This time he went around the house the opposite way, passing the new car Stan and Andy had stolen to replace the Caprice, this one being a Ford Country Squire station wagon. Jimmy squeezed by it, got to the front of the house, found the dirt road by scuffing his feet, and turned right. Though he couldn't see a thing he strode confidently forward, knowing exactly where the road went.
And stopped dead when he heard the cough. John? Stan? Andy? The women? Had there been any bodies under those mounds of blankets?
No, wait, that's just irrational fear. There's no reason for any member of the gang to come out here and hide in the middle of the night, no reason at all.
Therefore, this must be somebody else.
Even as he was thinking that, someone yawned, very near, on the right. A scratching sound followed, as of someone scratching himself through clothing, and then a voice Jimmy had never heard before said, "God damn, this is boring." The volume level was lower than normal, but it was by no means a whisper.
A second voice, speaking more softly than the first, said, "We'll move in soon. As soon as those lights go out."
Turning, Jimmy could see the lines of light at the boarded-up windows. The kerosene lamp seemed much brighter when seen this way.
The first voice, idly complaining, said, "I don't see why we don't go in now and get it over with."
"We don't want anything to happen to the boy," the second voice told him. "We'll wait till they're asleep."
"What if they stay up all night?"
"We'll have to go in before dawn, no matter what."
"I still say," the first voice said, "the easiest thing is let them go tomorrow, follow them with the radio trucks, and pick them up after they let off the kid."
"Too much could go wrong," the second voice said. "They could split up. They could get spooked and kill the kid. And they could still get rid of that suitcase, maybe split the money here and leave it behind. No, Bradford knows what he's doing."
"And I know what I'm doing," the first voice said. "I'm getting goddam bored, that's what I'm doing. Why don't I go peek through the boards again, see if they're still watching television?"
"Just wait here like we were told," the second voice said. "It won't be long now."
At that point, Jimmy turned and headed back for the house, moving as carefully and as silently as he knew how. The two men continued to talk behind him, but he didn't listen any more; he already knew enough. Bradford was the' name of the FBI man Mom had talked to on the phone. And there must be some sort of radio transmitter in the suitcase containing the ransom. And now the house was surrounded.
Or was it? These people had apparently done a very solid surveillance on the house, including creeping up on the porch and looking through the window at them watching television. So they must know that the house was completely boarded up, all windows and doors, except the main entrance in front. Isn't that where they would concentrate their forces? In back, where pastureland led to woods, they would have few people or no people at all.
So that's the way they'd have to get out. Thinking it over, Jimmy hurried silently toward the house. He didn't want the gang to get caught, so he'd better warn them pretty fast. Mostly his concern had an ulterior motive-if they were caught it would louse up his own plans-but he also had a kind of reluctant liking for the different members of the gang and didn't want them to get in any trouble. So he hurried.
This time, when he scaled up the rope, he left the boards out of the window. Unlocking the door, hurrying downstairs, he went straight to the suitcase. A transmitter; hmmmmm.
Found it. It looked like a tadpole, a round piece of metal shaped like a nickel, with a tail of wire trailing away from it. A part of the suitcase lining had been pulled out, the transmitter placed behind it, and the lining glued down over it again. An unsuspicious person wouldn't notice it, but a lump like that would never have gotten through Customs. Jimmy was surprised nobody in the gang had noticed it.
Holding the transmitter in his hand, he considered his next move. Destroy it? No, they might still have their receivers on, and if the transmitter stopped sending they'd surely attack the house at once. There were still a few shards of shelf stacked up next to the fireplace; he stuffed the thing in among them. Go ahead and transmit now.
How much time did he have? No telling; he hurried across the room to the nearest mound and shook it, whispering, "Wake up! Wake up!"
It was May. She partly sat up, blinking, bewildered, then astonished at seeing Jimmy. "What are you doing down here?"
Still whispering, Jimmy said, "There's police outside!"
"What!" May sat upright, shedding blankets, showing she'd gone to sleep in her clothing.
"They're waiting for this light to go out, then they'll move in."
May was waking up fast. Grasping Jimmy's arm she said, "Are you sure?"
"I went outside. I heard them talking."
"You went outside?"
"I was going to escape," Jimmy said. "Just to prove a point, I guess. But I heard them, and I came back."
Mom was now sitting up, nearby, and she said, "What's going on?"
May told her, "Jimmy says there's police outside."
"Oh, no!"
"I have a way out," Jimmy told them. "But we have to hurry."
"Yes," May said, suddenly in motion, pulling her shoes on. "Yes yes."
The next five minutes were a frantic scramble. Jimmy had to explain over and over that he'd started to escape, that he'd heard the voices, and t
hat he'd come back to warn the gang. He told them about the kerosene lamp delaying the onslaught, but he didn't mention anything about the transmitter.
May and Mom and Stan and Andy all believed him at once. John was skeptical, for no good reason. "Why'd he come back?" he kept asking everybody. "Why'd he come back and tell us? Makes no sense."
"You've been fair to me," Jimmy said. "I wanted to be fair to you." He didn't say anything about his own plans for later.
They all wanted to know what his escape route was, but all he'd say was, "Upstairs. And we'd better hurry."
Finally they were all ready to go. The kerosene lamp was left burning, and they all trooped after Jimmy up the stairs. Andy carried the suitcase, Stan carried the portable TV, Mom carried the hibachi, and John carried the flashlight. When Jimmy led the way into his room, John said, "Some day I got to find out how he does that."
Jimmy picked up the Air France bag. "I packed when I was going to escape," he said. "Can I keep it all?"
"Sure," May told him.
"Thanks." To John he said, "We'll have to turn the flashlight off now."
John switched off the flashlight. "I just want to know what we're doing," he said.
Jimmy briefly explained what he had done here, and was greeted with a kind of awed silence. Then he said, "We'll have to go out one at a time. I don't think the rope would be strong enough for more than that."
Andy went first, with the suitcase. Then Stan's Mom went, having trouble squeezing through the space, with her son shoving and holding and helping the best he can. "I can't bring the hibachi," she whispered. "I need both hands on the rope."
"I'll bring the damn hibachi," John told her.
Stan helped his mother for the first part down the rope and Andy down below helped her for the last part. Then May went down, and after her, Stan. John said, "You next."
"No, I'll go last," Jimmy said. "I'll fix the boards over the window again, the way I did last time. I already locked the door, while everybody else was going down."
"From the inside?"
"Sure," Jimmy said.
John made some sort of guttural noise in his throat. "All right," he said. "I'll go next."
John went down one-handed, carrying the hibachi. Then Jimmy, the Air France bag over his shoulder again, went out the window for the third and final time. He was very adept by now at replacing the boards, and then he skimmed down the rope and joined the others. "All set," he whispered.
"You want to lead the way?" John asked him. It didn't sound sarcastic, it sounded mostly heavy and fatalistic.
"Not me," Jimmy said. "I don't know what's over there."
"More trouble," John said, and led off.
The six of them marched away from the house in the darkness, off across the scrubby pasture land, following one another mainly by the sound of their footsteps as they tramped through the dry autumn grass. John went first, carrying the flashlight, which he didn't dare switch on. May followed, not carrying anything. Then Jimmy, carrying his Air France bag, Stan's Mom, carrying her hibachi, Stan, carrying his portable TV set, and Andy, carrying the suitcase.
26
At four-twenty A.M., elements of the Federal Bureau of Investigation under the command of Field Agent Leonard Bradford, assisted by elements of the Warren County Sheriff's Department under the command of Sheriff Larch K. Dooley, and elements of the New Jersey State Police under the command of Sergeant Ambrose Rust, broke in the front door of the deserted farmhouse known as the Pootey place, Hezakiah Township, Lot 19, Block 47, and shouted, "Hands up!"
And found the place empty.
Agent Bradford, entering with the second wave, announced, "They're in here someplace! Tear it apart."
They tore it apart. State troopers, sheriff's deputies, and Federal agents reported to Bradford in streams, and all of the reports were discouraging. There was no one in the building. A second-floor room, furnished for a child and locked from the outside, was empty. Air mattresses, blankets, food, folding chairs, and other indicators indicated that the fugitives actually had been in this building-thus confirming the eyewitness report of Agent Wilson, who had peeked in and seen them all watching television-but they sure weren't here now.
Nor, unfortunately, was there any way for them to have left. Every door and every window in the place was solidly boarded up, with the single exception of the front door, which had been under constant surveillance since late yesterday afternoon. There were no tunnels in the basement, no secret passages, no hidden rooms. They were not here, and it was not possible for them to have left.
And what made it worse, the radio trucks claimed they were still here. The three trucks were out roaming the world, triangulating and triangulating and triangulating, and every damn time the three lines crossed at the exact same spot on the map. This spot.
The gang wasn't here. The child wasn't here. The suitcase wasn't here. But the gang and the child could not have left, and the radio trucks insisted the suitcase was here.
By dawn's early light, Agent Bradford stood on the sagging front porch and watched his demoralized men wandering around that field out there, looking for clues. Sergeant Ambrose Rust of the New Jersey State Police came out of the house, after one last head-scratching inspection, and said, "Well, Mr. Bradford, what do we do now?"
"I don't know about you, Sergeant," Agent Bradford said, "but I'm going to start looking for somebody to pin this on."
27
In the deep dark woods they huddled around the television set, for warmth as much as for entertainment. The movie now was Captain Blood, Errol Flynn's first picture, directed by Michael Curtiz, best known for Casablanca. Jimmy was pointing out to an uncaring audience how the obsessive close-ups of Flynn from a low-angle camera made him separate from and above the surrounding action when Kelp came blundering back through the woods to say, "Well, I finally found something. It wasn't easy out here, let me tell you."
It was now shortly after dawn; Captain Blood would soon be giving way to Sunrise Semester. They had spent over an hour heading away from the house, first across open fields, then through woods, then across a county road and a plowed field and more woods until they'd felt secure enough to stop. Another county road was ahead of them; while the rest retired deeper into the woods to hide and watch television, Kelp had gone off to find them transportation, a vehicle to get them to New York.
And now Kelp was back. Slowly Dortmunder rose, clutching his back. He had found and fixed the leak in his air mattress, but the patch had popped during the night, and he'd awakened stiff as a board again. Sitting around on the cold ground late at night hadn't helped much, so
that by now the movie character he resembled was no — longer Frankenstein's Monster but the Tin Woodman before he's been oiled.
"Oh, to be home," Murch's Mom said. "Home in my own warm bed."
Jimmy said, "Can't we watch the finish? It's really well done."
"I'm almost willing," Dortmunder said. "I'd like to see something well done."
"Like a steak," Murch said.
May said, "Don't talk about food."
They turned off the TV, over Jimmy's protests, and all trailed after Kelp through the woods and out to the county road, where they found a Ford Econoline van waiting for them. Colored dark green, it had lettering on the side doors that read BUXTON J. LOWERING, D. V. M.
Dortmunder said, "What's this?"
"The only vehicle I could find," Kelp said, "that didn't have dogs or barbed wire in the way of me getting to it. People are very mistrustful out here, don't believe any of that stuff about the gullible hicks."
"D. V. M.," May read. "That's some kind of doctor, isn't it?"
"Even out here," Murch said, "he steals doctors' cars."
"Doctor of Veterinary Medicine," Jimmy said.
Dortmunder looked at Kelp. "A vet?"
"It's all I could find," Kelp insisted. "You go look."
"No," Dortmunder said. "It's okay. Stan, you and your Mom ride up front. The rest of us'll g
et in back. And Stan?"
"Mm?"
"Just get us to the city, okay?"
"Sure," Murch said. "Why not?"
Kelp opened the rear doors of the van, and they started to climb in. Wistfully May said, "And we were going back in a Country Squire. I was really looking forward to that."
Most of the interior was taken up by a large cage. They had to get into the cage, there being no place else to sit down, and try to get comfortable on the crisscross metal bars of the cage floor. Jimmy sat on his Air France bag, May sat on the suitcase, and Kelp tried sitting on the TV set. When that didn't work he tried the hibachi, which also didn't work. Dortmunder, past caring, simply sat down on the floor.
Murch turned and called, "All set back there?"
"Just wonderful," May said.
Murch started them forward. The drive wasn't as bumpy as it might have been.
"Andy," Dortmunder said.
"Uh huh?"
"The next time you have an idea," Dortmunder said, "if you come to me with it, I'll bite your nose off."
"Now what?" Kelp was aggrieved again. "Doggone it, this thing's working out isn't it? We're making thirty thousand apiece out of it, aren't we?"
"I'm just saying," Dortmunder said.
"I don't see how you can complain."
"I'm complaining anyway," Dortmunder said. "And I'm also warning you."
"Boy. Some people are just never satisfied." May said, "What's that smell?"
"Dog," Jimmy said.
"Sick dog," Dortmunder said.
"I suppose that's my fault, too," Kelp said. Nobody said anything.
28
"I used to like dogs," May said. "In fact, I had one once."
"Lincoln Tunnel coming up," Murch called to them.
"That's not all that's coming up," May said.
They'd been in this truck for nearly two hours, except for three pauses at rest stops along route 80, when they would all get out and do a lot of breathing. Dortmunder, whose stiffness wasn't being helped by sitting on a cage floor and leaning his back against a cage wall, would simply stand behind the truck during the rest stops, hanging there like an elm tree struck by the blight, but the others would all walk around, inhaling and limbering up.
Jimmy the Kid Page 15
