‘I’d like to hear the end of Jackie’s story,’ he said. ‘There you were at 11 Bentley Grove, with the Frenches and a frightened, confused Dr Gane – what happened?’
‘The Frenches scurried off home to ring my boss and complain.’ Jackie rolled her eyes. ‘Ungrateful sods – nothing like giving someone the benefit of the doubt, is there? They assumed I’d cocked up. I haven’t spoken to them since. I wouldn’t.’
So, no superior garaging and sunnier gardens for the Frenches, Sam thought, not if Jackie could help it. Hadn’t she described herself as loyal, at the beginning of the interview? In Sam’s experience, people who extolled their own loyalty often sought to impose reciprocity, by coercion if necessary. Almost always, there was an unspoken caveat: but if you cross me, or let me down…
‘I was left standing there like a spare part, with Selina Gane threatening to ring the police. I managed to calm her down, at least enough to explain what had happened. She was in a state – who wouldn’t be? So was I, to be honest. I mean, it wasn’t like anything bad had happened to me, but it freaks you out a bit, thinking you’ve been tricked by some weirdo and you don’t even know why. What I don’t get is, what was the point of it all, from the dark-haired woman’s point of view? She must have known what’d happen: I’d turn up to show people round the house, and I’d meet the real Dr Gane. Eventually that was bound to happen, wasn’t it?’
Sam wondered if the point had been to scare Selina Gane out of her senses. To make her think, ‘If my lover’s wife is capable of this, what else might she be capable of?’
‘I don’t suppose Selina Gane said anything about who the dark woman might be?’
‘She wasn’t making much sense. At first when I asked her who’d do a thing like that, she said, “I know who did it.” I waited for her to say more, but she started yapping on about changing the locks. She grabbed the Yellow Pages and started looking up locksmiths, and then she threw the book on the floor, burst into tears and said how could she stay in the house after this? “If she can get a copy of my front door key once, she can do it again,” she said. I told her she ought to contact the police.’
‘She took your advice,’ said Grint. He aimed his next comment at Sam. ‘She made a statement on Thursday 8 July. In it, she said that she was aware of a dark-haired woman who’d been following her – she had no idea who she was, but this woman had been hanging around, behaving oddly. From her statement, there was no way of us working out who this person was, but then…’ Grint turned back to Jackie. ‘There have been some developments, recently.’
Grint couldn’t have known about this statement yesterday morning, Sam thought, or else he would have sounded far more interested than he had the first time Sam had spoken to him about 11 Bentley Grove and Connie Bowskill’s disappearing dead woman.
‘I had to ask her,’ said Jackie. ‘I wanted to know who she thought had done it. She said, “I don’t know who she is.” But a few minutes before, she’d said she did know who it was. She mustn’t have wanted to talk about it.’
Grint and Sam exchanged a look. Grint said, ‘I think what she meant was that she suspected the woman who’d been following her was responsible – she knew she had a stalker, but didn’t know the stalker’s identity.’
‘Right,’ said Jackie. ‘Yeah, I suppose so. I didn’t think of that.’
‘So you threw the brochures in the bin, took 11 Bentley Grove off the website…’ said Sam.
‘Deleted the photos I’d taken, explained to my boss what had happened.’ Jackie sounded bitter. ‘I got a right bollocking for not checking the passport properly.’ She gave Sam a look that said, I know whose side you’re on. ‘Then, just before I went to New Zealand, I got a call from Dr Gane – the real Dr Gane. I checked.’
Sam wondered how rigorous the checking process had been, over the telephone. Are you really Selina Gane this time? Yes. Oh, okay, great.
‘I recognised her voice,’ Jackie snapped at him.
‘Fair enough,’ Sam said evenly.
‘She rang me because she said I’d been kind and understanding, that day with the Frenches.’ There was an unmistakeable ‘So there’ on Jackie’s face, as if Sam had called her essential goodness into question. ‘She wanted to sell her house, wanted me to take care of it. Said the house didn’t feel like hers any more. I could see where she was coming from – I’d have felt the same way in her shoes, to be honest. She said, “If that woman got in once, she might have got in a hundred times. I can’t live here knowing she’s violated my space. She might have slept in my bed, spent nights here while I’ve been away.” I told her I couldn’t deal with it, I was off on holiday, and I’d ask Lorraine to ring her. She was okay with that – she knew Lorraine, from when she bought the house – it was Lorraine that sold it to her. Lorraine went round, took new photos…’
‘Hold on,’ Sam stopped her. ‘When I spoke to Lorraine Turner, she said nothing about anyone impersonating Selina Gane and putting her house up for sale without her knowledge.’
‘I didn’t tell her,’ said Jackie. ‘Dr Gane asked me not to.’
‘She didn’t want anyone to know what had happened who didn’t need to,’ Grint told Sam. ‘She found it distressing and embarrassing, didn’t want people asking her about it.’
Sam was still thinking about Lorraine Turner, whose relationship with 11 Bentley Grove went further back than Selina’s, Jackie’s, Connie’s. Lorraine had sold 11 Bentley Grove to Selina on behalf of the Christmas tree couple, Mr and Mrs Beater. Did she also sell the house to the Beaters, when it was first built, or had the developers done that themselves?
‘I told Lorraine she’d have to meet Dr Gane at Addenbrooke’s or at her hotel to collect the key,’ Jackie went on. ‘I was thinking, “Don’t bother asking her to meet you at Bentley Grove – she won’t go near the place.” She said to me she wasn’t going back to that house ever again.’
Grint was moving towards the door of the interview room. ‘Let’s go and meet Selina Gane’s stalker, shall we?’ he said. Jackie rose to her feet. A more sensitive person might have been nervous, Sam thought; he certainly was. He tried to imagine Connie Bowskill admitting it, and couldn’t. Couldn’t imagine her denying it either – how could she, if Jackie pointed the finger in no uncertain terms? As Connie had said herself, it was difficult to maintain a state of denial when what you were trying to deny was laid out before you and you were forced to confront it head-on.
If it was denial. It occurred to Sam that Connie might be cannier than she seemed. How good an actress was she? Her painful-to-watch attack on her husband had been inconsistent, lurching from one accusation to another; Sam had put this down to confusion and panic at the time, but now he wasn’t so sure. At first Connie had seemed convinced that Kit thought she was a killer, and terrified that he might be right. She’d wanted Grint to say that for her to have killed a woman and then repressed the memory was impossible – she’d virtually put the words in his mouth. Then she’d changed tack: Kit didn’t really think she’d killed anybody, but he wanted her to think that was what he believed – wanted to plant in her mind the fear that she might have committed a murder of which she now had no memory.
Listening, Sam had wondered how she could harbour these two suspicions simultaneously. He’d concluded that she was most afraid of not being in control of her own behaviour; she preferred to think that her husband was a monster.
After talking to Jackie Napier, Sam had a different theory. It was no accident that he’d been left wondering which of the two it was: Kit the liar, Kit the killer, messing with his wife’s head in the hope that he could make her collude in his framing of her for a crime she didn’t commit – or Connie the unfortunate victim of a mental breakdown whose psychological disintegration was so severe that she couldn’t be held responsible for her actions. It was no accident that a choice had been set up between these two possibilities and no other. Sam’s attention, and Grint’s, had been skilfully diverted away from a third possibility: that C
onnie had knowingly and deliberately killed a woman. That the anguished on-the-edge persona she presented to the world was a carefully constructed lie.
Sam was torn. Part of him would have liked to take Grint to one side and ask him what was happening on the forensic front, what Selina Gane had said when Grint had interviewed her, as Sam assumed he must have. He’d have liked to know if the former owners of the house, Mr and Mrs Beater, had identified the stain on the carpet as being the same one made by their Christmas tree, or if Grint was content to take Lorraine Turner’s word for it. Sam wouldn’t have been; a couple of times he’d opened his mouth to tell Grint as much, then changed his mind. Not his patch, not his problem.
It was time to extricate himself and return to his own far duller caseload. The more he discussed 11 Bentley Grove’s disappearing dead woman with Grint, the deeper he’d be drawn in. Interviewing Jackie Napier had been a step too far; he should have refused. Why didn’t you, then? his wife Kate would say – the most pointless question ever to be formulated, and one Kate asked regularly.
I didn’t because I didn’t.
As he followed Grint and Jackie up a narrow flight of grey stairs, Sam admitted to himself that he had no choice but to put Grint in touch with Simon, who, if nothing else, would be able to confirm that Connie had told the truth about the conversations she’d had with him. Simon would have formed an impression of her character, positive or negative. He wouldn’t be afraid to take a position, or several: reliable or dishonest, crazy or sane, victim or victim-maker. Good or evil. Simon dealt in larger concepts than Sam felt comfortable with, and trusted his own judgement; he was the help Grint needed. Someone who didn’t constantly equivocate. It often seemed to Sam that, while most people’s minds were like manifestos, foregrounding their beliefs and commitments, his own was more of a suggestion box, with every side of every argument stuffed into it, all clamouring for attention, each demanding equal consideration; Sam’s only role was to sort through the competing claims as impartially as possible. Maybe that was why he felt tired nearly all the time.
He’d have to contact Simon in Spain and warn him that Grint would be in touch; it was only fair. Great. Offhand, Sam couldn’t think of anything he wanted to do less than interrupt a honeymoon, especially not one that belonged to Charlie Zailer. Charlie wasn’t known for her forgiving nature.
Sam got a shock when Grint opened the interview room door and he saw the Bowskills. Both seemed out of breath. Connie looked as if she’d been crying non-stop for the whole time she’d been alone with her husband. There were grey streaks on her trousers that hadn’t been there before. What the hell had happened? An unpleasant, sour smell hung in the air, one Sam could neither describe to himself, nor match to anything he’d smelled before.
‘Sam?’ Connie’s voice was thick. Her eyes were on Jackie Napier, but there was nothing to suggest she recognised her. ‘What’s going on? Is this the woman who saw what I saw?’
If she’s lying, Sam thought, then by now the lie is as necessary for her survival as her heart and lungs are; she’ll cling to it no matter what, because she can’t envisage a life without it. Most of the liars Sam’s work brought him into contact with favoured the disposable variety – they’d put a story together and trot it out in the hope that it might net them a lighter sentence, but they knew they were talking rubbish; that was how they defined it to themselves. They weren’t emotionally attached to their invented scenarios; when you pointed out to them that you could prove they weren’t where they said they were at a particular time, they normally shrugged and said, ‘Worth a try, wasn’t it?’
Sam steeled himself for confrontation. He sensed a powerful latent aggression in Jackie Napier, always on the lookout for a legitimate outlet. That she would lay into Connie Bowskill, verbally if not physically, seemed beyond doubt. So why the delay? Why was she staring at the Bowskills, saying nothing?
Jackie turned to Grint, her mouth a knot of impatience. ‘Who’s this?’ She gestured towards Connie.
Grint took a second or two to answer. ‘This isn’t the woman who showed you Selina Gane’s passport?’
‘I did what?’ said Connie.
‘What the fuck are you talking about?’ Kit turned to Sam. ‘What does he mean?’
‘No,’ Jackie Napier said irritably. ‘I don’t know where you got her from, but you can put her back. I’ve never seen her before in my life.’
POLICE EXHIBIT REF: CB13345/432/24IG
CAVENDISH LODGE PRIMARY SCHOOL
Date: 13.07.06 Name: Riordan Gilpatrick
Form: Lower Kindergarten
Average Age: 3 years 4 months
Age: 3 years 8 months
* * *
COMMUNICATIONS, LANGUAGE, LITERACY
Riordan has made good progress this year with language. Always clear and fluent in his speech, he has good recall and enjoys story time. He recognises all the Letterland characters and their sounds and is now building words from their individual sounds.
* * *
MATHEMATICAL DEVELOPMENT
Riordan recognises numbers up to 9 and counts to 18. He can complete a 6-piece jigsaw, recognise colours and geometric shapes and sort for colour and size. Riordan enjoys playing number games and joining in songs.
* * *
KNOWLEDGE AND UNDERSTANDING OF THE WORLD
Riordan shows interest in the world about him and likes to join in the discussions we have. He enjoys planting seeds and bulbs, baking, looking at the day’s weather for our weather chart and learning about topics such as Farms, Life Cycles and ‘People Who Help Us’.
* * *
PHYSICAL DEVELOPMENT
Riordan’s fine motor skills are excellent. He draws some lovely pictures and handles pencil or paintbrush with skill. He can thread beads and use scissors and he traces his letters carefully. Gross motor skills are also very good: he runs and jumps, enjoys pushing the prams, and likes to join in playground games.
* * *
CREATIVE DEVELOPMENT
Riordan just loves to dress up and role play in the Home Corner with his friends! He also likes to use his imagination with the small world toys. He is always eager to sit at our creative table and paint, draw lovely detailed pictures or make collages.
* * *
PERSONAL, SOCIAL AND EMOTIONAL DEVELOPMENT
Riordan has settled well into his first year at school and made lots of friends. He socialises well and is caring towards his friends. He is a pleasure to have in the class: we shall miss him when he moves up to Kindergarten next year! I am sure he will enjoy being in Kindergarten. Well done, Riordan!
Form Teacher: Teresa Allsopp
15
Friday 23 July 2010
‘Nothing?’ Mum looks at Dad with a plea in her eyes, as if she expects him to spring into action to correct the injustice. ‘What do you mean, they’re doing nothing?’
Kit and I are prepared. We knew the reaction we’d get. We foresaw the horrified gasp, the quiver of outrage in the voice. We predicted Dad’s reaction too, which we’ve not had yet, but we’re fully covered on that front, because we prophesied the time delay. Mum is the instant responder of the two of them, spewing out her panic in gusts of self-righteous accusation. It will be ten minutes – fifteen at the outside – before Dad contributes anything to the discussion. Until then, he will sit with his head bent forward and his hands laced together, trying to come to terms with yet more unwelcome evidence that life does not always behave in the way Val and Geoff Monk believe it ought to.
Anton will continue to lie across my living room rug, propped up on one arm, talking mainly to Benji about their current favourite subject: a collection of fictional aliens called things like Humungosaur and Echo-Echo. Fran’s a multitasker; while making sure Benji doesn’t demolish Melrose Cottage, she will aim regular half-grumpy, half-jokey criticisms at Mum and Dad as a way of shielding them from the larger, more devastating criticism they deserve.
In the company of my family, Kit and I are psychi
cs who never get it wrong. The predictability of the Monks ought to be a welcome relief after everything we’ve been through. Predictably, it isn’t.
‘From what we can gather, there’s a disagreement internally,’ Kit tells Mum. No one would guess from listening to him how miserable and lost he feels. Whenever my parents are around, he plays the role of their brilliant, strong, capable son-in-law; he told me once that he enjoys it – it’s the person he’d like to be. ‘Ian Grint doesn’t want to let it go, but he’s being leaned on. Heavily, or that’s the impression we’re getting from Sam Kombothekra.’
‘But Connie saw that…that terrible thing! Another woman saw it too. How can the police just go on as if nothing’s happened? There must be something they can do.’ Anyone listening who wasn’t an expert on the way Mum’s mind works might think she had forgotten that she didn’t believe me at first. That’s what most people would do: say one thing, then, when they were proved wrong, say another and choose to forget that at one time they were on the wrong side. Not Val Monk; no ordinary ego-preserving self-deception for her. She explained to me and Kit on Tuesday night, when we were too exhausted from our day with Grint to argue with her, that she had nothing to rebuke herself for: she was right not to have believed me at first because nobody knew about Jackie Napier at that stage, and, without her corroboration, what I was saying couldn’t possibly have been true. Later, once we were alone, Kit said to me, ‘So, to summarise your mum’s position: she was as right not to believe you then as she is right to believe you now. Even though if it’s true now, it must have been true then as well.’ We laughed about it – actually laughed – and I thought how strange it was that in the middle of all the misery and uncertainty and fear, after a day spent being questioned by detectives who didn’t like or trust either of us, Kit and I were still able to glean some comfort from our old favourite hobby of ripping my mum to pieces.
The Other Woman’s House Page 23
