by Fannie Flagg
I love the idea that we all have the chance to change our thinking. Change our lives. Change things for the better.
Q: “And the news was mostly good.” Is that how you see the world?
FF: Well, you’ve got me there. The truth is that even with all my concerns, I am convinced that the news is good, in many ways getting better all the time. With every one of our seeming steps backward, we take three giant leaps forward. I am excited, for example, by medical and scientific progress. I fully expect to be cloned so I can sit down and give myself a good talking to.
And if that happens, I will remind myself never to doubt what I know and believe in my heart: that given half a chance, human beings are magnificent creatures, capable of many wonders. Like Aunt Elner, I am a big fan of people and I get such a kick out of watching them. It’s better than a picture show.
We are all in this crazy life together and I wish us all well. After all, most of my friends and family happen to be people, except for one bird and a mangy old orange cat.
Reading Group Questions and Topics for Discussion
This novel tells of Dena’s long journey home. What does home look and sound and smell like to you? Is it a place or a state of mind?
“Elmwood Springs is a town that likes itself.” Do you agree with this assessment of Dena’s hometown? How does Dena’s opinion of the town change over the course of the novel?
The Smith family talks about being able to stop time. Would you like to have this power? If you could, when would you freeze time in your own life?
Aunt Elner would want to be at home with her family and friends if she knew the end of the world was coming. What would you do?
What has caused Dena’s identity crisis? How does she manage to keep the people in her life fooled about her real condition for so long?
Why are people in Dena’s life so persistent even though she continually shuts them out? Did you ever lose patience with her?
Why does Gerry O’Malley believe in true love? Do you think it exists?
Why does Dena sleep through Christmas every year and then lie about it? Many people have very conflicted feelings about the holidays for a whole host of reasons. How do you feel about holidays? Do you ever want to sleep through them?
Dena is initially very resistant to therapy. How much do you think therapy helped her in the end? Did this novel challenge or confirm your own opinions about therapy?
Dena’s therapist tells her: “I think you are mistaking a profession for a personal identity.” Discuss the meaning of this statement. Does it apply to anyone you know?
Ask each person in your reading group to give three answers to the question: who are you? How easy or difficult is this to do? Do you have any answers in common?
What was the significance of Dean’s recurring dream about the house with the carousel?
Dena gets to interview Tennessee Williams, an artist who inspired her. If you could interview a person who has had a major impact on your personal and/or professional development, who would it be? What would you ask them?
This novel examines the nature of celebrity in modern America. Why does Dena want to be famous? And why does she eventually reject it? Is celebrity something you would want for yourself?
Discuss the negative impact gossip in the media has on various characters in this novel. Where do you think the line should be drawn regarding the private lives of public people?
Dena’s career in television journalism in the 1960s and 1970s parallels the rise of an increasingly invasive and sensationalized brand of news broadcasting. To what degree do you think Dena owes her career to these developments?
How are Dena’s good looks both a help and a hindrance in her career? Discuss the problems women face in the workplace based on appearance.
What was your immediate reaction upon reading about the disappearance of Dena’s mother on Christmas in 1959? Did your opinion change upon learning the whole story?
Do you think Sookie should have confronted Dena when she first learned about her mother’s disappearance? How do you think Dena would have reacted back then?
How do you think Gene and his family and friends would have responded if Dena’s mother had told them the truth? Do you think she was justified in keeping her secret?
Discuss the many worlds the Le Guarde children inhabited and how their divided loyalties left them homeless in every sense of the word.
Discuss the idea of “one drop of blood” and race relations in the United States. How do you think things have changed, or not, since World War II?
Do you think Marguerite meant to do what she did in that bathroom in Vienna? What does Dena think?
What do you think Dena’s life would have been like if her family had remained intact?
Dena is very reluctant to uncover the truth about her mother. Do you think she was right to do so?
Secrets helped destroy Dena’s mother and uncle. And Dena’s secrets almost killed her. What makes the difference for Dena?
This novel is filled with characters with distinct and quirky personalities. Who is your favorite? What is your favorite descriptive passage about them in this novel?
Did the structure of this novel—shifting back and forth in time and place and character—work for you? Why or why not?
How did your group select this novel and the other books you have read? What are you reading next?
Excerpts from reviews of Fannie Flagg’s
WELCOME TO THE WORLD, BABY GIRL!
“Welcome to the World, Baby Girl! has bestseller written all over it.”
—Clarion-Ledger [Jackson, MS]
“But that secret from [Dena’s] past keeps haunting her, and Flagg knows what another southern author of some note knew: The past is never dead, it’s not even past yet.… The unraveling of that mystery is the engine that drives the book, and we’re shuttled back and forth in time, meeting a truckload of characters along the way.”
—Denver Post
“This is a comic novel to welcome home with open arms.”
—Christian Science Monitor
“Why is it the people in Fannie Flagg’s world are so much more interesting than the rest of us? How is it that Flagg … can paint such a complex and compelling picture using just plain folks?”
—The Hartford Courant
“Quirky and fun.”
—Feminist Bookstore News
“Flagg’s story resonates when she describes 1948 life in rural Elmwood Springs.… The reader can’t help smiling when Dena Nordstrom’s cousin and Elmwood Springs resident Norma worries aloud whether her old chenille bedcover is fine enough for visiting city folk, or when Neighbor Dorothy, who broadcasts a daily half-hour WDOT radio show from her Elmwood Springs living room, invites listeners from across the Midwest to stop by her house for a cookie and a chat.”
—Rocky Mountain News
“Talk about a fun read.”
—Detroit Free Press
“In Welcome to the World, Baby Girl! … the message is small yet universal: People are basically good, and life is pretty funny.”
—Atlanta Journal-Constitution
“Mostly cheery, sometimes sobering, remarkably timely … satisfying. No doubt Neighbor Dorothy, an optimist if there ever was one, would be pleased to no end. We were.”
—The Orlando Sentinel
Fannie Flagg began writing and producing television specials at age nineteen and went on to distinguish herself as an actress and writer in television, films, and the theater. Her first novel, Daisy Fay and the Miracle Man, was a New York Times bestseller, as was Fried Green Tomatoes at the Whistle Stop Café, which was produced by Universal Pictures as Fried Green Tomatoes. Ms. Flagg’s script was nominated for both and won the highly regarded Scripters Award. Her acclaimed novel, Welcome to the World, Baby Girl!, is also a New York Times bestseller.
