Romance

Home > Fiction > Romance > Page 47
Romance Page 47

by Joseph Conrad


  A loud, high-pitched voice called from up in the air, "I will give any of you gentlemen of the robe down there fifty pounds to conduct the remainder of the case for him. I am the prisoner's father."

  My father's voice broke the spell. I was in the court; the candles were still burning; all the faces, lit up or in the shadow, were bunched together in little groups; hands waved. The barrister whose face was like the devil's under his wig held in his hands the paper that had been handed to Lord Stowell; my father was talking to him from the bench. The barrister, tall, his robes old and ragged, silhouetted against the light, glanced down the paper, fluttered it in his hand, nodded to my father, and began a grotesque, nasal drawl:

  "M'luds, I will conduct the case for the prisoner, if your lordships will bear with me a little. He obviously can't call his own witnesses. If he has been treated as he says, it has been one of the most abominable..."

  Old Lord Stowell said, "Ch't, ch't, Mr. Walker; you know you must not make a speech for the prisoner. Call your witness. It is all that is needed."

  I wondered what he meant by that. The barrister was calling a man of the name of Williams. I seemed to know the name. I seemed to know the man, too.

  "Owen Williams, Master of the ship Lion.... Coffee and dye-wood.... Just come in under a jury-rig. Had been dismasted and afterwards becalmed. Heard of this trial from the pilot in Graves-end. Had taken post-chaises..."

  I only heard snatches of his answers.

  "On the twenty-fifth of August last I was close in with the Cuban coast.... The mate, Sebright, got boiling water for them.... Afterwards a heavy fog. They boarded us in many boats...." He was giving all the old evidence over again, fastening another stone around my neck. But suddenly he said: "This gentleman came alongside in a leaky dinghy. A dead shot. He saved all our lives."

  His bullet-head, the stare of his round blue eyes seemed to draw me out of a delirium. I called out:

  "Williams, for God's sake, Williams, where is Seraphina? Did she come with you?" There was an immense roaring in my head, and the ushers were shouting, "Silence! Silence!" I called out again.

  Williams was smiling idiotically; then he shook his head and put his finger to his mouth to warn me to keep silence. I only noted the shake of the head. Sera-phina had not come. The Havana people must have taken her. It was all over with me. The roaring noise made me think that I was on a beach by the sea, with the smugglers, perhaps, at night down in Kent. The silence that fell upon the court was like the silence of a grave. Then someone began to speak in measured, portentous Spanish, that seemed a memory of the past.

  "I, the ambassador of his Catholic Majesty, being here upon my honour and on my oath, demand the re-surrender of this gentleman, whose courage equals his innocence. Documents which have just reached my hands establish clearly the mistake of which he is the victim. The functionary who is called Alcayde of the carcel at Havana confused the men. Nikola el Escoces escaped, having murdered the judge whose place it was to identify. I demand that the prisoner be set at liberty..."

  A long time after a harsh voice said:

  "Your Excellency, we retire, of course, from the prosecution."

  A different one directed:

  "Gentlemen of the jury, you will return a verdict of 'Not Guilty'..."

  Down below they were cheering uproariously because my life was saved. But it was I that had to face my saved life. I sat there, my head bowed into my hands. The old judge was speaking to me in a tone of lofty compassion:

  "You have suffered much, as it seems, but suffering is the lot of us men. Rejoice now that your character is cleared; that here in this public place you have received the verdict of your countrymen that restores you to the liberties of our country and the affection of your kindred. I rejoice with you who am a very old man, at the end of my life...."

  It was rather tremendous, his deep voice, his weighted words. Suffering is the lot of us men!... The formidable legal array, the great powers of a nation, had stood up to teach me that, and they had taught me that—suffering is the lot of us men!

  It takes long enough to realize that someone is dead at a distance. I had done that. But how long, how long it needs to know that the life of your heart has come back from the dead. For years afterwards I could not bear to have her out of my sight.

  Of our first meeting in London all I remember is a speechlessness that was like the awed hesitation of our overtried souls before the greatness of a change from the verge of despair to the opening of a supreme joy.

  The whole world, the whole of life, with her return, had changed all around me; it enveloped me, it enfolded me so lightly as not to be felt, so suddenly as not to be believed in, so completely that that whole meeting was an embrace, so softly that at last it lapsed into a sense of rest that was like the fall of a beneficent and welcome death.

  For suffering is the lot of man, but not inevitable failure or worthless despair which is without end—suffering, the mark of manhood, which bears within its pain a hope of felicity like a jewel set in iron....

  Her first words were:

  "You broke our compact. You went away from me whilst I was sleeping." Only the deepness of her reproach revealed the depth of her love, and the suffering she too had endured to reach a union that was to be without end—and to forgive.

  And, looking back, we see Romance—that subtle thing that is mirage—that is life. It is the goodness of the years we have lived through, of the old time when we did this or that, when we dwelt here or there. Looking back, it seems a wonderful enough thing that I who am this, and she who is that, commencing so far away a life that, after such sufferings borne together and apart, ended so tranquilly there in a world so stable—that she and I should have passed through so much, good chance and evil chance, sad hours and joyful, all lived down and swept away into the little heap of dust that is life. That, too, is Romance!

  THE END

  End of Project Gutenberg's Romance, by Joseph Conrad and F.M. Hueffer

  *** END OF THIS PROJECT GUTENBERG EBOOK ROMANCE ***

  ***** This file should be named 17642-h.htm or 17642-h.zip *****

  This and all associated files of various formats will be found in:

  http://www.gutenberg.org/1/7/6/4/17642/

  Produced by David Widger

  Updated editions will replace the previous one--the old editions

  will be renamed.

  Creating the works from public domain print editions means that no

  one owns a United States copyright in these works, so the Foundation

  (and you!) can copy and distribute it in the United States without

  permission and without paying copyright royalties. Special rules,

  set forth in the General Terms of Use part of this license, apply to

  copying and distributing Project Gutenberg-tm electronic works to

  protect the PROJECT GUTENBERG-tm concept and trademark. Project

  Gutenberg is a registered trademark, and may not be used if you

  charge for the eBooks, unless you receive specific permission. If you

  do not charge anything for copies of this eBook, complying with the

  rules is very easy. You may use this eBook for nearly any purpose

  such as creation of derivative works, reports, performances and

  research. They may be modified and printed and given away--you may do

  practically ANYTHING with public domain eBooks. Redistribution is

  subject to the trademark license, especially commercial

  redistribution.

  *** START: FULL LICENSE ***

  THE FULL PROJECT GUTENBERG LICENSE

  PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

  To protect the Project Gutenberg-tm mission of promoting the free

  distribution of electronic works, by using or distributing this work

  (or any other work associated in any way with the phrase "Project

  Gutenberg"), you agree to comply with all t
he terms of the Full Project

  Gutenberg-tm License (available with this file or online at

  http://gutenberg.org/license).

  Section 1. General Terms of Use and Redistributing Project Gutenberg-tm

  electronic works

  1.A. By reading or using any part of this Project Gutenberg-tm

  electronic work, you indicate that you have read, understand, agree to

  and accept all the terms of this license and intellectual property

  (trademark/copyright) agreement. If you do not agree to abide by all

  the terms of this agreement, you must cease using and return or destroy

  all copies of Project Gutenberg-tm electronic works in your possession.

  If you paid a fee for obtaining a copy of or access to a Project

  Gutenberg-tm electronic work and you do not agree to be bound by the

  terms of this agreement, you may obtain a refund from the person or

  entity to whom you paid the fee as set forth in paragraph 1.E.8.

  1.B. "Project Gutenberg" is a registered trademark. It may only be

  used on or associated in any way with an electronic work by people who

  agree to be bound by the terms of this agreement. There are a few

  things that you can do with most Project Gutenberg-tm electronic works

  even without complying with the full terms of this agreement. See

  paragraph 1.C below. There are a lot of things you can do with Project

  Gutenberg-tm electronic works if you follow the terms of this agreement

  and help preserve free future access to Project Gutenberg-tm electronic

  works. See paragraph 1.E below.

  1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"

  or PGLAF), owns a compilation copyright in the collection of Project

  Gutenberg-tm electronic works. Nearly all the individual works in the

  collection are in the public domain in the United States. If an

  individual work is in the public domain in the United States and you are

  located in the United States, we do not claim a right to prevent you from

  copying, distributing, performing, displaying or creating derivative

  works based on the work as long as all references to Project Gutenberg

  are removed. Of course, we hope that you will support the Project

  Gutenberg-tm mission of promoting free access to electronic works by

  freely sharing Project Gutenberg-tm works in compliance with the terms of

  this agreement for keeping the Project Gutenberg-tm name associated with

  the work. You can easily comply with the terms of this agreement by

  keeping this work in the same format with its attached full Project

  Gutenberg-tm License when you share it without charge with others.

  1.D. The copyright laws of the place where you are located also govern

  what you can do with this work. Copyright laws in most countries are in

  a constant state of change. If you are outside the United States, check

  the laws of your country in addition to the terms of this agreement

  before downloading, copying, displaying, performing, distributing or

  creating derivative works based on this work or any other Project

  Gutenberg-tm work. The Foundation makes no representations concerning

  the copyright status of any work in any country outside the United

  States.

  1.E. Unless you have removed all references to Project Gutenberg:

  1.E.1. The following sentence, with active links to, or other immediate

  access to, the full Project Gutenberg-tm License must appear prominently

  whenever any copy of a Project Gutenberg-tm work (any work on which the

  phrase "Project Gutenberg" appears, or with which the phrase "Project

  Gutenberg" is associated) is accessed, displayed, performed, viewed,

  copied or distributed:

  This eBook is for the use of anyone anywhere at no cost and with

  almost no restrictions whatsoever. You may copy it, give it away or

  re-use it under the terms of the Project Gutenberg License included

  with this eBook or online at www.gutenberg.org

  1.E.2. If an individual Project Gutenberg-tm electronic work is derived

  from the public domain (does not contain a notice indicating that it is

  posted with permission of the copyright holder), the work can be copied

  and distributed to anyone in the United States without paying any fees

  or charges. If you are redistributing or providing access to a work

  with the phrase "Project Gutenberg" associated with or appearing on the

  work, you must comply either with the requirements of paragraphs 1.E.1

  through 1.E.7 or obtain permission for the use of the work and the

  Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or

  1.E.9.

  1.E.3. If an individual Project Gutenberg-tm electronic work is posted

  with the permission of the copyright holder, your use and distribution

  must comply with both paragraphs 1.E.1 through 1.E.7 and any additional

  terms imposed by the copyright holder. Additional terms will be linked

  to the Project Gutenberg-tm License for all works posted with the

  permission of the copyright holder found at the beginning of this work.

  1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm

  License terms from this work, or any files containing a part of this

  work or any other work associated with Project Gutenberg-tm.

  1.E.5. Do not copy, display, perform, distribute or redistribute this

  electronic work, or any part of this electronic work, without

  prominently displaying the sentence set forth in paragraph 1.E.1 with

  active links or immediate access to the full terms of the Project

  Gutenberg-tm License.

  1.E.6. You may convert to and distribute this work in any binary,

  compressed, marked up, nonproprietary or proprietary form, including any

  word processing or hypertext form. However, if you provide access to or

  distribute copies of a Project Gutenberg-tm work in a format other than

  "Plain Vanilla ASCII" or other format used in the official version

  posted on the official Project Gutenberg-tm web site (www.gutenberg.org),

  you must, at no additional cost, fee or expense to the user, provide a

  copy, a means of exporting a copy, or a means of obtaining a copy upon

  request, of the work in its original "Plain Vanilla ASCII" or other

  form. Any alternate format must include the full Project Gutenberg-tm

  License as specified in paragraph 1.E.1.

  1.E.7. Do not charge a fee for access to, viewing, displaying,

  performing, copying or distributing any Project Gutenberg-tm works

  unless you comply with paragraph 1.E.8 or 1.E.9.

  1.E.8. You may charge a reasonable fee for copies of or providing

 

‹ Prev