A Place in Time
A Place in Time
Twenty Stories of the
Port William Membership
COUNTERPOINT
BERKELEY
A Place in Time: Twenty Stories of the Port William Membership
Copyright © 2012 by Wendell Berry
All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be used or reproduced in any manner whatsoever without written permission from the publisher, except in the case of brief quotations embodied in critical articles and reviews.
This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental.
Library of Congress Cataloging-in-Publication data is available.
ISBN: 978-1-61902-131-0
Cover and interior design by David Bullen
The cover painting “Springdale” by Harlan Hubbard is used courtesy of Dr. Robert and Charlotte Candida, with thanks to Meg Shaw.
Map and genealogy designed by Molly O’Halloran.
Genealogy prepared by David S. McCowen.
Counterpoint Press
1919 Fifth Street
Berkeley, CA 94710
www.counterpointpress.com
Distributed by Publishers Group West
10 9 8 7 6 5 4 3 2 1
In memory of James Baker Hall,
who was the first friend
of the fiction of Port William
Contents
Acknowledgments
The Girl in the Window (1864)
Fly Away, Breath (1907)
Down in the Valley Where the Green Grass Grows (1930)
Burley Coulter’s Fortunate Fall (1934)
A Burden (1882, 1907, 1941)
A Desirable Woman (1938–1941)
Misery (1943)
Andy Catlett: Early Education (1943)
Drouth (1944)
Stand By Me (1921–1944)
Not a Tear (1945)
The Dark Country (1948)
A New Day (1949)
Mike (1939–1950)
Who Dreamt This Dream? (1966)
The Requirement (1970)
An Empty Jacket (1974)
At Home (1981)
Sold (1991)
A Place in Time (1938–2008)
Acknowledgments
In my work I always need help. I have often asked for help, and as often have received it. But being helped, for me, has not been merely a necessity. It is half the pleasure of doing the work.
This book’s dedication to James Baker Hall acknowledges a debt that has been accumulating interest for nearly sixty years. My late dear friend Don Wallis read most of these stories and wrote me letters about them that not only improved my writing but were happy events in themselves. Tanya Berry listened to every story in first draft, made the first typescripts, and as always helped me along as critic, editor, and consultant. David Charlton typed the computer versions of every story, and kindly endured my second thoughts, revisions, and additions for what must have seemed to him a time much longer than it actually was. When I became unsure about some technical matters in “The Dark Country” and “A New Day,” David Kline and Jason Rutledge led me to solid ground. And I am grateful indeed for this further step in my long collaboration with Jack Shoemaker of Counterpoint, and with David Bullen.
I give my thanks also to the editors of the magazines in which the stories were first published or reprinted: “The Girl in the Window,” “Fly Away, Breath,” “Andy Catlett: Early Education,” “Drouth,” and “Not a Tear,” in the Threepenny Review; “Down in the Valley Where the Green Grass Grows,” “A Burden,” and “Who Dreamt This Dream?” in the Oxford American; “Burley Coulter’s Fortunate Fall,” “The Dark Country,” “A New Day,” “Mike,” and “An Empty Jacket” in the Sewanee Review; “A Desirable Woman” and “A Place in Time” in the Hudson Review; “Misery” in Shenandoah; “Stand By Me” and “Sold” in the Atlantic; “The Requirement” in Harper’s; and “At Home” in Orion. “Drouth” also appeared in Farming. “A New Day” and “Down in the Valley Where the Green Grass Grows” also appeared in The Draft Horse Journal.
There is as much in that little space within the heart, as there is in the whole world outside. . . .
What lies in that space, does not decay when the body decays, nor does it fall when the body falls.
The Ten Principal Upanishads,
Put into English by Shree Purohit
Swāmi and W. B. Yeats
Tell ye your children of it, and let your children tell their children, and their children another generation.
JOEL 1:3
A Place in Time
The Girl in the Window (1864)
They might as well all have been the same bunch, although they weren’t. Sometimes there would be enough gray uniforms or uniform pieces among them to permit them to be identified (perhaps) as Rebels. Sometimes they would be more formally recognizable as Yankees because they would all be dressed in uniforms that would be blue. Sometimes, because of their unlikeness to one another and to any living thing ever before seen in Port William, you couldn’t tell who they were. Whoever they were, the town shut itself against them like a terrapin closing its shell. From the yards and porches and storefronts along the single street, people withdrew behind doors. People who had ridden into town in a wagon or on horseback got themselves and their animals out of sight, if they could. Otherwise, they were apt to have to get away on foot, their mules or horses “requisitioned,” and if the younger men could get away at all before being arrested or “recruited.”
The Yankees would be looking for persons disloyal to the Union, a category not clearly defined, or for revenge against perpetrators of disloyal acts, which also were not well-defined or perhaps even definable. The Rebels would be on the lookout for recruits. The others, the self-described irregulars or guerillas, would be actuated, as like as not, by some local grudge going back a long time before the war. All of them, always, were looking for any livestock that could be ridden, worked, or eaten, anything that could be eaten, anything usable as a weapon, anything portable that was worth carrying away, any opportunity for amusing themselves by any of the cruelties available to those who had abjured, seemingly forever, the laws of kinship and friendship and neighborhood.
And Port William was isolated, beyond the reach of official help, too small and divided even to consider defending itself, both too Southern and too near the Ohio River.
Doing freely, beyond constraint or compunction, the things that it seemed men would do if they got the chance, they all were trouble, trouble when they were present, trouble when they were gone, no end of trouble. She feared them all, and therefore she hated them all.
She was Rebecca Dawe, daughter of Maxie and James John Dawe, sister of Galen Dawe who had been killed by a neighbor as he was leaving to join the Confederate army at the start of the war. Her two older sisters were at home on the river bottom farm down by Dawe’s Landing where their father had a store, and where the family and their handful of slaves provided more help in fact than was needed. She could be spared. And so she had come up to Port William to help her aunt Dicey, her mother’s sister, with her young children, to help with the work of the household, for her greater safety as her parents saw it, and as she herself saw it for relief from isolation in the great space of the river valley and from her parents’ grieving.
And Dicey needed her. Until Rebecca came, walking ba
refoot up from the river, carrying her shoes and extra clothing bundled in a shawl, Dicey had been alone with her three children, the oldest almost still a baby, and what she called her little dab of livestock: a milk cow, two shoats, and by now a bare dozen hens. Like some of the other houses in Port William, the Needlys’ fronted a small farm, theirs going narrowly all the way back to the woods on the river bluff. Dicey’s husband, Thomas Needly, the town’s only blacksmith, was in the federal military prison in Louisville for an “act of disloyalty.” One evening past dark, working mainly by feel, he had reset a shoe on a stranger’s horse. He had charged nothing. The stranger, who was in a hurry, had not asked what he owed, and Thomas, in the circumstances and from experience, was afraid to name the price. But the stranger had been the wrong one to help out with such a favor. He was a wanted man. He was caught, and on his testimony Thomas Needly was charged with aiding him in his attempt to escape.
A small band of federal soldiers came in the night, arrested Thomas, and carried him away. Dicey did not know why they had taken him or where, or if he was alive, until she received a long-delayed letter somehow smuggled out of the prison. It was a letter much beyond Thomas’s powers of writing, written for him in a determinedly beautiful flowing script by a fellow prisoner:
Mrs. Needley
dr. Madam:
Thos. Needley your houseband was put in here the fed. mil. jail at Louisvle on yesterday charged with aiding a Rebble. He says say he is well & alrite & fully abled of body & mind & send cloths, &c if poss.
a Friend
Dicey did send a packet of his clothes and a few other things that, not knowing, she thought might be of use. This he never received, nor did she hear from him again. Until the war ended nearly a year later, for all she knew, he had fallen off the edge of the world.
And it had been, she would think, a kind of world’s edge that he had been to, for he had come back from the helplessness and powerlessness of the dead. When he stood again at his anvil in his strength, in the fierce heat and exactitude of his old work, he had, it seemed to her, the aspect of one who had returned from the grave.
In Thomas’s absence, lacking his offering to the community of his needed work and its return of money, the household had become oversimplified and poor. Dicey, who had married late, was thirty, Rebecca just sixteen. They watched over the children. They kept house sparely and neatly. They gardened and foraged and traded for food, and accepted gratefully the food sent up to them from the Dawe household down in the river valley, always in small amounts as a precaution against theft and because, even at the Dawes’ place, food was hardly abundant.
The dab of livestock pertained to the two women and their household only conditionally. The two shoats, their ears notched, had been turned loose in the woods, and they were Dicey’s own still if they were not caught or shot by some band of soldiers or bushwhackers, and if ever she could get them penned and slaughtered when the time came. The chickens, too easily stolen from the henhouse, had been allowed to go half wild, roosting in trees and hiding their nests in the weeds or the barn, at the mercy of predators. The cow they had saved from theft or slaughter, so far, by confining her in the farthest pasture. Thomas had built in a corner next to the woods a pen of split rails and a small shed where some hay could be stored. To this pen Rebecca carried the milk bucket every morning and every evening, the children following along. And then she carried home again enough milk to drink fresh and to keep them in cream and butter and clabber. “The cow,” said Dicey, who liked to say things well, “is our luck and our luxury.”
This was late in the summer of 1864, and their luxuries were in fact lucky, and rare. But they were living in what Rebecca was learning fast to recognize as the human condition, in which things are most clearly known by their opposites. She and the others were most touchingly and dearly living because Galen Dawe and so many others were dead, because so many boys even as young as Rebecca had been killed in battle, cut down like weeds. They were most movingly, most consciously and thoughtfully free, because Thomas and so many others were in prison. They ate with relish their frugal meals because of the lively possibility that even they, before the coming winter would be over, could be hungry. They were gathering in and preserving and putting away, even hiding, every surplus scrap of food. There would be stuff yet from the garden. In the fall they would gather walnuts and hickory nuts from the woods. They might, with help, catch and slaughter the two hogs. But the prospect was neither bounteous nor certain.
There were times when their thoughts were carried round and round by hope and fear, courage and resignation. Dicey said, “Lord, I reckon the pore human race has come to a many a fall such as this one. We’ll make it, maybe, if those creatures don’t steal the food right out of our mouths.”
At the start of the war she had been openly in sympathy with the Confederacy, like the rest of her family. By now all the violent ones in their bunches she called, without distinction, “creatures.” It was a vital, reverberant word when she said it, for as she acknowledged with frank reluctance the belonging of all creatures to God she pointedly refused to these the classification of “human.” Even at the height of her resentment and indignation she did not curse them. But she made no distinction between them and the other creatures—“supposedly,” as she would say, “lower”—who conducted themselves in bunches. The state was occupied officially by the Union army. She did not indulge herself by supposing that official occupation by the Confederate army would have been better or, for that matter, different. Power—and for how long? —was the power of the bunch.
The bunches had been with them from the beginning. In the summer of 1861 a company of recruits of each side had drilled in Port William on the same day, and by their taunting back and forth had come close to a shooting scrape right there in the road. “It was almost history,” Dicey said. “It would have been known as the Battle of Port William.” If it had happened, it would have been as intimate an engagement almost as a family quarrel. No strangers would have been involved. Everybody in each company knew everybody in the other one. It would have been Port William’s own. The town and the countryside were divided most cruelly, for the division was not among strangers but among neighbors and kinfolk. That was why in the Port William neighborhood the violence peripheral to the official war was never entirely at rest. In addition to the almost routine recruiting or kidnapping, arresting and stealing, there were barn-burnings and other acts of vandalism. Threats were shouted from the darkness, or delivered openly to housewives standing in their doorways. And there were rumors, groundless as often as not, but grounded firmly nonetheless on experience.
The effort of the day was all but over, though the sun was still well up in the sky. Rebecca and the children had walked back to attend to the cow and walked home again with the milk, giving Dicey time to set the house to rights and have a little quiet. Rebecca then had come upstairs to her bedroom, for she loved the stillness of the ordered house at the day’s end, and she too needed her quiet. The house, especially the upstairs rooms, was warm beyond comfort, but she sat still by the open front window for the touch of a breeze that was there, and looked out as she liked to do. In a while they would have a supper of milk and cold biscuits and other leftovers from dinner, and then she and Dicey would sit on the front porch in the gathering dusk while the children played in the yard. By full dark all of them would be in bed—“to save light,” Dicey would say, meaning candles and lamp oil.
The shadows of the house and the trees beside it had reached all the way across the road to the Feltner house shut and quiet on the other side. And then the murmur of voices from down along the few storefronts of the town became briefly louder and then ceased altogether. She heard the hoofbeats of one horse galloping away along one of the paths that led out from the town into the fields. A shiver passed over her as shivers do when somebody has stepped on the place that will be your grave. She leaned in her chair to look, and saw coming down the hill from the schoolhouse, toward the stor
es and the bank and the church in the town’s middle, a little band of riders. They rode at a walk, looking around. When they came among the business places, now evidently shut and deserted, they stopped, bunching together, and then began riding erratically back and forth, leaning now and again from their saddles to test a latch or to pound a fist on a locked door. One of them fired a pistol into the air. They were well-armed, with holstered pistols and long guns scabbarded or lying across the saddle bows. One of them had a sheathed saber dangling at his side.
That the one had so reasonlessly fired his pistol suggested to Rebecca that they were there without a purpose, looking merely for whatever they might find. But watching them was in fact like watching creatures of another species, a flock of blackbirds or a school of shad. Everything they had done seemed to her familiar and unsurprising, but she could not in the least anticipate what they would do next. It was this sense of their oddity, their utter strangeness, that made her afraid of them. Her fear was a palpable tremor inside her, but even though she was alone she did not allow any visible sign that she was afraid. She stayed as she was, quietly watching. The breeze bore up to her window the warm smells of horse sweat and dust, and now and again the voices of the riders.
She had no idea who they were. They clearly were not Yankees of the force of occupation. But there were several other possibilities. They could have been strayed Rebels or members of the so-called Home Guard or irregulars or bushwhackers, who could have been anybody with any cause or intention. In Port William the war had a lot of sides; it was hard to tell how many or which was which. Worse, it was sometimes hard to tell who in Port William was on which side. This had made the town cautious, and as a result far less talkative than it had been before the war and would come to be again years after it ended. During the war Port William found it hard to keep to its old way of talking to itself about itself. As nearly everybody seemed to know, there were great men at the top of the contending governments and armies who foresaw and even desired that eventually the war would have an official end, but at the bottom were men who did not care if it never ended.
A Place in Time: Twenty Stories of the Port William Membership Page 1
