“What did you think of the Trocadéro, you little gadabout?”
“I’m jolly glad I came away from it to go out with you. It’s by Davioud, I believe.”
“But how learned my little Albertine is becoming! It is indeed by Davioud, but I’d forgotten.”
“While you’re asleep I read your books, you old lazybones. As a building it’s pretty lousy, isn’t it?”
“I say, little one, you’re changing so fast and becoming so intelligent” (this was true, but even had it not been true I was not sorry that she should have the satisfaction, failing others, of saying to herself that at least the time she spent in my house was not being entirely wasted) “that I don’t mind telling you things which would generally be regarded as false but which correspond to a truth that I’m searching for. You know what is meant by impressionism?”
“Of course!”
“Very well then, this is what I mean: you remember the church at Marcouville-l’Orgueilleuse which Elstir disliked because it was new? Isn’t it rather a denial of his own impressionism when he abstracts such buildings from the global impression in which they’re included, brings them out of the light in which they’re dissolved and scrutinises their intrinsic merit like an archaeologist? When he paints, haven’t a hospital, a school, a poster on a hoarding the same value as a matchless cathedral which stands by their side in a single indivisible image? Remember how the façade was baked by the sun, how that carved frieze of saints at Marcouville floated on the sea of light. What does it matter that a building is new, if it appears old, or even if it doesn’t? All the poetry that the old quarters contain has been squeezed out to the last drop, but if you look at some of the houses that have been built lately for well-to-do tradesmen in the new districts, where the stone is all freshly cut and still too white, don’t they seem to rend the torrid midday air of July, at the hour when the shopkeepers go home to lunch in the suburbs, with a cry as sharp and acidulous as the smell of the cherries waiting for the meal to begin in the darkened dining-room, where the prismatic glass knife-rests throw off a multicoloured light as beautiful as the windows of Chartres?”
“How wonderful you are! If I ever do become clever, it will be entirely owing to you.”
“Why, on a fine day, tear your eyes away from the Trocadéro, whose giraffe-neck towers remind one of the Charter-house of Pavia?”
“It reminded me also, standing up like that on its knoll, of a Mantegna that you have, I think it’s of St Sebastian, where in the background there’s a terraced city where you’d swear you’d find the Trocadéro.”
“There, you see! But how did you come across the Mantegna reproduction? You’re absolutely staggering.”
We had now reached a more plebeian neighbourhood, and the installation of an ancillary Venus behind each counter made it as it were a suburban altar at the foot of which I would gladly have spent the rest of my life. As one does on the eve of a premature death, I drew up a mental list of the pleasures of which I was deprived by the fact that Albertine had put a full stop to my freedom. At Passy it was in the middle of the street itself, so crowded were the footways, that some girls, their arms encircling one another’s waists, enthralled me with their smiles. I had not time to distinguish them clearly, but it is unlikely that I was overrating their charms; in any crowd, after all, in any crowd of young people, it is not unusual to come upon the effigy of a noble profile. So that these assembled masses on public holidays are as precious to the voluptuary as is to the archaeologist the disordered jumble of a site whose excavation will bring ancient medals to light. We arrived at the Bois. I reflected that, if Albertine had not come out with me, I might at this moment, in the enclosure of the Champs-Elysées, have been hearing the Wagnerian storm set all the tackle of the orchestra groaning, draw into its frenzy, like a light spindrift, the tune of the shepherd’s pipe which I had just been playing to myself, set it flying, mould it, distort it, divide it, sweep it away in an ever-increasing whirlwind. I was determined, at any rate, that our drive should be short and that we should return home early, for, without having mentioned it to Albertine, I had decided to go that evening to the Verdurins’. They had recently sent me an invitation which I had flung into the waste-paper basket with all the rest. But I had changed my mind as far as this evening was concerned, for I meant to try to find out who Albertine might have been hoping to meet there in the afternoon. To tell the truth, I had reached that stage in my relations with Albertine when, if everything remains the same, if things go on normally, a woman no longer serves any purpose for one except as a transitional stage before another woman. She still retains a corner in one’s heart, but a very small corner; one is impatient to go out every evening in search of unknown women, especially unknown women who are known to her and can tell one about her life. Herself, after all, we have possessed, and exhausted everything that she has consented to yield to us of herself. Her life is still herself, but precisely that part of her which we do not know, the things about which we have questioned her in vain and which we shall be able to gather from fresh lips.
If my life with Albertine was to prevent me from going to Venice, from travelling, at least I might this afternoon, had I been alone, have been making the acquaintance of the young midinettes scattered about in the sunlight of this fine Sunday, in the sum total of whose beauty I gave a considerable place to the unknown life that animated them. Are they not, those eyes one sees, shot through with a look behind which we do not know what images, memories, expectations, disdains lie concealed, and from which we cannot separate them? Will not that life, which is that of the woman passing by, impart a different value, according to what it is, to the frown on that forehead, the dilating of those nostrils? Albertine’s presence debarred me from approaching them, and perhaps thus ceasing to desire them. The man who would maintain in himself the desire to go on living and a belief in something more delicious than the things of daily life, must go out driving; for the streets, the avenues, are full of goddesses. But the goddesses do not allow us to approach them. Here and there, among the trees, at the entrance to some cafe, a waitress was watching like a nymph on the edge of a sacred grove, while beyond her three girls were seated by the sweeping arc of their bicycles that were stacked beside them, like three immortals leaning against the clouds or the fabulous coursers upon which they perform their mythological journeys. I noticed that, whenever Albertine looked for a moment at these girls with deep attentiveness, she at once turned round towards me. But I was not unduly troubled, either by the intensity of this contemplation, or by its brevity which was compensated by that intensity; indeed, as to the latter, it often happened that Albertine, whether from exhaustion, or because it was an attentive person’s way of looking at other people, would gaze thus in a sort of brown study either at my father or at Françoise; and as for the rapidity with which she turned to look at me, it might be due to the fact that Albertine, knowing my suspicions, might wish, even if they were unjustified, to avoid laying herself open to them. This attention, moreover, which would have seemed to me criminal on Albertine’s part (and quite as much so if it had been directed at young men), I myself fastened upon all the midinettes without thinking it reprehensible for a moment, almost deciding indeed that it was reprehensible of Albertine to prevent me, by her presence, from stopping the car and going to join them. We consider it innocent to desire, and heinous that the other person should do so. And this contrast between what concerns oneself on the one hand, and on the other the person one loves, is not confined only to desire, but extends also to lying. What is more usual than a lie, whether it is a question of masking the daily weaknesses of a constitution which we wish to be thought strong, of concealing a vice, or of going off, without offending other people, to the thing that we prefer? It is the most necessary means of self-preservation, and the one that is most widely used. Yet this is the thing that we actually propose to banish from the life of the person we love; we watch for it, scent it, detest it everywhere. It distresses us, it is suff
icient to bring about a rupture, it seems to us to conceal the gravest misdemeanours, except when it conceals them so effectively that we do not suspect their existence. A strange state, this, in which we are so inordinately sensitive to a pathogenic agent whose universal proliferation makes it inoffensive to other people and so baneful to the wretch who finds that he is no longer immune to it!
The life of these pretty girls (since, because of my long periods of reclusion, I so rarely met any) appeared to me, as to everyone in whom ease of fulfilment has not deadened the power of imagining, a thing as different from anything that I knew, and as desirable, as the most marvellous cities that travel holds in store for us.
The disappointment I had felt with the women I had known, or in the cities I had visited, did not prevent me from falling for the attraction of others or from believing in their reality. Hence, just as seeing Venice—Venice, for which this spring weather filled me also with longing, and which marriage with Albertine would prevent me from knowing—seeing Venice in a diorama which Ski would perhaps have declared to be more beautiful in tone than the place itself, would to me have been no substitute for the journey to Venice the length of which, determined without my having any hand in it, seemed to me an indispensable preliminary, so in the same way, however pretty she might be, the midinette whom a procuress had artificially provided for me could not possibly be a substitute for the gangling girl who was passing at this moment under the trees, laughing with a friend. Even if the girl I found in the house of assignation were prettier than this one, it could not be the same thing, because we do not look at the eyes of a girl we do not know as we would look at little chunks of opal or agate. We know that the little ray that colours them or the diamond dust that makes them sparkle is all that we can see of a mind, a will, a memory in which is contained the family home that we do not know, the intimate friends whom we envy. The enterprise of gaining possession of all this, of something so difficult, so recalcitrant, is what gives its attraction to that gaze far more than its merely physical beauty (which may serve to explain why the same young man can awaken a whole romance in the imagination of a woman who has heard somebody say that he is the Prince of Wales but pays no further attention to him after learning that she is mistaken). To find the midinette in the house of assignation is to find her emptied of that unknown life which permeates her and which we aspire to possess with her; it is to approach a pair of eyes that have indeed become mere precious stones, a nose whose wrinkling is as devoid of meaning as that of a flower. No, concerning the unknown midinette who was passing at that moment, it seemed to me as indispensable, if I wished to continue to believe in her reality, to face up to her resistance by adapting my mode of approach, challenging a rebuff, returning to the charge, obtaining an assignation, waiting for her outside her place of work, getting to know, episode by episode, everything that constituted the girl’s life, experiencing whatever was represented for her by the pleasure I was seeking, and traversing the distance which her different habits, her special mode of life, set between me and the attention, the favour I wished to reach and win over—all this seemed to me as indispensable as making a long journey by train if I wished to believe in the reality of Pisa and not see it simply as a panoramic show in a World Fair. But these very similarities between desire and travel made me vow to myself that one day I would grasp a little more closely the nature of this force, invisible but as powerful as any belief or, in the world of physics, as atmospheric pressure, which exalted cities and women to such a height so long as I did not know them, and, slipping away from beneath them as soon as I had approached them, made them at once collapse and fall flat on to the dead level of the most commonplace reality.
Further on, another little girl was kneeling beside her bicycle, which she was putting to rights. The repair finished, the young racer mounted her machine, but without straddling it as a man would have done. For a moment the bicycle swerved, and the young body seemed to have added to itself a sail, a huge wing; and presently we saw the young creature speed away, half-human, half-winged, angel or peri, pursuing her course.
This was what the presence of Albertine, this was what my life with Albertine, deprived me of. Deprived me, did I say? I say? Should I not have thought rather: what it presented to me? If Albertine had not been living with me, if she had been free, I should have imagined, and with reason, every one of these women as a possible or indeed a probable object of her desire, of her pleasure. They would have appeared to me like dancers in a diabolical ballet, representing the Temptations to one person, and shooting their darts into the heart of another. Midinettes, schoolgirls, actresses, how I should have hated them all! Objects of horror, for me they would have been excluded from the beauty of the universe. Albertine’s servitude, by releasing me from suffering on their account, restored them to the beauty of the world. Now that they were harmless, having lost the sting that stabs the heart with jealousy, I was free to admire them, to caress them with my eyes, another day more intimately perhaps. By shutting Albertine away, I had at the same time restored to the universe all those glittering wings that flutter in public gardens, ballrooms, theatres, and which became tempting once more to me because she could no longer succumb to their temptation. They composed the beauty of the world. They had at one time composed that of Albertine. It was because I had seen her first as a mysterious bird, then as a great actress of the beach, desired, perhaps won, that I had thought her wonderful. As soon as she was a captive in my house, the bird that I had seen one afternoon advancing with measured tread along the front, surrounded by a congregation of other girls like seagulls alighted from who knew where, Albertine had lost all her colours, together with all the opportunities that other people had of securing her for themselves. Gradually she had lost her beauty. It required excursions like this, in which I imagined her, but for my presence, accosted by some woman or by some young man, to make me see her again amid the splendour of the beach, although my jealousy was on a different plane from the decline of the pleasures of my imagination. But in spite of these abrupt reversions in which, desired by other people, she once more became beautiful in my eyes, I might very well have divided her stay with me into two periods, in the first of which she was still, although less so every day, the glittering actress of the beach, and in the second of which, become the grey captive, reduced to her drab self, she needed these flashes in which I remembered the past to restore her colour to her.
Sometimes, in the hours in which I felt most indifferent towards her, there came back to me the memory of a far-off moment on the beach, before I yet knew her, when, not far from a lady with whom I was on bad terms and with whom I was almost certain now that she had had relations, she burst out laughing, staring me in the face in an insolent fashion. All round her hissed the blue and polished sea. In the sunshine of the beach, Albertine, in the midst of her friends, was the most beautiful of them all. It was this magnificent girl, who, in her familiar setting of boundless waters—she, a precious object in the eyes of the admiring lady—had inflicted this insult on me. It was definitive, for the lady had returned perhaps to Balbec, had registered perhaps, on the luminous and echoing beach, the absence of Albertine; but she was unaware that the girl was living with me, was wholly mine. The vast expanse of blue water, her obliviousness of the predilection she had had for this particular girl and had now diverted to others, had closed over the insult that Albertine had offered me, enshrining it in a glittering and unbreakable casket. Then hatred of that woman gnawed my heart; of Albertine too, but a hatred mingled with admiration of the beautiful, adulated girl, with her marvellous hair, whose laughter upon the beach had been an affront. Shame, jealousy, the memory of my first desires and of the brilliant setting, had restored to Albertine her former beauty and worth. And thus there alternated with the somewhat oppressive boredom that I felt in her company a throbbing desire, full of resplendent images and of regrets, according to whether she was by my side in my room or I set her free again in my memory, on the sea-front, in
her gay beach clothes, to the sound of the musical instruments of the sea—Albertine, now abstracted from that environment, possessed and of no great value, now plunged back into it, escaping from me into a past which I should never get to know, humiliating me before the lady who was her friend as much as the splashing of the waves or the dizzying heat of the sun—Albertine restored to the beach or brought back again to my room, in a sort of amphibious love.
Elsewhere, a numerous band were playing ball. All these girls had come out to make the most of the sunshine, for these February days, even when they are as dazzling as this one, do not last long, and the splendour of their light does not postpone the hour of its decline. Before that hour drew near, we had a spell of chiaroscuro, because after we had driven as far as the Seine, where Albertine admired, and by her presence prevented me from admiring, the reflexions of red sails upon the wintry blue of the water, and a tiled house nestling in the distance like a single red poppy against the clear horizon of which Saint-Cloud seemed, further off still, to be the fragmentary, friable, ribbed petrifaction, we left our motor-car and walked a long way. For some moments I even gave her my arm, and it seemed to me that the ring which her arm formed round mine united our two persons in a single self and linked our destinies together.
Our shadows, now parallel, now close together and joined, traced an exquisite pattern at our feet. It seemed to me already wonderful enough, at home, that Albertine should be living with me, that it should be she who came and lay down on my bed. But it was the transportation of that marvel to the outside world, into the heart of nature, by the shore of the lake in the Bois which I loved so much, beneath the trees, that it should be precisely her shadow, the pure and simplified shadow of her leg, of her bust, that the sun delineated in monochrome by the side of mine upon the gravel of the path. And the fusion of our shadows had a charm for me that was doubtless more insubstantial, but no less intimate, than the contiguity, the fusion of our bodies. Then we returned to the car. And it chose, for our homeward journey, a succession of little winding lanes along which the wintry trees, clothed, like ruins, in ivy and brambles, seemed to be pointing the way to the dwelling of some magician. No sooner had we emerged from their shady cover than we found, leaving the Bois, the daylight still so bright that I thought I should still have time to do everything I wanted to do before dinner, when, only a few moments later, as the car approached the Arc de Triomphe, it was with a sudden start of surprise and dismay that I perceived, over Paris, the moon prematurely full, like the face of a clock that has stopped and makes us think that we are late for an engagement. We had told the driver to take us home. For Albertine, this also meant returning to my home. The presence of women, however dear to us, who are obliged to leave us to return home does not bestow that peace which I found in the presence of Albertine seated in the car by my side, a presence that was conveying us not to the emptiness of the hours when lovers are apart, but to an even more stable and more sheltered reunion in my home, which was also hers, the material symbol of my possession of her. True, in order to possess, one must first have desired. We do not possess a line, a surface, a mass unless it is occupied by our love. But Albertine had not been for me during our drive, as Rachel had once been, a meaningless dust of flesh and clothing. At Balbec, the imagination of my eyes, my lips, my hands had so solidly constructed, so tenderly polished her body that now, in this car, in order to touch that body, to contain it, I had no need to press my own body against Albertine, nor even to see her; it was enough for me to hear her, and, if she was silent, to know that she was by my side; my interwoven senses enveloped her completely and when, on our arrival at the house, she quite naturally alighted, I stopped for a moment to tell the chauffeur to call for me later, but my eyes enveloped her still as she passed ahead of me under the arch, and it was still the same inert, domestic calm that I felt as I saw her thus, solid, flushed, opulent and captive, returning home quite naturally with me, like a woman who belonged to me, and, protected by its walls, disappearing into our house. Unfortunately she seemed to feel herself in prison there, and—judging by her mournful, weary look that evening as we dined together in her room—to share the opinion of that Mme de La Rochefoucauld who, when asked whether she was not glad to live in so beautiful a home as Liancourt, replied: “There is no such thing as a beautiful prison.” I did not notice it at first; and it was I who bemoaned the thought that, had it not been for Albertine (for with her I should have suffered too acutely from jealousy in a hotel where all day long she would have been exposed to contact with so many people), I might at that moment be dining in Venice in one of those little low-ceilinged restaurants like a ship’s saloon, from which one looks out on the Grand Canal through little curved windows encircled with Moorish mouldings.
The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle Page 284
