All the more joyous emotions of the mind, all the pleasing sensations of the frame, all the happy hours of domestic intercourse, were described under imagery derived from light. The transition was natural--from earthly to heavenly, from corporeal to spiritual things; and so light came to typify true religion and the felicity which it imparts. But as light not only came from God, but also makes man's way clear before him, so it was employed to signify moral truth, and preëminently that divine system of truth which is set forth in the Bible, from its earliest gleamings onward to the perfect day of the Great Sun of Righteousness."
I am inclined to believe that in this passage the learned author has erred, not in the definition of the symbol, but in his deduction of its origin. Light became the object of religious veneration, not because of the brilliancy and clearness of a particular sky, nor the warmth and genial influence of a particular climate,--for the worship was universal, in Scandinavia as in India,--but because it was the natural and inevitable result of the worship of the sun, the chief deity of Sabianism--a faith which pervaded to an extraordinary extent the whole religious sentiment of antiquity.[101]
Light was venerated because it was an emanation from the sun, and, in the materialism of the ancient faith, light and darkness were both personified as positive existences, the one being the enemy of the other.
Two principles were thus supposed to reign over the world, antagonistic to each other, and each alternately presiding over the destinies of mankind.[102]
The contests between the good and evil principle, symbolized by light and darkness, composed a very large part of the ancient mythology in all countries.
Among the Egyptians, Osiris was light, or the sun; and his arch-enemy, Typhon, who ultimately destroyed him, was the representative of darkness.
Zoroaster, the father of the ancient Persian religion, taught the same doctrine, and called the principle of light, or good, Ormuzd, and the principle of darkness, or evil, Ahriman. The former, born of the purest light, and the latter, sprung from utter darkness, are, in this mythology, continually making war on each other.
Manes, or Manichaeus, the founder of the sect of Manichees, in the third century, taught that there are two principles from which all things proceed; the one is a pure and subtile matter, called Light, and the other a gross and corrupt substance, called Darkness. Each of these is subject to the dominion of a superintending being, whose existence is from all eternity. The being who presides over the light is called God; he that rules over the darkness is called Hyle, or Demon. The ruler of the light is supremely happy, good, and benevolent, while the ruler over darkness is unhappy, evil, and malignant.
Pythagoras also maintained this doctrine of two antagonistic principles.
He called the one, unity, light, the right hand, equality, stability, and a straight line; the other he named binary, darkness, the left hand, inequality, instability, and a curved line. Of the colors, he attributed white to the good principle, and black to the evil one.
The Cabalists gave a prominent place to light in their system of cosmogony. They taught that, before the creation of the world, all space was filled with what they called Aur en soph, or the Eternal Light, and that when the Divine Mind determined or willed the production of Nature, the Eternal Light withdrew to a central point, leaving around it an empty space, in which the process of creation went on by means of emanations from the central mass of light. It is unnecessary to enter into the Cabalistic account of creation; it is sufficient here to remark that all was done through the mediate influence of the Aur en soph, or eternal light, which produces coarse matter, but one degree above nonentity, only when it becomes so attenuated as to be lost in darkness.
The Brahminical doctrine was, that "light and darkness are esteemed the world's eternal ways; he who walketh in the former returneth not; that is to say, he goeth to eternal bliss; whilst he who walketh in the latter cometh back again upon earth," and is thus destined to pass through further transmigrations, until his soul is perfectly purified by light.[103]
In all the ancient systems of initiation the candidate was shrouded in darkness, as a preparation for the reception of light. The duration varied in the different rites. In the Celtic Mysteries of Druidism, the period in which the aspirant was immersed in darkness was nine days and nights; among the Greeks, at Eleusis, it was three times as long; and in the still severer rites of Mithras, in Persia, fifty days of darkness, solitude, and fasting were imposed upon the adventurous neophyte, who, by these excessive trials, was at length entitled to the full communication of the light of knowledge.
Thus it will be perceived that the religious sentiment of a good and an evil principle gave to darkness, in the ancient symbolism, a place equally as prominent as that of light.
The same religious sentiment of the ancients, modified, however, in its details, by our better knowledge of divine things, has supplied Freemasonry with a double symbolism--that of Light and Darkness.
Darkness is the symbol of initiation. It is intended to remind the candidate of his ignorance, which Masonry is to enlighten; of his evil nature, which Masonry is to purify; of the world, in whose obscurity he has been wandering, and from which Masonry is to rescue him.
Light, on the other hand, is the symbol of the autopsy, the sight of the mysteries, the intrusting, the full fruition of masonic truth and knowledge.
Initiation precedes the communication of knowledge in Masonry, as darkness preceded light in the old cosmogonies. Thus, in Genesis, we see that in the beginning "the world was without form, and void, and darkness was on the face of the deep." The Chaldean cosmogony taught that in the beginning "all was darkness and water." The Phoenicians supposed that "the beginning of all things was a wind of black air, and a chaos dark as Erebus." [104]
But out of all this darkness sprang forth light, at the divine command, and the sublime phrase, "Let there be light," is repeated, in some substantially identical form, in all the ancient histories of creation.
So, too, out of the mysterious darkness of Masonry comes the full blaze of masonic light. One must precede the other, as the evening preceded the morning. "So the evening and the morning were the first day."
This thought is preserved in the great motto of the Order, "Lux e tenebris"--Light out of darkness. It is equivalent to this other sentence: Truth out of initiation. Lux, or light, is truth; tenebrae, or darkness, is initiation.
It is a beautiful and instructive portion of our symbolism, this connection of darkness and light, and well deserves a further investigation.
"Genesis and the cosmogonies," says Portal, "mention the antagonism of light and darkness. The form of this fable varies according to each nation, but the foundation is everywhere the same. Under the symbol of the creation of the world it presents the picture of regeneration and initiation." [105]
Plutarch says that to die is to be initiated into the greater Mysteries; and the Greek word [Greek: teleuta~|n], which signifies to die, means also to be initiated. But black, which is the symbolic color of darkness, is also the symbol of death. And hence, again, darkness, like death, is the symbol of initiation. It was for this reason that all the ancient initiations were performed at night. The celebration of the Mysteries was always nocturnal. The same custom prevails in Freemasonry, and the explanation is the same. Death and the resurrection were taught in the Mysteries, as they are in Freemasonry. The initiation was the lesson of death. The full fruition or autopsy, the reception of light, was the lesson of regeneration or resurrection.
Light is, therefore, a fundamental symbol in Freemasonry. It is, in fact, the first important symbol that is presented to the neophyte in his instructions, and contains within itself the very essence of Speculative Masonry, which is nothing more than the contemplation of intellectual light or truth.[106]
XXIII.
Symbolism of the Corner-Stone.
We come next, in a due order of precedence, to the consideration of the symbolism connected with an important ceremony in the ritu
al of the first degree of Masonry, which refers to the north-east corner of the lodge. In this ceremony the candidate becomes the representative of a spiritual corner-stone. And hence, to thoroughly comprehend the true meaning of the emblematic ceremony, it is essential that we should investigate the symbolism of the corner-stone.
The corner-stone,[107] as the foundation on which the entire building is supposed to rest, is, of course, the most important stone in the whole edifice. It is, at least, so considered by operative masons. It is laid with impressive ceremonies; the assistance of speculative masons is often, and always ought to be, invited, to give dignity to the occasion; and the event is viewed by the workmen as an important era in the construction of the edifice.[108]
In the rich imagery of Orientalism, the corner-stone is frequently referred to as the appropriate symbol of a chief or prince who is the defence and bulwark of his people, and more particularly in Scripture, as denoting that promised Messiah who was to be the sure prop and support of all who should put their trust in his divine mission.[109]
To the various properties that are necessary to constitute a true corner-stone,--its firmness and durability, its perfect form, and its peculiar position as the connecting link between the walls,--we must attribute the important character that it has assumed in the language of symbolism. Freemasonry, which alone, of all existing institutions, has preserved this ancient and universal language, could not, as it may well be supposed, have neglected to adopt the corner-stone among its most cherished and impressive symbols; and hence it has referred to it many of its most significant lessons of morality and truth.
I have already alluded to that peculiar mode of masonic symbolism by which the speculative mason is supposed to be engaged in the construction of a spiritual temple, in imitation of, or, rather, in reference to, that material one which was erected by his operative predecessors at Jerusalem.
Let us again, for a few moments, direct our attention to this important fact, and revert to the connection which originally existed between the operative and speculative divisions of Freemasonry. This is an essential introduction to any inquiry into the symbolism of the corner-stone.
The difference between operative and speculative Masonry is simply this--that while the former was engaged in the construction of a material temple, formed, it is true, of the most magnificent materials which the quarries of Palestine, the mountains of Lebanon, and the golden shores of Ophir could contribute, the latter occupies itself in the erection of a spiritual house,--a house not made with hands,--in which, for stones and cedar, and gold and precious stones, are substituted the virtues of the heart, the pure emotions of the soul, the warm affections gushing forth from the hidden fountains of the spirit, so that the very presence of Jehovah, our Father and our God, shall be enshrined within us as his Shekinah was in the holy of holies of the material temple at Jerusalem.
The Speculative Mason, then, if he rightly comprehends the scope and design of his profession, is occupied, from his very first admission into the order until the close of his labors and his life,--and the true mason's labor ends only with his life,--in the construction, the adornment, and the completion of this spiritual temple of his body. He lays its foundation in a firm belief and an unshaken confidence in the wisdom, power, and goodness of God. This is his first step. Unless his trust is in God, and in him only, he can advance no further than the threshold of initiation. And then he prepares his materials with the gauge and gavel of Truth, raises the walls by the plumb-line of Rectitude, squares his work with the square of Virtue, connects the whole with the cement of Brotherly Love, and thus skilfullv erects the living edifice of thoughts, and words, and deeds, in accordance with the designs laid down by the Master Architect of the universe in the great Book of Revelation.
The aspirant for masonic light--the Neophyte--on his first entrance within our sacred porch, prepares himself for this consecrated labor of erecting within his own bosom a fit dwelling-place for the Divine Spirit, and thus commences the noble work by becoming himself the corner-stone on which this spiritual edifice is to be erected.
Here, then, is the beginning of the symbolism of the corner-stone; and it is singularly curious to observe how every portion of the archetype has been made to perform its appropriate duty in thoroughly carrying out the emblematic allusions.
As, for example, this symbolic reference of the corner-stone of a material edifice to a mason, when, at his first initiation, he commences the intellectual task of erecting a spiritual temple in his heart, is beautifully sustained in the allusions to all the various parts and qualities which are to be found in a "well-formed, true and trusty" corner-stone.[110] Its form and substance are both seized by the comprehensive grasp of the symbolic science.
Let us trace this symbolism in its minute details. And, first, as to the form of the corner-stone.
The corner-stone of an edifice must be perfectly square on its surfaces, lest, by a violation of this true geometric figure, the walls to be erected upon it should deviate from the required line of perpendicularity which can alone give strength and proportion to the building.
Perfectly square on its surfaces, it is, in its form and solid contents, a cube. Now, the square and the cube are both important and significant symbols.
The square is an emblem of morality, or the strict performance of every duty.[111] Among the Greeks, who were a highly poetical and imaginative people, the square was deemed a figure of perfection, and the [Greek: a)nêr tetra/gônos]--"the square or cubical man," as the words may be translated--was a term used to designate a man of unsullied integrity.
Hence one of their most eminent metaphysicians[112] has said that "he who valiantly sustains the shocks of adverse fortune, demeaning himself uprightly, is truly good and of a square posture, without reproof; and he who would assume such a square posture should often subject himself to the perfectly square test of justice and integrity."
The cube, in the language of symbolism, denotes truth.[113] Among the pagan mythologists, Mercury, or Hermes, was always represented by a cubical stone, because he was the type of truth,[114] and the same form was adopted by the Israelites in the construction of the tabernacle, which was to be the dwelling-place of divine truth.
And, then, as to its material: This, too, is an essential element of all symbolism. Constructed of a material finer and more polished than that which constitutes the remainder of the edifice, often carved with appropriate devices and fitted for its distinguished purpose by the utmost skill of the sculptor's art, it becomes the symbol of that beauty of holiness with which the Hebrew Psalmist has said that we are to worship Jehovah.[115]
The ceremony, then, of the north-east corner of the lodge, since it derives all its typical value from this symbolism of the corner-stone, was undoubtedly intended to portray, in this consecrated language, the necessity of integrity and stability of conduct, of truthfulness and uprightness of character, and of purity and holiness of life, which, just at that time and in that place, the candidate is most impressively charged to maintain.
But there is also a symbolism about the position of the corner-stone, which is well worthy of attention. It is familiar to every one,--even to those who are without the pale of initiation,--that the custom of laying the corner-stones of public buildings has always been performed by the masonic order with peculiar and impressive ceremonies, and that this stone is invariably deposited in the north-east corner of the foundation of the intended structure. Now, the question naturally suggests itself, Whence does this ancient and invariable usage derive its origin? Why may not the stone be deposited in any other corner or portion of the edifice, as convenience or necessity may dictate? The custom of placing the foundation-stone in the north-east corner must have been originally adopted for some good and sufficient reason; for we have a right to suppose that it was not an arbitrary selection.[116] Was it in reference to the ceremony which takes place in the lodge? Or is that in reference to the position of the material stone? No matter which has the p
recedence in point of time, the principle is the same. The position of the stone in the north-east corner of the building is altogether symbolic, and the symbolism exclusively alludes to certain doctrines which are taught in the speculative science of Masonry.
The interpretation, I conceive, is briefly this: Every Speculative Mason is familiar with the fact that the east, as the source of material light, is a symbol of his own order, which professes to contain within its bosom the pure light of truth. As, in the physical world, the morning of each day is ushered into existence by the reddening dawn of the eastern sky, whence the rising sun dispenses his illuminating and prolific rays to every portion of the visible horizon, warming the whole earth with his embrace of light, and giving new-born life and energy to flower and tree, and beast and man, who, at the magic touch, awake from the sleep of darkness, so in the moral world, when intellectual night was, in the earliest days, brooding over the world, it was from the ancient priesthood living in the east that those lessons of God, of nature, and of humanity first emanated, which, travelling westward, revealed to man his future destiny, and his dependence on a superior power. Thus every new and true doctrine, coming from these "wise men of the east," was, as it were, a new day arising, and dissipating the clouds of intellectual darkness and error. It was a universal opinion among the ancients that the first learning came from the east; and the often-quoted line of Bishop Berkeley, that--
"Westward the course of empire takes its way"--
is but the modern utterance of an ancient thought, for it was always believed that the empire of truth and knowledge was advancing from the east to the west.
Again: the north, as the point in the horizon which is most remote from the vivifying rays of the sun when at his meridian height, has, with equal metaphorical propriety, been called the place of darkness, and is, therefore, symbolic of the profane world, which has not yet been penetrated and illumined by the intellectual rays of masonic light. All history concurs in recording the fact that, in the early ages of the world, its northern portion was enveloped in the most profound moral and mental darkness. It was from the remotest regions of Northern Europe that those barbarian hordes "came down like the wolf on the fold," and devastated the fair plains of the south, bringing with them a dark curtain of ignorance, beneath whose heavy folds the nations of the world lay for centuries overwhelmed. The extreme north has ever been, physically and intellectually, cold, and dark, and dreary. Hence, in Masonry, the north has ever been esteemed the place of darkness; and, in obedience to this principle, no symbolic light is allowed to illumine the northern part of the lodge.
The Symbolism of Freemasonry by Albert G. Mackey Page 11
