It was among the idolatrous multitudes that the Word had been lost. It was among them that the Builder had been smitten, and that the works of the spiritual temple had been suspended; and so, losing at each successive stage of their decline, more and more of the true knowledge of God and of the pure religion which had originally been imparted by Noah, they finally arrived at gross materialism and idolatry, losing all sight of the divine existence. Thus it was that the truth--the Word--was said to have been lost; or, to apply the language of Hutchinson, modified in its reference to the time, "in this situation, it might well be said that the guide to heaven was lost, and the master of the works of righteousness was smitten.
The nations had given themselves up to the grossest idolatry, and the service of the true God was effaced from the memory of those who had yielded themselves to the dominion of sin."
And now it was among the philosophers and priests in the ancient Mysteries, or the spurious Freemasonry, that an anxiety to discover the truth led to the search for the Lost Word. These were the craftsmen who saw the fatal-blow which had been given, who knew that the Word was now lost, but were willing to go forth, manfully and patiently, to seek its restoration. And there were the craftsmen who, failing to rescue it from the grave of oblivion into which it had fallen, by any efforts of their own incomplete knowledge, fell back upon the dim traditions which had been handed down from primeval times, and through their aid found a substitute for truth in their own philosophical religions.
And hence Schmidtz, speaking of these Mysteries of the pagan world, calls them the remains of the ancient Pelasgian religion, and says that "the associations of persons for the purpose of celebrating them must therefore have been formed at the time when the overwhelming influence of the Hellenic religion began to gain the upper hand in Greece, and when persons who still entertained a reverence for the worship of former times united together, with the intention of preserving and upholding among themselves as much as possible of the religion of their forefathers."
Applying, then, our interpretation in a general sense, the Word itself being the symbol of Divine Truth, the narrative of its loss and the search for its recovery becomes a mythical symbol of the decay and loss of the true religion among the ancient nations, at and after the dispersion on the plains of Shinar, and of the attempts of the wise men, the philosophers, and priests, to find and retain it in their secret Mysteries and initiations, which have hence been designated as the Spurious Freemasonry of Antiquity.
But I have said that there is a special, or individual, as well as a general interpretation. This compound or double symbolism, if I may so call it, is by no means unusual in Freemasonry. I have already exhibited an illustration of it in the symbolism of Solomon's temple, where, in a general sense, the temple is viewed as a symbol of that spiritual temple formed by the aggregation of the whole order, and in which each mason is considered as a stone; and, in an individual or special sense, the same temple is considered as a type of that spiritual temple which each mason is directed to erect in his heart.
Now, in this special or individual interpretation, the Word, with its accompanying myth of a loss, a substitute, and a recovery, becomes a symbol of the personal progress of a candidate from his first initiation to the completion of his course, when he receives a full development of the Mysteries.
The aspirant enters on this search after truth, as an Entered Apprentice, in darkness, seeking for light--the light of wisdom, the light of truth, the light symbolized by the Word. For this important task, upon which he starts forth gropingly, falteringly, doubtingly, in want and in weakness, he is prepared by a purification of the heart, and is invested with a first substitute for the true Word, which, like the pillar that went before the Israelites in the wilderness, is to guide him onwards in his weary journey. He is directed to take, as a staff and scrip for his journey, all those virtues which expand the heart and dignify the soul.
Secrecy, obedience, humility, trust in God, purity of conscience, economy of time, are all inculcated by impressive types and symbols, which connect the first degree with the period of youth.
And then, next in the degree of Fellow Craft, he fairly enters upon his journey. Youth has now passed, and manhood has come on. New duties and increased obligations press upon the individual. The thinking and working stage of life is here symbolized. Science is to be cultivated; wisdom is to be acquired; the lost Word--divine truth--is still to be sought for.
But even yet it is not to be found.
And now the Master Mason comes, with all the symbolism around him of old age--trials, sufferings, death. And here, too, the aspirant, pressing onward, always onward, still cries aloud for "light, more light." The search is almost over, but the lesson, humiliating to human nature, is to be taught, that in this life--gloomy and dark, earthly and carnal--pure truth has no abiding place; and contented with a substitute, and to that second temple of eternal life, for that true Word, that divine Truth, which will teach us all that we shall ever learn of God and his emanation, the human soul.
So, the Master Mason, receiving this substitute for the lost Word, waits with patience for the time when it shall be found, and perfect wisdom shall be attained.
But, work as we will, this symbolic Word--this knowledge of divine Truth--is never thoroughly attained in this life, or in its symbol, the Master Mason's lodge. The corruptions of mortality, which encumber and cloud the human intellect, hide it, as with a thick veil, from mortal eyes. It is only, as I have just said, beyond the tomb, and when released from the earthly burden of life, that man is capable of fully receiving and appreciating the revelation. Hence, then, when we speak of the recovery of the Word, in that higher degree which is a supplement to Ancient Craft Masonry, we intimate that that sublime portion of the masonic system is a symbolic representation of the state after death. For it is only after the decay and fall of this temple of life, which, as masons, we have been building, that from its ruins, deep beneath its foundations, and in the profound abyss of the grave, we find that divine truth, in the search for which life was spent, if not in vain, at least without success, and the mystic key to which death only could supply.
And now we know by this symbolism what is meant by masonic labor, which, too, is itself but another form of the same symbol. The search for the Word--to find divine Truth--this, and this only, is a mason's work, and the WORD is his reward.
Labor, said the old monks, is worship--laborare est orare; and thus in our lodges do we worship, working for the Word, working for the Truth, ever looking forward, casting no glance behind, but cheerily hoping for the consummation and the reward of our labor in the knowledge which is promised to him who plays no laggard's part.
Goethe, himself a mason and a poet, knew and felt all this symbolism of a mason's life and work, when he wrote that beautiful poem, which Carlyle has thus thrown into his own rough but impulsive language.
"The mason's ways are A type of existence,-- And to his persistence Is as the days are Of men in this world.
"The future hides in it Gladness and sorrow; We press still thorow, Nought that abides in it Daunting us--onward.
"And solemn before us Veiled the dark portal, Goal of all mortal; Stars silent rest o'er us Graves under us silent.
"While earnest thou gazest Come boding of terror, Comes phantasm and error, Perplexing the bravest With doubt and misgiving.
"But heard are the voices, Heard are the sages, The worlds and the ages; 'Choose well; your choice is Brief and yet endless.
"'Here eyes do regard you, In eternity's stillness; Here is all fullness, Ye, brave to reward you; Work and despair not.'"
* * * * *
And now, in concluding this work, so inadequate to the importance of the subjects that have been discussed, one deduction, at least, may be drawn from all that has been said.
In tracing the progress of Freemasonry, and in detailing its system of symbolism, it has been found to be so intimately connected with the history of philosophy, of religion,
and of art, in all ages of the world, that the conviction at once forces itself upon the mind, that no mason can expect thoroughly to comprehend its nature, or to appreciate its character as a science, unless he shall devote himself, with some labor and assiduity, to this study of its system. That skill which consists in repeating, with fluency and precision, the ordinary lectures, in complying with all the ceremonial requisitions of the ritual, or the giving, with sufficient accuracy, the appointed modes of recognition, pertains only to the very rudiments of the masonic science.
But there is a far nobler series of doctrines with which Freemasonry is connected, and which it has been my object, in this work, to present in some imperfect way. It is these which constitute the science and the philosophy of Freemasonry, and it is these alone which will return the student who devotes himself to the task, a sevenfold reward for his labor.
Freemasonry, viewed no longer, as too long it has been, as a merely social institution, has now assumed its original and undoubted position as a speculative science. While the mere ritual is still carefully preserved, as the casket should be which contains so bright a jewel; while its charities are still dispensed as the necessary though incidental result of all its moral teachings; while its social tendencies are still cultivated as the tenacious cement which is to unite so fair a fabric in symmetry and strength, the masonic mind is everywhere beginning to look and ask for something, which, like the manna in the desert, shall feed us, in our pilgrimage, with intellectual food. The universal cry, throughout the masonic world, is for light; our lodges are henceforth to be schools; our labor is to be study; our wages are to be learning; the types and symbols, the myths and allegories, of the institution are beginning to be investigated with reference to their ultimate meaning; our history is now traced by zealous inquiries as to its connection with antiquity; and Freemasons now thoroughly understand that often quoted definition, that "Masonry is a science of morality veiled in allegory and illustrated by symbols."
Thus to learn Masonry is to know our work and to do it well. What true mason would shrink from the task?
Synoptical Index.
A
AB. The Hebrew word AB signifies "father," and was among the Hebrews a title of honor. From it, by the addition of the possessive pronoun, is compounded the word Abif, signifying "his father," and applied to the Temple Builder.
ABIF. See Hiram Abif.
ABNET. The band or apron, made of fine linen, variously wrought, and worn by the Jewish priesthood. It seems to have been borrowed directly from the Egyptians, upon the representations of all of whose gods is to be found a similar girdle. Like the zennaar, or sacred cord of the Brahmins, and the white shield of the Scandinavians, it is the analogue of the masonic apron.
ACACIA, SPRIG OF. No symbol is more interesting to the masonic student than the sprig of acacia.
It is the mimosa nilotica of Linnæus, the shittah of the Hebrew writers, and grows abundantly in Palestine.
It is preeminently the symbol of the immortality of the soul.
It was for this reason planted by the Jews at the head of a grave.
This symbolism is derived from its never-fading character as an evergreen.
It is also a symbol of innocence, and this symbolism is derived from the double meaning of the word [Greek: akakia], which in Greek signifies the plant, and innocence; in this point of view Hutchinson has Christianized the symbol.
It is, lastly, a symbol of initiation.
This symbolism is derived from the fact that it is the sacred plant of Masonry; and in all the ancient rites there were sacred plants, which became in each rite the respective symbol of initiation into its Mysteries; hence the idea was borrowed by Freemasonry.
ADONIA. The Mysteries of Adonis, principally celebrated in Phoenicia and Syria. They lasted for two days, and were commemorative of the death and restoration of Adonis. The ceremonies of the first day were funereal in their character, and consisted in the lamentations of the initiates for the death of Adonis, whose picture or image was carried in procession. The second day was devoted to mirth and joy for the return of Adonis to life.
In their spirit and their mystical design, these Mysteries bore a very great resemblance to the third degree of Masonry, and they are quoted to show the striking analogy between the ancient and the modern initiations.
ADONIS. In mythology, the son of Cinyras and Myrrha, who was greatly beloved by Venus, or Aphrodite. He was slain by a wild boar, and having descended into the realm of Pluto, Persephone became enamoured of him.
This led to a contest for him between Venus and Persephone, which was finally settled by his restoration to life upon the condition that he should spend six months upon earth, and six months in the inferior regions. In the mythology of the philosophers, Adonis was a symbol of the sun; but his death by violence, and his subsequent restoration to life, make him the analogue of Hiram Abif in the masonic system, and identify the spirit of the initiation in his Mysteries, which was to teach the second life with that of the third degree of Freemasonry.
AHRIMAN, or ARIMANES. In the religious system of Zoroaster, the principle of evil, or darkness, which was perpetually opposing Ormuzd, the principle of good, or light. See Zoroaster.
ALFADER. The father of all, or the universal Father. The principal deity of the Scandinavian mythology.
The Edda gives twelve names of God, of which Alfader is the first and most ancient, and is the one most generally used.
ALGABIL. One of the names of the Supreme Being among the Cabalists. It signifies "the Master Builder," and is equivalent to the masonic epithet of "Grand Architect of the Universe."
ALLEGORY. A discourse or narrative, in which there is a literal and a figurative sense, a patent and a concealed meaning; the literal or patent sense being intended by analogy or comparison to indicate the figurative or concealed one. Its derivation from the Greek [Greek: a)llos] and [Greek: a)gorein], to say something different, that is, to say something where the language is one thing, and the true meaning different, exactly expresses the character of an allegory. It has been said in the text that there is no essential difference between an allegory and a symbol. There is not in design, but there is this in their character: An allegory may be interpreted without any previous conventional agreement, but a symbol cannot. Thus the legend of the third degree is an allegory evidently to be interpreted as teaching a restoration to life; and this we learn from the legend itself, without any previous understanding. The sprig of acacia is a symbol of the immortality of the soul. But this we know only because such meaning had been conventionally determined when the symbol was first established. It is evident, then, that an allegory which is obscure is imperfect. The enigmatical meaning should be easy of interpretation; and hence Lemière, a French poet, has said, "L'allégorie habite un palais diaphane"--Allegory lives in a transparent palace. All the legends of Freemasonry are more or less allegorical, and whatever truth there may be in some of them in an historical point of view, it is only as allegories, or legendary symbols, that they are important.
ALL-SEEING EYE. A symbol of the third degree, of great antiquity. See Eye.
ANCIENT CRAFT MASONRY. The first three degrees of Freemasonry; viz., Entered Apprentice, Fellow Craft, and Master Mason. They are so called because they alone are supposed to have been practised by the ancient craft. In the agreement between the two grand lodges of England in 1813, the definition was made to include the Royal Arch degree. Now if by the "ancient craft" are meant the workmen at the first temple, the definition will be wrong, because the Royal Arch degree could have had no existence until the time of the building of the second temple. But if by the "ancient craft" is meant the body of workmen who introduced the rites of Masonry into Europe in the early ages of the history of the Order, then it will be correct; because the Royal Arch degree always, from its origin until the middle of the eighteenth century, formed a part of the Master's.
"Ancient Craft Masonry," however, in this country, is generally understood to em
brace only the first three degrees.
ANDERSON. James Anderson, D.D., is celebrated as the compiler and editor of "The Constitutions of the Freemasons," published by order of the Grand Lodge of England, in 1723. A second edition was published by him in 1738.
Shortly after, Anderson died, and the subsequent editions, of which there are several, have been edited by other persons. The edition of 1723 has become exceedingly rare, and copies of it bring fancy prices among the collectors of old masonic books. Its intrinsic value is derived only from the fact that it contains the first printed copy of the "Old Charges," and also the "General Regulations." The history of Masonry which precedes these, and constitutes the body of the work, is fanciful, unreliable, and pretentious to a degree that often leads to absurdity. The craft are greatly indebted to Anderson for his labors in reorganizing the institution, but doubtless it would have been better if he had contented himself with giving the records of the Grand Lodge from 1717 to 1738 which are contained in his second edition, and with preserving for us the charges and regulations, which without his industry might have been lost.
No masonic writer would now venture to quote Anderson as authority for the history of the Order anterior to the eighteenth century. It must also be added that in the republication of the old charges in the edition of 1738, he made several important alterations and interpolations, which justly gave some offence to the Grand Lodge, and which render the second edition of no authority in this respect.
ANIMAL WORSHIP. The worship of animals is a species of idolatry that was especially practised by the ancient Egyptians. Temples were erected by this people in their honor, in which they were fed and cared for during life; to kill one of them was a crime punishable with death; and after death, they were embalmed, and interred in the catacombs. This worship was derived first from the earlier adoration of the stars, to certain constellations of which the names of animals had been given; next, from an Egyptian tradition that the gods, being pursued by Typhon, had concealed themselves under the forms of animals; and lastly, from the doctrine of the metempsychosis, according to which there was a continual circulation of the souls of men and animals. But behind the open and popular exercise of this degrading worship the priests concealed a symbolism full of philosophical conceptions. How this symbolism was corrupted and misinterpreted by the uninitiated people, is shown by Gliddon, and quoted in the text.
The Symbolism of Freemasonry by Albert G. Mackey Page 22
