I liked the sharp intercourse of straight lines more than the other kids I grew up with. I think this is because they were natives, whereas I was an infantile transplant from Ithaca, where my dad had Ph.D.’d. So I’d known, even horizontally and semiconsciously as a baby, something different, the tall hills and serpentine one-ways of upstate NY. I’m pretty sure I kept the amorphous mush of curves and swells as a contrasting backlight somewhere down in the lizardy part of my brain, because the Philo children I fought and played with, kids who knew and had known nothing else, saw nothing stark or new-worldish in the township’s planar layout, prized nothing crisp. (Except why do I think it significant that so many of them wound up in the military, performing smart right-faces in razor-creased dress blues?)
Unless you’re one of those rare mutant virtuosos of raw force, you’ll find that competitive tennis, like money pool, requires geometric thinking, the ability to calculate not merely your own angles but the angles of response to your angles. Because the expansion of response-possibilities is quadratic, you are required to think n shots ahead, where n is a hyperbolic function limited by the sinh of opponent’s talent and the cosh of the number of shots in the rally so far (roughly). I was good at this. What made me for a while near-great was that I could also admit the differential complication of wind into my calculations; I could think and play octacally. For the wind put curves in the lines and transformed the game into 3-space. Wind did massive damage to many Central Illinois junior players, particularly in the period from April to July when it needed lithium badly, tending to gust without pattern, swirl and backtrack and die and rise, sometimes blowing in one direction at court level and in another altogether ten feet overhead. The precision in thinking required one to induct trends in percentage, thrust, and retaliatory angle—precision our guy and the other townships’ volunteer coaches were good at abstracting about with chalk and board, attaching a pupil’s leg to the fence with clothesline to restrict his arc of movement in practice, placing laundry baskets in different corners and making us sink ball after ball, taking masking tape and laying down Chinese boxes within the court’s own boxes for drills and wind sprints—all this theoretical prep went out the window when sneakers hit actual court in a tournament. The best-planned, best-hit ball often just blew out of bounds, was the basic unlyrical problem. It drove some kids near-mad with the caprice and unfairness of it all, and on real windy days these kids, usually with talent out the bazoo, would have their first apoplectic racket-throwing tantrum in about the match’s third game and lapse into a kind of sullen coma by the end of the first set, now bitterly expecting to get screwed over by wind, net, tape, sun. I, who was affectionately known as Slug because I was such a lazy turd in practice, located my biggest tennis asset in a weird robotic detachment from whatever unfairnesses of wind and weather I couldn’t plan for. I couldn’t begin to tell you how many tournament matches I won between the ages of twelve and fifteen against bigger, faster, more coordinated, and better-coached opponents simply by hitting balls unimaginatively back down the middle of the court in schizophrenic gales, letting the other kid play with more verve and panache, waiting for enough of his ambitious balls aimed near the lines to curve or slide via wind outside the green court and white stripe into the raw red territory that won me yet another ugly point. It wasn’t pretty or fun to watch, and even with the Illinois wind I never could have won whole matches this way had the opponent not eventually had his small nervous breakdown, buckling under the obvious injustice of losing to a shallow-chested “pusher” because of the shitty rural courts and rotten wind that rewarded cautious automatism instead of verve and panache. I was an unpopular player, with good reason. But to say that I did not use verve or imagination was untrue. Acceptance is its own verve, and it takes imagination for a player to like wind, and I liked wind; or rather I at least felt the wind had some basic right to be there, and found it sort of interesting, and was willing to expand my logistical territory to countenace the devastating effect a 15- to 30-mph stutter-breeze swirling southwest to east would have on my best calculations as to how ambitiously to respond to Joe Perfecthair’s topspin drive into my backhand corner.
The Illinois combination of pocked courts, sickening damp, and wind required and rewarded an almost Zen-like acceptance of things as they actually were, on-court. I won a lot. At twelve, I began getting entry to tournaments beyond Philo and Champaign and Danville. I was driven by my parents or by the folks of Gil Antitoi, son of a Canadian-history professor from Urbana, to events like the Central Illinois Open in Decatur, a town built and owned by the A. E. Staley processing concern and so awash in the stink of roasting corn that kids would play with bandannas tied over their mouths and noses; like the Western Closed Qualifier on the ISU campus in Normal; like the McDonald’s Junior Open in the serious corn town of Galesburg, way out west by the River; like the Prairie State Open in Pekin, insurance hub and home of Caterpillar Tractor; like the Midwest Junior Clay Courts at a chichi private club in Peoria’s pale version of Scarsdale.
Over the next four summers I got to see way more of the state than is normal or healthy, albeit most of this seeing was a blur of travel and crops, looking between nod-outs at sunrises abrupt and terribly candent over the crease between fields and sky (plus you could see any town you were aimed at the very moment it came around the earth’s curve, and the only part of Proust that really moved me in college was the early description of the kid’s geometric relation to the distant church spire at Combray), riding in station wagons’ backseats through Saturday dawns and Sunday sunsets. I got steadily better; Antitoi, unfairly assisted by an early puberty, got radically better.
By the time we were fourteen, Gil Antitoi and I were the Central Illinois cream of our age bracket, usually seeded one and two at area tournaments, able to beat all but a couple of even the kids from the Chicago suburbs who, together with a contingent from Grosse Pointe MI, usually dominated the Western regional rankings. That summer the best fourteen-year-old in the nation was a Chicago kid, Bruce Brescia (whose penchant for floppy white tennis hats, low socks with bunnytails at the heel, and lurid pastel sweater vests testified to proclivities that wouldn’t dawn on me for several more years), but Brescia and his henchman, Mark Mees of Zanesville OH, never bothered to play anything but the Midwestern Clays and some indoor events in Cook County, being too busy jetting off to like the Pacific Hardcourts in Ventura and Junior Wimbledon and all that. I played Brescia just once, in the quarters of an indoor thing at the Rosemont Horizon in 1977, and the results were not pretty. Antitoi actually got a set off Mees in the national Qualifiers one year. Neither Brescia nor Mees ever turned pro; I don’t know what happened to either of them after eighteen.
Antitoi and I ranged over the exact same competitive territory; he was my friend and foe and bane. Though I’d started playing two years before he, he was bigger, quicker, and basically better than I by about age thirteen, and I was soon losing to him in the finals of just about every tournament I played. So different were our appearances and approaches and general gestalts that we had something of an epic rivalry from ’74 through ’77. I had gotten so prescient at using stats, surface, sun, gusts, and a kind of stoic cheer that I was regarded as a physical savant, a medicine boy of wind and heat, and could play just forever, sending back moonballs baroque with spin. Antitoi, uncomplicated from the get-go, hit the everliving shit out of every round object that came within his ambit, aiming always for one of two backcourt corners. He was a Slugger; I was a Slug. When he was “on,” i.e. having a good day, he varnished the court with me. When he wasn’t at his best (and the countless hours I and David Saboe from Bloomington and Kirk Riehagen and Steve Cassil of Danville spent in meditation and seminar on just what variables of diet, sleep, romance, car ride, and even sock-color factored into the equation of Antitoi’s mood and level day to day), he and I had great matches, real marathon wind-suckers. Of eleven finals we played in 1974, I won two.
Midwest junior tennis was also my initiatio
n into true adult sadness. I had developed a sort of hubris about my Taoistic ability to control via noncontrol. I’d established a private religion of wind. I even liked to bike. Awfully few people in Philo bike, for obvious wind reasons, but I’d found a way to sort of tack back and forth against a stiff current, holding some wide book out at my side at about 120° to my angle of thrust—Bayne and Pugh’s The Art of the Engineer and Cheiro’s Language of the Hand proved to be the best airfoils—so that through imagination and verve and stoic cheer I could not just neutralize but use an in-your-face gale for biking. Similarly, by thirteen I’d found a way not just to accommodate but to employ the heavy summer winds in matches. No longer just mooning the ball down the center to allow plenty of margin for error and swerve, I was now able to use the currents kind of the way a pitcher uses spit. I could hit curves way out into cross-breezes that’d drop the ball just fair; I had a special wind-serve that had so much spin the ball turned oval in the air and curved left to right like a smart slider and then reversed its arc on the bounce. I’d developed the same sort of autonomie feel for what the wind would do to the ball that a standard-trans driver has for how to shift. As a junior tennis player, I was for a time a citizen of the concrete physical world in a way the other boys weren’t, I felt. And I felt betrayed at around fourteen when so many of these single-minded flailing boys became abruptly mannish and tall, with sudden sprays of hair on their thighs and wisps on their lips and ropy arteries on their forearms. My fifteenth summer, kids I’d been beating easily the year before all of a sudden seemed overpowering. I lost in two semifinals, at Pekin and Springfield in’77, of events I’d beaten Antitoi in the finals of in ’76. My dad just about brought me to my knees after the Springfield loss to some kid from the Quad Cities when he said, trying to console me, that it had looked like a boy playing a man out there. And the other boys sensed something up with me, too, smelled some breakdown in the odd détente I’d had with the elements: my ability to accommodate and fashion the exterior was being undercut by the malfunction of some internal alarm clock I didn’t understand.
I mention this mostly because so much of my Midwest’s communal psychic energy was informed by growth and fertility. The agronomic angle was obvious, what with my whole township dependent for tax base on seed, dispersion, height, and yield. Something about the adults’ obsessive weighing and measuring and projecting, this special calculus of thrust and growth, leaked inside us children’s capped and bandanna’d little heads out on the fields, diamonds, and courts of our special interests. By 1977 I was the only one of my group of jock friends with virginity intact. (I know this for a fact, and only because these guys are now schoolteachers and commoditists and insurers with families and standings to protect will I not share with you just how I know it.) I felt, as I became a later and later bloomer, alienated not just from my own recalcitrant glabrous little body, but in a way from the whole elemental exterior I’d come to see as my coconspirator. I knew, somehow, that the call to height and hair came from outside, from whatever apart from Monsanto and Dow made the corn grow, the hogs rut, the wind soften every spring and hang with the scent of manure from the plain of beanfields north between us and Champaign. My vocation ebbed. I felt uncalled. I began to experience the same resentment toward whatever children abstract as nature that I knew Steve Cassil felt when a soundly considered approach shot down the forehand line was blown out by a gust, that I knew Gil Antitoi suffered when his pretty kick-serve (he was the only top-flight kid from the slow weedy township courts to play serve-and-volley from the start, which is why he had such success on the slick cement of the West Coast when he went on to play for Cal-Fullerton) was compromised by the sun: he was so tall, and so stubborn about adjusting his high textbook service toss for solar conditions, that serving from the court’s north end in early afternoon matches always filled his eyes with violet blobs, and he’d lumber around for the rest of the point, flailing and pissed. This was back when sunglasses were unheard of, on-court.
But so the point is I began to feel what they’d felt. I began, very quietly, to resent my physical place in the great schema, and this resentment and bitterness, a kind of slow root-rot, is a big reason why I never qualified for the sectional championships again after 1977, and why I ended up in 1980 barely making the team at a college smaller than Urbana High while kids I had beaten and then envied played scholarship tennis for Purdue, Fullerton, Michigan, Pepperdine, and even—in the case of Pete Bouton, who grew half a foot and forty IQ points in 1977—for the hallowed U of I at Urbana-Champaign.
Alienation-from-Midwest-as-fertility-grid might be a little on the overmetaphysical side, not to mention self-pitying. This was the time, after all, when I discovered definite integrals and antiderivatives and found my identity shifting from jock to math-wienie anyway. But it’s also true that my whole Midwest tennis career matured and then degenerated under the aegis of the Peter Principle. In and around my township—where the courts were rural and budgets low and conditions so extreme that the mosquitoes sounded like trumpets and the bees like tubas and the wind like a five-alarm fire, that we had to change shirts between games and use our water jugs to wash blown field-chaff off our arms and necks and carry salt tablets in Pez containers—I was truly near-great: I could Play the Whole Court; I was In My Element. But all the more important tournaments, the events into which my rural excellence was an easement, were played in a different real world: the courts’ surface was redone every spring at the Arlington Tennis Center, where the National Junior Qualifier for our region was held; the green of these courts’ fair territory was so vivid as to distract, its surface so new and rough it wrecked your feet right through your shoes, and so bare of flaw, tilt, crack, or seam that it was totally disorienting. Playing on a perfect court was for me like treading water out of sight of land: I never knew where I was out there. The 1976 Chicago Junior Invitational was held at Lincolnshire’s Bath and Tennis Club, whose huge warren of thirty-six courts was enclosed by all these troubling green plastic tarps attached to all the fences, with little archer-slits in them at eye level to afford some parody of spectation. These tarps were Wind-B-Gone windscreens, patented by the folks over at Cyclone Fence in 1971. They did cut down on the worst of the unfair gusts, but they also seemed to rob the court space of new air: competing at Lincolnshire was like playing in the bottom of a well. And blue bug-zapper lights festooned the lightposts when really major Midwest tournaments played into the night: no clouds of midges around the head or jagged shadows of moths to distinguish from balls’ flights, but a real unpleasant zotting and frying sound of bugs being decommissioned just overhead; I won’t pause to mention the smell. The point is I just wasn’t the same, somehow, without deformities to play around. I’m thinking now that the wind and bugs and chuckholes formed for me a kind of inner boundary, my own personal set of lines. Once I hit a certain level of tournament facilities, I was disabled because I was unable to accommodate the absence of disabilities to accommodate. If that makes sense. Puberty-angst and material alienation notwithstanding, my Midwest tennis career plateaued the moment I saw my first windscreen.
Still strangely eager to speak of weather, let me say that my township, in fact all of East-Central Illinois, is a proud part of what meteorologists call Tornado Alley. Incidence of tornadoes all out of statistical proportion. I personally have seen two on the ground and five aloft, trying to assemble. Aloft tornadoes are gray-white, more like convulsions in the thunderclouds themselves than separate or protruding from them. Ground tornadoes are black only because of the tons of soil they suck in and spin around. The grotesque frequency of tornadoes around my township is, I’m told, a function of the same variables that cause our civilian winds: we are a coordinate where fronts and air masses converge. Most days from late March to June there are Tornado Watches somewhere in our TV stations’ viewing area (the stations put a little graphic at the screen’s upper right, like a pair of binoculars for a Watch and the Tarot deck’s Tower card for a Warning, or something).
Watches mean conditions are right and so on and so forth, which, big deal. It’s only the rarer Tornado Warnings, which require a confirmed sighting by somebody with reliable sobriety, that make the Civil Defense sirens go. The siren on top of the Philo Middle School was a different pitch and cycle from the one off in the south part of Urbana, and the two used to weave in and out of each other in a godawful threnody. When the sirens blew, the native families went to their canning cellars or fallout shelters (no kidding); the academic families in their bright prefab houses with new lawns and foundations of flat slab went with whatever good-luck tokens they could lay hands on to the very most central point on the ground floor after opening every single window to thwart implosion from precipitous pressure drops. For my family, the very most central point was a hallway between my dad’s study and a linen closet, with a reproduction of a Flemish annunciation scene on one wall and a bronze Aztec sunburst hanging with guillotinic mass on the other; I always tried to maneuver my sister under the sunburst.
If there was an actual Warning when you were outside and away from home—say at a tennis tournament in some godforsaken public park at some city fringe zoned for sprawl—you were supposed to lie prone in the deepest depression you could locate. Since the only real depressions around most tournament sites were the irrigation and runoff ditches that bordered cultivated fields, ditches icky with conferva and mosquito spray and always heaving with what looked like conventions of copperheads and just basically places your thinking man doesn’t lie prone in under any circumstances, in practice at a Warned tournament you zipped your rackets into their covers and ran to find your loved ones or even your liked ones and just all milled around trying to look like you weren’t about to lose sphincter-control. Mothers tended sometimes to wail and clutch childish heads to their bosoms (Mrs. Swearingen of Pekin was particularly popular for clutching even strange kids’ heads to her formidable bosom).
A Supposedly Fun Thing I'll Never Do Again Page 2
