Menshiki and I gingerly tried standing on top of the freshly uncovered slab. The stones were darkly wet and slippery in spots. Though they’d been artificially cut and evened up over time, the edges had become more rounded off, with gaps between the stones. The nightly sound of the bell must have filtered out through those gaps. And air could probably get in through those too. I crouched down and stared through a gap inside, but it was pitch black and I couldn’t make out a thing.
“Maybe they used flagstones to cover up an ancient well. Though for a well, its diameter is a bit big,” the foreman said.
“Can you remove these flagstones?” Menshiki asked.
The foreman shrugged. “I’m not sure. We hadn’t planned on this. It’ll make things a little complicated, but I think we can manage it. Using a crane would be our best bet, but we’d never get one in here. Each stone doesn’t look that heavy. And there’s a gap between them, so with a little ingenuity I think we can manage with the backhoe. We’re coming up on our lunch break, so I’ll work out a good plan then and we’ll get to work in the afternoon.”
Menshiki and I went back to the house and had a light lunch. In the kitchen I threw together some simple ham, lettuce, and pickle sandwiches and we went out on the terrace to eat as we watched the rain.
“This whole operation is delaying what we should be working on, finishing the portrait,” I said.
Menshiki shook his head. “There’s no rush with the portrait. Our first priority is solving this weird matter. Then you can get back to work on the painting.”
Did this man seriously want his portrait painted? I couldn’t help but wonder. This doubt had been smoldering in a corner of my mind from the very start. Did he seriously want me to paint his portrait? Wasn’t he just using the portrait as a mere pretext, and had some other reason for getting to know me?
But what could it be? I couldn’t figure it out. Was his goal unearthing what was under those stones? This didn’t make sense. He hadn’t known about them. That was something unforeseen that only came up after we started on the portrait. Still, he seemed overly enthusiastic about digging them up. And he was shelling out quite a bit of money for the operation, even though it had nothing to do with him.
As I was mulling over all this Menshiki asked, “Did you read the story ‘Fate over Two Generations’?”
“I did,” I told him.
“What did you think? A very strange tale, isn’t it?” he said.
“It certainly is,” I said.
Menshiki looked at me for a while, then said, “To tell the truth, that story has tugged at me for a long time. It’s one of the reasons this discovery has aroused my interest.”
I took a sip of coffee and wiped my mouth with a paper napkin. Two crows, cawing at each other, winged their way across the valley, undeterred by the rain. Wet by the rain, their wings would only grow a deeper black.
“I don’t know much about Buddhism,” I said to Menshiki, “so I don’t understand all the details, but doesn’t a priest doing a voluntary burial—this nyujo—mean he chooses to go into a coffin and die?”
“Exactly. Nyujo originally means ‘attaining enlightenment,’ so they have the term ikinyujo—‘living nyujo’—to distinguish the two. They make a stone-lined underground chamber and insert a bamboo pipe to allow in air. Before a priest does nyujo he maintains a fruitarian diet for a set time so his body won’t putrefy but will become nicely mummified.”
“Fruitarian?”
“Just eating grasses and nuts and berries. They eat no cooked foods whatsoever, starting with grains. In other words, a radical elimination of all fats and moisture from the body. Changing the makeup of the body so it can easily mummify. And after purifying his body, the priest goes underground. In the darkness there the priest fasts and recites sutras, hitting a gong in time to that. Or ringing a bell. And people can hear the sound of that gong or bell through the vent hole. But at some point the sounds stop. That’s the sign that he’s breathed his last. And over a period of time the body gradually turns into a mummy. The custom is to unearth the body after three years and three months.”
“Why would they do that?”
“So the priests could practice austerity to the point of becoming self-mummified. Doing that allows them to reach enlightenment and to arrive at a realm beyond life and death. This also connects up with mankind’s salvation. So-called Nirvana. The unearthed enlightened monk, the mummy, is kept at a temple, and through praying to it people are saved.”
“In reality it’s a kind of suicide.”
Menshiki nodded. “Which is why in the Meiji period the practice of self-burial was outlawed. People who helped in the process could be arrested for aiding and abetting suicide. The truth is, though, priests continued to follow the practice in secret. That’s why there may be quite a few cases of priests being buried but never unearthed by anyone.”
“Are you thinking that stone mound is the remains of a secret burial of that kind?”
Menshiki shook his head. “We won’t know until we actually remove the stones. But it’s possible. There’s no bamboo tube there, but the way it’s constructed, air could get in through the gaps, and you can hear sounds from inside too.”
“And you’re saying that someone is still alive underneath those stones and is ringing a gong or bell every night?”
Menshiki shook his head again. “That obviously doesn’t make any sense.”
“Reaching Nirvana—is that different from merely dying?”
“It is. I’m not all that familiar with Buddhist doctrine, but as far as I understand, Nirvana is found beyond life and death. You could see it as the idea that even if the flesh dies and disappears, the soul goes over to a place beyond life and death. Worldly flesh is nothing more than a temporary dwelling.”
“Even if a priest were, through burial alive, to reach Nirvana, is it possible for him to rejoin his physical body?”
Menshiki said nothing and looked at me for a while. He took a bite of his ham sandwich, and a sip of coffee.
“What you’re saying is—”
“I didn’t hear that sound until four or five days ago,” I said. “I’m certain of that. If the sound had been there I would have noticed. Even if it was small, it’s not the kind of sound I would have missed. I only started hearing it a few days ago. What I mean is, even if there’s somebody underneath those stones, that person hasn’t been ringing the bell for a long time.”
Menshiki returned his coffee cup to the saucer and studied the pattern on the cup. “Have you seen a real mummified priest?” he finally said.
I shook my head.
“I’ve seen several. When I was young I traveled around Yamagata Prefecture on my own and saw a few that were preserved in temples there. For some reason there are a lot of these mummified priests in the Tohoku region, especially in Yamagata. Honestly, they’re not very nice to look at. Maybe it’s my lack of faith, but I didn’t feel very grateful when I saw them. Small, brown, all shriveled up. I probably shouldn’t say this, but the color and texture reminded me of beef jerky. The physical body really is nothing more than a fleeting, empty abode. That, at least, is what these mummies teach us. We may do our utmost, but at best we end up as no more than beef jerky.”
He picked up the ham sandwich he’d been eating and gazed at it intently for a moment. As if he were seeing a ham sandwich for the first time in his life.
He went on. “At any rate, let’s wait till after lunch for them to move those stones. Then we’ll know more, whether we want to or not.”
* * *
—
We went back to the site in the woods just after one fifteen. The crew had finished lunch and were hard at work. The two workmen put wedge-like metal implements in the gaps between the stones, and the backhoe used a rope to pull those and raise the stones. The workmen then attached ropes to the dug-up stones, and th
e shovel hauled these up. It was time consuming, but one by one the stones were steadily unearthed and moved off to the side.
Menshiki and the foreman were deep in conversation about something for a while, but then he came back to join me.
“As they thought, the stones aren’t all that thick. Looks like they’ll be able to remove them,” he explained. “There seems to be a lattice-shaped lid underneath all the stones. They don’t know what it’s made of, but that lid supported the stones. After they remove all the stones on top they’ll need to take off that lid. They don’t know yet if they can. It’s impossible to guess what lies beneath that. It’ll take a while for them to remove all the stones, and once they’ve made more progress they’ll call us, so they said they’d like us to wait in the house. If you don’t mind, let’s do that. Standing around here isn’t going to help.”
We walked back home. I should have used the extra time to continue work on the portrait, but I didn’t feel I’d be able to concentrate on painting. The operation out in the woods had me on edge. The six-foot-square stone flooring that had emerged from underneath the mound of crumbling old stones. The solid lattice lid. And the space that seemed to lie below it. I couldn’t erase these images from my mind. Menshiki was right. Until we settled this matter we wouldn’t be able to move forward on anything else.
“Do you mind if I listen to music while we wait?” Menshiki asked.
“Not at all,” I said. “Play whatever record you’d like. I’ll be in the kitchen preparing some food.”
He chose a recording of Mozart. A sonata for piano and violin. The Tannoy Autograph speakers weren’t very showy, but gave out a deep, steady sound. The perfect speakers for classical music, especially for listening to vinyl records of chamber music. As you might expect of old speakers, they were well suited to a vacuum-tube amp. The pianist was Georg Szell, the violinist Rafael Druian. Menshiki sat on the sofa, eyes closed, and gave himself over to the music. I listened to it from a little ways off, making tomato sauce. I’d bought a lot of tomatoes and had some left over and wanted to make some sauce before they went bad.
I boiled water in a large pan, parboiled the tomatoes and removed the skins, cut them with a knife, removed the seeds, crushed them, put them in a large skillet, added garlic, and simmered it all with olive oil, let it cook well. I carefully removed any scum on the surface. Back when I was married I often made sauce like this. It takes time and effort, but basically it’s an easy process. While my wife was at work I’d stand alone in the kitchen, listening to music on a CD while I made it. I liked to cook while listening to old jazz. Thelonious Monk was a particular favorite. Monk’s Music was my favorite of his albums. Coleman Hawkins and John Coltrane played on it, with amazing solos. But I have to admit that making sauce while listening to Mozart’s chamber music wasn’t bad either.
It was only a short while ago that I’d been cooking tomato sauce in the afternoon while enjoying Monk’s unique offbeat melodies and chords (it was only half a year ago that my wife and I had dissolved our marriage), but it felt like something that had taken place ages ago. A trivial historical episode a generation ago that only a handful of people still remembered. I suddenly wondered how my wife was. Was she living with another man now? Or was she still living by herself in that apartment in Hiroo? Either way, at this time of day she would be at work at the architectural firm. For her, how much of a difference was there between her life when I was there, and her life now without me? And how much interest did she have in that difference? I was sort of half thinking about all this. Did she have the same feeling, that our days spent together seemed like something from the distant past?
The record was over, the needle making a popping sound as it spun in the final groove, and when I went to the living room I found Menshiki asleep on the sofa, arms folded, leaning over slightly to one side. I lifted the needle up from the spinning disc and switched off the turntable. Even when the steady click of the needle stopped, Menshiki continued to sleep. He must have been very tired. He was faintly snoring. I left him where he was. I returned to the kitchen, shut off the gas under the skillet, and drank a big glass of water. I still had time on my hands, so I began to fry some onions.
* * *
—
When the phone rang Menshiki was already awake. He was in the bathroom, washing his face with soap and gargling. The call was from the foreman at the work site, so I handed the phone to Menshiki. He said a few words, and then said that we would be right over. He handed the phone back.
“They’re almost done,” he said.
Outside it had stopped raining. Clouds still covered the sky, but it was lighter out now. The weather seemed to be steadily improving. We hurried up the steps and through the woods. Behind the little shrine the four men were standing around a hole, staring down into it. The backhoe’s engine was off, nothing was moving, the woods strangely hushed.
The stones had been neatly removed, exposing the hole below. The square lattice lid had been taken off too, and laid to one side. It was a thick, heavy-looking wooden cover. Old, but not rotted at all. After that the circular stone-lined room below was visible. It was under six feet in diameter, about eight feet deep, and was enclosed by a stone wall. The floor seemed to be dirt. Not a single blade of grass grew there. The stone room was completely empty. No one there calling for help, no beef jerky mummy. Just a bell-like object lying on the ground. Actually less like a bell than some ancient musical instrument with a stack of tiny cymbals. A wooden handle was attached, about six inches long. The foreman shone a floodlight down on it.
“Was this all that was in there?” Menshiki asked him.
“Yes, that’s it,” the foreman said. “Like you asked, we left it just as we found it, after we took off the stones and lid. We haven’t touched a thing.”
“That’s strange,” Menshiki said, as if to himself. “So there really wasn’t anything else at all?”
“I called you right after we lifted off the lid. I haven’t been down inside. This is exactly the way it was when we uncovered it,” the foreman said.
“Of course,” Menshiki said, in a dry voice.
“It might have been a well originally,” the foreman said. “It looks like it was filled in, leaving the hole. But it’s too wide for a well, and the stone wall around it is so elaborately constructed. It couldn’t have been easy to build. I suppose they must have had some important purpose in mind to construct something that took this much time and effort.”
“Can I go down and check it out?” Menshiki asked the foreman.
The foreman was a little unsure. With a hard face, he said, “I think I should go down first. Just in case. If it’s all clear, then you can climb on down. Does that sound good?”
“Of course,” Menshiki said. “Let’s do that.”
One of the workmen brought over a folding metal ladder from the truck, opened it up, and lowered it down. The foreman put on his safety helmet and climbed down the eight feet to the dirt floor. He looked around him for a while. He gazed up, then shone his flashlight on the stone wall and the floor, closely checking everything. He carefully observed the bell-like object that lay on the dirt floor. He didn’t touch it, though, just observed it. He rubbed the soles of his work boots a few times against the dirt floor, kicking his heel against it. He took a few deep breaths, smelling the air. He was only in the hole for about five or six minutes, then slowly clambered up the ladder to ground level.
“It doesn’t seem dangerous. The air’s good, and there aren’t any weird bugs or anything. And the footing is solid. You can go down now if you’d like,” he said.
Menshiki removed his rainwear to make it easier to move around, and in his flannel shirt and chinos, he hung his flashlight by a strap around his neck and climbed down the metal ladder. We watched in silence as he descended. The foreman shone the floodlight below Menshiki’s feet. Menshiki stood still at the bottom of the h
ole for a while, waiting, then reached out and touched the stone wall, and crouched down to check out what the dirt floor felt like. He picked up the bell-like object on the ground, shone his flashlight on it, and gazed at it. Then he shook it a few times. When he did, it was unmistakably the same bell sound I’d heard. No doubt about it. In the middle of the night someone had been ringing it here. But that someone was no longer here. Only the bell was left behind. As he studied the bell Menshiki shook his head a few times, evidently puzzled. Then he carefully studied the surrounding wall again, as if looking for a secret entrance and exit. But he found nothing of the sort. He looked up at us at ground level. He seemed totally confused.
He stepped onto the ladder and held out the bell toward me. I bent over and took it from him. A dampness penetrated deep into the ancient wooden handle. As Menshiki had done, I tried shaking it a few times. It sounded louder and clearer than I’d expected. I didn’t know what it was made of, but the metal portion wasn’t damaged at all. It was dirty, for sure, but not at all rusted. I couldn’t figure out how it had remained rust-free despite being underground in damp soil for years.
“What is that?” the foreman asked me. He was in his mid-forties, short but with a sturdy build. Suntanned, with a bit of stubble on his face.
“I’m not sure. Maybe some kind of Buddhist implement or something,” I said. “Whatever it is, it’s certainly from ancient times.”
“Is this what you were looking for?” he asked.
I shook my head. “No, we were expecting something else.”
“At any rate, it’s a strange place,” the foreman said. “I can’t explain it, but there’s a mysterious feeling about it. Who would make this kind of place, I wonder—and why? This was a long time ago, and it must have been quite a task to haul the stones all the way up the mountain and stack them up.”
Killing Commendatore Page 19
