"What are you grinning at my father's portrait again for?" asked Rogojin, suddenly. He was carefully observing every change in the expression of the prince's face.
"I smiled because the idea came into my head that if it were not for this unhappy passion of yours you might have, and would have, become just such a man as your father, and that very quickly, too. You'd have settled down in this house of yours with some silent and obedient wife. You would have spoken rarely, trusted no one, heeded no one, and thought of nothing but making money."
"Laugh away! She said exactly the same, almost word for word, when she saw my father's portrait. It's remarkable how entirely you and she are at one now-a-days."
"What, has she been here?" asked the prince with curiosity.
"Yes! She looked long at the portrait and asked all about my father. 'You'd be just such another,' she said at last, and laughed. 'You have such strong passions, Parfen,' she said, 'that they'd have taken you to Siberia in no time if you had not, luckily, intelligence as well. For you have a good deal of intelligence.' (She said this—believe it or not. The first time I ever heard anything of that sort from her.) 'You'd soon have thrown up all this rowdyism that you indulge in now, and you'd have settled down to quiet, steady money-making, because you have little education; and here you'd have stayed just like your father before you. And you'd have loved your money so that you'd amass not two million, like him, but ten million; and you'd have died of hunger on your money bags to finish up with, for you carry everything to extremes.' There, that's exactly word for word as she said it to me. She never talked to me like that before. She always talks nonsense and laughs when she's with me. We went all over this old house together. 'I shall change all this,' I said, 'or else I'll buy a new house for the wedding.' 'No, no!' she said, 'don't touch anything; leave it all as it is; I shall live with your mother when I marry you.'
"I took her to see my mother, and she was as respectful and kind as though she were her own daughter. Mother has been almost demented ever since father died—she's an old woman. She sits and bows from her chair to everyone she sees. If you left her alone and didn't feed her for three days, I don't believe she would notice it. Well, I took her hand, and I said, 'Give your blessing to this lady, mother, she's going to be my wife.' So Nastasia kissed mother's hand with great feeling. 'She must have suffered terribly, hasn't she?' she said. She saw this book here lying before me. 'What! have you begun to read Russian history?' she asked. She told me once in Moscow, you know, that I had better get Solovieff's Russian History and read it, because I knew nothing. 'That's good,' she said, 'you go on like that, reading books. I'll make you a list myself of the books you ought to read first—shall I?' She had never once spoken to me like this before; it was the first time I felt I could breathe before her like a living creature."
"I'm very, very glad to hear of this, Parfen," said the prince, with real feeling. "Who knows? Maybe God will yet bring you near to one another."
"Never, never!" cried Rogojin, excitedly.
"Look here, Parfen; if you love her so much, surely you must be anxious to earn her respect? And if you do so wish, surely you may hope to? I said just now that I considered it extraordinary that she could still be ready to marry you. Well, though I cannot yet understand it, I feel sure she must have some good reason, or she wouldn't do it. She is sure of your love; but besides that, she must attribute SOMETHING else to you—some good qualities, otherwise the thing would not be. What you have just said confirms my words. You say yourself that she found it possible to speak to you quite differently from her usual manner. You are suspicious, you know, and jealous, therefore when anything annoying happens to you, you exaggerate its significance. Of course, of course, she does not think so ill of you as you say. Why, if she did, she would simply be walking to death by drowning or by the knife, with her eyes wide open, when she married you. It is impossible! As if anybody would go to their death deliberately!"
Rogojin listened to the prince's excited words with a bitter smile. His conviction was, apparently, unalterable.
"How dreadfully you look at me, Parfen!" said the prince, with a feeling of dread.
"Water or the knife?" said the latter, at last. "Ha, ha—that's exactly why she is going to marry me, because she knows for certain that the knife awaits her. Prince, can it be that you don't even yet see what's at the root of it all?"
"I don't understand you."
"Perhaps he really doesn't understand me! They do say that you are a—you know what! She loves another—there, you can understand that much! Just as I love her, exactly so she loves another man. And that other man is—do you know who? It's you. There—you didn't know that, eh?"
"I?"
"You, you! She has loved you ever since that day, her birthday! Only she thinks she cannot marry you, because it would be the ruin of you. 'Everybody knows what sort of a woman I am,' she says. She told me all this herself, to my very face! She's afraid of disgracing and ruining you, she says, but it doesn't matter about me. She can marry me all right! Notice how much consideration she shows for me!"
"But why did she run away to me, and then again from me to—"
"From you to me? Ha, ha! that's nothing! Why, she always acts as though she were in a delirium now-a-days! Either she says, 'Come on, I'll marry you! Let's have the wedding quickly!' and fixes the day, and seems in a hurry for it, and when it begins to come near she feels frightened; or else some other idea gets into her head—goodness knows! you've seen her—you know how she goes on—laughing and crying and raving! There's nothing extraordinary about her having run away from you! She ran away because she found out how dearly she loved you. She could not bear to be near you. You said just now that I had found her at Moscow, when she ran away from you. I didn't do anything of the sort; she came to me herself, straight from you. 'Name the day—I'm ready!' she said. 'Let's have some champagne, and go and hear the gipsies sing!' I tell you she'd have thrown herself into the water long ago if it were not for me! She doesn't do it because I am, perhaps, even more dreadful to her than the water! She's marrying me out of spite; if she marries me, I tell you, it will be for spite!"
"But how do you, how can you—" began the prince, gazing with dread and horror at Rogojin.
"Why don't you finish your sentence? Shall I tell you what you were thinking to yourself just then? You were thinking, 'How can she marry him after this? How can it possibly be permitted?' Oh, I know what you were thinking about!"
"I didn't come here for that purpose, Parfen. That was not in my mind—"
"That may be! Perhaps you didn't COME with the idea, but the idea is certainly there NOW! Ha, ha! well, that's enough! What are you upset about? Didn't you really know it all before? You astonish me!"
"All this is mere jealousy—it is some malady of yours, Parfen! You exaggerate everything," said the prince, excessively agitated. "What are you doing?"
"Let go of it!" said Parfen, seizing from the prince's hand a knife which the latter had at that moment taken up from the table, where it lay beside the history. Parfen replaced it where it had been.
"I seemed to know it—I felt it, when I was coming back to Petersburg," continued the prince, "I did not want to come, I wished to forget all this, to uproot it from my memory altogether! Well, good-bye—what is the matter?"
He had absently taken up the knife a second time, and again Rogojin snatched it from his hand, and threw it down on the table. It was a plain looking knife, with a bone handle, a blade about eight inches long, and broad in proportion, it did not clasp.
Seeing that the prince was considerably struck by the fact that he had twice seized this knife out of his hand, Rogojin caught it up with some irritation, put it inside the book, and threw the latter across to another table.
"Do you cut your pages with it, or what?" asked Muishkin, still rather absently, as though unable to throw off a deep preoccupation into which the conversation had thrown him.
"Yes."
"It's a garden knife,
isn't it?"
"Yes. Can't one cut pages with a garden knife?"
"It's quite new."
"Well, what of that? Can't I buy a new knife if I like?" shouted Rogojin furiously, his irritation growing with every word.
The prince shuddered, and gazed fixedly at Parfen. Suddenly he burst out laughing.
"Why, what an idea!" he said. "I didn't mean to ask you any of these questions; I was thinking of something quite different! But my head is heavy, and I seem so absent-minded nowadays! Well, good-bye—I can't remember what I wanted to say—good-bye!"
"Not that way," said Rogojin.
"There, I've forgotten that too!"
"This way—come along—I'll show you."
Chapter 4
THEY passed through the same rooms which the prince had traversed on his arrival. In the largest there were pictures on the walls, portraits and landscapes of little interest. Over the door, however, there was one of strange and rather striking shape; it was six or seven feet in length, and not more than a foot in height. It represented the Saviour just taken from the cross.
The prince glanced at it, but took no further notice. He moved on hastily, as though anxious to get out of the house. But Rogojin suddenly stopped underneath the picture.
"My father picked up all these pictures very cheap at auctions, and so on," he said; "they are all rubbish, except the one over the door, and that is valuable. A man offered five hundred roubles for it last week."
"Yes—that's a copy of a Holbein," said the prince, looking at it again, "and a good copy, too, so far as I am able to judge. I saw the picture abroad, and could not forget it—what's the matter?"
Rogojin had dropped the subject of the picture and walked on. Of course his strange frame of mind was sufficient to account for his conduct; but, still, it seemed queer to the prince that he should so abruptly drop a conversation commenced by himself. Rogojin did not take any notice of his question.
"Lef Nicolaievitch," said Rogojin, after a pause, during which the two walked along a little further, "I have long wished to ask you, do you believe in God?"
"How strangely you speak, and how odd you look!" said the other, involuntarily.
"I like looking at that picture," muttered Rogojin, not noticing, apparently, that the prince had not answered his question.
"That picture! That picture!" cried Muishkin, struck by a sudden idea. "Why, a man's faith might be ruined by looking at that picture!"
"So it is!" said Rogojin, unexpectedly. They had now reached the front door.
The prince stopped.
"How?" he said. "What do you mean? I was half joking, and you took me up quite seriously! Why do you ask me whether I believe in God?"
"Oh, no particular reason. I meant to ask you before—many people are unbelievers nowadays, especially Russians, I have been told. You ought to know—you've lived abroad."
Rogojin laughed bitterly as he said these words, and opening the door, held it for the prince to pass out. Muishkin looked surprised, but went out. The other followed him as far as the landing of the outer stairs, and shut the door behind him. They both now stood facing one another, as though oblivious of where they were, or what they had to do next.
"Well, good-bye!" said the prince, holding out his hand.
"Good-bye," said Rogojin, pressing it hard, but quite mechanically.
The prince made one step forward, and then turned round.
"As to faith," he said, smiling, and evidently unwilling to leave Rogojin in this state—"as to faith, I had four curious conversations in two days, a week or so ago. One morning I met a man in the train, and made acquaintance with him at once. I had often heard of him as a very learned man, but an atheist; and I was very glad of the opportunity of conversing with so eminent and clever a person. He doesn't believe in God, and he talked a good deal about it, but all the while it appeared to me that he was speaking OUTSIDE THE SUBJECT. And it has always struck me, both in speaking to such men and in reading their books, that they do not seem really to be touching on that at all, though on the surface they may appear to do so. I told him this, but I dare say I did not clearly express what I meant, for he could not understand me.
"That same evening I stopped at a small provincial hotel, and it so happened that a dreadful murder had been committed there the night before, and everybody was talking about it. Two peasants—elderly men and old friends—had had tea together there the night before, and were to occupy the same bedroom. They were not drunk but one of them had noticed for the first time that his friend possessed a silver watch which he was wearing on a chain. He was by no means a thief, and was, as peasants go, a rich man; but this watch so fascinated him that he could not restrain himself. He took a knife, and when his friend turned his back, he came up softly behind, raised his eyes to heaven, crossed himself, and saying earnestly—'God forgive me, for Christ's sake!' he cut his friend's throat like a sheep, and took the watch."
Rogojin roared with laughter. He laughed as though he were in a sort of fit. It was strange to see him laughing so after the sombre mood he had been in just before.
"Oh, I like that! That beats anything!" he cried convulsively, panting for breath. "One is an absolute unbeliever; the other is such a thorough—going believer that he murders his friend to the tune of a prayer! Oh, prince, prince, that's too good for anything! You can't have invented it. It's the best thing I've heard!"
"Next morning I went out for a stroll through the town," continued the prince, so soon as Rogojin was a little quieter, though his laughter still burst out at intervals, "and soon observed a drunken-looking soldier staggering about the pavement. He came up to me and said, 'Buy my silver cross, sir! You shall have it for fourpence—it's real silver.' I looked, and there he held a cross, just taken off his own neck, evidently, a large tin one, made after the Byzantine pattern. I fished out fourpence, and put his cross on my own neck, and I could see by his face that he was as pleased as he could be at the thought that he had succeeded in cheating a foolish gentleman, and away he went to drink the value of his cross. At that time everything that I saw made a tremendous impression upon me. I had understood nothing about Russia before, and had only vague and fantastic memories of it. So I thought, 'I will wait awhile before I condemn this Judas. Only God knows what may be hidden in the hearts of drunkards.'
"Well, I went homewards, and near the hotel I came across a poor woman, carrying a child—a baby of some six weeks old. The mother was quite a girl herself. The baby was smiling up at her, for the first time in its life, just at that moment; and while I watched the woman she suddenly crossed herself, oh, so devoutly! 'What is it, my good woman I asked her. (I was never but asking questions then!) Exactly as is a mother's joy when her baby smiles for the first time into her eyes, so is God's joy when one of His children turns and prays to Him for the first time, with all his heart!' This is what that poor woman said to me, almost word for word; and such a deep, refined, truly religious thought it was—a thought in which the whole essence of Christianity was expressed in one flash—that is, the recognition of God as our Father, and of God's joy in men as His own children, which is the chief idea of Christ. She was a simple country-woman—a mother, it's true—and perhaps, who knows, she may have been the wife of the drunken soldier!
"Listen, Parfen; you put a question to me just now. This is my reply. The essence of religious feeling has nothing to do with reason, or atheism, or crime, or acts of any kind—it has nothing to do with these things—and never had. There is something besides all this, something which the arguments of the atheists can never touch. But the principal thing, and the conclusion of my argument, is that this is most clearly seen in the heart of a Russian. This is a conviction which I have gained while I have been in this Russia of ours. Yes, Parfen! there is work to be done; there is work to be done in this Russian world! Remember what talks we used to have in Moscow! And I never wished to come here at all; and I never thought to meet you like this, Parfen! Well, well—good-bye—good-
bye! God be with you!"
He turned and went downstairs.
"Lef Nicolaievitch!" cried Parfen, before he had reached the next landing. "Have you got that cross you bought from the soldier with you?"
"Yes, I have," and the prince stopped again.
"Show it me, will you?"
A new fancy! The prince reflected, and then mounted the stairs once more. He pulled out the cross without taking it off his neck.
"Give it to me," said Parfen.
"Why? do you—"
The prince would rather have kept this particular cross.
"I'll wear it; and you shall have mine. I'll take it off at once."
"You wish to exchange crosses? Very well, Parfen, if that's the case, I'm glad enough—that makes us brothers, you know."
The prince took off his tin cross, Parfen his gold one, and the exchange was made.
Parfen was silent. With sad surprise the prince observed that the look of distrust, the bitter, ironical smile, had still not altogether left his newly-adopted brother's face. At moments, at all events, it showed itself but too plainly,
At last Rogojin took the prince's hand, and stood so for some moments, as though he could not make up his mind. Then he drew him along, murmuring almost inaudibly,
"Come!"
They stopped on the landing, and rang the bell at a door opposite to Parfen's own lodging.
An old woman opened to them and bowed low to Parfen, who asked her some questions hurriedly, but did not wait to hear her answer. He led the prince on through several dark, cold-looking rooms, spotlessly clean, with white covers over all the furniture.
Without the ceremony of knocking, Parfen entered a small apartment, furnished like a drawing-room, but with a polished mahogany partition dividing one half of it from what was probably a bedroom. In one corner of this room sat an old woman in an arm-chair, close to the stove. She did not look very old, and her face was a pleasant, round one; but she was white-haired and, as one could detect at the first glance, quite in her second childhood. She wore a black woollen dress, with a black handkerchief round her neck and shoulders, and a white cap with black ribbons. Her feet were raised on a footstool. Beside her sat another old woman, also dressed in mourning, and silently knitting a stocking; this was evidently a companion. They both looked as though they never broke the silence. The first old woman, so soon as she saw Rogojin and the prince, smiled and bowed courteously several times, in token of her gratification at their visit.
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