by Jim Butcher
Whoever she was—whatever she was, Tera West wasn't human.
"We will leave now," she growled.
I felt a surge of defiant grumpiness course through me. "Why should I?" I whispered back.
"Because I have called the police and told them that you are here, that you are acting irrational and dangerous, and that you possess a weapon. They will be here momentarily. I think that the police might be feeling threatened, given all the recent deaths. They will be likely to shoot you rather than take chances." She let go of my shirt with a little push, and stalked out of the room.
I sat on the bed for about five seconds. Then I rose and hobbled after her, taking time to snatch my duster from where it was draped over a chair. There were holes in the upper left arm, one in the front of the sleeve, one in the back, and it was crusty with dried blood that didn't much show against the black canvas. It was disgusting, but hey, it was mine. The boots and socks I had been wearing last night were next to it, and I snagged them, too.
Outside, it was late afternoon. The streets and highways would soon be crowded with commuters going home from work. Tera had rented a beat-up old car, probably from an independent rental business, rather than from one of the major chains—good move on her part. It would draw things out while the police methodically went through agency after agency, looking for someone of her description, and they always started with the big places first.
I studied her as she got in the car. She was tall and lean and pretty in a knife-edge sort of way. Her eyes moved around constantly—not nervously or randomly, but with the cool precision of someone making herself aware of everything surrounding her at all times. Her hands were scarred, long-fingered, and strong. The bruise on her head, where I had smacked her with my blasting rod the night before (no, two nights before; I had lost a day sleeping in the hotel room) was probably hurting like hell, but she didn't seem to notice it.
She drove us out onto the streets of East Chicago, one of the distant suburbs of the big city, down at the south end of Lake Michigan, finally turning off into a quiet drive beside a sign that read WOLF LAKE PARK.
Tera West made me nervous. She had appeared from nowhere to save me from the back of a police car, true, but what were her intentions? Was she really trying to help her fiancé keep from falling victim to his family curse again? Or were the two of them working together to remove anyone who could rebuild the magical circle that could contain MacFinn and render him harmless? That would make sense, given that once Kim Delaney was dead, they came after me.
On the other hand, that didn't fit with a lot of the other facts. MacFinn, if he was truly a loup-garou, changed into a beast only during the nights of the full moon. At least half a dozen people had been killed when the moon was waxing full, but not yet all the way there, or after it had been full for three nights already and was waning back toward half full again.
And Tera West wasn't a werewolf. A werewolf was a human being who used magic to turn into a wolf. She had looked upon my eyes and not been drawn in. Therefore, she wasn't a human being.
Could she be some kind of shapeshifter from the Nevernever? MacFinn's partner in crime, killing on the off nights to keep suspicion from falling on him? Some sort of being with which I was unfamiliar? Most of my background on the paranormal was Western European in origin. I should have been reading more books on Native American beliefs, South American spooks and haunts, African legend, East Asian folklore—but it was a little late for such regrets. If Tera West was a monster, and wanted me dead, she could have killed me already—and she surely would not have bothered to clean and dress my injury.
Of course, that begged the question: What did she really want?
And that question led the way to many more. Who were the young people I had seen her with that first evening? What was she doing with them? Did she have some kind of cult of followers, like vampires sometimes built up? Or was it something else entirely?
Tera pulled over onto a little gravel lane, drove a quarter mile up it, and pulled off into the weeds. "Get out," she said. "He will be here, somewhere."
The bouncing car ride had come to an end, mercifully, and the sun was still solidly above the horizon, with moonrise not for at least an hour after sunset. So I ignored the pain and pushed my way out of the car, to follow her into the woods.
It was darker underneath the ancient oaks and sycamores, and quiet. Birdsong came to us, but from far away, as though the birds were choosing the better part of valor in remaining where the sun could still touch the tree branches. The wind sighed through the woods, sending leaves spinning down in all shades of gold and orange and russet, adding to the thick, crunchy carpeting under our feet. Our steps sounded out distinctly as we moved ahead through the leaves, and the cool wind made me grateful that I had thought to drape my duster over my shoulders.
I studied the usually quiet Tera. She was walking with exaggerated motions, planting her feet down solidly with each step, as though intentionally trying to make noise. Once or twice, she stepped out of her way to tread on a branch, snapping it with a dry popping sound. I was too tired and sore to go to any such effort. I just walked, and it made more noise than she did. Who says I can't do anything right?
We hadn't gone more than a few hundred yards when Tera abruptly tensed, crouching, her eyes scanning all around. There was a whistling sound, and then a bent sapling jerked upright, dragging a noose around Tera's ankles and hauling her across the rock- and leaf-covered floor of the woods with a yelp of surprise.
I blinked at her, and then something came up out of the leaves, rose right up like Hamlet's dad from the stage floor. But instead of bemoaning his fate and charging me with avenging him, he slugged me across the jaw (on the same side of my face that already sported dark purple bruises) and sent me spinning to the ground, stunned.
I landed badly, but on my unwounded side, and rolled out of the way as a muddy, naked foot stomped down at my head. I grabbed on to it and jerked with more desperation than strength, and the foot's owner fell down beside me. Instead of being slowed, he slapped his arms at the ground as he hit it, in much the same way Murphy did when practicing falls. Then he rolled as I struggled to my hands and knees, and slid a hard, strong forearm beneath my throat, locking it there with the other hand and pressing back against my windpipe.
"Got you. I got you," snarled my attacker. I struggled against him, but he was bigger than me, stronger than me. He had me down, and he hadn't been shot or beaten up anywhere near as often as I had in the last fifteen hours or so.
I didn't stand a chance.
Chapter 15
So there I was being strangled by a ranting, half-naked madman in the middle of the woods, with a she-werewolf dangling from a rope snare somewhere nearby. My gunshot wound hurt horribly, and my jaw throbbed from where my buddy the cop had brutalized it the night before. I've had worse days. That's the great thing about being a wizard. I can always tell myself, honestly, that things could be worse.
I stopped trying to struggle against the man who was choking me. Instead, I grabbed his wrist and prepared to do something foolish.
Magic is a kind of energy. It is given shape by human thoughts and emotions, by imagination. Thoughts define that shape—and words help to define those thoughts. That's why wizards usually use words to help them with their spells. Words provide a sort of insulation as the energy of magic burns through a spell caster's mind. If you use words that you're too familiar with, words that are so close to your thoughts that you have trouble separating thought from word, that insulation is very thin. So most wizards use words from ancient languages they don't know very well, or else they make up nonsense words and mentally attach their meanings to a particular effect. That way, a wizard's mind has an extra layer of protection against magical energies coursing through it.
But you can work magic without words, without insulation for your mind. If you're not afraid of it hurting a little.
I drew in my will, my exhausted fear, and focused on what I
wanted. My vision swam with dots of color. The man on my back snarled and growled incoherently, and spittle or foam dribbled onto the side of my face. Dried leaves and mud pressed against the other side of my face. Things started going black.
Then I ground my teeth together and released my will with a burst of sudden energy.
Two things happened. First, a rush of blinding thought, brilliant and wild and jangling, went through my head. My eyes swam with color, my ears with phantom sound. My senses were assaulted with a myriad of impressions: the sharp scent of the earth and dry leaves, the rippling scratch of a centipede's legs fluttering up the skin of my forearms, the sensation of warm sunlight against my scalp, dozens of others I couldn't identify—things with no basis in reality. They were a side effect of the energy rushing through my head.
The second thing that happened was a surge of electricity gathered from the air around me to my fingertips, gripped on my attacker's wrist, and surged up through his arm and into his body. He convulsed against my back, out of control, and the strength of his own reaction threw him off of me and to his back on the leaves, jerking and flopping, his face stretched in a tight-lipped expression of shock and fear.
I wheezed in a breath, stunned and shaking, then scrambled back to my feet, only to stagger against a tree. I huddled there, watching my attacker's convulsions fade into a numb paralysis. Finally, he just stared at the sky, his lips open, his chest heaving in and out.
I studied the man a little more closely. He was big. He was really big, at least as tall as me and twice as broad. He was dressed only in a pair of cutoff blue jeans, and those looked like they were ill fit. He was in a condition best described as "overwhelmingly masculine," hairy-chested and muscled like a professional wrestler. There was grey in his hair and beard, and there were lines on his face, putting his age at well into maturity. It was his eyes that showed me the most about him. They burned green, wild and haunted, fastened on the distant sky now, but heavy with the weight of too much terrible knowledge. It couldn't have been easy to live with a curse like his.
There was a scrambling sound, a muffled thump, and I looked up to see MacFinn's noose trap hanging empty, the rope swinging back and forth. My eyes tracked down to earth to find an indistinct shape stir in the leaves, and then resolve itself into Tera West's long limbs and practical clothes. She gathered her legs beneath her and crossed at once to MacFinn, her chest heaving, her eyes vague and distant.
"MacFinn," she said. "MacFinn! You've killed him," she snarled, and her eyes snapped up to mine, bright and burning with amber anger. I could have sworn I saw her face start to change, her bared teeth begin to grow into fangs. Maybe that was just the effect of the magic on my perceptions, though, or a primitive, lizard-brain sort of reaction to Tera rising to her feet and charging toward me with a howl. There was murder in her eyes.
I hadn't gotten beaten up twice, shot, and nearly strangled to get taken out by a misguided werewolf bitch. I gathered in my dizzy, spinning will and extended my good hand toward the charging woman, flicking my wrist in a circle. "Vento giostrus!" I trumpeted.
The winds howled down from the trees and whipped into a savage circle of moving air, lifting up dried leaves, sticks, and small stones. The miniature cyclone picked the charging Tera up off the ground and hurled her a good twenty feet through the air, into the branches of a pine tree. It also hurled out a cloud of rocks and small debris, forcing me to seek shelter behind a tree trunk.
How embarrassing. It was a little more wind than I had wanted. That's the danger of evocation, of that instantaneous, ka-blowie sort of magic. Control can be somewhat tricky. All I had wanted was something to spin Tera around and then to plop her down on her ass.
Instead, rocks hammered against the tree trunk and zipped by, rattling against the trees all around in an almost deafening clatter. The wind shook the trees, tore branches from them, and cast half a ton of dirt and dust into the air in a choking cloud.
The wind died after about half a minute, leaving me choking and coughing on dust and dirt. I peered around the edge of my tree, to see what I could see.
The trees had been cleaned of their autumn colors in a fifty-foot-wide circle, leaving only stark branches behind. Where the bark had been brittle or dry, the cyclone had torn it from the trees, leaving pale, gleaming wood flesh visible. The leaves on the ground were gone as well, as were six or eight inches of topsoil—wind erosion gone berserk. A few stones, newly naked, could be seen in the torn earth, as could the roots of some of the trees and a number of startled worms.
MacFinn was sitting up, evidently recovered from the jolt I'd given him. His face was pasty and stunned as he looked around him. His chest rose and fell in uneven jerks.
There was a rustle, and then I caught sight of Tera West tumbling to the ground from the branches of the pine tree. She landed with a thump and sat there coughing and staring, her mouth hanging open in surprise. She blinked at me and nervously scooted a few inches backward over the ground.
"See there?" I wheezed, raising a hand and pointing at MacFinn. "He's breathing. He'll be all right." My mind was still spinning from my unshielded magic attack on MacFinn. I caught the strong scent of wild-flowers and stagnant water, and felt what I was sure were the scales of a snake slithering across the palms of my hands, while something with wings and glittering, multifaceted eyes hovered at the edge of my vision, vanishing whenever I tried to look at it. I tried to shove everything that didn't make sense out of my way, to ignore it, but it was difficult to sort the false impressions from the ones that were in front of me.
Tera rose, and made her way toward the fallen man. She knelt down over MacFinn and wrapped her arms around him. I closed my eyes and wheezed until my head began to slow down a little. I focused on all the pain that was lurking in the midst of the confusion. Pain in my shoulder, my throat, my jaw, gave me a concrete foundation, a place that I knew was stable, if unpleasant. I fastened on it, concentrated, until I began to get less woozy. Once the pain returned in force, I wasn't sure I wanted to be less woozy, but I opened my eyes anyway.
MacFinn had his arms around Tera's shoulders, and she was kissing him as if she were trying to inhale him. I felt vaguely voyeuristic.
"Ahem," I said. "Maybe we should get somewhere out of the open?"
They disengaged, slowly, and Tera helped MacFinn to rise to his full, impressive height. He made her look like a slip of a girl, but he leaned against her a little as he stood. He studied me, and I kept my eyes away from his. I didn't want to see what was inside of him.
"Kim's dead," MacFinn said. "Isn't she?"
It wasn't a question, but I nodded. "Yeah. Last night."
The big man shuddered and closed his eyes. "Dammit," he whispered. "Dammit all."
"There was nothing you could do," Tera said, her voice low. "She knew the risks."
"And you must be Harry Dresden," MacFinn said. He glanced at the burns on his wrist, where my magic had taken him. "Sorry about that. I didn't see Tera with you. I didn't know who you were."
I shrugged. "Don't worry about it. But can we get out of the open? Last thing we need is a couple of runners or bikers to come back and report us to the police."
MacFinn nodded at me. "All right. Let's go." Tera gave me a last, wary look, and then turned with MacFinn to help him farther back into the woods. I followed them.
MacFinn's camp turned out to be hidden in the overhang of a bank of earth, heavily laced with the roots of the ancient trees above it that held it in place and kept it from simply spilling into a mound of mud. There was a small fire built at the back of the shelter the bank afforded, well shielded from sight. MacFinn made his way to the fire and settled down before it. Twilight would cast the sheltered camp into deep darkness, but for now it was only shady and out of the wind. The fire had made the place warm, comfortable. It didn't feel like we were within fifteen miles of the third largest city in the country.
Tera settled down beside MacFinn, her manner restless. I remained standing, t
hough the throbbing in my arm made me wish I was lying down in a bed somewhere, instead of huddling in the middle of a small but genuine forest.
"All right, MacFinn," I said. "You want my help. And I want to keep more people from being hurt. But I need some things from you."
He peered up at me, his green eyes calculating. "I am hardly in a position to bargain, Mr. Dresden. What you need, I will give you."
I nodded. "Answers. I've got about a million questions."
"Dark will come in less than two hours. Moonrise is only slightly more than an hour after that. We don't have much time for questions."
"Time enough," I assured him. "Why did you come here?"
"I woke up about five miles from here this morning," MacFinn said, looking away from me as he did, staring at the fire. "I've got several stashes hidden around the city. Just in case. This is one of the older ones. The damp had gotten to the clothes, and all I had was these." He gestured at the jean shorts.
"Do you remember what you did?" The words had an edge to them, but at least I didn't say, "Do you remember murdering Kim Delaney?" Who says I can't be diplomatic?
MacFinn shuddered. "Pieces," he said. "Just pieces." He looked at me and said, "I didn't mean to hurt her. I swear to you."
"Then why is she dead?" The words came out flat, cool. Tera glared at me, but I watched MacFinn for his answer.
"The curse," he said quietly. "When it happens, when I change—have you ever been angry, Mr. Dresden? So angry that you lost control? That nothing else mattered to you but acting on your anger?"
"Once," I said.
"Maybe you can understand part of it then," MacFinn said. "It comes on me, and there's nothing left but the need to hurt something. To act on the rage. I tried to tell Kim that the circle wasn't working, that she had to get out, but she wouldn't listen." I heard the frustration in his voice, and his hands clenched into fists. "She wouldn't listen to me."
"It frustrated you," I said. "And when you changed …"
