“Let’s not, then,” said Rosaleen. “For I could cry if you crooked a finger at me.”
Mexico City–Berlin, 1931
Hacienda
IT was worth the price of a ticket to see Kennerly take possession of the railway train among a dark inferior people. Andreyev and I trailed without plan in the wake of his gigantic progress (he was a man of ordinary height merely, physically taller by a head, perhaps, than the nearest Indian; but his moral stature in this moment was beyond calculation) through the second-class coach into which we had climbed, in our haste, by mistake. . . . Now that the true revolution of blessed memory has come and gone in Mexico, the names of many things are changed, nearly always with the view to an appearance of heightened well-being for all creatures. So you cannot ride third-class no matter how poor or humble-spirited or miserly you may be. You may go second in cheerful disorder and sociability, or first in sober ease; or, if you like, you may at great price install yourself in the stately plush of the Pullman, isolated and envied as any successful General from the north. “Ah, it is beautiful as a pulman!” says the middle-class Mexican when he wishes truly to praise anything. . . . There was no Pullman with this train or we should most unavoidably have been in it. Kennerly traveled like that. He strode mightily through, waving his free arm, lunging his portfolio and leather bag, stiffening his nostrils as conspicuously as he could against the smell that “poured,” he said, “simply poured like mildewed pea soup!” from the teeming clutter of wet infants and draggled turkeys and indignant baby pigs and food baskets and bundles of vegetables and bales and hampers of domestic goods, each little mountain of confusion yet drawn into a unit, from the midst of which its owners glanced up casually from dark pleased faces at the passing strangers. Their pleasure had nothing to do with us. They were pleased because, sitting still, without even the effort of beating a burro, they were on the point of being carried where they wished to go, accomplishing in an hour what would otherwise have been a day’s hard journey, with all their households on their backs. . . . Almost nothing can disturb their quiet ecstasy when they are finally settled among their plunder, and the engine, mysteriously and powerfully animated, draws them lightly over the miles they have so often counted step by step. And they are not troubled by the noisy white man because, by now, they are accustomed to him. White men look all much alike to the Indians, and they had seen this maddened fellow with light eyes and leather-colored hair battling his way desperately through their coach many times before. There is always one of him on every train. They watch his performance with as much attention as they can spare from their own always absorbing business; he is a part of the scene of travel.
He turned in the door and motioned wildly at us when we showed signs of stopping where we were. “No, no!” he bellowed. “NO! Not here. This will never do for you,” he said, giving me a great look, protecting me, a lady. I followed on, trying to reassure him by noddings and hand-wavings. Andreyev came after, stepping tenderly over large objects and small beings, exchanging quick glances with many pairs of calm, lively dark eyes.
The first-class coach was nicely swept, there were no natives about to speak of, and most of the windows were open. Kennerly hurled bags at the racks, jerked seat-backs about rudely, and spread down topcoats and scarves until, with great clamor, he had built us a nest in which we might curl up facing each other, temporarily secure from the appalling situation of being three quite superior persons of the intellectual caste of the ruling race at large and practically defenseless in what a country! Kennerly almost choked when he tried to talk about it. It was for himself he built the nest, really: he was certain of what he was. Andreyev and I were included by courtesy: Andreyev was a Communist, and I was a writer, or so Kennerly had been told. He had never heard of me until a week before, he had never known anyone who had, and it was really up to Andreyev, who had invited me on this trip, to look out for me. But Andreyev took everything calmly, was not suspicious, never asked questions, and had no sense of social responsibility whatever—not, at least, what Kennerly would ever call by such a name; so it was hopeless to expect anything from him.
I had already proved that I lacked something by arriving at the station first and buying my own ticket, having been warned by Kennerly to meet them at the first-class window, as they were arriving straight from another town. When he discovered this, he managed to fill me with shame and confusion. “You were to have been our guest,” he told me bitterly, taking my ticket and handing it to the conductor as if I had appropriated it to my own use from his pocket, stripping me publicly of guesthood once for all, it seemed. Andreyev also rebuked me: “We none of us should throw away our money when Kennerly is so rich and charitable.” Kennerly, tucking away his leather billfold, paused, glared blindly at Andreyev for a moment, jumped as if he had discovered that he was stabbed clean through, said, “Rich? Me, rich? What do you mean, rich?” and blustered for a moment, hoping that somehow the proper retort would emerge; but it would not. So he sulked for a moment, got up and shifted his bags, sat down, felt in all his pockets again to make certain of something, sat back and wanted to know if I had noticed that he carried his own bags. It was because he was tired of being gypped by these people. Every time he let a fellow carry his bags, he had a fight to the death in simple self-defense. Literally, in his whole life he had never run into such a set of bandits as these train porters. Besides, think of the risk of infection from their filthy paws on your luggage handles. It was just damned dangerous, if you asked him.
I was thinking that foreigners anywhere traveling were three or four kinds of phonograph records, and of them all I liked Kennerly’s kind the least. Andreyev hardly ever looked at him out of his clear, square gray eyes, in which so many different kinds of feeling against Kennerly were mingled, the total expression had become a sort of exasperated patience. Settling back, he drew out a folder of photographs, scenes from the film they had been making all over the country, balanced them on his knees and began where he left off to talk about Russia. . . . Kennerly moved into his corner away from us and turned to the window as if he wished to avoid overhearing a private conversation. The sun was shining when we left Mexico City, but mile by mile through the solemn valley of the pyramids we climbed through the maguey fields towards the thunderous blue cloud banked solidly in the east, until it dissolved and received us gently in a pallid, silent rain. We hung our heads out of the window every time the train paused, raising false hopes in the hearts of the Indian women who ran along beside us, faces thrown back and arms stretching upward even after the train was moving away.
“Fresh pulque!” they urged mournfully, holding up their clay jars filled with thick gray-white liquor. “Fresh maguey worms!” they cried in despair above the clamor of the turning wheels, waving like nosegays the leaf bags, slimy and lumpy with the worms they had gathered one at a time from the cactus whose heart bleeds the honey water for the pulque. They ran along still hoping, their brown fingers holding the bags lightly by the very tips, ready to toss them if the travelers should change their minds and buy, even then, until the engine outran them, their voices floated away and they were left clustered together, a little knot of faded blue skirts and shawls, in the indifferent rain.
Kennerly opened three bottles of luke-warm bitter beer. “The water is filthy!” he said earnestly, taking a ponderous, gargling swig from his bottle. “Isn’t it horrible, the things they eat and drink?” he asked, as if, no matter what we might in our madness (for he did not trust either of us) say, he already knew the one possible answer. He shuddered and for a moment could not swallow his lump of sweet American chocolate: “I have just come back,” he told me, trying to account for his extreme sensitiveness in these matters, “from God’s country,” meaning to say California. He ripped open an orange trademarked in purple ink. “I’ll simply have to get used to all this all over again. What a relief to eat fruit that isn’t full of germs. I brought them all the way back with me.” (I could fairly see him legging across the S
onora desert with a knapsack full of oranges.) “Have one. Anyhow it’s clean.”
Kennerly was very clean, too, a walking reproach to untidiness: washed, shaven, clipped, pressed, polished, smelling of soap, brisk and firm-looking in his hay-colored tweeds. So far as that goes, a fine figure of a man, with the proper thriftiness of a healthy animal. There was no fault to find with him in this. Some day I shall make a poem to kittens washing themselves in the mornings; to Indians scrubbing their clothes to rags and their bodies to sleekness, with great slabs of sweet-smelling strong soap and wisps of henequen fiber, in the shade of trees, along river banks at midday; to horses rolling sprawling snorting rubbing themselves against the grass to cleanse their healthy hides; to naked children shouting in pools; to hens singing in their dust baths; to sober fathers of families forgetting themselves in song under the discreet flood of tap-water; to birds on the boughs ruffling and oiling their feathers in delight; to girls and boys arranging themselves like baskets of fruit for each other: to all thriving creatures making themselves cleanly and comely to the greater glory of life. But Kennerly had gone astray somewhere: he had overdone it; he wore the harried air of a man on the edge of bankruptcy, keeping up an expensive establishment because he dared not retrench. His nerves were bundles of dried twigs, they jabbed his insides every time a thought stirred in his head, they kept his blank blue eyes fixed in a white stare. The muscles of his jaw jerked in continual helpless rage. Eight months spent as business manager for three Russian moving-picture men in Mexico had about finished him off, he told me, quite as though Andreyev, one of the three, were not present.
“Ah, he should have business-managed us through China and Mongolia,” said Andreyev, to me, as if speaking of an absent Kennerly. “After that, Mexico could never disturb him.”
“The altitude!” said Kennerly. “My heart skips every other beat. I can’t sleep a wink!”
“There was no altitude at all in Tehuantepec,” said Andreyev, with stubborn gayety, “and you should have been there to see him.”
Kennerly spewed up his afflictions like a child being sick.
“It’s these Mexicans,” he said as if it were an outrage to find them in Mexico. “They would drive any man crazy in no time. In Tehuantepec it was frightful.” It would take him a week to tell the whole story; and, besides, he was keeping notes and was going to write a book about it some day; but “Just for example, they don’t know the meaning of time and they have absolutely no regard for their word.” They had to bribe every step of the way. Graft, bribe, graft, bribe it was from morning to night, anything from fifty pesos to the Wise Boys in the municipal councils to a bag of candy for a provincial mayor before they were even allowed to set up their cameras. The mosquitoes ate him alive. And with the bugs and cockroaches and the food and the heat and the water, everybody got sick: Stepanov, the camera-man, was sick; Andreyev was sick. . .
“Not seriously,” said Andreyev.
The immortal Uspensky even got sick; and as for himself, Kennerly, he thought more than once he’d never live through it. Amoebic dysentery. You couldn’t tell him. Why, it was a miracle they hadn’t all died or had their throats cut. Why, it was worse than Africa. . . .
“Were you in Africa, too?” asked Andreyev. “Why do you always choose these inconvenient countries?”
Well, no, he had not been there, but he had friends who made a film among the pygmies and you wouldn’t believe what they had gone through. As for him, Kennerly, give him pygmies or headhunters or cannibals outright, every time. At least you knew where you stood with them. Now take for example: they had lost ten thousand dollars flat by obeying the laws of the country—something nobody else does!—by passing their film of the Oaxaca earthquake before the board of censorship in Mexico City. Meanwhile, some unscrupulous native scoundrels who knew the ropes had beaten them to it and sent a complete newsreel to New York. It doesn’t pay to have a conscience, but if you’ve got one what can you do about it? Just throw away your time and your money, that’s all. He had written and protested to the censors, charging them with letting the Mexican film company get away with murder, accusing them of favoritism and deliberate malice in holding up the Russian film—everything, in a five-page typewritten letter. They hadn’t even answered it. Now what can you do with people like that? Graft, bribe, bribe, graft, that’s the way it went. Well, he had been learning, too. “Whatever they ask for, I give ’em half the amount, straight across the board,” he said. “I tell ’em, ‘Look here, I’ll give you just half that amount, and anything more than that is bribery and corruption, d’you understand?’ Do they take it? Like a shot. Ha!”
His overwhelming unmodulated voice brayed on agonizingly, his staring eyes accused everything they looked upon. Crickle crackle went the dried twigs of his nerve ends at every slightest jog of memory, every present touch, every cold wing from the future. He talked on. . . . He was afraid of his brother-in-law, a violent prohibitionist who would be furious if he ever heard that Kennerly had gone back to drinking beer openly the minute he got out of California. In a way, his job was at stake, for his brother-in-law had raised most of the money among his friends for this expedition and might just fire him out, though how the fellow expected to get along without him Kennerly could not imagine. He was the best friend his brother-in-law had in the world. If the man could only realize it. Moreover, the friends would be soon, if they were not already, shouting to have some money back on their investment. Nobody but himself ever gave a thought to that side of the business!. . . He glared outright at Andreyev at this point.
Andreyev said: “I did not ask them to invest!”
Beer was the only thing Kennerly could trust—it was food and medicine and a thirst-quencher all in one, and everything else around him, fruit, meat, air, water, bread, were poisoned. . . . The picture was to have been finished in three months and now they’d been there eight months and God knew how much longer they’d have to go. He was afraid the picture would be a failure, now it hadn’t been finished on time.
“What time?” asked Andreyev, as if he had made this answer many times before. “When it is finished it is finished.”
“Yes, but it isn’t merely enough to finish a job just when you please. The public must be prepared for it on the dot.” He went on to explain that making good involves all sorts of mysterious interlocking schedules: it must be done by a certain date, it must be art, of course, that’s taken for granted, and it must he a hit. Half the chance of making a hit depends upon having your stuff ready to go at the psychological moment. There are thousands of things to be thought of, and if they miss one point, bang goes everything!. . . He sighted along an imaginary rifle, pulled the trigger, and fell back exhausted. His whole life of effort and despair flickered like a film across his relaxed face, a life of putting things over in spite of hell, of keeping up a good front, of lying awake nights fuming with schemes and frothing with beer, rising of mornings gray-faced, stupefied, pushing himself under cold showers and filling himself up on hot coffee and slamming himself into a fight in which there are no rules and no referee and the antagonist is everywhere. “God,” he said to me, “you don’t know. But I’m going to write a book about it. . . .”
As he sat there, talking about his book, eating American chocolate bars and drinking his third bottle of beer, sleep took him suddenly, upright as he was, in the midst of a sentence. Assertion failed, sleep took him mercifully by the nape and quelled him. His body cradled itself in the tweed, the collar rose above his neck, his closed eyes and limp mouth looked ready to cry.
Andreyev went on showing me pictures from that part of the film they were making at the pulque hacienda. . . . They had chosen it carefully, he said; it was really an old-fashioned feudal estate with the right kind of architecture, no modern improvements to speak of, and with the purest type of peons. Naturally a pulque hacienda would be just such a place. Pulque-making had not changed from the beginning, since the time the first Indian set up a rawhide vat to ferment the liquor a
nd pierced and hollowed the first gourd to draw with his mouth the juice from the heart of the maguey. Nothing had happened since, nothing could happen. Apparently there was no better way to make pulque. The whole thing, he said, was almost too good to be true. An old Spanish gentleman had revisited the hacienda after an absence of fifty years, and had gone about looking at everything with delight. “Nothing has changed,” he said, “nothing at all!”
The camera had seen this unchanged world as a landscape with figures, but figures under a doom imposed by the landscape. The closed dark faces were full of instinctive suffering, without individual memory, or only the kind of memory animals may have, who when they feel the whip know they suffer but do not know why and cannot imagine a remedy. . . . Death in these pictures was a procession with lighted candles, love a matter of vague gravity, of clasped hands and two sculptured figures inclining towards each other. Even the figure of the Indian in his ragged loose white clothing, weathered and molded to his flat-hipped, narrow-waisted body, leaning between the horns of the maguey, his mouth to the gourd, his burro with the casks on either side waiting with hanging head for his load, had this formal traditional tragedy, beautiful and hollow. There were rows of girls, like dark statues walking, their mantles streaming from their smooth brows, water jars on their shoulders; women kneeling at washing stones, their blouses slipping from their shoulders—“so picturesque, all this,” said Andreyev, “we shall be accused of dressing them up.” The camera had caught and fixed in moments of violence and senseless excitement, of cruel living and tortured death, the almost ecstatic death-expectancy which is in the air of Mexico. The Mexican may know when the danger is real, or may not care whether the thrill is false or true, but strangers feel the acid of death in their bones whether or not any real danger is near them. It was this terror that Kennerly had translated into fear of food, water, and air around him. In the Indian the love of death had become a habit of the spirit. It had smoothed out and polished the faces to a repose so absolute it seemed studied, though studied for so long it was now held without effort; and in them all was a common memory of defeat. The pride of their bodily posture was the mere outward shade of passive, profound resistance; the lifted, arrogant features were a mockery of the servants who lived within.
The Collected Stories of Katherine Anne Porter Page 17
