These are days of autumn; but earlier than this, when the wheat that is now being threshed was ripe, the reaping-machine went round and round the field, beginning at the outside by the hedges. Red arms, not unlike a travelling windmill on a small scale, sweep the corn as it is cut and leave it spread on the ground. The bright red fans, the white jacket of the man driving, the brown and iron-grey horses, and yellow wheat are toned – melted together at their edges – with warm sunlight. The machine is lost in the corn, and nothing is visible, but the colours, and the fact that it is the reaping, the time of harvest, dear to man these how many thousand years! There is nothing new in it; it is all old as the hills. The straw covers over the knives, the rims of the wheels sink into pimpernel, convolvulus, veronica; the dry earth powders them, and so all beneath is concealed. Above the sunlight (and once now and then the shadow of a tree) throws its mantle over, and, like the hand of an enchanter softly waving, surrounds it with a charm. So the cranks, and wheels, and knives, and mechanism do not exist – it was a machine in the workshop, but it is not a machine in the wheat-field. For the wheat-field you see is very, very old, and the air is of old time, and the shadow, the flowers, and the sunlight, and that which moves among them becomes of them. The solitary reaper alone in the great field goes round and round, the red fans striking beside him, alone with the sunlight, and the blue sky, and the distant hills; and he and his reaper are as much of the cornfield as the long-forgotten sickle or the reaping-hook.
The sharp rattle of the mowing-machine disturbs the corncrake in the meadow. Crake! crake! for many a long day since the grass began to grow fast in April till the cowslips flowered, and white parsley flourished like a thicket, blue scabious came up, and yonder the apple trees drop their bloom. Crake! crake! nearly day and night; but now the rattle begins, and the bird must take refuge in the corn. Like the reaper, the mowing-machine is buried under the swathe it cuts, and flowers fall over it – broad ox-eye daisies and red sorrel. Upon the hedge June roses bloom; blackbirds whistle in the oaks; now and again come the soft hollow notes of the cuckoo. Angles and wheels, cranks and cogs, where are they? They are lost; it is not these we see, but the flowers and the pollen on the grass. There is an odour of new-made hay; there is the song of birds, and the trees are beautiful.
As for the drill in spring-time, it is ancient indeed, and ancients follow it – aged men stepping after over the clods, and watching it as if it were a living thing, that the grains may fall each in its appointed place. Their faces, their gait, nay, the very planting of their heavy shoes’ stamp on the earth, are full of the importance of this matter. On this the year depends, and the harvest, and all our lives, that the sowing be accomplished in good order, as is meet. Therefore they are in the earnest, and do not turn aside to gaze at strangers, like those do who hoe, being of no account. This is a serious matter, needing men of days, little of speech, but long of experience. So the heavy drill, with its hanging rows of funnels, travels across the field well tended, and there is not one who notes the deep azure of the March sky above the elms.
Still another step, tracing the seasons backwards, brings in the steam-plough. When the spotted arum leaves unfold on the bank, before the violets or the first celandine, while the ‘pussies’ hang on the hazel, the engines roll into the field, pressing the earth into barred ruts. The massive wheels leave their imprint, the footsteps of steam, behind them. By the hedges they stand, one on either side, and they hold the field between them with their rope of iron. Like the claws of some pre-historic monster, the shares rout up the ground; the solid ground is helpless before them; they tear and rend it. One engine is under an oak, dark yet with leafless boughs, up through which the black smoke rises; the other overtops a low hedge, and is in full profile. By the panting, and the humming, and the clanking as the drum revolves, by the smoke hanging in the still air, by the trembling of the monster as it strains and tugs, by the sense of heat, and effort, and pent-up energy bubbling over in jets of steam that struggle through crevices somewhere, by the straightened rope and the jerking of the plough as it comes, you know how mighty is the power that thus in narrow space works its will upon the earth. Planted broadside, its four limbs – the massive wheels – hold the ground like a wrestler drawing to him the unwilling opponent. Humming, panting, trembling, with stretched but irresistible muscles, the iron creature conquers, and the plough approaches. All the field for the minute seems concentrated in this thing of power. There are acres and acres, scores of acres around, but they are surface only. This is the central spot: they are nothing, mere matter. This is force – Thor in another form. If you are near you cannot take your eyes off the sentient iron, the wrestler straining. But now the plough has come over, and the signal given reverses its way. The lazy monotonous clanking as the drum unwinds on this side, the rustling of the rope as it is dragged forth over the clods, the quiet rotation of the fly-wheel – these sounds let the excited thought down as the rotating fly-wheel works off the maddened steam. The combat over, you can look round.
It is the February summer that comes, and lasts a week or so between the January frosts and the east winds that rush through the thorns. Some little green is even now visible along the mound where seed-leaves are springing up. The sun is warm, and the still air genial, the sky only dotted with a few white clouds. Wood-pigeons are busy in the elms, where the ivy is thick with ripe berries. There is a feeling of spring and of growth; in a day or two we shall find violets; and listen, how sweetly the larks are singing! Some chase each other, and then hover fluttering above the hedge. The stubble, whitened by exposure to the weather, looks lighter in the sunshine, and the distant view is softened by haze. A water-tank approaches, and the cart-horse steps in the pride of strength. The carter’s lad goes to look at the engine and to wonder at the uses of the gauge. All the brazen parts gleam in the bright sun, and the driver presses some waste against the piston now it works slowly, till it shines like polished silver. The red glow within, as the furnace-door is opened, lights up the lad’s studious face beneath like sunset. A few brown leaves yet cling to one bough of the oak, and the rooks come over cawing happily in the unwonted warmth. The low hum and the monotonous clanking, the rustling of the wire rope, give a sense of quiet. Let us wander along the hedge, and look for signs of spring. This is to-day. To-morrow, if we come, the engines are half-hidden from afar by driving sleet and scattered snow-flakes fleeting aslant the field. Still sternly they labour in the cold and gloom. A third time you may find them, in September or bright October, with acorns dropping from the oaks, the distant sound of the gun, and perhaps a pheasant looking out from the corner. If the moon be full and bright they work on an hour or so by her light, and the vast shadows of the engines are thrown upon the stubble.
Walks in the Wheat-fields
First published in the English Illustrated Magazine, July and August 1887
First collected in Field and Hedgerow, 1889
If you will look at a grain of wheat you will see that it seems folded up: it has crossed its arms and rolled itself up in a cloak, a fold of which forms a groove, and so gone to sleep. If you look at it some time, as people in the old enchanted days used to look into a mirror, or the magic ink, until they saw living figures therein, you can almost trace a miniature human being in the oval of the grain. It is narrow at the top, where the head would be, and broad across the shoulders, and narrow again down towards the feet; a tiny man or woman has wrapped itself round about with a garment and settled to slumber. Up in the far north, where the dead ice reigns, our arctic explorers used to roll themselves in a sleeping-bag like this, to keep the warmth in their bodies against the chilliness of the night. Down in the south, where the heated sands of Egypt never cool, there in the rock-hewn tombs lie the mummies wrapped and lapped and wound about with a hundred yards of linen, in the hope, it may be, that spices and balm might retain within the sarcophagus some small fragment of human organism through endless ages, till at last the gift of life revisited it. Like a grain
of wheat the mummy is folded in its cloth. And I do not know really whether I might not say that these little grains of English corn do not hold within them the actual flesh and blood of man. Transubstantiation is a fact there.
Sometimes the grains are dry and shrivelled and hard as shot, sometimes they are large and full and have a juiciness about them, sometimes they are a little bit red, others are golden, many white. The sack stands open in the market – you can thrust your arm in it a foot deep, or take up a handful and let it run back like a liquid stream, or hold it in your palm and balance it, feeling the weight. They are not very heavy as they lie in the palm, yet these little grains are a ponderous weight that rules man’s world. Wherever they are there is empire. Could imperial Rome have only grown sufficient wheat in Italy to have fed her legions Caesar would still be master of three-fourths of the earth. Rome thought more in her latter days of grapes and oysters and mullets, that change colour as they die, and singing girls and flute-playing, and cynic verse of Horace – anything rather than corn. Rome is no more, and the lords of the world are they who have mastership of wheat. We have the mastership at this hour by dint of our gold and our hundred-ton guns, but they are telling our farmers to cast aside their corn, and to grow tobacco and fruit and anything else that can be thought of in preference. The gold is slipping away. These sacks in the market open to all to thrust their hands in are not sacks of corn but of golden sovereigns, half-sovereigns, new George and the dragon, old George and the dragon, Sydney mint sovereigns, Napoleons, half Napoleons, Belgian gold, German gold, Italian gold; gold scraped and scratched and gathered together like old rags from door to door. Sacks full of gold, verily I may say that all the gold poured out from the Australian fields, every pennyweight of it, hundreds of tons, all shipped over the sea to India, Australia, South Africa, Egypt, and, above all, America, to buy wheat. It was said that Pompey and his sons covered the great earth with their bones, for each one died in a different quarter of the world; but now he would want two more sons for Australia and America, the two new quarters which are now at work ploughing, sowing, reaping, without a month’s intermission, growing corn for us. When you buy a bag of flour at the baker’s you pay fivepence over the counter, a very simple transaction. Still you do not expect to get even that little bag of flour for nothing, your fivepence goes over the counter in somebody else’s till. Consider now the broad ocean as the counter and yourself to represent thirty-five millions of English people buying sixteen, seventeen, or eighteen million quarters of wheat from the nations opposite, and paying for it shiploads of gold.
So that these sacks of corn in the market are truly filled with gold dust; and how strange it seems at first that our farmers, who are for ever dabbling with their hands in these golden sands, should be for ever grumbling at their poverty! ‘The nearer the church the farther from God’ is an old country proverb; the nearer to wheat the farther from mammon, I may construct as an addendum. Quite lately a gentleman told me that while he grew wheat on his thousand acres he lost just a pound an acre per annum, i.e. a thousand a year out of capital, so that if he had not happily given up this amusement he would now have been in the workhouse munching the putty there supplied for bread.
The rag and bone men go from door to door filling an old bag with scraps of linen, and so innumerable agents of bankers and financiers, vampires that suck gold, are for ever prowling about collecting every golden coin they can scent out and shipping it over sea. And what does not go abroad is in consequence of this great drain sharply locked up in the London safes as reserves against paper, and cannot be utilized in enterprises or manufacture. Therefore trade stands still, and factories are closed, and ship-yards are idle, and beautiful vessels are stored up doing nothing by hundreds in dock; coal mines left to be filled with water, and furnaces blown out. Therefore there is bitter distress and starvation, and cries for relief works, and one meal a day for Board school children, and the red flag of Socialism is unfurled. All because of these little grains of wheat.
They talked of bringing artillery, with fevered lips, to roar forth shrapnel in Trafalgar Square; why not Gatling guns? The artillery did not come for very shame, but the Guards did, and there were regiments of infantry in the rear, with glittering bayonets to prod folk into moving on. All about these little grains of wheat.
These thoughts came into my mind in the winter afternoon at the edge of a level cornfield, with the copper-sheathed spire of the village church on my right, the sun going down on the left. The copper did not gleam, it was dull and brown, no better than discoloured wood, patched with pieces of later date and another shade of dullness. I wish they would glitter, some of these steeples or some of our roofs, and so light up the reddish brown of the elms and the grey lichened oaks. The very rooks are black, and the starlings and the wintry fieldfares and redwings have no colour at a distance. They say the metal roofs and domes gleam in Russia, and even in France, and why not in our rare sunshine? Once now and then you see a gilded weather-cock shine like a day-star as the sun goes down three miles away, over the dark brown field, where the plough has been going to and fro through the slow hours. I can see the plough and the horses very well at three miles, and know what they are doing.
I wish the trees, the elms, would grow tall enough and thick enough to hide the steeples and towers which stand up so stiff and stark, and bare and cold, some of them blunted and squab, some of them sharp enough to impale, with no more shape than a walking-stick, ferrule upwards – every one of them out of proportion and jarring to the eye. If by good fortune you can find a spot where you cannot see a steeple or a church tower, where you can see only fields and woods, you will find it so much more beautiful, for nature has made it of its kind perfect. The dim sea is always so beautiful a view because it is not disfigured by these buildings. In the ships men live; in the houses among the trees they live; these steeples and towers are empty, and no spirit can dwell in that which is out of proportion. Scarcely any one can paint a picture of the country without sticking in one of these repellent structures. The oast-houses, whose red cones are so plentiful in Kent and Sussex, have quite a different effect; they have some colour, and by a curious felicity the builders have hit upon a good proportion, so that the shape is pleasant; these, too, have some use in the world.
Westward the sun was going down over the sea, and a wild west wind, which the glow of the sun as it touched the waves seemed to heat into fury, brought up the distant sound of the billows from the beach. A line of dark Spanish oaks from which the sharp pointed acorns were dropping, darkest green oaks, shut out the shore. A thousand starlings were flung up into the air out of these oaks, as if an impatient hand had cast them into the sky; then down they fell again, with a ceaseless whistling and clucking; up they went and down they came, lost in the deep green foliage as if they had dropped in the sea. The long level of the wheat-field plain stretched out from my feet towards the far-away Downs, so level that the first hedge shut off the fields beyond; and every now and then over these hedges there rose up the white forms of sea-gulls drifting to and fro among the elms. White sea-gulls – birds of divination, you might say – a good symbol of the times, for now we plough the ocean. The barren sea! In the Greek poets you may find constant reference to it as that which could not be reaped or sowed. Ulysses, to betoken his madness, took his plough down to the shore and drew furrows in the sand – the sea that even Demeter, great goddess, could not sow nor bring to any fruition. Yet now the ocean is our wheat-field and ships are our barns. The sea-gull should be painted on the village tavern sign instead of the golden wheatsheaf.
There could be no more flat and uninteresting surface than this field, a damp wet brown, water slowly draining out of the furrows, not a bird that I can see. No hare certainly, or partridge, or even a rabbit – nothing to sit or crouch – on that cold surface, tame and level as the brown cover of a book. They like something more human and comfortable; just as we creep into nooks and corners of rooms and into cosy arm-chairs, so they like t
ufts or some growth of shelter, or mounds that are dry, between hedges where there is a bite for them. I can trace nothing on this surface, so heavily washed by late rain. Let now the harriers come, and instantly the hounds’ second sense of smell picks up the invisible sign of the hare that has crossed it in the night or early dawn, and runs it as swiftly as if he were lifting a clue of thread. The dull surface is all written over with hieroglyphics to the hound, he can read and translate to us in joyous tongue. Or the foxhounds carry a bee-line straight from hedge to hedge, and after them come the hoofs, prospecting deeply into the earth, dashing down fibre and blade, crunching up the tender wheat and battering it to pieces. It will rise again all the fresher and stronger, for there is something human in wheat, and the more it is trampled on the better it grows. Despots grind half the human race, and despots stronger than man – plague, pestilence, and famine – grind the whole; and yet the world increases, and the green wheat of the human heart is not to be trampled out.
Landscape with Figures Page 23
