Christmas Stalking

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Christmas Stalking Page 19

by Margaret Daley


  “Seven weeks was too long to be apart. When I returned to the Kaleidoscope, my life wasn’t the same. I wanted different things. I love you, Ellie.”

  “The same for me. I went back to Dallas. I even went on an assignment in Rome. I love Rome. I stayed a few days after my job was finished, but Rome wasn’t the same without you. I tried to talk myself out of my feelings, but I couldn’t, not in seven weeks. That’s when I knew I had to see you again. Be with you.”

  The music stopped. Colt grabbed her hand and hurried off the dance floor out into the lobby. He found a private alcove and pulled her back into his arms.

  “I want to be with you, too,” he said.

  “Our jobs—”

  He put two fingers over her lips, the feel of them against his skin everything he remembered. Warm. Soft. Her. “I resigned from the Kaleidoscope. I’m slowly going to take over for Winnie. She wants to retire completely in a year or so. She says she’s ready to lie around and eat bonbons.”

  Ellie laughed. “That’ll be the day. She’ll hole herself in her lab in the basement and create some other sensational product.”

  “As the soon-to-be CEO of Glamour Sensations, I’m hoping she will. What would you say if we hired you as the head of our security? The company is growing. I need someone with more experience than our current guy. Security will become more important than ever before. And there will still be some travel involved so you won’t always be confined to here.”

  She snuggled closer. “I like being confined to here if you’re here, too.”

  “Right by your side. I hope as your husband.” Then he kissed her with every emotion he’d held in check for the past seven weeks without her.

  “I think I can accommodate that.”

  * * * * *

  Keep reading for an excerpt of Navy SEAL Rescuer by Shirlee McCoy!

  Dear Reader,

  Christmas Stalking is the fourth in my Guardians, Inc. series, where the women and men are both equally strong characters who know how to deal with dangerous situations. I’ve had readers write to me about how much they enjoy seeing a woman play a tough role and still be soft and vulnerable enough to fall in love. I have two more books coming in this series for Love Inspired Suspense. Look for them in the future.

  I love hearing from readers. You can contact me at [email protected] or at 1316 S. Peoria Ave., Tulsa, OK 74120. You can also learn more about my books at www.margaretdaley.com. I have a quarterly newsletter that you can sign up for on my website or you can enter my monthly drawings by signing my guest book.

  Best wishes,

  Margaret Daley

  Questions for Discussion

  Trust is important in a relationship. Ellie doesn’t know how to trust because of what she has seen in her work as well as in her past. Has anyone caused you to distrust them? Why? How did you settle it?

  Who is your favorite character? Why?

  Ellie is self-reliant, and has to be in her job. But when she protects Winnie, she comes to depend on Colt—at first reluctantly, later because she has no choice. Do you consider yourself independent, needing no one? Is it possible to go through life not needing anyone? Ellie discovers she must depend on others at times. Who do you depend on and why?

  How do you feel about the resolution at the end between Colt and Ellie? How would you have liked the book to end?

  What is your favorite scene? Why?

  Colt is torn between two jobs—working for the family business and being a marine biologist. Have you ever been torn between doing two different jobs? How did you resolve it? Are you happy with your choice?

  Ellie’s relationship with her mother is nonexistent because of their past. She hasn’t been able to forgive her mother and move beyond her anger. Do you or someone you know have a similar relationship with a parent? How have you or that parent dealt with the situation?

  Colt couldn’t forgive his father. He was neglected as a child and then his dad died without any resolution between father and son. Although he is loved by his grandparents, Colt has an emptiness inside. Is there someone in your past that has done that to you? How can you get past that?

  Winnie’s life is in danger. This is hard for Colt to handle. When life seems impossible, what do you do? Who do you turn to for help?

  Although Ellie knew she should forgive her mother, that God wanted her to, she couldn’t. Have you ever done something you know you shouldn’t or avoid what you knew you should do? How did that situation turn out?

  Who did you think was after Winnie? Why?

  The villain was motivated by revenge. How can we get past wanting to retaliate against someone who we thought hurt us?

  Winnie has a hard time believing someone wants to kill her. She has never intentionally hurt anyone enough to make a person want her dead. She doesn’t know how to deal with it. What would you do if someone felt that kind of anger toward you?

  Winnie felt she owed Steve Fairchild a public apology because of what happened when her husband died. Others didn’t feel she did. The first opportunity she had she made the apology. Have you ever done that? How did the person react? How did you feel afterward?

  Ellie’s brother was bullied when he was alive because he was slow and different. Ellie became tough in order to protect her twin brother. Have you ever stood up to a bully to protect yourself or another? How did it turn out for you?

  We hope you enjoyed this Harlequin Love Inspired Suspense story.

  You enjoy a dash of danger. Love Inspired Suspense stories feature strong heroes and heroines whose faith is central in solving mysteries and saving lives.

  Visit Harlequin.com to find your next great read.

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  ONE

  MURDERER!

  Red letters dripped like blood down the front of the freshly painted house.

  Smaller letters marched across the newly whitewashed porch floor.

  Murderer.

  The painted words seemed to taunt Catherine Miller as she trudged to the back of the old farmhouse and grabbed two nearly empty paint cans from the dilapidated shed. Hopefully, she had enough to cover the vandalism. She snagged a couple of paint pans, tucked paint rollers under her arm and carried everything to the porch. Ten minutes, and she’d be done.

  Good. Eileen would be finished with chemo in an hour, and Catherine didn’t want her grandmother waiting. She was too sick, too exhausted, too frail to be left sitting in a crowded hospital waiting room. At sixty-seven, Eileen’s clock was running down, and Catherine wished desperately that she could wind it back up again. She couldn’t, so she’d purposed to spend every moment she could making sure Eileen’s last weeks and months were comfortable and pleasant.

  That meant getting rid of the vandalism before Eileen got home.

  She touched a finger to the dry red paint. Not even tacky. Whoever had vandalized the house had done it soon after Catherine and Eileen had left for the hospital. Some punk kid. She was sure that was what the sheriff would say if she called.

  She wouldn’t.

  She’d put her grandmother through enough already. She wouldn’t bring her home to vandalism or to police poring over the property. She’d cover the paint and keep what had happened locked safely away with all the other things she couldn’t share.

  The sun blazed from the blue summer sky, the breezeless air
hot and arid. Sweat trickled down her temple and neck as she poured dove-gray paint into a pan. Whoosh. One letter gone. Swish. Another disappeared. She should have felt satisfaction, but she felt nothing. Not anger. Not irritation. Not dismay, disgust, horror.

  Nothing.

  She covered another letter and wiped sweat from her upper lip, surveying the fresh paint. Not even a shadow of red peeked out from under the gray. Perfect. Eileen would never know what had happened, and that was the only thing Catherine cared about. She dipped the roller in gray again, sweeping it over the E and R, the silence of the old farmstead only broken by the swishing of paint on wood. Nothing moved. Not the tall grass and weeds that pressed up against the perimeter of the yard. Not the leaves on the trees.

  The stillness ate at Catherine as she worked, nudging at the back of her mind. Four years in the state prison had insulated her from the world, but not from people and life. There had been little silence in her cell block and even less time alone. Here, in the small town where she’d grown up, she seemed to always be alone and silent. Even when she was in a crowd. Even when Eileen was close by.

  She grabbed a fresh roller, poured white paint into a clean pan and slicked it over the red letters on the porch. Almost done. There’d be plenty of time for the floor to dry before she picked Eileen up from chemotherapy.

  Something rustled to her left, the tall weeds that edged the property swaying. No breeze to blow them, but they moved again, twitching to the left and right as she watched.

  “Who’s there?” she asked, sure a bird would fly out of the overgrowth. Instead, soft laughter drifted from the weeds, the sound chilling her blood.

  “I said, ‘who’s there?’”

  “Murderer!” The taunt whispered out, and Catherine stiffened.

  She’d been out of prison for two months, and in that time, vandals had broken a window, slashed her car tires and egged the house. The sheriff had been out three times, but he hadn’t been able to track down the perpetrators. Kids with too much time on their hands. That’s what he’d said, and Catherine had believed him, because she hadn’t wanted to believe an adult was trying to chase her out of town.

  But, then, in Pine Bluff, just about anything seemed possible. Here, the guilty wandered free and the innocent rotted in jail.

  Just once, her rational self said.

  Just you.

  The weeds rustled and a tall figure stepped out. Broad and muscular, he stood at the edge of the yard, a ski mask pulled over his face.

  A kid?

  Catherine didn’t think so, and she tensed, setting the paint roller in the pan without taking her eyes off the man. “Go home.”

  “Go home,” he mocked, chuckling softly.

  “I’m going to call the police,” she said, backing toward the front door.

  “I don’t think so,” he responded and loped toward her.

  She lunged for the door, yanking it open, terror squeezing the breath from her lungs as an arm wrapped around her waist, a hand slapped over her mouth.

  “Let’s go inside.” He pressed her toward the yawning doorway, and she shoved back, raking her hand down his knit ski mask, slamming her elbow into his ribs. Prison hadn’t taught her much, but it had taught her how to fight.

  He cursed, his grip loosening, and she broke free, lifting the paint roller, swinging at his face. Paint splattered across his ski mask, and he stumbled back.

  She didn’t wait. Didn’t try to fight more. Just jumped off the porch and sprinted across the yard, heading for the dirt road that connected the homestead to its nearest neighbor.

  Please, please.

  Footsteps pounded behind her, closing in fast.

  Please.

  She turned left at the road. A quarter mile, and she’d be at the Morris place. Empty for years but finally sold to a man that Eileen said spent more time away than home.

  Please, let him be home.

  Her breath panted out, the old broken mailbox that marked the beginning of Morris property just ahead, the curve in the road that hid the house from view just beyond it.

  Close.

  She was so close.

  God is smiling down on you, my sweet girl.

  The voice echoed from a past so far away that Catherine wasn’t sure it had ever been hers.

  And then she was yanked back with so much force she flew. Off balance, arms flailing, she beat at her attacker, jabbed at his eyes, tried to pull the mask from his face, screaming, screaming. As if someone might hear. As if rescue might be just a moment away.

  His fist clipped her jaw, and she reeled, stars and darkness dancing at the edge of her vision.

  Please, please, help me.

  The prayer danced, too, slipping into her muddled thoughts, breaking her cardinal rule to never ask for help. She’d clung to her faith through rocky times, but the past few years had been stagnant and empty of hope, her faith shriveled and dry from lack of care.

  If she could care again, would God save her?

  Please!

  Sun-scorched earth burned through her T-shirt.

  On the ground, his hands around her neck, his breath fanning her cheek.

  “How’s it feel to be on the other side, Dark Angel?” he whispered, his grip tightening, his knee pressing into her stomach.

  She gagged, clawing at his wrists, trying to break his iron hold.

  No air.

  No breath.

  Just hot dirt and hot sun and cold blue eyes staring into hers.

  Please!

  She let go of his wrists, dug her thumbs into his eyes, air filling her lungs as he shoved her hands away.

  One more scream.

  Another.

  And his hands tightened on her throat again.

  * * *

  A scream broke the silence of Darius Osborne’s first day of vacation. Not an excited scream. Not an it’s-summer-and-we’re-letting-loose scream. A terror-filled, panicked, help-me scream, that made his hair stand on end.

  Another scream followed the first, choked off at its zenith. He dropped the paint scraper, grabbed the hammer, racing around the side of the old farmhouse and onto the dirt road.

  He stopped there. Waiting. Listening.

  The hot summer day was silent again.

  Not a breath, not a movement.

  Nothing.

  “Hello?” he called out, glancing up the road toward the distant highway, then down it toward the curve in the road and the dead fields of the neighboring farm.

  “Help me!” A woman stumbled into view, burnished red hair gleaming in the sunlight, welts raised on the pale column of her throat. He knew her. Knew of her anyway. Everyone in Pine Bluff did.

  Catherine Miller.

  The Dark Angel of Good Samaritan.

  Injured, terrified.

  He ran toward her, scanning the area as he slid an arm around her waist.

  “What happened?” he asked.

  “Someone attacked me,” she rasped, her eyes hollow, her face expressionless.

  “Where is he?”

  “He ran when you called out.” She gestured to the curve in the road, the tall, brown grass and weeds. Anyone could be hiding there.

  “Come on.” He urged her toward his house, her backbone prominent beneath his hand, every vertebra pressing up against her shirt. Too thin. That’s what he’d thought the first time he’d seen her on the news.

  Too thin, but beautiful.


  Aloof.

  The perfect neighbor because all she wanted was exactly what Darius did—to be left alone.

  Only, she hadn’t been left alone.

  The welts on her neck, the bruise on her jaw proved that.

  “Who was it? Someone you know?” He opened his front door, ushering her inside.

  “I’m not sure. He was wearing a ski mask.” She shivered, and he pulled a throw from the back of the sofa and wrapped it around her shoulders, his fingers brushing her neck.

  She flinched, tugging the blanket close.

  “What else was he wearing?”

  “Dark pants. Long-sleeved dark shirt. He was tall. Maybe a couple of inches shorter than you.” Her teeth chattered, but she looked him straight in the eye, her gaze direct, her blue eyes dark and lifeless.

  “I’m going to call for help, then I’ll see if I can find him.” He pulled out his cell phone, dialing 911 as he took his Glock from the gun safe in the hall closet.

  Catherine watched as he loaded it, her expression never changing. The media had said plenty about her incarceration and release. They’d said plenty about her, too. Interviews with supposed friends, with people she’d worked with and with the family of the people she’d been convicted of murdering. There’d never been an interview with her, though. Just photos and videos of her leaving prison, her expression as empty as it was now.

  “Stay here, okay?” he asked.

  “I’ll stay for as long as I can,” she responded, and he frowned, hot air sweeping in as he opened the door.

  “You need to stay here as long as it takes for me to make sure you’re safe.”

  “My grandmother is at the hospital getting chemotherapy. I need to be there to pick her up in less than an hour.”

 

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