by Alice Munro
“My wife isn’t going to be on the second floor,” Grant said.
“No,” said the supervisor thoughtfully. “I just like to make everything clear at the outset.”
—
THEY HAD GONE OVER TO MEADOWLAKE a few times several years ago, to visit Mr. Farquar, the old bachelor farmer who had been their neighbor. He had lived by himself in a drafty brick house unaltered since the early years of the century, except for the addition of a refrigerator and a television set. He had paid Grant and Fiona unannounced but well-spaced visits and, as well as local matters, he liked to discuss books he had been reading—about the Crimean War or Polar explorations or the history of firearms. But after he went to Meadowlake he would talk only about the routines of the place, and they got the idea that their visits, though gratifying, were a social burden for him. And Fiona in particular hated the smell of urine and bleach that hung about, hated the perfunctory bouquets of plastic flowers in niches in the dim, low-ceilinged corridors.
Now that building was gone, though it had dated only from the fifties. Just as Mr. Farquar’s house was gone, replaced by a gimcrack sort of castle that was the weekend home of some people from Toronto. The new Meadowlake was an airy, vaulted building whose air was faintly pleasantly pine-scented. Profuse and genuine greenery sprouted out of giant crocks.
Nevertheless, it was the old building that Grant would find himself picturing Fiona in during the long month he had to get through without seeing her. It was the longest month of his life, he thought—longer than the month he had spent with his mother visiting relatives in Lanark County, when he was thirteen, and longer than the month that Jacqui Adams spent on holiday with her family, near the beginning of their affair. He phoned Meadowlake every day and hoped that he would get the nurse whose name was Kristy. She seemed a little amused at his constancy, but she would give him a fuller report than any other nurse he got stuck with.
Fiona had caught a cold, but that was not unusual for newcomers.
“Like when your kids start school,” Kristy said. “There’s a whole bunch of new germs they’re exposed to, and for a while they just catch everything.”
Then the cold got better. She was off the antibiotics, and she didn’t seem as confused as she had been when she came in. (This was the first time Grant had heard about either the antibiotics or the confusion.) Her appetite was pretty good, and she seemed to enjoy sitting in the sunroom. She seemed to enjoy watching television.
One of the things that had been so intolerable about the old Meadowlake had been the way the television was on everywhere, overwhelming your thoughts or conversation wherever you chose to sit down. Some of the inmates (that was what he and Fiona called them then, not residents) would raise their eyes to it, some talked back to it, but most just sat and meekly endured its assault. In the new building, as far as he could recall, the television was in a separate sitting room, or in the bedrooms. You could make a choice to watch it.
So Fiona must have made a choice. To watch what?
During the years that they had lived in this house, he and Fiona had watched quite a bit of television together. They had spied on the lives of every beast or reptile or insect or sea creature that a camera was able to reach, and they had followed the plots of what seemed like dozens of rather similar fine nineteenth-century novels. They had slid into an infatuation with an English comedy about life in a department store and had watched so many reruns that they knew the dialogue by heart. They mourned the disappearance of actors who died in real life or went off to other jobs, then welcomed those same actors back as the characters were born again. They watched the floorwalker’s hair going from black to gray and finally back to black, the cheap sets never changing. But these, too, faded; eventually the sets and the blackest hair faded as if dust from the London streets was getting in under the elevator doors, and there was a sadness about this that seemed to affect Grant and Fiona more than any of the tragedies on Masterpiece Theatre, so they gave up watching before the final end.
Fiona was making some friends, Kristy said. She was definitely coming out of her shell.
What shell was that? Grant wanted to ask, but checked himself, to remain in Kristy’s good graces.
—
IF ANYBODY PHONED, he let the message go onto the machine. The people they saw socially, occasionally, were not close neighbors but people who lived around the countryside, who were retired, as they were, and who often went away without notice. The first years that they had lived here Grant and Fiona had stayed through the winter. A country winter was a new experience, and they had plenty to do, fixing up the house. Then they had got the idea that they too should travel while they could, and they had gone to Greece, to Australia, to Costa Rica. People would think that they were away on some such trip at present.
He skied for exercise but never went as far as the swamp. He skied around and around in the field behind the house as the sun went down and left the sky pink over a countryside that seemed to be bound by waves of blue-edged ice. He counted off the times he went round the field, and then he came back to the darkening house, turning the television news on while he got his supper. They had usually prepared supper together. One of them made the drinks and the other the fire, and they talked about his work (he was writing a study of legendary Norse wolves and particularly of the great Fenris wolf who swallows up Odin at the end of the world) and about whatever Fiona was reading and what they had been thinking during their close but separate day. This was their time of liveliest intimacy, though there was also, of course, the five or ten minutes of physical sweetness just after they got into bed—something that did not often end up in sex but reassured them that sex was not over yet.
—
IN A DREAM Grant showed a letter to one of his colleagues whom he had thought of as a friend. The letter was from the roommate of a girl he had not thought of for a while. Its style was sanctimonious and hostile, threatening in a whining way—he put the writer down as a latent lesbian. The girl herself was someone he had parted from decently, and it seemed unlikely that she would want to make a fuss, let alone try to kill herself, which was what the letter was apparently, elaborately, trying to tell him.
The colleague was one of those husbands and fathers who had been among the first to throw away their neckties and leave home to spend every night on a floor mattress with a bewitching young mistress, coming to their offices, their classes, bedraggled and smelling of dope and incense. But now he took a dim view of such shenanigans, and Grant recollected that he had in fact married one of those girls, and that she had taken to giving dinner parties and having babies, just as wives used to do.
“I wouldn’t laugh,” he said to Grant, who did not think he had been laughing. “And if I were you I’d try to prepare Fiona.”
So Grant went off to find Fiona in Meadowlake—the old Meadowlake—and got into a lecture theater instead. Everybody was waiting there for him to teach his class. And sitting in the last, highest row was a flock of cold-eyed young women all in black robes, all in mourning, who never took their bitter stares off him and conspicuously did not write down, or care about, anything he was saying.
Fiona was in the first row, untroubled. She had transformed the lecture room into the sort of corner she was always finding at a party—some high-and-dry spot where she drank wine with mineral water, and smoked ordinary cigarettes and told funny stories about her dogs. Holding out there against the tide, with some people who were like herself, as if the dramas that were being played out in other corners, in bedrooms and on the dark verandah, were nothing but childish comedy. As if chastity was chic, and reticence a blessing.
“Oh, phooey,” Fiona said. “Girls that age are always going around talking about how they’ll kill themselves.”
But it wasn’t enough for her to say that—in fact, it rather chilled him. He was afraid that she was wrong, that something terrible had happened, and he saw what she could not—that the black ring was thickening, drawing in, all around his win
dpipe, all around the top of the room.
—
HE HAULED HIMSELF out of the dream and set about separating what was real from what was not.
There had been a letter, and the word “RAT” had appeared in black paint on his office door, and Fiona, on being told that a girl had suffered from a bad crush on him, had said pretty much what she said in the dream. The colleague hadn’t come into it, the black-robed women had never appeared in his classroom, and nobody had committed suicide. Grant hadn’t been disgraced, in fact he had got off easily when you thought of what might have happened just a couple of years later. But word got around. Cold shoulders became conspicuous. They had few Christmas invitations and spent New Year’s Eve alone. Grant got drunk, and without its being required of him—also, thank God, without making the error of a confession—he promised Fiona a new life.
The shame he felt then was the shame of being duped, of not having noticed the change that was going on. And not one woman had made him aware of it. There had been the change in the past when so many women so suddenly became available—or it seemed that way to him—and now this new change, when they were saying that what had happened was not what they had had in mind at all. They had collaborated because they were helpless and bewildered, and they had been injured by the whole thing, rather than delighted. Even when they had taken the initiative they had done so only because the cards were stacked against them.
Nowhere was there any acknowledgment that the life of a philanderer (if that was what Grant had to call himself—he who had not had half as many conquests or complications as the man who had reproached him in his dream) involved acts of kindness and generosity and even sacrifice. Not in the beginning, perhaps, but at least as things went on. Many times he had catered to a woman’s pride, to her fragility, by offering more affection—or a rougher passion—than anything he really felt. All so that he could now find himself accused of wounding and exploiting and destroying self-esteem. And of deceiving Fiona—as of course he had deceived her—but would it have been better if he had done as others had done with their wives and left her?
He had never thought of such a thing. He had never stopped making love to Fiona in spite of disturbing demands elsewhere. He had not stayed away from her for a single night. No making up elaborate stories in order to spend a weekend in San Francisco or in a tent on Manitoulin Island. He had gone easy on the dope and the drink and he had continued to publish papers, serve on committees, make progress in his career. He had never had any intention of throwing up work and marriage and taking to the country to practice carpentry or keep bees.
But something like that had happened after all. He took an early retirement with a reduced pension. The cardiologist had died, after some bewildered and stoical time alone in the big house, and Fiona had inherited both that property and the farmhouse where her father had grown up, in the country near Georgian Bay. She gave up her job, as a hospital coordinator of volunteer services (in that everyday world, as she said, where people actually had troubles that were not related to drugs or sex or intellectual squabbles). A new life was a new life.
Boris and Natasha had died by this time. One of them got sick and died first—Grant forgot which one—and then the other died, more or less out of sympathy.
He and Fiona worked on the house. They got cross-country skis. They were not very sociable, but they gradually made some friends. There were no more hectic flirtations. No bare female toes creeping up under a man’s pants leg at a dinner party. No more loose wives.
Just in time, Grant was able to think, when the sense of injustice wore down. The feminists and perhaps the sad silly girl herself and his cowardly so-called friends had pushed him out just in time. Out of a life that was in fact getting to be more trouble than it was worth. And that might eventually have cost him Fiona.
—
ON THE MORNING OF THE DAY when he was to go back to Meadowlake for the first visit, Grant woke early. He was full of a solemn tingling, as in the old days on the morning of his first planned meeting with a new woman. The feeling was not precisely sexual. (Later, when the meetings had become routine, that was all it was.) There was an expectation of discovery, almost a spiritual expansion. Also timidity, humility, alarm.
He left home too early. Visitors were not allowed before two o’clock. He did not want to sit out in the parking lot, waiting, so he made himself turn the car in a wrong direction.
There had been a thaw. Plenty of snow was left, but the dazzling hard landscape of earlier winter had crumbled. These pocked heaps under a gray sky looked like refuse in the fields.
In the town near Meadowlake he found a florist’s shop and bought a large bouquet. He had never presented flowers to Fiona before. Or to anyone else. He entered the building feeling like a hopeless lover or a guilty husband in a cartoon.
“Wow. Narcissus this early,” Kristy said. “You must’ve spent a fortune.” She went along the hall ahead of him and snapped on the light in a closet, or sort of kitchen, where she searched for a vase. She was a heavy young woman who looked as if she had given up in every department except her hair. That was blond and voluminous. All the puffed-up luxury of a cocktail waitress’s style, or a stripper’s, on top of such a workaday face and body.
“There, now,” she said, and nodded him down the hall. “Name’s right on the door.”
So it was, on a nameplate decorated with bluebirds. He wondered whether to knock, and did, then opened the door and called her name.
She wasn’t there. The closet door was closed, the bed smoothed. Nothing on the bedside table, except a box of Kleenex and a glass of water. Not a single photograph or picture of any kind, not a book or a magazine. Perhaps you had to keep those in a cupboard.
He went back to the nurses’ station, or reception desk, or whatever it was. Kristy said “No?” with a surprise that he thought perfunctory.
He hesitated, holding the flowers. She said, “Okay, okay—let’s set the bouquet down here.” Sighing, as if he was a backward child on his first day at school, she led him along a hall, into the light of the huge sky windows in the large central space, with its cathedral ceiling. Some people were sitting along the walls, in easy chairs, others at tables in the middle of the carpeted floor. None of them looked too bad. Old—some of them incapacitated enough to need wheelchairs—but decent. There used to be some unnerving sights when he and Fiona went to visit Mr. Farquar. Whiskers on old women’s chins, somebody with a bulged-out eye like a rotted plum. Dribblers, head wagglers, mad chatterers. Now it looked as if there’d been some weeding out of the worst cases. Or perhaps drugs, surgery had come into use, perhaps there were ways of treating disfigurement, as well as verbal and other kinds of incontinence—ways that hadn’t existed even those few years ago.
There was, however, a very disconsolate woman sitting at the piano, picking away with one finger and never achieving a tune. Another woman, staring out from behind a coffee urn and a stack of plastic cups, looked bored to stone. But she had to be an employee—she wore a pale-green pants outfit like Kristy’s.
“See?” said Kristy in a softer voice. “You just go up and say hello and try not to startle her. Remember she may not— Well. Just go ahead.”
He saw Fiona in profile, sitting close up to one of the card tables, but not playing. She looked a little puffy in the face, the flab on one cheek hiding the corner of her mouth, in a way it hadn’t done before. She was watching the play of the man she sat closest to. He held his cards tilted so that she could see them. When Grant got near the table she looked up. They all looked up—all the players at the table looked up, with displeasure. Then they immediately looked down at their cards, as if to ward off any intrusion.
But Fiona smiled her lopsided, abashed, sly, and charming smile and pushed back her chair and came round to him, putting her fingers to her mouth.
“Bridge,” she whispered. “Deadly serious. They’re quite rabid about it.” She drew him towards the coffee table, chatting. “I can remember bei
ng like that for a while at college. My friends and I would cut class and sit in the common room and smoke and play like cutthroats. One’s name was Phoebe, I don’t remember the others.”
“Phoebe Hart,” Grant said. He pictured the little hollow-chested, black-eyed girl, who was probably dead by now. Wreathed in smoke, Fiona and Phoebe and those others, rapt as witches.
“You knew her too?” said Fiona, directing her smile now towards the stone-faced woman. “Can I get you anything? A cup of tea? I’m afraid the coffee isn’t up to much here.”
Grant never drank tea.
He could not throw his arms around her. Something about her voice and smile, familiar as they were, something about the way she seemed to be guarding the players and even the coffee woman from him—as well as him from their displeasure—made that not possible.
“I brought you some flowers,” he said. “I thought they’d do to brighten up your room. I went to your room, but you weren’t there.”
“Well, no,” she said. “I’m here.”
Grant said, “You’ve made a new friend.” He nodded towards the man she’d been sitting next to. At this moment that man looked up at Fiona and she turned, either because of what Grant had said or because she felt the look at her back.
“It’s just Aubrey,” she said. “The funny thing is I knew him years and years ago. He worked in the store. The hardware store where my grandpa used to shop. He and I were always kidding around and he could not get up the nerve to ask me out. Till the very last weekend and he took me to a ball game. But when it was over my grandpa showed up to drive me home. I was up visiting for the summer. Visiting my grandparents—they lived on a farm.”
