But he wasn’t. He hadn’t moved. He was still standing in the growing round of his own blood.
With the blood dripping from his mouth, the remnants of shaving cream still clinging to his body and the patches of thick hair he’d yet to shave off, he looked like a monster to her--which, of course, he was. His voice was muddled when he spoke, but he was so oddly calm, she could understand him in spite of his smashed lip.
“You won’t win,” he said. “I video taped everything we did back then. There’s a safe deposit box with each tape. If anything happens to me, my lawyers have access to all of it and they have orders to release the tapes to the press. It’s then that the world will know the truth about you.”
“I’m not worried about the tapes, Max.”
“You should be.”
“Why? I’m not on them.”
“I’ve seen you on them.”
“No, you haven’t. I thought about it this morning, after you threatened me with them last night so you could come to the party and stay here. You’ve got nothing on me. I knew where you hid the cameras back then. I knew where not to stand. But if you think I’m wrong and that you’ve got something on me, I’ll take my chances.”
“Like you’re doing with the police? They’re going to question me again, Carra. They’re going to wonder what happened to my face and my feet.”
She looked down at his feet. “You’re going to show them your hooves, Max? Is that it? Please. Here’s what I know about you. When I leave here, you’ll pull the glass from your feet and you’ll fix your lip. Your too vain not to do otherwise. And if you do tell the police what happened here today, I’ve got my own story. We had an argument and you attacked me. Guess who lost?” She kept her eyes on him, turned on the phone and tapped numbers.
“I wouldn’t call the police, Carra.”
“Who said I am? Tonight, it’s all about business and you’re going nowhere.” She cocked her head at the bedroom as the phone started to ring. “That’s where you’re staying from this point forward. You’ll have no access to a phone, to this disc, and no way to ask for help. What you will have is four men standing guard outside your door. Make one move when they get here, and it’ll be your last.”
“People can be bought, Carra.”
“Not these men, Max.”
“You don’t know a thing about money or people.”
“Then prove me wrong. We’ll see who’s right.” She held up a finger. “But if you try it, know that they’ll have orders to kill you.”
“Death doesn’t frighten me.”
And there it was--his greatest lie yet. For the first time since he came back into her life, she felt as though it was she who had the upper hand. And, so, she pounced. “That’s a lie,” she said. “I think you really believe you have a chance to be on top again and because of that, I think you fear death more than you hate your body, more than you hate your childhood and more than you hate your miserable fucking existence.”
~~~~
BOOK TWO
CHAPTER TWENTY-FOUR
5:52 p.m.
When Marty arrived on East 75th Street, he wasn’t surprised to find the media parked outside Wood’s home. It was nearly six o’clock and time for the evening news. If all of New York wasn’t already talking about this case, soon they would be. The fame that had found Kendra Wood in life was about to catapult her to new heights in death.
He left the cab and scanned the confusion of cameras and cables and vans and people for Jennifer, found her reading her notes in front of the police barricade, and smiled to himself. Around her neck was the necklace he gave her when they first dated.
The cab sped away and Jennifer looked up, but not at him. She said something to her cameraman, laughed with him and lifted her face to the dozens of birds darting above them in the umbrella of trees. He heard her say, “If one of them shits on me, I swear to God I’m smearing it on that bitch from Fox 5.”
Marty called out her name.
Jennifer spotted him in the crowd and waved him over. “What are you doing here?” she said, smiling. “I thought we were going to talk at eight.”
“We were,” Marty said. “But I need to talk to you now. Got a minute?”
“I don’t know.” She looked at her cameraman, a short man with a cap of white hair who was nearly twice her age. “How much time?”
“Seven minutes and your pretty face will be smiling at half of New York.”
She touched the man’s forearm. “That’s sweet,” she said. “My pretty face. If I had a fan club, Bob, I’d make you president.”
“If you had a fan club, I’d be working elsewhere.”
“Oh, come on. You’d Tweet me if you had the chance.”
“Not unless you took your ass to the city clinic first.” He raised a finger before she could speak. “Careful. You don’t want me to fuck with your lighting, girl.”
Jennifer kissed him on the cheek and followed Marty across the street. “Isn’t he great? You don’t find cynicism like that just anywhere. I love him.” She squeezed Marty’s hand. “What are you doing here? Something tells me it isn’t just to see me.”
“You’re right,” Marty said. “It isn’t. Though this is a nice surprise.” He cocked a thumb at the row of houses behind them. “Emilio DeSoto and Helena Adams. I’m interviewing them.”
Jennifer’s eyes widened. “How’d you swing that?”
“You don’t want to know.”
“Sure, I do.”
“It was Gloria,” he said.
“Gloria?”
“Just got off the phone with her.”
“But I thought you were pissed at her.”
“I am,” Marty said. “But I knew she could get me inside so I said to hell with it and called her.”
“She really does know everyone, then.”
“She makes it her business to,” Marty said. “It’s what she does.”
“Think they saw something?”
“It’s what I’m hoping.”
“Anything I can do to help?”
“Actually, there is,” Marty said. “What are you doing after this?”
“Bob was going to buy me a drink but I can get out of that,” she said. “Bob’s a pushover. He loves me, too.”
“Enough to Tweet you?”
“Oh, please. He’d Tweet the hell out of me if he was straight.”
Marty smiled. “Too much information. If he’s willing to take a rain check, I was wondering if you’d drive over to Carra Wolfhagen’s and keep tabs on her husband. He’s staying with her.”
That was enough for Jennifer. She took him by the arm and led him farther down the street, away from the other reporters. “Wolfhagen’s there?” she said in a low voice. “But they can’t stand each other.”
“You think?”
“Why would she let him stay with her? She’s divorcing him. Everyone knows how they feel about each other. You’d think he’d find some other place to stay.”
“It is interesting, isn’t it?”
“What else do you know? You’re holding back--I can tell.”
“I’ll tell you everything later,” he said. “But only if you’ll watch him.”
“Of course, I’ll watch him.”
They walked back toward the crowd of reporters.
“Bring your cell,” Marty said. “Call me on mine and follow him if he leaves. I don’t know when I’ll be able to join you, but I’ll get there eventually.” He looked at her. “You’re okay with this?”
She frowned at him. “Oh, please. It’s not like I haven’t pulled surveillance before. Remember Gotti?”
How could he forget? At that early point in her career, she may have been a young reporter, but she’d tailed the mob boss for three weeks without getting caught. She’d gone undercover and dated the man’s son to extract information about the family. She won a Peabody for her report, which exposed sides to Gotti he never wanted made public. And it made her a star.
She squeezed his hand. �
��I’ll see you after you interview DeSoto and Adams. It’ll be fun, like old times.” She winked at him. “And do me a favor--wear those tight jeans I like so well, the ones that show off your ass. You never know. You might just get lucky again.”
With that, she crossed the street, stood in front of the camera, skimmed her notes and took a breath as the camera’s floodlights flashed on. Bob pointed a finger at her and Jennifer began speaking to half of New York, as did the other reporters around her.
* * *
Marty turned to the building behind him.
Emilio DeSoto’s home was tall and narrow and painted bright white--bright white door, bright white bricks, bright white awnings over the wide white windows. The steps were painted white, the trim was painted white, the wrought iron railing that ran alongside the house was painted white. The only hint of color here was on the door--the number “21” in pearl gray. Marty knocked twice and waited. Experience told him that gaining entrance to this home might take awhile.
E, as he was known in the New York art circle, was one of Manhattan’s premiere minimalist artists. A close friend of Gloria’s, his mere presence at her first showing had given her career the kind of boost every debut artist desires. He had purchased the smallest of her paintings--a tiny stamp in a collection of sprawling canvases--and whispered in her ear all evening. When asked by the media what he thought of this new artist’s work, E surprised them all by answering in a complete sentence: “Her work is arresting.”
Her work is arresting. Those four words helped Gloria and the gallery net seven figures in sales by evening’s end.
The door opened slowly, carefully, finally exposing a sliver of E in white silk pajamas, white satin slippers, his head and eyebrows shaved clean. He was a thin slip of a man with skin so pale, it was almost translucent. They’d met only once--here, for tea with Gloria--but E hadn’t spoke to him, only stared when Marty commented on the man’s paintings.
Now, Marty wondered how in hell he was going to get this odd man to talk to him about Judge Wood and what he may have seen over the years as her neighbor. But Gloria promised he would talk. “Death fascinates him,” she said. “It’s a major force in his work, especially during his black period, which coincidentally coincided with mine. And he’s different when he’s alone. He’s different when he doesn’t have an audience. You’ll see. You won’t be able to shut him up.”
But looking at E squinting at him, frowning at all of the colors that made up Marty’s clothes, he couldn’t be sure. “Thanks for seeing me, E,” he said. “I know you’re busy and I appreciate it.”
E said nothing. He looked past Marty to Wood’s home, moved to speak, but then pursed his lips into a tight pale line and said nothing. He lowered his gaze and with an almost imperceptible inclination of his head, invited Marty inside.
A long white corridor stretched before them like a tunnel of snow. Strategically placed lights were hidden in the ceiling, concealing shadows, casting others. There was no furniture, no paintings on the walls, no signs of life present or past. E locked the door behind them and wordlessly turned to walk down the blinding hallway.
Intrigued, Marty followed.
How did this little, peculiar man survive in New York? Was it all an act, as Gloria suggested, or was it something deeper, some unexplained disturbance he had never resolved?
As they moved forward, Marty watched the man list left, then right. They reached the end of the hallway and E’s shoulder struck the edge of the doorway. The blow took him by surprise and he lurched sideways, almost falling into the room but righting himself at the last moment.
He tripped across the living area, bumped into one of the few white chairs arranged in the center of the room, sent it toppling and pushed forward, toward the table along the far white wall.
Marty couldn’t tell if the man were sick, drunk or simply unable to make out the subtle shading that defined where this chair was, that couch, that table. He stood in the doorway and watched E grasp the small white urn at the end of a table. He unscrewed the lid, reached inside and removed a short white stick.
The stick was a joint. Marty stepped inside and watched E fire it up with the white lighter beside the urn. He closed his eyes and inhaled deeply, the blue smoke rising before him in thick little clouds. It wasn’t until after he had exhaled that he finally looked at Marty and said to him in a thin, exasperated voice: “Glaucoma.” He sighed and for a moment, Marty thought he understood him.
“I need to ask you a few questions,” he said. “But if now isn’t a good time, I can come back when you’re feeling better.”
E screwed up his face and sucked harder. He coughed and brought a hand to his chest, which he gently patted once.
Marty looked at the fingernails on that hand. With the exception of the thumbnail, which was clipped close, the nails on the remaining four fingers were long and slender, curving and yellow. Marty glanced at the nails on the other hand and saw that they had been chewed to the skin.
And E sucked.
“Did you know Kendra Wood?” Marty asked.
E finished the joint, snuffed the roach in a clean glass ashtray and put a finger to the very tip of his narrow nose. His eyes were clouded and unfocused. His body occupied space, but his mind was far away. He coughed again and gazed across the room toward Marty. His upper lip twitched.
Marty wasn’t sure if the man had heard him. “You’ve been her neighbor for six years. It would be helpful if you could tell me anything you might know about her.”
E turned his head and traced a finger along the urn’s curving white lid. He gave no indication of pending response.
“Perhaps I should be more blunt,” Marty said, keeping the frustration from his voice. “Last night, Judge Wood was found dead in her bedroom. Her head was severed and, until this morning, was missing. The evidence suggests she lived two separate lives. I’d like to know if you’ve seen anything unusual in her behavior over the years.”
“Yes,” said E.
Finally, thought Marty. “Could you tell me about that?” he said. “What have you seen?”
“Things,” said E.
“Such as?” asked Marty.
“People,” said E.
“Who?” asked Marty.
“Rodents,” said E.
And that stopped Marty.
He watched a wave of disturbance flash across E’s face, which was somehow paler than before. The air in the room seemed to shift and turn in on itself. Marty could sense it tightening. “I need you to be more specific,” he said. “Can you do that for me?”
“No.”
“She was decapitated, E.”
“Life lops heads.”
“Please, tell me what you know.”
“I know they’ll be looking for a new judge.”
“And I know your routine is an act.”
E recoiled.
“Gloria told me that you were a good man. She told me that you would help me. She said that death fascinates you.”
“Life is the new death.”
“What did you mean by ‘rodents’?”
E’s eyes flicked up to meet his. “Rodents eat their young.”
“What does that mean?”
“Rodents eat their own.”
“You’re saying Judge Wood was a rodent?”
“Yes.”
“Who ate her, E?”
But E had spent his words. Like a child, he turned his back on Marty, folded his arms around himself and behaved as if he’d offer nothing more.
But Marty was having none of it. He’d be damned if minimal Emilio was going to dangle a carrot in front of his face and snatch it away.
“The police will be here, E. Kendra Wood was a federal court justice and they’re going to question everyone on this block. They’ll question you and they won’t be as understanding as I am. They’ll harass you. They’ll make you talk. They’ll know you’re hiding something and they’ll force you to tell them what you know. They’ll humiliate you. They�
�ll get subpoenas. They’ll bring in the FBI. They’ll call you a freak. Everything will be leaked to the media. It will be a circus. You’ll have to talk to everyone.”
E lifted his head toward the ceiling.
Marty lowered his voice. “But if you tell me what you know and I solve the case, you’ll never even have to deal with the police.” Which was a lie, but time was short and Marty needed answers.
“You don’t know me,” said E.
“I don’t need to,” said Marty.
“You’re not an artist.”
“What does that have to do with a dead woman?”
“Artists see things differently.”
“You’re probably right.”
“You and I can’t communicate.”
“I believe we are now.”
“Communication isn’t harassment.”
“No one is harassing you.”
“Life harasses me.”
“I’m trying to solve a crime.”
E turned to him. “It wasn’t a crime.”
“What does that mean?”
“Rodents eat rodents.”
“Cut the bullshit, E.”
“It’s the truth.”
“Tell me what you know.”
“I know you were a bad husband.”
“You’re hiding something.”
“I hide everything.”
Marty pulled out his cell. “One call and your life changes.”
“One call to Gloria and so does yours.”
He dialed Hines’ number.
“This is what I know.”
He listened to the phone ring.
“I know you hurt your family.”
He refused to let this man in.
“I know your daughters will never have a normal life.”
Hines’ answering service picked up.
“I know you’re a shitty critic.”
Marty focused on Hines’ voice.
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