The Fictions of Bruno Schulz

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The Fictions of Bruno Schulz Page 11

by yao


  THE STREET OF CROCODILES THE COMET of his leisure to explore the city. He bought himself a bicycle of imposing dimensions and rode it around Market Square, looking from the height of his saddle into the windows of second-floor apartments. Passing our house, he would elegantly lift his hat to the ladies standing in the window. He had a twirled, upturned moustache and a small pointed beard. Soon, however, Uncle discovered that a bicycle could not introduce him into the deeper secrets of mechanics, that that astonishing machine was unable to provide lasting metaphysical thrills. And then the experiments began, based on the principiurn individu- ationis. Uncle Edward had no objections at all to being physically reduced, for the benefit of science, to the bare principle of Neeff's hammer. He agreed without regret to a gradual shedding of all his characteristics in order to lay bare his deepest self, in harmony, as he had felt for a long time, with that very principle. Having shut himself in his study, Father began the gradual penetration into Uncle Edward's complicated essence by a tiring psychoanalysis that lasted for many days and nights. The table of the study began to fill with the isolated complexes of Edward's ego. At first Uncle, although much reduced, turned up for meals and tried to take part in our conversations. He also went once more for a ride on his bicycle, but soon gave it up as he felt rather incomplete. A kind of shame took hold of him, characteristic for the stage at which he found himself. He began to shun people. At the same time, Father was getting ever nearer to his objective. He had reduced Uncle to the indispensable minimum, by removing from him one by one all the inessentials. He placed him high in a wall recess in the staircase, arranging his elements in accordance with the principle of Leclanche's reaction. The wall in that place was mouldy and white mildew showed on it. Without any scruples Father took advantage of the entire stock of Uncle's enthusiasm, he spread his flex along the length of the entrance hall and the left wing of the house. Armed with a pair of steps he drove small nails into the wall of the dark passage, along the whole path of Uncle's present existence. Those smoky, yellow afternoons were almost completely dark. Father used a lighted candle with which he illuminated the mildewy wall at close quarters, inch by inch. I have heard it said that at the last moment Uncle Edward, until then heroicall y composed, showed a certain impatience. They say thatthere was even a violent, although belated, explosion that very nearly ruined the almost completed work. But the installation was ready and Uncle Edward, who all his life had been a model husband, father, and businessman, eventually submitted with dignity to his final role. Uncle functioned excellently. There was no instance of his refusal to obey. Having discarded his complicated personality, in which at one time he had lost himself, he found at last the purity of a uniform and straightforward guiding principle to which he was subjected from now on. At the cost of his complexity, which he could manage only with difficulty, he had now achieved a simple problem-free immor- tality. Was he happy? One would ask that question in vain. A question like this makes sense only when applied to creatures who are rich in alternative possibilities, so that the actual truth can be contrasted with partly real probabilities and reflect itself in them. But Uncle Edward had no alternatives; the dichotomy `happy/unhappy' did not exist for him because he had been completely integrated. One had to admit to a grudging approval when one saw how punctually, how accurately he was functioning. Even his wife, Aunt Teresa, who followed him to our city, could not stop herself from pressing the button quite often, in order to hear that loud and sonorous sound in which she recognized the former timbre of her husband's voice in moments of irritation. As to their daughter, Edy, one might say that she was fascinated by her father's career. Later, it is true, she took it out on me, avenging my father' s action, but that is part of a different story. 2 The days passed, the afternoons grew longer: there was nothing to do in them. The excess of time, still raw, still sterile and without use, lengthened the evenings with empty dusks. Adela, after washing up early and clearing the kitchen, stood idly on the balcony looking vacantly at the pale redness of the evening distance. Her beautiful eyes, so expressive at other times, were blank from dull reveries, protruding, large, and shining. Her complexion, at the end of winter matted and grey from kitchen smells, now, under the influence of the springward gravitation of the moon, which was waxing from quarter to quarter, became younger, acquired milky reflexes, opaline shades, and the glaze of enamel. She now had the whip hand over the shop assistants, who cringed under her dark looks, discarded the role of would-be cynics, frequenters of city taverns and other places of ill- 104 105

  THE STREET OF CROCODILES THE COMET repute and, enraptured by her new beauty, sought a different method of approach, ready to make concessions towards putting the relation- ship on a new basis and to recognize positive facts. Father's experiments did not, in spite of expectations, produce any revolution in the life of the community. The grafting of mesmerism on the body of modern physics did not prove fertile. It was not because there was no grain of truth in Father 's discoveries. But truth is not a decisive factor for the success of an idea. Our metaphysical hunger is limited and can be satisfied quickly. Father was just standing on the threshold of new revelations when we, the ranks of his adherents and followers, began to succumb to discouragement and anarchy. The signs of impatience became more and more frequent: there were even open protestations. Our nature rebelled against the relaxation of fundamental laws; we were fed up with miracles and wished to return to the old, familiar, solid prose of the eternal order. And Father understood this. He understood that he had gone too far, and put a rein on the flight of his fancies. The circle of elegant female disciples and male followers with waxed moustaches began to melt away day by day. Father, wishing to withdraw with honour, was intending to give a final concluding lecture, when suddenly a new event turned everybody's attention in a completely unexpected direction. One day my brother, on his return from school, brought the improb- able and yet true news of the imminent end of the world. We asked him to repeat it, thinking that we had misheard. We hadn't. This is what that incredible, that completely baffling piece of news was: unready and unfinished, just as it was, at a random point in time and space, without closing its accounts, without having reached any goal, in mid-sentence as it were, without a period or exclamation mark, without a last judgement or God 's wrath – in an atmosphere of friendly understanding, loyally, by mutual agreement and in accordance with rules observed by both parties – the world was to be hit on the head, simply and irrevocably. No, it was not to be an eschatological, tragic finale as forecast long ago by the prophets, nor the last act of the Divine Comedy. No. It was to be a trick cyclist's, a prestidigitator 's, end of the world, splendidly hocus-pocus and bogus-experimental – accompanied by the plaudits of all the spirits of Progress. There was almost no one to whom the idea would not appeal. The frightened, the protesters, were immediately hushed up. Why did not they under- stand that this was a simply incredible chance, the most progressive, freethinking end of the world imaginable, in line with the spirit of the times, an honourable end, a credit to the Supreme Wisdom? People discussed it with enthusiasm, drew pictures ad oculos on pages torn from pocket notebooks, provided irrefutable proofs, knocking their opponents and the sceptics out of the ring. In illustrated journals whole-page pictures began to appear, drawings of the anticipated catastrophe with effective staging. These usually represented panic- stricken populous cities under a night sky resplendent with lights and astronomical phenomena. One saw already the astonishing action of the distant comet, whose parabolic summit remained in the sky in immobile flight, still pointing towards the earth, and approaching it at a speed of many miles per second. As in a circus farce, hats and bowlers rose into the air, hair stood on end, umbrellas opened by themselves, and bald patches were disclosed under escaping wigs – and above it all there spread a black enormous sky, shimmering with the simultaneous alert of all the stars. Something festive had entered our lives, an eager enthusiasm. An importance permeated our gestures and swelled our chests with cosmic sighs. The earth
y globe seethed at night with a solemn uproar from the unanimous ecstasy of thousands. The nights were black and vast. The nebulae of stars around the earth became more numerous and denser. In the dark interplanetary spaces these stars appeared in different positions, strewing the dust of meteors from abyss to abyss. Lost in the infinite, we had almost forsaken the earthy globe under our feet; we were disoriented, losing our bearings; we hung head- down like antipodes over the upturned zenith and wandered over the starry heaps, moving a wetted finger across maps of the sky, from star to star. Thus we meandered in extended, disorderly, single file, scattering in all directions on the rungs of the infinite ladders of the night – emigrants from the abandoned globe, plundering the immense antheap of stars. The last barriers fell, the cyclists rode into stellar space, rearing on their vehicles, and were perpetuated in an immobile flight in the inter-planetary vacuum, which revealed ever new constel- lations. Thus circling on an endless track, they marked the paths of a sleepless cosmography, while in reality, black as soot, they succumbed to a planetary lethargy, as if they had put their heads into the fireplace, the final goal of all those blind flights. After short, incoherent days, partly spent in sleeping, the nights opened up like an enormous, populated motherland. Crowds filled 106 107

  The Fictions of Bruno Schulz

  THE STREET OF CROCODILES THE COMET the streets, turned out in public squares, head close to head, as if the top of a barrel of caviar had been removed and it was now flowing out in a stream of shiny buckshot, a dark river under a pitch-black night noisy with stars. The stairs broke under the weight of thousands, at all the upper floor windows little figures appeared, matchstick people jumping over the rails in a moon-struck fervour, making living chains, like ants, living structures and columns – one astride another's shoulders – flowing down from windows to the platforms of squares lit by the glare of burning tar barrels. I must beg forgiveness if in describing these scenes of enormous crowds and general uproar, I tend to exaggerate, modelling myself unwittingly on certain old engravings in the great book of disasters and catastrophes of the human species. But they all create a pre- image and the megalomanic exaggeration, the enormous pathos of all these scenes proved that we had removed the bottom of the eternal barrel of memories, of an ultra-barrel of myth, and had broken into a prehuman night of untamed elements, of incoherent anamnesis, and could not hold back the swelling flood. Ah, these nights filled with stars shimmering like fishscales! Ah, these banks of mouths incessantly swallowing in small gulps, in hungry draught, the swelling undrunk streams of those dark rain-drenched nights! In what fatal nets, in what miserable trammels did those multiplicated generations end? Oh, skies of those days, skies of luminous signals and meteors, covered by the calculations of astronomers, copied a thousand times, numbered, marked with the watermarks of algebra! With faces blue from the glory of those nights, we wandered through space pulsating from the explosions of distant suns, in a sidereal brightness – human ants, spreading in a broad heap on the sandbanks of the milky way spilled over the whole sky – a human river overshadowed by the cyclists on their spidery machines. Oh, stellar arena of night, scarred by the evolutions, spirals and leaps of those nimble riders; oh, cycloids and epi-cycloids executed in inspiration along the diagonals of the sky, amid lost wire spokes, hoops shed with indifference, to reach the bright goal denuded, with nothing but the pure idea of cycling! From these days dates a new constellation, the thirteenth group of stars, included for ever in the zodiac and resplendent since then in the firmament of our nights: THE CYCLIST. The houses, wide open at night during that time, remained empty in the light of violently flickering lamps. The curtains blew out far into the night and the rows of rooms stood in an all-embracing, incessant draft, which shot through them in violent, relentless alarm. It was Uncle Edward sounding the alert. Yes, at last he had lost patience, cut off his bonds, trod down the categorical imperative, broken away from the rigours of high morals, and sounded the alarm. One tried to silence him with the help of a long stick, one put kitchen rags to stop the violent explosions of sound. But even gagged in this way he never stopped agitating, he rang madly, without respite, without heed that his life was flowing away from him in the continuous rattling, that he was bleeding white in everybody's sight, beyond help, in a fatal frenzy. Occasionally someone would rush into the empty rooms pierced by that devilish ringing under the glowing lamps, take a few hesitant steps on tiptoe and stop abruptly as if looking for something. The mirrors took him speechlessly into their transparent depths and divided him in silence between themselves. Uncle Edward was ringing CO high heaven through all these bright and empty rooms. The lonely deserter from the stars, conscience stricken, as if he had come to commit an evil deed, retreated stealthily from the flat, deafened by the constant ringing. He went to the front door accompanied by the vigilant mirrors which let him through their shiny ranks, while into their depth there tip-toed a swarm of doubles with fingers to their lips. Again the sky opened above us with its vastness strewn with stellar dust. In that sky, at an early hour of each night appeared that fatal comet, hanging aslant, at the apex of its parabola, aiming unerringly at the earth and swallowing many miles per second. All eyes were directed at him, while he, shining metallically, oblong in shape, slightly brighter in his protuberant middle, performed his daily work with mathematical precision. How difficult it was to believe that that small worm, innocently glowing among the innumerable swarms of stars, was the fiery finger from Belshazzar's feast, writing on the blackboard of the sky the perdition of our globe. But every child knew by heart the fatal formula expressed in the logarithm of a multiple integer, from which our inescapable destruction would result. What was there to save us? While the mob scattered in the open, losing itself under the starry lights and celestial phenomena, my father remained stealthily at home. He was the only one who knew a secret escape from our trap, the 108 109

  THE STREET OF CROCODILES THE COMET back door of cosmology. He smiled secretly to himself. While Uncle Edward, choked with rags, was desperately sounding the alarm, Father silently put his head into the chimney shaft of the stove. It was black and quiet there. It smelled of warm air, of soot, of silence, of stillness. Father made himself comfortable and sat blissfully, his eyes closed. Into that black carapace of the house, emerging over the roof into the starry night, there entered the frail light of a star and breaking as if in the glass of a telescope lit a spark in the hearth, a tiny seed in the dark retort of the chimney. Father was slowly turning the screw of a microscope and the fatal creation, bright like the moon, brought near to arm's length by the lens, plastic and shining with a limestone relief in the silent blackness of planetary emptiness, moved into the field of vision. It was slightly scrofulous, somewhat pockmarked — that brother of the moon, his lost double, returning after a thousand years of wandering to the motherland of the Earth. My father moved it closer to his protruding eye: it was like a slice of Gruyere cheese riddled with holes, pale yellow, sharply lit, covered with white, leprous spots. His hand on the screw of the microscope, his gaze blinded by the light of the oculars, my father moved his cold eyes on the limestone globe, he saw on its surface the complicated print of the disease gnawing at it from inside, the curved channels of the bookworm, burrowing under the cheesy, unhealthy surface. Father shivered and saw his mistake: no, this was not Gruyere cheese, this was obviously a human brain, an anatomical crosscut preparation of the brain in all its complicated structure. Concentrating his gaze, he could even decipher the tiny letters of captions running in all directions on the complicated map of the hemisphere. The brain seemed to have been chloroformed, deeply asleep, and blissfully smiling in its sleep. Intrigued by its expression, my father saw the essence of the phenom- enon through the complex surface print and again smiled to himself. There is no telling what one can discover in one's own familiar chimney, black like tobacco ash. Through the coils of grey substance, through the minute granulations, Father saw the clearly visible contours of an embryo in a characteristic head-over-he
els position, with fists next to its face, sleeping upside-down its blissful sleep in the light waters of amnion. Father left it in that position. He rose with relief and shut the trap door of the flue. Thus far and no further. But what has become of the end of the world, that splendid finale, after the magnificently developed introduc- tion? Downcast eyes and a smile. Was there a slip in calculation, a small mistake in addition, a printer's error when the figures were being printed? Nothing of the sort. The calculations were correct, there was no fault in the column of figures. What had happened then? Please listen. The comet proceeded bravely, rode fast like an ambitious horse in order to reach the finish line on time. The fashion of the season ran with him. For a time, he took the lead of the era, to which he lent his shape and name. Then the two gallant mounts drew even and ran neck-to-neck in a strained gallop, our hearts beating in fellow feeling with them. Later on, fashion overtook by a nose and outstripped the indefatigable bolide. That millimetre decided the fate of the comet. It was doomed, it has been outdistanced forever. Our hearts now ran along with fashion, leaving the splendid comet behind. We looked on indifferently as he became paler, smaller, and finally sank resignedly to a point just above the horizon, leaned over to one side, trying in vain to take the last bend of its parabolic course, distant and blue, rendered harmless for ever. He was unplaced in the race, the force of novelty was exhausted, nobody cared any more for a thing that had been outstripped so badly. Left to itself, it quietly withered away amid universal indifference. With heads hung low we reverted to our daily tasks, richer by one more disappointment. The cosmic perspectives were hurriedly rolled down, life returned to its normal course. We rested at that time by day and by night, making good for the lost time of sleep. We lay flat on our backs in already dark houses, heavy with sleep, lifted up by our breathing to the blind paths of starless dreams. Thus floating, we undulated — squeaky bellies, bagpipes and flutes, snoring our way through the pathless tracts of the starless nights. Uncle Edward had been silenced for ever. There still remained in the air the echo of his alarmed despair, but he himself was alive no more. Life had flowed out of him in that paroxysm of frenzy, the circuit had opened, and he himself stepped out unhindered on to the higher rungs of immortality. In the dark apartment my father alone was awake, wandering silently through the rooms filled with the singsong of sleep. Sometimes he opened the door of the flue and looked grinning into its dark abyss, where a smiling homunculus slept for ever its luminous sleep, enclosed in a glass capsule, bathed in fluorescent light, already adjudged, erased, filed away, another record card in the immense archives of the sky. 110 Ill

 

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