The Fictions of Bruno Schulz

by yao

  SANATORIUM UNDER THE SIGN OF THE HOURGLASS THE OLD AGE PENSIONER of a child's face. I am slightly embarrassed when they address me as `thou'. When one day one of them suddenly struck me across my chest, I rolled under the bench. I was not offended. They pulled me out, enchanted by this rather unexpected but refreshing behaviour. The fact that I take no offence however violent and impetuous their conduct has gradually won me a measure of popularity. From then on, I have carried a supply of stones, buttons, empty cotton reels, and pieces of rubber in my pockets. This has enormously facilitated exchanges of ideas and made a natural bridge for starting friendships. Moreover, engrossed in factual interests, they pay less attention to me as a person. Under the cover of the arsenal produced from my pockets, I need not fear any more that their curiosity and inquisitiveness will be directed at me. One day I decided to translate into action a certain idea that had been worrying me more and more insistently. The day was mild, dreamy, and calm – one of those late fall days when the year, having exhausted all the colours and nuances of that season, seems to revert to the springtime pages of the calendar. The sunless sky had settled itself into coloured streaks, gentle strips of cobalt, verdigris, and celadon, framed at the edges with whiteness as clear as water – the colours of April, inexpressible and long forgotten. I had put on my best suit and went out not without some misgivings. I walked quickly, effortlessly in the calm aura of the day, straying neither to the left nor right. Breathless, I ran up the stone steps. Alea iacta en, I said to myself, knocking at the door of the office. I stood in a modest posture in front of the headmaster's desk, as befitted my new role. I was slightly embarrassed. The headmaster produced from a glass-topped box a cockchafer on a pin and lifting it aslant to his eye, looked at it against the light. His fingers were stained with ink, the nails were short and cut straight. He looked at me from behind his glasses. `So you wish to enrol in the first form, Councillor?' he said. `This is praiseworthy and admirable. I understand that you would like to refresh your education from the foundations, from the beginnings. I always repeat: grammar and the tables are foundations of all learning. Of course, we cannot consider you, Councillor, as a schoolboy to whom compulsory education applies. Rather as a volunteer, a veteran of the alphabet, to coin a phrase, who after long years of wandering has called again at the haven of the school, who had brought his distressed ship to a safe port, as it were. Yes, yes, Councillor, very few people show us gratitude and recognition for our work, and few return to us after a lifetime of toil and settle down here permanently as a voluntary, life pupil. You shall enjoy special privileges, Councillor, I have always thought –' `Excuse me,' I interrupted, `but I should like to say that, as far as special privileges are concerned, I would like to renounce them completely ... I don't want any. On the contrary, I should not like to be treated differently in any way; I wish to merge completely, to disappear in the grey mass of the class. My plan would fail if I were to be privileged. Even with regard to corporal punishment, ' here I lifted my finger, `and I completely recognize its beneficial and educational importance – I insist that no exception should be made for me.' `Most praiseworthy, most thoughtful, ' said the headmaster with respect. `Come to think of it, your education might reveal certain gaps through the long years of nonusage. We all have in this respect some optimistic illusions, which can easily be dispelled. Do you remember, for instance, how much is five times seven? ' `Five times seven,' I repeated embarrassed, feeling confusion flowing in a warm and blissful wave to my head, creating a mist that obscured the clarity of my thoughts. Enchanted by my own ignorance, I began to stammer and repeat over and over again: `Five times seven, five times seven ...' enormously pleased that I was really reverting to childlike ignorance. `There you are,' said the headmaster, `it is high time for you to enrol in school once more. ' Then, taking me by the hand, he led me to the form where a class was being held. Again, as half a century ago, I found myself in the tumult of a room swarming and dark from a multitude of mobile heads. I stood, very small, in the centre holding the tail of the headmaster 's coat, while fifty pairs of young eyes looked at me with the indifferent, cruel matter-of-factness of young animals confronted with a specimen of the same race. From all sides faces were made at me, grimaces of instant token enmity, tongues stuck out. I did not react to these provocations, remembering the good upbringing I had once received. Looking round the mobile, awkwardly grimacing faces, I recalled the same situation fifty years before. At that time I had stood next to my 288 289

  SANATORIUM UNDER THE SIGN OF THE HOURGLASS THE OLD AGE PENSIONER mother, while she talked to the lady teacher. Now, instead of my mother, it was the headmaster whispering something into the ear of the instructor, who was nodding his head and staring at me attentively. ` He is an orphan,' the instructor said at last to the class, `he has no father or mother, so don ' t be unkind to him.' Tears came to my eyes after that short address, real tears of emotion, and the headmaster, himself moved, placed me on the bench nearest the rostrum. A new life thus began for me. The school at once absorbed me completely. Never in my earlier life had I been so engrossed in a thousand affairs, intrigues and interests. I lived a life of incessant excitement. Over my head the lines of multiple and complicated messages were crossing. I was on the receiving end of signals, tele- grams, signs of understanding. I was hissed at, winked at, and reminded in all manner of ways about a hundred promises which I had sworn to fulfil. I could hardly wait for the end of the lesson, during which out of inborn decency I sustained with stoicism all attacks and tried not to miss a single one of the instructor's words. But hardly had the bell been rung-than the whole shouting gang fell upon me, surrounding me with an elemental impetus, and almost tearing me to pieces. They came from behind, or, stamping across the benches, they jumped over my head and turned somersaults over me. Each of them shouted his demands into my ears. I became the centre of all interests, and the most important transactions, the most complicated and doubtful deals, could not take place without my participation. In the street, I walked surrounded by a noisy, violently gesticulating gang. Dogs passed us at a distance, with tails between their legs, cats jumped onto roofs when they saw us approaching, and lonely small boys, met in the street, with passive fatalism hunched their heads between their shoulders, preparing for the worst. Tuition at school had lost none of the charm of novelty, as, for instance, the art of spelling. The instructor appealed to our ignorance very skillfully and cunningly, he drew it forth until he reached that tabula rasa on which the seeds of all teaching must fall. Having thus eradicated all our prejudices and habits, he taught us from the very start. With difficulty and with concentration we melodiously spelled and divided words into syllables, sniffing in the intervals and pointing with our fingers at each new letter in our book. ly primer had the same traces of my index finger, thicker at the more difficult letters, as the primers of my schoolmates. One day, I cannot remember why, the headmaster entered the room and in the sudden silence pointed his finger at three of us, one of whom was myself. We were to follow him to his study at once. We knew what was in store, and my two fellow culprits began to cry in advance. I looked with indifference at their premature contrition, at their faces deformed by sudden weeping as if with the onset of tears the human mask had fallen off and disclosed a formless pulp of weeping flesh. I myself was calm: with the stoicism of fair and moral natures I submitted myself to the course of events, ready to face the consequence of my actions. That strength of character, which resembled obstinacy, did not please the headmaster, as we three culprits stood facing him in his study, the instructor standing by with a cane in his hand. I undid my belt with indifference, but the head- master, looking at me, exclaimed: `Shame on you! How is it possible, at your age?' and looked indig- nantly at the instructor. `A strange freak of nature, ' he added with a look of disgust. then, having sent the two small boys away, he made a long and earnest speech, full of regrets and disapproval_ But I did not understand him. Biting my nails, I looked stupidly ahead of me and then said lisping: `Plea
se, Shir, it was Andy who shpat at the other Shir's roll. ' I had become a complete child. For gymnastics and art we went to another school building, which had a special room and equipment for these subjects. We marched in pairs, talking passionately, filling every street we passed with the sudden tumult of our mingled sopranos. The other school was in a large wooden building, reconstructed from an old theatre hall, and with many outhouses. The art class resembled an enormous bathhouse; the ceiling rested on wooden pillars, and there was a gallery all around the room, to which we climbed at once, storming the stairs, which resounded thunderously under our feet. The numerous smaller rooms and recesses were wonderfully well-suited to the game of hide-and-seek. The art master never appeared, so we could play to our heart's content. From time to time the headmaster of that other school rushed into the hall, put the noisiest boys into corners, and pulled the ears of the wildest. Hardly had his back been turned than the noise began anew. 290 291

  SANATORIUM UNDER THE SIGN OF THE HOURGLASS THE OLD AGE PENSIONER We did not hear the bell announcing the end of the class. The afternoon came, short and colourful as usual in fall. Some boys were fetched by their mothers, who, scolding and smacking them, carried them off home. But for the others and those deprived of such solicitous care, the proper playtime only started at that moment. It was late evening before the old beadle who came to lock up the school finally chased us away. At that time of the year, there was dense darkness in the mornings when we walked to school, and the city was still asleep. We moved blindly with outstretched hands, dragging our feet in the rustling leaves that lay thick on the pavements. We groped along the walls of houses so as not to lose our way. Unexpectedly in a window recess we would feel under our hands the face of one of our mates, coming from the opposite direction. How we laughed, guessing whom it might be, how many surprises we had! Some boys would carry lighted bits of tallow candle, and the city was punctuated with these wandering lights, advancing low above ground in a trembling zigzag, meeting, then stopping to shed light on a tree, a clump of earth, a pile of yellow leaves among which very small boys looked for horse chestnuts. In some houses the first lamps were lighted, and the hazy glow from the upper floors, magnified by the squares of windows, fell in irregular patches on the pavements, on the town hall, on the blind facades of houses: And when somebody, lamp in hand, walked from one room to another, enormous rectangles of light outside would turn like the pages of a colossal book and the market square seemed to shift the houses and shadows and pick them up as if it were playing patience with an outsize pack of cards. At last we reached school. The candles were extinguished, darkness surrounded us as we groped for our places. Then the instructor entered, put an end of a tallow candle into a bottle, and the boring questions about declension of the irregular verbs would begin. As there was not yet sufficient light, the lesson remained oral and had to be memorized. While one of us was reciting monotonously, we looked, blinking, at the golden arrows shooting up from the candle, at lines that cut across one another like blades of straw on our half-closed eyelashes. The instructor poured ink into inkwells, yawned, looked out through the low window into the blackness. Under the seats it was completely dark. We dived there, giggling, walked on all fours, smelling one another like animals, and performing blindly and in whispers the usual transactions. I shall never forget those blissful early morning hours at school while a slow dawn matured beyond the windowpanes. At last came the season of autumnal winds. On its first day, early in the morning, the sky became yellow and modelled itself against that background in dirty grey lines of imaginary landscapes, of great misty wastes, receding in an eastward direction into a perspective of diminishing hills and folds, more numerous as they became smaller, until the sky tore itself off like the wavy edges of a rising curtain and disclosed a farther plan, a deeper sky, a gap of frightened whiteness, a pale and scared light of remote distance, discoloured and watery, that like final amazement closed the horizon. As in Rembrandt's etchings one could see on such a day distant microscopic regions that, under the streak of brightness usually hard to locate, now rose from beyond the horizon under that clear crevice of sky. In that miniature landscape, one could see with sharp precision a railway train usually not visible at that distance, moving on a wavy track and crowned with a plume of silvery white smoke, which in turn dissolved into bright nothingness. And then, the wind rose. As if thrown from the clear gap in the sky, it circled and spread all over the city. It was woven of softness and gentleness, but it pretended to he brutal and fierce. It kneaded, turned over, and tortured the air until it felt like dying from bliss. Then it stiffened in space and reared, spread itself like canvas sails – enormous, taut, flapping like drying sheets – tangled itself in hard knots, trembling with tension, as if it wanted to move the whole atmosphere into a higher space; and then it pulled and untied the false knot and, a mile further away, threw again its hissing lasso, that lariat which could catch nothing. And the dance the wind led the chimney smoke! The smoke did not know how to avoid its scolding, how to turn, whether left or right, how to escape its blows. Thus the wind lorded it over the city as if on that memorable day it had wanted to give a telling example of its infinite willfulness. From early in the morning, I had a premonition of disaster. I made my way in the gale only with difficulty. On street corners, where the crosswinds met, my schoolmates held me by my coattails. So I sailed across the city and all was well. Later we went for gymnastics to the other school. On our way we bought some crescent rolls. Talking 292 293

  SANATORIUM UNDER THE SIGN OF TI IE HOURGLASS THE OLD AGE PENSIONER mind 's eye how my schoolmates raised their arms, and called out to the instructor. `Please, sir, please. Simon has been swept away!' The instructor looked at them from under his spectacles. He went slowly over to the window and, screening his eyes with his hands, scanned the horizon. But he could not see me. In the dull glare of the pale sky, his face had the colour of parchment. ' We must cross his name off the register, ' he said with a bitter smile and returned to the rostrum. I was carried higher and higher into the unexplored yellow space. incessantly, our long crocodile wound through the gate and into the courtyard. One more minute and I should have been safe, in a secure spot, safe until the evening. If need be, I might have spent the night in the hall. My loyal friends would have stayed with me. But as fate had it, Vicky had that day been given a new top as a present, and he let it spin in front of the school. The top spun, a crowd formed at the entrance, I was pushed outside the gate and was immediately swept away. 'Boys, help, help!' I shouted, already suspended in the air. I could still see their outstretched arms and their shouting, open mouths, but the next moment, I turned a somersault and ascended in a magnificent parabola. I was flying high above the roofs. Breathless I saw in my 294 295

  LONELINESS Loneliness It is with great relief that I feel able to go out again. But for what a long time was I confined to my room! These have been bitter months and years. I cannot explain why I have been living in my old nursery – the back room of the apartment, with access from the balcony – which was rarely used in the past, forgotten, as if it did not belong to us. I cannot remember how I got there. I believe it was during a bright watery-white moonless night. I could see every detail in the dim light. The bed was unmade, as if someone had just left it, and I listened in the stillness for the breathing of people asleep. But who was likely to be breathing here? Since then, this has been my home. I have been here for years and am rather bored. Why didn't I think in advance about stocking up! Ah, you who still can do it, who still are given the time, make provisions, save up grain – good, nourishing, sweet grain – for a great winter of lean and hungry years lies ahead, and the earth will not bear fruit in the land of Egypt. Alas, I was not provident, like a hamster. I have always been a light-hearted field mouse, I have lived from day to day without a care for the morrow, trusting in my starve- Iing's talent. Like a mouse, I thought, What do I care about hunger? If worst comes to worst, I can gnaw wood or nibble paper. The poorest of animals, a grey church mo
use, at the tail end of the Book of Creation, I can exist on nothing. And so I live in this dead room. Many flies died in it a long time ago. I put my ear against wood, to hear the sound of a woodworm. Deadly silence. Only I, the immortal mouse, lonely and posthumous, rustle in this room, running endlessly on the table, on the shelf, on the chairs. I run around resembling Aunt Thecla in a long grey frock reaching to the ground – agile, quick, and small, pulling behind me a mobile tail. I am now sitting in bright daylight on the table, immobile, as if stuffed, my eyes like two protruding shiny beads. Only the end of my muzzle pulsates imperceptibly, by force of habit, in minute chewing movements. This, of course, is to be understood as a metaphor. I am really an old-age pensioner, not a mouse. It is part of my existence to be the parasite of metaphors, so easily am I carried away by the first simile that comes along. Having been carried away, I have to find my difficult way back, and slowly return to my senses. What do I look like? Sometimes I see myself in the mirror. A strange, ridiculous, and painful thing! I am ashamed to admit it: I never look at myself full face. Somewhat deeper, somewhat farther away I stand inside the mirror a little off centre, slightly in profile, thoughtful and glancing sideways. Our looks have stopped meeting. When I move, my reflection moves too, but half-turned back, as if it did not know about me, as if it had got behind a number of mirrors and could not come back. My heart bleeds when I see it so distant and indifferent. It is you, I want to exclaim; you have always been my faithful reflection, you have accompanied me for so many years and now you don 't recognize me! Oh, my God! Unfamiliar and looking to one side, my reflection stands there and seems to be listening for something, awaiting a word from the mirrored depths, obedient to someone else, waiting for orders from another place. Mostly I sit at the table and turn the pages of my yellowed university notes – my only reading. I look at the sun-bleached curtain, stiff with dust, waving slightly in the cold breeze from the window. I could do exercise on the curtain rod, an excellent bar. How lightly one could turn somersaults on it in the sterile, tired air. Almost casually one could make an elegant salto mortale, coolly, without too much involvement – a speculative exercise, as it were. When one stands on tiptoe, balancing oneself on the bar, with one's head touching the ceiling, one has the impression that it is slightly warmer higher up – the illusion of being in a warmer zone. Ever since my childhood, I have liked to have a bird's-eye view of my room. So I sit and listen to the silence. The room is whitewashed. Some- times on the white ceiling a wrinklelike crack appears, sometimes a flake of plaster breaks off with a click. Am I to reveal that the room is walled in? How can that be? Walled in? How could I leave it? That is just it: where there is a will, there is a way; a passionate determi- nation can conquer all. I must only imagine a door, a good old door, like the one in the kitchen of my childhood, with an iron handle and a bolt. There is no walled-in room that could not be opened by such 296 297