This Is the Way the World Ends (S.F. MASTERWORKS)

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This Is the Way the World Ends (S.F. MASTERWORKS) Page 28

by James Morrow


  ‘I’m sweaty,’ he said.

  ‘I don’t care,’ she replied, leading him over the threshold.

  The cabin was ablaze. How many candles? A hundred? A thousand? Candles lovingly arranged on the nightstand, the bureau, the floor, candles stuck in gin bottles and teacups, candles lined up along the headboard like the Constellation Midgard Serpent.

  ‘Are we having a séance?’ he asked.

  She gasped and lost her smile. George bit his lower lip mercilessly, wincing at the pain.

  ‘I’m sorry. I—’

  ‘I thought you would like them,’ she said. Her eyes grew moist. ‘They’re supposed to be . . . romantic.’

  ‘I like them,’ he said hastily. ‘They’re fine.’

  ‘Look, George, I simply don’t know about these things.’

  ‘They’re very romantic.’

  ‘I’ve never done this before,’ she said.

  ‘Follow my lead.’

  He placed his arms around her, massaged her shoulder blades. She did the same to him. He undid her top, working the wonderfully pliant buttons, tossed it onto the bed, the only place in the room where it would not catch fire. She mimicked him; his undershirt flew away. Though not large, her breasts still partook unmistakably of that inscrutable genre of sensuality, that religion of round altars, source of obsessions so intense that the males of his extinct species had been mystified and powerless, the females mystified and annoyed, and so he gawked, feeling that he owed the indulgence not only to himself but also to his dead gender, and then he kissed her nipples, which pushed out like brown shoots from soil, and within seconds she had picked up the cue and was kissing his.

  He finished unclothing her. She reciprocated. They stood together in the flaming room.

  ‘You see, I have to put this in you.’ Ready to burst, he lowered her onto the bed.

  ‘So I’ve read.’ She laughed. ‘Do I put something in you? I forget.’

  He entered her, sawed, released his eager sperm. He withdrew instantly.

  ‘Was that it?’ she asked.

  ‘The first time you drank coffee – you were probably nine or something – you didn’t like it, right?’

  ‘I was never nine.’

  He pivoted, put his legs over the bed. A candle flame nipped at his ankle. ‘What we really need, I think’ – he stood up – ‘is for me to wash.’

  He went to the adjoining shower, feeling like a general who had lost a battle but still retained high hopes for the war. Morning followed faithfully. They bathed each other, kissed wetly. She was so solid, so gloriously bone-filled – not at all what he expected of her race. He had heard of the psychology experiment in which a male rat is kept endlessly potent through a steady supply of new mates, and when he saw how the water changed her, rolling in glittery pebbles down her impossibly desirable sides, and then, a few moments later, when he saw how the sheets gathered around her thighs changed her yet again, he knew that he had found in Morning Valcourt an infinite source of arousal.

  This time it was a screw of which both their sexes would have been proud. She began to grasp the crux of the matter, liquifying, trembling, reveling in the unfamiliar feelings. Memories of her canceled love life flooded back. He touched her with the same appreciative passion he had brought to creviced granite. Her orgasm was florid and long, driving him to analogous spasms. They napped, awoke, met again amid the little flames, Morning improvising now, initiating novelties, using her leased body to deny her unadmittance, and he realized that, when all was said and done, she had a greater aptitude for this than he. His pleasure was fuller than he had ever known it. Around the clock they subsisted on sex – napping, eating, breathing for its sake. They discovered uncharted orifices, claimed them; they invented lewd jokes, some verbal, some enacted with fingers and mouths; they drank each other, rutted, tried to make it dirty, then cosmic, so that on some occasions they fucked, on others they made love, ever mindful of the potential in new locations – the gaming tables, the chapel, the swimming pools, the main mess hall, her office. She got her period. They screwed on sheets soaked with black blood. His cock darkened. Their mutual maneuvers, their thrusts and archings, became gestures of defiance, acts that mocked the bad ideas, and as George’s seeds lashed their excellent tails and struggled through Morning’s eggless womb, the couple found themselves mentally cheering, thinking: try anyway, you wretched little bastards, be fruitful and multiply, for unto us a child will be born, you can do it, try.

  CHAPTER NINETEEN

  In Which Information Is Conveyed Suggesting that Nostradamus Saw the Truth and Leonardo da Vinci Painted It

  April is the crudest month, never stopping, intent on causing May. George’s wife grew weak. A cough raged through her. The warm, ebony blood drained from her face, leaving it chalky and dry. Her hair became brittle. Odd noises rose from deep within her, wheezes and scrapings, sounds like burning cellophane.

  Sometimes George would find her in the periscope room, hugging one of the machines, pressing it into the shank of her body until her vibrations stopped. She began staying in bed all day, breathing soggily, spitting up ink.

  ‘I want to talk,’ she said.

  ‘About what?’

  ‘My life.’

  ‘Won’t that make you sad?’ Slipping a second pillow under her heavy head, he could not help but notice the stale vapors coming from her mouth.

  ‘Yes.’ Black veins pulsed in her eyes.

  He kissed his wife. ‘Let’s talk.’

  ‘Leaves keep occurring to me, autumn leaves, every type, red, yellow. I think I spent some time in Vermont. I would have liked primitive art – this is quite clear – and going into libraries and reading the book spines, so many of them, famous and obscure all jumbled together. Also, I never outgrew stuffed animals.’

  Dispassionately she recalled her parents, murdered in their preschool years during the Battle of Corpus Christi. Helen would have been a bowling alley attendant, a cold woman, unhappy, mired in quasi-poverty and a pathological marriage. Hugh would have been a mechanic and also a self-pitying lout who wanted a son, someone he could shoot things with.

  Happier thoughts now. Morning, the thoughtful, gushy school-girl, writing meaningful poems about dead birds, creating a craw-daddy farm in Parson’s Creek, scholarships piling up, the Jacob Bronowski Award for the Junior Displaying the Most Interest in Science, and other prizes with equally peculiar names, and they were hers – hers! – Hugh couldn’t take them away. She flourished in graduate school, taking the clinical psychology department by storm, then converted her Ph.D. into a lucrative practice. Guilt was her speciality.

  She told George of her cases – wins, draws, losses. Phillip Cassidy, inhabited till death by seven personalities. Marcie Cremo, debrained by her own revolver. And the triumphs? asked George. Quite a few, answered Morning. (The trick, you see, was to be their friend, though they didn’t teach that at the University of Chicago.) Janet Hodges, fat and self-hating, but when they were finished she was a Rubens model, sensually plump, able to have unhappy love affairs just like anyone else. Willie Howard, age six, who didn’t talk, not a word, was thought to be brain-damaged, but then Morning got out the puppet with the three eyes, and it taught Willie how to speak Neptunian, and so Willie taught it English.

  And now – memory bending back on itself, shards from youth, sacred frivolities: a stuffed octopus, a red bicycle, a stocky ceramic teapot, a clock that looked like a cat, the smell of rain, the caffeine air of fall. My best friend was named Sylvia, I think. I loved major league baseball. Yes, I would have been a fan, can you believe that? I got my first period at a Houston Astros game. I bled for the Astros, red blood.

  She described Astros who had never lived. 2003, that was to be their year. Last game of the World Series. Ninth inning. Down a run. Cristobal walks . . . Robin Arcadia comes up and . . . bang!

  ‘Thank you,’ she said.

  ‘You’ve had quite a life,’ he said.

  ‘Bet your ass.’

&nbs
p; He lay down beside her, shivering from the coldness she gave off and from the thought of what it meant. Sleep came instantly. His dream took him to a moss-muffled forest, all the great women there, Justine, Morning, his mother (SHE WAS BETTER THAN SHE KNEW), the four of them building a house (a cottage actually, on stilts above a lake), and then the children appeared, Holly, Aubrey, and a third child that Justine had gone off and had during the war, a boy.

  Waking, he realized that his eyelids were stuck together, and he feared that when he pulled them apart another pair would be lying beneath them, and beyond that, another. My wife is dying. There is nothing I can do. He heard the pops of the little muscles as he opened his eyes. The ceiling lights glowered at him. He turned over, saw the vacant depression in the mattress, and all the ice in Antarctica entered his heart.

  But then she limped into the cabin, feverish, shaking. Snow filled the creases of her scopas suit. Scrolls of ice hung from what remained of her hair.

  ‘You frightened me,’ he said. ‘I thought—’

  ‘No. The second of May. I gained the continent on the second of May.’

  ‘You’ve been outside? It’s crazy for you to go outside.’

  ‘I made a deal.’

  ‘What?’

  ‘Hug me.’

  He did.

  ‘I’m going to say something strange,’ she rasped. ‘No matter what it is, you won’t stop hugging me.’

  ‘I promise,’ he said.

  ‘You’re going to see your daughter again. Holly.’

  He hugged her more tightly. ‘Holly is dead.’

  ‘I made a deal,’ she said. ‘It will happen in a week. Sunday. Be ready.’

  ‘I don’t understand,’ he said.

  ‘You will have half a day with her. Twelve hours. That’s not much. You can say no.’

  ‘I want this more than anything.’

  ‘All right. It’s done. Sunday. A twelve-hour visit, starting at noon. Remember – be ready.’

  ‘I don’t understand.’

  ‘I made a deal.’ Ice water drizzled from Morning’s body to the carpet.

  ‘The little girl in Leonardo’s painting, it wasn’t Aubrey?’

  ‘There is no Aubrey. It was—’

  ‘Holly?’

  ‘Yes.’

  ‘It looked just like her,’ George said knowingly. ‘It had to be her.’

  ‘The painting predicted the future,’ Morning confirmed. ‘Nostradamus saw correctly. Kiss me.’

  They went to the periscope room, Morning leaning on him all the way. Periscope Number One gazed unflinchingly across the continent. Up and down the Transantarctic Mountain Range, the McMurdo Sound Agreement took its toll, millions dissolving, deserted by their minds and bodies, leaving behind scopas suits in lieu of corpses.

  ‘I don’t want to watch this,’ he said.

  ‘You’ve seen worse,’ she said.

  He focused on the Ross Ice Shelf. The crater scooped out by the Battle of Wildgrove was but a footprint compared with the central crevasse. And then they came, marching proudly – those who preferred free will to the McMurdo Sound Agreement, friends holding hands, lovers locked together, women clutching children, children cuddling bears made of snow. In a vast white tide they hurled themselves over the ragged edge, platoons of unlived lives returning to the bedrock, generation upon generation losing the continent.

  ‘They were right to indict me,’ he muttered.

  On a nearby nunatak a great bonfire flourished, flames against the snow, bright and red as an eye from the Midgard serpent. Led by Mother Mary Catherine, a hundred darkbloods moved toward the fire, each bearing an icon of ice. Warhead by warhead, delivery system by delivery system, the prosecution’s frozen arsenal was abolished. The Javelin cruise missile melted instantly. Then the Guardian Angel ICBM was salvoed. Next the Multiprong fizzled away, the MacArthur III, the Wasp-13 heavy bomber, the mine, the shell, the depth charge, the free-fall bomb. Cheers shook the glacier, and then the dancing started. Cocoa flooded into frigid throats, smiles brightened tired faces, and he saw that there was nothing like a clear, cold night of security destruction for bringing joy to an unadmitted heart.

  ‘Weaponless deterrence,’ said George.

  ‘What?’ said Morning.

  ‘A way to get rid of nuclear arsenals. Instead of missile deterring missile, factory deters factory. The Soviet and American strategists all see that any move toward rearmament on one side will be matched by the other side, until the world is back to mutual assured destruction. So nobody rearms.’

  ‘I don’t know what you’re talking about.’

  ‘The knowledge of how to build them – that’s the real deterrent. I’m just beginning to understand.’

  ‘Sounds unstable.’

  ‘Maybe.’

  ‘Did I tell you about my best friend? Sylvia? She had the strangest laugh you ever heard.’

  Hour after hour they beheld the deaths, most anonymous, a few with names. Shawna Queen Jefferson evaporated while crossing the courtyard of the Ice Palace of Justice, her robe flapping in the wind like a great black wing. Alexander Aquinas went out attempting to preserve a copy of the verdict in a hole in one of the nunataks. As Gila Guizot began to fade, she grabbed her rifle and shot herself in the heart; liquid shadows rushed down the Antarctic National Police insignia on her breast. Jared Seldin, would-be star voyager, vaporized while crawling across the interior plateau trying to catch and befriend a baby penguin.

  And everywhere, the suits. Suits lying in the streets of the ice limbos like massacred Armenians, littering the nunataks like slaughtered Huguenots, piled up in the dry valleys like purged kulaks, suits on hummocks and suits on bergs, clean white fossils of the race that had never known a single warm day.

  A young woman stood on a berg calved from the Ross barrier. She paced back and forth, raised a trembling fist toward heaven. George had seen her during the trial, seated in the gallery, her gaze locked longingly on Aquinas. A screaming Antarctic gale whipped across the sea, throwing sub-zero water across the castaway’s white boat, slapping her cheeks, salting her eyes. Even during his therapy sessions George had not seen so much misery compacted into one face. It seemed almost a blessing when the McMurdo Sound Agreement finally caught up with this lost and lovesick girl.

  ‘I have never been dancing,’ Morning said two days later.

  ‘We’ll fix that,’ he replied.

  ‘Waltzing is nice, I hear.’

  ‘I can’t waltz.’

  ‘Me neither.’

  ‘Put on your waltzing clothes.’

  He left. He had no plan, but he was a good husband, and he would think of something.

  Silence enveloped the little movie theater, clinging to the walls, sinking into the seats. He entered the projection booth. The 16mm film cans were stacked in three wobbly towers. In the middle of the highest stack, sandwiched between Panic in the Year Zero and The End of August at the Hotel Ozone, he spotted what he wanted, the English-language version of Sergei Bondarchuk’s War and Peace, all eight cans’ worth. He threaded up one of the middle reels, popped on the amplifier, pushed the lever to Forward. The projector grunted and squealed. Out in the theater, the narrator, goldenthroated Norman Rose, declared in a voice that seemed to belong to a doctor whose patients always got well, ‘If evil men can work together to get what they want, then so can good men, to get what they want.’ Moving to the audio patch panel, he began to experiment, plugging, unplugging, until at last the War and Peace sound-track roared through the ship’s intercom.

  He returned to Morning and said, ‘May I have this dance?’

  ‘Delighted,’ she said and coughed. Her white silk kimono hung from her failing body.

  They went to the main mess hall. The noises and voices of War and Peace echoed off the marble columns, clattered amid the crystal chandeliers. After setting her on a velvet sofa, he pushed tables aside, flung chairs away, rolled back the carpet.

  Natasha Rostov and Prince Andrei Bolkonsky were waltzing
now, Ludmilla Savelyeva as Natasha, Vyacheslav Tikhonov as Andrei, original film score by Vyacheslav Ovchinnikov conducting one of the Moscow symphony orchestras.

  George lifted his wife off the sofa and extended her arms. And they danced. A wise, benevolent god entered their blood, instructing them. Adeptly they revolved through the Russian palace, round and round, one two three, Ovchinnikov’s melody pouring through them, one two three, notes soaring, gleaming half notes, burnished quarter notes, then came the sixteenth notes, thin and silver, needles weaving airborne tapestries, one two three, and Morning was smiling, and the hall was hot, and now she was laughing, and it seemed as if the autumn-leaf red were back in her hair.

  ‘I’m so glad I married you,’ she said.

  ‘Would it have lasted?’ he asked.

  ‘Oh, yes,’ she said. ‘Forever.’

  The waltz quickened. Love blossomed between Natasha and Andrei.

  ‘You’re good at dancing,’ she said.

  ‘So are you,’ he said.

  ‘The sex part was good, too.’

  ‘First-rate, I thought.’

  The orchestra reached full velocity. The notes burned as they struck the air.

  ‘I once heard that it’s great to have a dog jump in bed with you in the morning and lick your face,’ she said.

  ‘That’s true,’ he said.

  A dotted half note soared by, trailing fire.

  ‘Good-bye, husband,’ she said.

  ‘I’ll miss you,’ he said.

  Her bones turned to balsa wood, and she threw all of her remaining substance into a kiss. Painlessly she quit the world, became dust, less than dust, a mute vibration, a thing never christened, born, or conceived, a notion kept only in the frail memory of a man staggering across a mess hall in an ice-bound nuclear submarine, carrying a silk kimono and weeping like an orphan.

  CHAPTER TWENTY

  In Which a Most Unusual Yuletide Is Celebrated, Including Presents and a Tree

  Each midnight he walked the carpeted corridors of the City of New York, master of an empty ship, his ears turned to the sound of his boots, hoping their thumps would lull him to sleep. Sometimes he heard pale whisperings issue from some dark alley or forgotten passageway, but when he investigated there was nothing. In this sunken and deserted city even George’s own hallucinations declined to keep him company.

 

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