I had a meal, showered, took a crumbling diet pill that had been kicking around in the bottom of my shaving kit for three years, and headed back to Los Angeles.
The speed limited my vision to the tunnel of the Toyota’s headlights. The body could drive, I told myself, while the mind maintained. Maintained and stayed away from the weird peripheral window dressing of amphetamine and exhaustion, the spectral, luminous vegetation that grows out of the corners of the mind’s eye along late-night highways. But the mind had its own ideas, and Kihn’s opinion of what I was already thinking of as my “sighting” rattled endlessly through my head in a tight, lopsided orbit. Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage. Somehow this feedback-loop aggravated the diet pill, and the speed-vegetation along the road began to assume the colors of infrared satellite images, glowing shreds blown apart in the Toyota’s slipstream.
I pulled over, then, and a half-dozen aluminum beer cans winked good-night as I killed the headlights. I wondered what time it was in London, and tried to imagine Dialta Downes having breakfast in her Hampstead flat, surrounded by streamlined chrome figurines and books on American culture.
Desert nights in that country are enormous; the moon is closer. I watched the moon for a long time and decided that Kihn was right. The main thing was not to worry. All across the continent, daily, people who were more normal than I’d ever aspired to be saw giant birds, Bigfeet, flying oil refineries; they kept Kihn busy and solvent. Why should I be upset by a glimpse of the nineteen-thirties pop imagination loose over Bolinas? I decided to go to sleep, with nothing worse to worry about than rattlesnakes and cannibal hippies, safe amid the friendly roadside garbage of my own familiar continuum. In the morning I’d drive down to Nogales and photograph the old brothels, something I’d intended to do for years. The diet pill had given up.
~ * ~
The light woke me, and then the voices.
The light came from somewhere behind me and threw shifting shadows inside the car. The voices were calm, indistinct, male and female, engaged in conversation.
My neck was stiff and my eyeballs felt gritty in their sockets. My leg had gone to sleep, pressed against the steering wheel. I fumbled for my glasses in the pocket of my workshirt and finally got them on.
Then I looked behind me and saw the city.
The books on thirties design were in the trunk; one of them contained sketches of an idealized city that drew on Metropolis and Things to Come, but squared everything, soaring up through an architect’s perfect clouds to Zeppelin docks and mad neon spires. That city was a scale model of the one that rose behind me. Spire stood on spire in gleaming ziggurat steps that climbed to a central golden temple-tower ringed-with the crazy radiator flanges of the Mongo gas stations. You could hide the Empire State Building in the smallest of those towers. Roads of crystal soared between the spires, crossed and recrossed by smooth silver shapes like beads of running mercury. The air was thick with ships: giant wing-liners, little darting silver things (sometimes one of the quicksilver shapes from the sky bridges rose gracefully into the air and flew up to join the dance), mile-long blimps, hovering dragonfly things that were gyrocopters . . .
I closed my eyes tight and swung around in the seat. When I opened them, I willed myself to see the mileage meter, the pale road dust on the black plastic dashboard, the overflowing ashtray.
“Amphetamine psychosis,” I said. I opened my eyes. The dash was still there, the dust, the crushed filter tips. Very carefully, without moving my head, I turned the headlights on.
And saw them.
They were blond. They were standing beside their car, an aluminum avocado with a central shark-fin rudder jutting up from its spine and smooth black tires like a child’s toy. He had his arm around her waist and was gesturing toward the city. They were both in white: loose clothing, bare legs, spotless white sun shoes. Neither of them seemed aware of the beams of my headlights. He was saying something wise and strong, and she was nodding, and suddenly I was frightened, frightened in an entirely different way. Sanity had ceased to be an issue; I knew, somehow, that the city behind me was Tucson—a dream Tucson thrown up out of the collective yearning of an era. That it was real, entirely real. But the couple in front of me lived in it, and they frightened me.
They were the children of Dialta Downes’ ‘80-that-wasn’t; they were Heirs to the Dream. They were white, blond, and they probably had blue eyes. They were American. Dialta had said that the Future had come to America first, but had finally passed it by. But not here, in the heart of the Dream. Here, we’d gone on and on, in a dream logic that knew nothing of pollution, the finite bounds of fossil fuel, or foreign wars it was possible to lose. They were smug, happy, and utterly content with themselves and their world. And in the Dream, it was their world.
Behind me, the illuminated city: searchlights swept the sky for the sheer joy of it. I imagined them thronging the plazas of white marble, orderly and alert, their bright eyes shining with enthusiasm for their floodlit avenues and silver cars.
It had all the sinister fruitiness of Hitler Youth propaganda.
I put the car in gear and drove forward slowly, until the bumper was within three feet of them. They still hadn’t seen me. I rolled the window down and listened to what the man was saying. His words were bright and hollow as the pitch in some Chamber of Commerce brochure, and I knew that he believed in them absolutely.
“John,” I heard the woman say, “we’ve forgotten to take our food pills.’’ She clicked two bright wafers from a thing on her belt and passed one to him. I backed onto the highway and headed for Los Angeles, wincing and shaking my head.
~ * ~
I phoned Kihn from a gas station. A new one, in bad Spanish Modern. He was back from his expedition and didn’t seem to mind the call.
“Yeah, that is a weird one. Did you try to get any pictures? Not that they ever come out, but it adds an interesting frisson to your story, not having the pictures turn out. ...”
But what should I do?
“Watch lots of television, particularly game shows and soaps. Go to porn movies. Ever see Nazi Love Motel? They’ve got it on cable, here. Really awful. Just what you need.”
What was he talking about?
“Quit yelling and listen to me. I’m letting you in on a trade secret: really bad media can exorcise your semiotic ghosts. If it keeps the saucer people off my back, it can keep these Art Deco futuroids off yours. Try it. What have you got to lose?”
Then he begged off, pleading an early-morning date with the Elect.
“The who?”
“These oldsters from Vegas; the ones with the microwaves.”
I considered putting a collect call through to London, getting Cohen at Barris-Watford and telling him his photographer was checking out for a protracted season in the Twilight Zone. In the end, I let a machine mix me a really impossible cup of black coffee and climbed back into the Toyota for the haul to Los Angeles.
Los Angeles was a bad idea, and I spent two weeks there. It was prime Downes country; too much of the Dream there, and too many fragments of the Dream waiting to snare me. I nearly wrecked the car on a stretch of overpass near Disneyland, when the road fanned out like an origami trick and left me swerving through a dozen minilanes of whizzing chrome teardrops with shark fins. Even worse, Hollywood was full of people who looked too much like the couple I’d seen in Arizona. I hired an Italian director who was making ends meet doing darkroom work and installing patio decks around swimming pools until his ship came in; he made prints of all the negatives I’d accumulated, on the Downes job. I didn’t want to look at the stuff myself. It didn’t seem to bother Leonardo, though, and when he was finished I checked the prints, riffling through them like a deck of cards, sealed them up, and sent them air freight to London. Then I took a taxi to a theater that was showing Nazi Love Motel, and kept my eyes shut all the way.
Cohen’s congratulatory wire was forwarded to me in San Francisco
a week later. Dialta had loved the pictures. He admired the way I’d “really gotten into it,” and looked forward to working with me again. That afternoon I spotted a flying wing over Castro Street, but there was something tenuous about it, as though it were only half there. I rushed into the nearest newsstand and gathered up as much as I could find on the petroleum crisis and the nuclear energy hazard. I’d just decided to buy a plane ticket for New York.
“Hell of a world we live in, huh?” The proprietor was a thin black man with bad teeth and an obvious wig. I nodded, fishing in my jeans for change, anxious to find a park bench where I could submerge myself in hard evidence of the human near-dystopia we live in. “But it could be worse, huh?”
“That’s right,” I said, “or even worse, it could be perfect.”
He watched me as I headed down the street with my little bundle of condensed catastrophe.
<
* * * *
The proliferation of technology brings with it many threats to the balance of nature, as ecologists and environmentalists have warned us for decades. Twenty-five years ago, they had to contend with the lunatic -fringe reputation of those people who warned darkly that unusually hot or rainy summers were caused by nuclear tests, but by now we have enough evidence to know that even such “minor” developments as the widespread use of aerosol sprays have effected great damage to Earth’s atmosphere. What else may be happening even now to cause, for instance, serious changes in worldwide weather patterns?
It isn’t necessary to postulate a Second Deluge that would flood the whole world. As Kim Stanley Robinson shows us in this evocative and moving story, the loss of a single city, famed for its beauty and history, would be catastrophe enough.
Kim Stanley Robinson lives in Southern California. An alumnus of the Clarion SF Writers’ Conference, he had sold stories to such publications as Orbit and Clarion.
~ * ~
VENICE DROWNED
Kim Stanley Robinson
By the time Carlo Tafur struggled out of sleep, the baby was squalling, the teapot whistled, the smell of stove smoke filled the air. Wavelets slapped the walls of the floor below. It was just dawn. Reluctantly he untangled himself from the bed-sheets and got up. He padded through the other room of his home, ignoring his wife and child, and walked out the door onto the roof.
Venice looked best at dawn. Carlo thought as he pissed into the canal. In the dim mauve light it was possible to imagine that the city was just as it always had been, that hordes of visitors would come flooding down the Grand Canal on this fine summer morning… Of course, one had to ignore the patchwork constructions built on the roofs of the neighborhood to indulge the fancy. Around the church—San Giacomo du Rialto—all the buildings had even their top floors awash, and so it had been necessary to break up the tile roofs, and erect shacks on the roofbeams made of materials fished up from below: wood, brick lath, stone, metal, glass. Carlo’s home was one of these shacks, made of a crazy combination of wood beams, stained glass from San Giacometta, and drain pipes beaten flat. He looked back at it and sighed. It was best to look off over the Rialto, where the red sun blazed over the bulbous domes of San Marco.
“You have to meet those Japanese today.” Carlo’s wife, Luisa, said from inside.
“I know.” Visitors still came to Venice, that was certain.
“And don’t go insulting them and rowing off without your pay,” she went on, her voice sounding clearly out of the doorway, “like you did with those Hungarians. It really doesn’t matter what they take from under the water, you know. That’s the past. That old stuff isn’t doing anyone any good under there, anyway.”
“Shut up,” he said wearily. “I know.”
“I have to buy stovewood and vegetables and toilet paper and socks for the baby,” she said. “The Japanese are the best customers you’ve got; you’d better treat them well.”
Carlo reentered the shack and walked into the bedroom to dress. Between putting on one boot and the next he stopped to smoke a cigarette, the last one in the house. While smoking he stared at his pile of books on the floor, his library as Luisa sardonically called the collection; all books about Venice. They were tattered, dog-eared, mildewed, so warped by the damp that none of them would close properly, and each moldy page was as wavy as the Lagoon on a windy day. They were a miserable sight, and Carlo gave the closest stack a light kick with his cold boot as he returned to the other room.
“I’m off,” he said, giving his baby and then Luisa a kiss. “I’ll be back late; they want to go to Torcello.”
“What could they want up there?”
He shrugged. “Maybe just to see it.” He ducked out the door.
Below the roof was a small square where the boats of the neighborhood were moored. Carlo slipped off the tile onto the narrow floating dock he and the neighbors had built, and crossed to his boat, a wide-beamed sailboat with a canvas deck. He stepped in, unmoored it, and rowed out of the square onto the Grand Canal.
Once on the Grand Canal he tipped the oars out of the water and let the boat drift downstream. The big canal had always been the natural course of the channel through the mudflats of the Lagoon; for a while it had been tamed, but now it was a river again, its banks made of tile rooftops and stone palaces, with hundreds of tributaries flowing into it. Men were working on roof-houses in the early-morning light; those who knew Carlo waved, hammers or rope in hand, and shouted hello. Carlo wiggled an oar perfunctorily before he was swept past. It was foolish to build so close to the Grand Canal, which now had the strength to knock the old structures down, and often did. But that was their business. In Venice they were all fools, if one thought about it.
Then he was in the Basin of San Marco, and he rowed through the Piazetta beside the Doge’s Palace, which was still imposing at two stories high, to the Piazza. Traffic was heavy as usual. It was the only place in Venice that still had the crowds of old, and Carlo enjoyed it for that reason, though he shouted curses as loudly as anyone when gondolas streaked in front of him. He jockeyed his way to the Basilica window and rowed in.
Under the brilliant blue and gold of the domes it was noisy. Most of the water in the rooms had been covered with a floating dock. Carlo moored his boat to it, heaved his four scuba tanks on, and clambered up after them. Carrying two tanks in each hand he crossed the dock, on which the fish market was in full swing. Displayed for sale were flats of mullet, lagoon sharks, tunny, skates, and flatfish. Clams were piled in trays, their shells gleaming in the shaft of sunlight from the stained-glass east window; men and women pulled live crabs out of holes in the dock, risking fingers in the crab-jammed traps below; octopuses inked their buckets of water, sponges oozed foam; fishermen bawled out prices, and insulted the freshness of their neighbors’ product.
In the middle of the fish market, Ludovico Salerno, one of Carlo’s best friends, had his stalls of scuba gear. Carlo’s two Japanese customers were there. He greeted them and handed his tanks to Salerno, who began refilling them from his machine. They conversed in quick, slangy Italian while the tanks filled. When they were done, Carlo paid him and led the Japanese back to his boat. They got in and stowed their backpacks under the canvas decking, while Carlo pulled the scuba tanks on board.
“We are ready to voyage at Torcello?” one asked, and the other smiled and repeated the question. Their names were Hamada and Taku. They had made a few jokes concerning the latter name’s similarity to Carlo’s own, but Taku was the one with less Italian, so the sallies hadn’t gone on for long. They had hired him four days before, at Salerno’s stall.
“Yes,” Carlo said. He rowed out of the Piazza and up back canals past Campo San Maria Formosa, which was nearly as crowded as the Piazza. Beyond that the canals were empty, and only an occasional roof-house marred the look of flooded tranquillity.
“That part of city Venice here not many people live.” Hamada observed. “Not houses on houses.”
“That’s true,” Carlo replied. As he rowed past San Zanipolo
and the hospital, he explained, “It’s too close to the hospital here, where many diseases were contained. Sicknesses, you know.”
“Ah, the hospital!” Hamada nodded, as did Taku. “We have swam hospital in our Venice voyage previous to that one here. Salvage many fine statues from lowest rooms.”
“Stone lions,” Taku added. “Many stone lions with wings in room below Twenty-forty waterline.”
“Is that right,” Carlo said. Stone lions, he thought, set up in the entryway of some Japanese businessman’s expensive home around the world… He tried to divert his thoughts by watching the brilliantly healthy, masklike faces of his two passengers as they laughed over their reminiscences.
Then they were over the Fondamente Nuova, the northern limit of the city, and on the Lagoon. There was a small swell from the north. Carlo rowed out a way and then stepped forward to raise the boat’s single sail. The wind was from the east, so they would make good time north to Torcello. Behind them, Venice looked beautiful in the morning light, as if they were miles away, and a watery horizon blocked their full view of it.
Universe 11 - [Anthology] Page 11
