Hitler's Art Thief

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Hitler's Art Thief Page 40

by Susan Ronald


    8. www.ft.com/cms/s/0/b6c4c78e-4860-11e3-a3ef-00144feabdc0.html#ixzz3FN4zaABP.

    9. I am grateful to Mel Urbach and Markus Stoetzel for the interviews they granted me in New York and in Marburg.

  10. Author interview with Markus Stoetzel, Marburg, July 15, 2014.

  11. www.ft.com/cms/s/0/b6c4c78e-4860-11e3-a3ef-00144feabdc0.html#ixzz3FN4zaABP.

  12. Author interview with Markus Stoetzel, Marburg, July 15, 2014.

  13. www.ft.com/cms/s/0/b6c4c78e-4860-11e3-a3ef-00144feabdc0.html#ixzz3FN4zaABP.

  32. Feeding Frenzy

    1. www.online.wsj.com/news/articles/SB10001424052702304908304579561840264114668?.

    2. www.spiegel.de/international/germany/spiegel-interview-with-cornelius-gurlitt-about-munich-art-find-a-933953.html.

    3. Ibid.

    4. Ibid.

    5. Author interview with Anton Löffelmeier of the LMD.

    6. www.online.wsj.com/news/articles/SB10001424052702304908304579561840264114668?.

    7. I thank Stephan Holzinger, former spokesman for Cornelius Gurlitt, for providing me with an English version of this document.

    8. Ibid.

    9. His brother-in-law would also inherit personal items under a separate will, such as the Munich flat and the house in Salzburg.

  10. Reiterated by several Swiss banking contacts who wish to remain anonymous.

  11. www.online.wsj.com/news/articles/SB10001424052702304908304579561840264114668?.

  12. www.dailymail.co.uk/wires/ap/article-2655398/Germany-looted-Matisse-belongs-Jewish-family.html#ixzz3FSNEriTH.

  13. The reply given stunned me and was later reiterated. My interest in Gurlitt was ignited.

  SELECTED BIBLIOGRAPHY

  Primary Sources

  AAA

  Jane Wade Papers, 1903–1971

  Max Beckmann Papers, 1904–1974

  S. Lane Faison Papers, 1922–1981

  Transcript of Oral History with James Plaut, June 29, 1971

  James Plaut Papers 1929–1980

  James Rorimer Papers 1932–1982

  George Leslie Stout Papers 1855–1978

  Jacques Seligmann & Co. Records 1904–1978, (bulk 1913–1974)

  Catalogues of Exhibitions organized by Curt Valentin, 1929–1948

  ANDE—Côte 209SUP1:

  1/4515 (Paul Rosenberg)

  2/4535 (Alfonse Kann)

  4/4541 (G. & J. Seligmann)

  2/45392 (Seligmann)

  20/4527 (Lindon)

  1/1048 (Hermsen)

  ANF

  AJ/38/321–841 (Jewish Spoliations Series)

  AJ/38/1109–140 (Jewish Spoliations Series)

  AJ/38/5171–431

  AJ/38/15166–77 (identity cards for foreigners)

  F37/38—(IEQJ)

  F/21/7116–8 (export licenses)

  F/48/252–55

  F/49/259–63

  F/50/265–67

  F/50/269

  F/50/270

  F/51/273–274

  F/51/276

  F/51/275

  F/52/279

  AJ/40/01 (German Archive Series)

  AJ/40/37

  AJ/40/539 (Ambassador Abetz)

  AJ/40/573–74 (Gurlitt/Hermsen export license applications)

  AJ/40/588–91 (Treuhand/châteaux)

  AJ/40/600 (Gould)

  AJ/40/611(Claude Bernheim)

  AJ/40/817 (Dresdner Bank)

  AJ/40/819 (Borchers)

  AJ/40/880 (Rothschild)

  AJ/40/1006 (Bernheim Galerie)

  AJ/40/1042 (Cézanne)

  AJ/40/1202

  AJ/40/1215

  AJ/40/1279

  AJ/40/1487 (Guggenheim)

  AJ/40/1578

  AJ/40/1587

  BAB

  R55/21015 (Gurlitt Berlin/Hamburg)

  R55/21017 (Buchholz inventory)

  R55/21019 (Böhmer)

  R55/21020 (Haberstock)

  R8034-III/170 (anti-Semitism Ludwig Gurlitt)

  R2-12920 microfilm

  BAK

  B323/1202 (Wiedemann inventory)

  B 323/54 (Oskar Bondy)

  B323/44 (Dorotheum Purchases)

  B 323/50 and B 323/186 (Schloss)

  B 323/89 (Führerbau)

  B 323/1212 (Linz/Louvre)

  B 323/1213 (Linz)

  B 323/192 (photo album)

  B 323/250 (restitution to Gurlitt)

  B 323/249 (outshipment Gurlitt)

  B 323/331, /332, /75, /135, /136, /137, /138, /139, /140, /142, /147, /148, /149, /155, /156 (art dealers)

  B 323/134 (Linz)

  B 323/124, /153, /156, /369 (Gurlitt)

  B323/371 (Haberstock)

  B323/363 (Caspari, Cassirer)

  B 323/357 (Dietrich)

  B 323/379, /380, /381 (Lange, Liebermann, and Lohse, respectively)

  B 323/399 (Voss)

  B 323/331 (Buemming, Dietrich, Fischer, Franke, Hildebrand and Wolfgang Gurlitt, Haberstock correspondence)

  B 323/322 (Neumann)

  B 323/153 (Hermsen Paris)

  B 323/174 (Lange, Dietrich)

  B 323/173 (Gurlitt Dresden invoices/Böhmer)

  B 323/331 (list of Hitler’s collection)

  B 323/583 (Bormann correspondence re Linz)

  B 323/235 (list of artworks held at the Neue Residenz Bamberg)

  CDJC

  XXVa-186 (Loebl and Engel)

  XXIX-36 (Aryanization of Wildenstein)

  XXVa-327 (Ribbentrop)

  XXIII-61a (outlawing Jews at Hôtel Drouot)

  XIa-230a (IEQJ at Rosenberg’s Gallery)

  XIb-614 (letter regarding public auctions)

  XIb-615 (letter from Sezille to Ader)

  XIb-617 (letter from Ader)

  XIb-631 (letter from Sezille to Ader)

  XIf-32 (Sezille letter halting sale at Versailles)

  CIX-6 (interdiction to Drouot)

  CX-127 (letter to Jacques Charpentier)

  CXVIII-8 (David-Weill)

  XX-13 (general documents 1940–46)

  CXVII-38 (Rothschild seizures)

  CXVII-143 (Radio-Diffusion Bernheim)

  LXXVII-15 (Behr)

  CVII-63 (Pellepoix re Schloss)

  LXXIX-9 (Feldpolizei rapports)

  CCCLXXXIX-15 (New York Times article)

  LXXXIX-66 (Frank J. Gould)

  LXII-15 (letter from Behr to Göring)

  IV-213(25–62) (Annuaire téléphonique allemande)

  V-100 (Schenker & Co.)

  V-101 (art at German Embassy)

  V-103 (Schenker payments)

  CV-39 (interception of correspondence to Zurich)

  CL6997222, 953632-Masterfile, Office of Alien Property Custodian, Annual Report; Holocaust Assets, Vesting Order 3711; NARA, RG 131, Office of Alien Property (OAP) Entry 65F-1063.

  GETTY

  Edouardo Westerdahl Papers, ref. 861077; 86061, Douglas Cooper Papers, Box 39, Report on Looted Art in Switzerland

  IMT, Trial of the Major War Criminals, 8

  LMD, Standesamt München II 1968/539

  NARA—College Park, Maryland:

  RG 226, Records pertaining to Safehaven Files:

  Box 62, Jews in Belgium

  Boxes 115–70, German Control of Swiss Economy

  Box 93, Swiss attitude to Germans and Jews

  Box 247, Collection of War Crimes Evidence

  Box 255, Enemy Activity in South America

  Box 262, Industrial Diamond Trade

  Box 263, Situation Report in Portugal

  Box 303, Intelligence on Germans in Switzerland

  Box 449, Germany’s diamond smuggling methods

  RG 226, Project Safehaven, 1942–1946, WASH-SPDF-INT I, roll 0001,

  RG239/microfilm rolls 0006; 0008 (Vlug Report); 0050; 0054

  RG 260, Records of the U.S. Occupation Headquarters:

  Boxes 118–19, File 000.5, War Crimes

  Box 1
29, File 00.7, Fine Arts

  Boxes 288–89, File 386.7, Frozen Assets including Funds

  Box 289, File 386.7, Documents to Alien Property Custodian Section

  Boxes 315–17, File 602.3, Restitution

  Boxes 317–18, File 602.3, Reparations

  RG 260, Records of the Economics Division, General Correspondence Central Files:

  Boxes 46–47, File 007, Fine Arts, Museums, Archives, Cultural Objects

  Boxes 81–87, File 386, Restitution

  Boxes 88–90, File 386, Reparations

  Box 111, File 0004.1, Historicals, Museums, Antiquities

  Boxes 115–16, File 007.2, Fine Arts and Cultural Objects

  Boxes 143–55, File 386, Restitution

  Boxes 156–57, File 387, Reparations

  Box 172, File 004.2, Banks and Banking & File 007, Fine Arts and Objects

  Box 196–97, File 386, Restitution & File 387, Reparations

  Box 209, File 004.2, Banks and Banking, & File 007, Fine Arts & Objects

  RG 260—Records of the Property Division (General Records 1944–50), Boxes 1–18

  RG260, microfilm roll 0026; 0031; 0134; CIR no. 4, DIR no. 12

  RG 153, microfilm roll 0001

  RG 84—Records of the Foreign Service Posts of the Department of State (Embassy Records), File 711.3–8

  Angell, Joseph W. Historical Analysis of the Dresden Bombing February 13–14. USAF

  Historical Division Research Studies Institute, HQ, US Military, Air University, 1953.

  NPG—All 263 family letters and biographical data.

  SAC—Gurlitt File from Northern Bavaria. Spk BA Land G 251.

  Internet Primary Sources

  www.lostart.de: List of Gurlitt artworks believed to be of questionable origin. Press Release (Pressmitteilung von 9 April 2013) von Press und Informationsamt der Bundesregierung—Empfehlung der Beratenden Kommission für die Rückgabe NS-verfolgungsbedingt entzogener Kulturgüter.

  www.lootedart.com: Up-to-date information, in English, regarding the ongoing investigations into the Gurlitt find.

  www.fold3.com: American original documents from the Ardelia Hall Collection at the National Archives in Washington, DC.

  www.faz.net: Frankfurter Allgemeine Zeitung online.

  www.wsj.com: Wall Street Journal online.

  Internet Secondary Sources

  Boym, Svetlana. “Conspiracy Theories and Literary Ethics: Umberto Eco, Danilo Kis and the Protocols of Zion.” Comparative Literature 52, no. 2 (1999): 97–122. www.jstor.org/stable/1771244.

  Burtsev, Vladimir. “The Elders of Sion: A Proved Forgery.” Slavonic and East European Review 17, no. 49 (1938): 99–104. www.jstor.org/stable/4203461.

  Dinnerstein, Leonard. “Henry Ford and the Jews: A Mass Production of Hate.” Business History Review 76, no. 2 (2002): 365–67. www.jstor.org/stable/4127850.

  Woeste, Victoria Saker. “Insecure Equality: Louis Marshall, Henry Ford and the Problem of Defamatory Antisemitism, 1920–29.” Journal of American History 91, no. 3 (2004): 877–905. www.jstor.org/stable/3662859.

  Bevir, Mark. “The West Turns Eastwards: Madame Blatavsky and the Transformation of the Occult Tradition.” Journal of the American Academy of Religion 62, no. 3 (1994): 747–67. www.jstor.org/stable/1465212.

  Grant, Mark. “Steiner and the Humours: The Survival of Ancient Greek Science.” British Journal of Educational Studies 47, no. 1 (1999): 56–70. www.jstor.org/stable/3122384.

  Mosse, G. L. “The Mystical Origins of National Socialism.” Journal of the History of Ideas 22, no. 1 (1961): 81–96. www.jstor.org/stable/2707875.

  Staudenmaier, Paul. “Race and Redemption: Racial and Ethnic Evolution in Rudolf Steiner’s Anthroposophy.” Novo Religio: The Journal for Alternate and Emergent Religions 1, no. 3 (2008): 4–36. www.jstor.org/stable/10.1525/nr.2008.11.3.4.

  Weikart, Richard. “Progress through Racial Extermination: Social Darwinism, Eugenics, and Pacifism in Germany 1860–1918.” German Studies Review 26, no. 2 (2003): 273–94. www.jstor.org/stable/143326.

  Jordan, David Starr. “The Ways of Pangermany.” Scientific Monthly 4, no. 1 (1917).

  Catalogues

  Barr, Alfred H., ed. The Museum of Modern Art New York Painting and Sculpture Collection. Paris: Les Éditions Braun & Cie, 1950.

  Barron, Stephanie. Degenerate Art—The Fate of the Avant-Garde in Nazi Germany. New York: Los Angeles County Museum of Art, Harry N. Abrams, 1991.

  Bishop, Janet, Cécile Debray, and Rebecca Rabinow, eds. The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde. New Haven: San Francisco Museum of Modern Art, Yale University Press, 2011.

  Die Alte und neue spanische Kunst. Kunstverein Hamburg, August–September 1935.

  Peters, Olaf, ed. Degenerate Art—The Attack on Modern Art in Nazi Germany 1937. Neue Galerie New York, March 13–June 30, 2014. New York: Prestel Publishing, 2014.

  Portz, Hubert. Zimmer frei für Cornelia Gurlitt, Lotte Wahle und Conrad Felixmüller, 26 April–14 June 2014. Landau: Knecht Verlag, 2014.

  Reyger, Leonie, ed. German Watercolors, Drawings and Prints 1905–1955—A Mid-Century Review of German Art 1905–1955. Exhibition catalogue. Washington, DC, 1956.

  von Halasz, Joachim. Hitler’s Degenerate Art. London: World Propaganda Classics, 2008.

  Wacha, Georg. Jahrbuch des OÖ Musealvereins 149/1. Linz: Gesellschaft für Landeskunde, Festschrift Gerhard Winkler, 2005. “Der Kunsthistoriker Dr. Justus Schmidt,” 639–54.

  Primary Sources (Art)

  Polack, Emmanuelle and Philippe Dagen. Les carnets de Rose Valland. Paris: Fage Editions, 2011.

  Valland, Rose. Le front de l’art 1939–1945. Paris: Librairie Plon, 1961.

  Secondary Sources (Art)

  Feliciano, Hector. The Lost Museum. New York: Basic Books, 1997.

  Flechner, Uwe, ed. Das verfemte Meisterwerk: Schicksalswege moderner Kunst im Dritten Reich. Berlin: Akademie Verlag GmbH, 2009.

  Francini, Esther Tisa, Anna Heuss, and Georg Kreis. Fluchtgut—Raubgut, Der Transfer von Kulturgütern in und über die Schweiz 1933–1945 und die Frage der Restitution. Expertkommission Schweiz—Zweiter Weltkrieg, Bd. 1. Zurich: Chronos, 2001. 67.

  Games, Stephen. Pevsner—The Early Life: Germany and Art. London: Continuum Books, 2010.

  Iselt, Kathrin. Sonderbeauftragter des Führers: Der Kunsthistoriker und Museumsmann Hermann Voss. Köln: Böhlau Verlag, 2010.

  Jeuthe, Gesa. Kunstwerte im Wandel: Die Preisentwicklung der deutschen Moderne im nationalen und internationalen Kunstmarkt 1925 bis 1955. Düsseldorf: Akademie Verlag, 2011.

  Kalkschmidt, Eugen. Carl Spitzweg und Seine Welt. Munich: Verlag F. Bruckmann KG, 1945.

  Kantor, Sybil Gordon. Alfred H. Barr, Jr., and the Intellectual Origins of the Museum of Modern Art. Cambridge, MA: MIT Press, 2002.

  Kott, Christina. Préserver l’art de l’ennemi? Le patrimoine artistique en Belgique et en France occupées, 1914–1918. Brussels: Peter Lang, 2006.

  Lehmann-Haupt, Hellmut. Art under a Dictatorship. New York: Oxford University Press, 1954.

  Litchfield, David R. L. The Thyssen Art Macabre. London: Quartet Books, 2006.

  Marquis, Alice Goldfarb. Alfred H. Barr, Jr.: Missionary for the Modern. Chicago: Contemporary Books, 1989.

  Müller, Melissa and Monika Tatzkow. Lost Lives, Lost Art: Jewish Collectors, Nazi Art Theft, and the Quest for Justice. London: Frontline Books, 2010.

  Nicholas, Lynn H. The Rape of Europa. London: Macmillan, 1994.

  Petropoulos, Jonathan. The Faustian Bargain—The Art World in Nazi Germany. New York: Oxford University Press USA, 2000. Kindle edition.

  ______. Art as Politics in the Third Reich. Chapel Hill, NC: University of North Carolina Press, 1997.

  Roh, Franz. “Entartete” Kunst: Kunstbarbarei im Dritten Reich. Hannover, Germany: Fackelträger-Verlag, 1962.

  Rorimer, J. J. and Gilbert Rabin. Survival—The Salvage and Protection of Art in War. New York: Abelard Press, 1950.

  Roxan, D
avid and Ken Wanstall. The Rape of Art. New York: Coward-McCann, 1965.

  Spotts, Frederic. The Shameful Peace. London: Yale University Press, 2010.

  Urban, Martin. Emil Nolde: Catalogue Raisonné of the Oil-Paintings, Volume 2, 1915–1951. Translated by Gudrun Parsons. London: Philip Wilson Publishers, 2001.

  Vergo, Peter. Art in Vienna 1898–1918: Klimt, Kokoschka, Schiele and Their Contemporaries. London: Phaidon, 1975.

 

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