The man had an ashy pallor. Again he took a step forward, and another, partly dragging the chair, which, when finally released, fell upon the floor with a crash. The man groaned; the snake made neither sound nor motion, but its eyes were two dazzling suns. The reptile itself was wholly concealed by them. They gave off enlarging rings of rich and vivid colors, which at their greatest expansion successively vanished like soap bubbles; they seemed to approach his very face, and anon were an immeasurable distance away. He heard, somewhere, the continual throbbing of a great drum, with desultory bursts of far music, inconceivably sweet, like the tones of an aeolian harp. He knew it for the sunrise melody of Memnon's statue, and thought he stood in the Nileside reeds, hearing, with exalted sense, that immortal anthem through the silence of the centuries.
The music ceased; rather, it became by insensible degrees the distant roll of a retreating thunderstorm. A landscape, glittering with sun and rain, stretched before him, arched with a vivid rainbow, framing in its giant curve a hundred visible cities. In the middle distance a vast serpent, wearing a crown, reared its head out of its voluminous convolutions and looked at him with his dead mother's eyes. Suddenly this enchanting landscape seemed to rise swiftly upward, like the drop scene at a theater, and vanished in a blank. Something struck him a hard blow upon the face and breast. He had fallen to the floor; the blood ran from his broken nose and his bruised lips. For a moment he was dazed and stunned, and lay with closed eyes, his face against the door. In a few moments he had recovered, and then realized that his fall, by withdrawing his eyes, had broken the spell which held him. He felt that now, by keeping his gaze averted, he would be able to retreat. But the thought of the serpent within a few feet of his head, yet unseen--perhaps in the very act of springing upon him and throwing its coils about his throat--was too horrible. He lifted his head, stared again into those baleful eyes, and was again in bondage.
The snake had not moved, and appeared somewhat to have lost its power upon the imagination; the gorgeous illusions of a few moments before were not repeated. Beneath that flat and brainless brow its black, beady eyes simply glittered, as at first, with an expression unspeakably malignant. It was as if the creature, knowing its triumph assured, had determined to practice no more alluring wiles.
Now ensued a fearful scene. The man, prone upon the floor, within a yard of his enemy, raised the upper part of his body upon his elbows, his head thrown back, his legs extended to their full length. His face was white between its gouts of blood; his eyes were strained open to their uttermost expansion. There was froth upon his lips; it dropped off in flakes. Strong convulsions ran through his body, making almost serpentine undulations. He bent himself at the waist, shifting his legs from side to side. And every movement left him a little nearer to the snake. He thrust his hands forward to brace himself back, yet constantly advanced upon his elbows.
IV
Dr. Druring and his wife sat in the library. The scientist was in rare good humor.
"I have just obtained, by exchange with another collector," he said, "a splendid specimen of the Ophiophagus."
"And what may that be?" the lady inquired with a somewhat languid interest.
"Why, bless my soul, what profound ignorance! My dear, a man who ascertains after marriage that his wife does not know Greek, is entitled to a divorce. The Ophiophagus is a snake which eats other snakes."
"I hope it will eat all yours," she said, absently shifting the lamp. "But how does it get the other snakes? By charming them, I suppose."
"That is just like you, dear," said the doctor, with an affectation of petulance. "You know how irritating to me is any allusion to that vulgar superstition about the snake's power of fascination."
The conversation was interrupted by a mighty cry which rang through the silent house like the voice of a demon shouting in a tomb. Again and yet again it sounded, with terrible distinctness. They sprang to their feet, the man confused, the lady pale and speechless with fright. Almost before the echoes of the last cry had died away the doctor was out of the room, springing up the staircase two steps at a time. In the corridor, in front of Brayton's chamber, he met some servants who had come from the upper floor. Together they rushed at the door without knocking. It was unfastened, and gave way. Brayton lay upon his stomach on the floor, dead. His head and arms were partly concealed under the foot rail of the bed. They pulled the body away, turning it upon the back. The face was daubed with blood and froth, the eyes were wide open, staring--a dreadful sight!
"Died in a fit," said the scientist, bending his knee and placing his hand upon the heart. While in that position he happened to glance under the bed. "Good God!" he added; "how did this thing get in here?"
He reached under the bed, pulled out the snake, and flung it, still coiled, to the center of the room, whence, with a harsh, shuffling sound, it slid across the polished floor till stopped by the wall, where it lay without motion. It was a stuffed snake; its eyes were two shoe buttons.
The Middle Toe of the Right Foot
I
It is well known that the old Manton house is haunted. In all the rural district near about, and even in the town of Marshall, a mile away, not one person of unbiased mind entertains a doubt of it; incredulity is confined to those opinionated persons who will be called 'cranks' as soon as the useful word shall have penetrated the intellectual demesne of the Marshall Advance. The evidence that the house is haunted is of two kinds: the testimony of disinterested witnesses who have had ocular proof, and that of the house itself. The former may be disregarded and ruled out on any of the various grounds of objection which may be urged against it by the ingenious; but facts within the observation of all are material and controlling.
In the first place, the Manton house has been unoccupied by mortals for more than ten years, and with its outbuildings is slowly falling into decay -- a circumstance which in itself the judicious will hardly venture to ignore. It stands a little way off the loneliest reach of the Marshall and Harriston road, in an opening which was once a farm and is still disfigured with strips of rotting fence and half covered with brambles overrunning a stony and sterile soil long unacquainted with the plough. The house itself is in tolerably good condition, though badly weather-stained and in dire need of attention from the glazier, the smaller male population of the region having attested in the manner of its kind its disapproval of dwelling without dwellers. It is two stories in height, nearly square, its front pierced by a single doorway flanked on each side by a window boarded up to the very top. Corresponding windows above, not protected, serve to admit light and rain to the rooms of the upper floor. Grass and weeds grow pretty rankly all about, and a few shade trees, somewhat the worse for wind, and leaning all in one direction, seem to be making a concerted effort to run away. In short, as the Marshall town humorist explained in the columns of the Advance, 'the proposition that the Manton house is badly haunted is the only logical conclusion from the premises.' The fact that in this dwelling Mr. Manton thought it expedient one night some ten years ago to rise and cut the throats of his wife and two small children, removing at once to another part of the country, has no doubt done its share in directing public attention to the fitness of the place for supernatural phenomena.
To this house, one summer evening, came four men in a wagon. Three of them promptly alighted, and the one who had been driving hitched the team to the only remaining post of what had been a fence. The fourth remained seated in the wagon. 'Come,' said one of his companions, approaching him, while the others moved away in the direction of the dwelling -- 'this is the place.'
The man addressed did not move. 'By God!' he said harshly, 'this is a trick, and it looks to me as if you were in it.'
'Perhaps I am,' the other said, looking him straight in the face and speaking in a tone which had something of contempt in it. 'You will remember, however, that the choice of place was with your own assent left to the other side. Of course if you are afraid of spooks -- '
'I am afraid
of nothing,' the man interrupted with another oath, and sprang to the ground. The two then joined the others at the door, which one of them had already opened with some difficulty, caused by rust of lock and hinge. All entered. Inside it was dark, but the man who had unlocked the door produced a candle and matches and made a light. He then unlocked a door on their right as they stood in the passage. This gave them entrance to a large, square room that the candle but dimly lighted. The floor had a thick carpeting of dust, which partly muffled their footfalls. Cobwebs were in the angles of the walls and depended from the ceiling like strips of rotting lace, making undulatory movements in the disturbed air. The room had two windows in adjoining sides, but from neither could anything be seen except the rough inner surfaces of boards a few inches from the glass. There was no fireplace, no furniture; there was nothing: besides the cobwebs and the dust, the four men were the only objects there which were not a part of the structure.
Strange enough they looked in the yellow light of the candle. The one who had so reluctantly alighted was especially spectacular -- he might have been called sensational. He was of middle age, heavily built, deep-chested and broad-shouldered. Looking at his figure, one would have said that he had a giant's strength; at his features, that he would use it like a giant. He was clean-shaven, his hair rather closely cropped and grey. His low forehead was seamed with wrinkles above the eyes, and over the nose these became vertical. The heavy black brows followed the same law, saved from meeting only by an upward turn at what would otherwise have been the point of contact. Deeply sunken beneath these glowed in the obscure light a pair of eyes of uncertain colour, but obviously enough too small. There was something forbidding in their expression, which was not bettered by the cruel mouth and wide jaw. The nose was well enough, as noses go; one does not expect much of noses. All that was sinister in the man's face seemed accentuated by an unnatural pallor -- he appeared altogether bloodless.
The appearance of the other men was sufficiently commonplace: they were such persons as one meets and forgets that he met. All were younger than the man described, between whom and the eldest of the others, who stood apart, there was apparently no kindly feeling. They avoided looking at each other.
'Gentlemen,' said the man holding the candle and keys,' I believe everything is right. Are you ready, Mr. Rosser?'
The man standing apart from the group bowed and smiled.
'And you, Mr. Grossmith?'
The heavy man bowed and scowled.
'You will be pleased to remove your outer clothing.'
Their hats, coats, waistcoats and neckwear were soon removed and thrown outside the door, in the passage. The man with the candle now nodded, and the fourth man -- he who had urged Grossmith to leave the wagon -- produced from the pocket of his overcoat two long, murderous-looking bowie-knives, which he drew now from their leather scabbards.
'They are exactly alike,' he said, presenting one to each of the two principals -- for by this time the dullest observer would have understood the nature of this meeting. It was to be a duel to the death.
Each combatant took a knife, examined it critically near the candle and tested the strength of blade and handle across his lifted knee. Their persons were then searched in turn, each by the second of the other.
'If it is agreeable to you, Mr. Grossmith,' said the man holding the light,' you will place yourself in that corner.'
He indicated the angle of the room farthest from the door, whither Grossmith retired, his second parting from him with a grasp of the hand which had nothing of cordiality in it. In the angle nearest the door Mr. Rosser stationed himself, and after a whispered consultation his second left him, joining the other near the door. At that moment the candle was suddenly extinguished, leaving all in profound darkness. This may have been done by the draught from the opened door; whatever the cause, the effect was startling.
'Gentlemen,' said a voice which sounded strangely unfamiliar in the altered condition affecting the relations of the senses -- 'gentlemen, you will not move until you hear the closing of the outer door.'
A sound of trampling ensued, then the closing of the inner door; and finally the outer one closed with a concussion which shook the entire building.
A few minutes afterward a belated farmer's boy met a light wagon which was being driven furiously toward the town of Marshall. He declared that behind the two figures on the front seat stood a third, with its hands upon the bowed shoulders of the others, who appeared to struggle vainly to free themselves from its grasp. This figure, unlike the others, was clad in white, and had undoubtedly boarded the wagon as it passed the haunted house. As the lad could boast a considerable former experience with the supernatural thereabouts his word had the weight justly due to the testimony of an expert. The story (in connection with the next day's events) eventually appeared in the Advance, with some slight literary embellishments and a concluding intimation that the gentlemen referred to would be allowed the use of the paper's columns for their version of the night's adventure. But the privilege remained without a claimant.
II
The events that led up to this 'duel in the dark' were simple enough. One evening three young men of the town of Marshall were sitting in a quiet corner of the porch of the village hotel, smoking and discussing such matters as three educated young men of a Southern village would naturally find interesting. Their names were King, Sancher and Rosser. At a little distance, within easy hearing, but taking no part in the conversation, sat a fourth. He was a stranger to the others. They merely knew that on his arrival by the stage-coach that afternoon he had written in the hotel register the name Robert Grossmith. He had not been observed to speak to anyone except the hotel clerk. He seemed, indeed, singularly fond of his own company -- or, as the personnel of the Advance expressed it, 'grossly addicted to evil associations.' But then it should be said in justice to the stranger that the personnel was himself of a too convivial disposition fairly to judge one differently gifted, and had, moreover, experienced a slight rebuff in an effort at an 'interview.'
'I hate any kind of deformity in a woman,' said King, 'whether natural or -- acquired. I have a theory that any physical defect has its correlative mental and moral defect.'
'I infer, then,' said Rosser gravely, 'that a lady lacking the moral advantage of a nose would find the struggle to become Mrs. King an arduous enterprise.'
'Of course you may put it that way,' was the reply; 'but, seriously, I once threw over a most charming girl on learning quite accidentally that she had suffered amputation of a toe. My conduct was brutal if you like, but if I had married that girl I should have been miserable for life and should have made her so.'
'Whereas,' said Sancher, with a light laugh, 'by marrying a gentleman of more liberal views she escaped with a parted throat.'
'Ah, you know to whom I refer. Yes, she married Manton, but I don't know about his liberality; I'm not sure but he cut her throat because he discovered that she lacked that excellent thing in woman, the middle toe of the right foot.'
'Look at that chap!' said Rosser in a low voice, his eyes fixed upon the stranger.
'That chap' was obviously listening intently to the conversation.
'Damn his impudence!' muttered King -- ' what ought we to do?'
'That's an easy one,' Rosser replied, rising. 'Sir,' he continued, addressing the stranger, 'I think it would be better if you would remove your chair to the other end of the veranda. The presence of gentlemen is evidently an unfamiliar situation to you.'
The man sprang to his feet and strode forward with clenched hands, his face white with rage. All were now standing. Sancher stepped between the belligerents.
'You are hasty and unjust,' he said to Rosser; 'this gentleman has done nothing to deserve such language.'
But Rosser would not withdraw a word. By the custom of the country and the time there could be but one outcome to the quarrel.
'I demand the satisfaction due to a gentleman,' said the stranger, who had become more
calm. 'I have not an acquaintance in this region. Perhaps you, sir,' bowing to Sancher, 'will be kind enough to represent me in this matter.'
Sancher accepted the trust -- somewhat reluctantly it must be confessed, for the man's appearance and manner were not at all to his liking. King, who during the colloquy had hardly removed his eyes from the stranger's face and had not spoken a word, consented with a nod to act for Rosser, and the upshot of it was that, the principals having retired, a meeting was arranged for the next evening. The nature of the arrangements has been already disclosed. The duel with knives in a dark room was once a commoner feature of south-western life than it is likely to be again. How thin a veneering of 'chivalry' covered the essential brutality of the code under which such encounters were possible we shall see.
III
In the blaze of a midsummer noonday the old Manton house was hardly true to its traditions. It was of the earth, earthy. The sunshine caressed it warmly and affectionately, with evident disregard of its bad reputation. The grass greening all the expanse in its front seemed to grow, not rankly, but with a natural and joyous exuberance, and the weeds blossomed quite like plants. Full of charming lights and shadows and populous with pleasant-voiced birds, the neglected shade trees no longer struggled to run away, but bent reverently beneath their burden of sun and song. Even in the glassless upper windows was an expression of peace and contentment, due to the light within. Over the stony fields the visible heat danced with a lively tremor incompatible with the gravity which is an attribute of the supernatural.
An Occurrence at Owl Creek Bridge and Other Stories Page 20
