He sat coated with the light, and felt rather sick. He seemed unable to clear his mind of a jumble of images: glass, flesh, blood, screams. He got up to find a book, any distraction at all, and then he saw his bluish shadow. Its long hands dangled, its distorted head poked forward. As he stooped to peer closer he felt as if it was dragging him down, stretching his hands down to meet its own. All at once he darted to the light-switch. He clawed the curtains shut and left the light burning, then he went into the bedroom and sat for a long time on the bed. He held his face as though it was a mask that was slipping.
On Thursday the bus home was delayed by a car crash. While the other passengers stared at blood and deformed metal, Don was uneasily watching the night seep across the sky. When he reached home the house looked worse than he’d feared: thin, cardboardy, bricks blackened by the light — not much of a refuge at all.
He was overworked, that was why he felt nervous. He must find time to relax. He’d be all right once he was inside with the curtains drawn, away from the dead light that seemed to have soaked into everything, even his fingers as they fumbled with the key. He glanced up to see who was watching him from the upstairs flat, then he looked away hastily. Maybe someone up there was really as deformed as that; he never met the tenants, they had a separate entrance. No, surely the figure must have looked like that because of a flaw in the glass.
In his flat he listened to the footsteps overhead, and couldn’t tell if anything was wrong with them. Eventually he cooked the dinner Margaret had left him when she was called away. He tried to write, but the fragility of the silence made him too nervous. When he held his breath, he could hear the jungle of sound beyond the curtains: snarls of cars, the low thunder of planes, shouts, things falling, shrieks of metal, cries. The bluish flat stood emptily behind him.
The last singers were spilling out of pubs. Surely Margaret would be home soon. Wasn’t that Margaret now? No, the hurrying footsteps were too uneven and too numerous: a man and a woman. He could hear the man shouting incoherently, almost wordlessly. Now the woman was running, and the man was stumbling heavily after her. When he caught her outside the window she began to scream.
Don squirmed in his chair. She was screaming abuse, not with fear. He could stand it, surely it wouldn’t last long, her screeching voice that seemed to be in the room with him, scraping his nerves. All at once a body thumped the window; the frame shook. They were fighting, snarling. Christ! He struggled to his feet and forced himself to reach towards the curtains.
Then he saw the shadows, and barely managed not to cry out himself. Though the curtains blurred them, they were all too clear to him. As they clawed at each other, he was sure their arms were lengthening. Surely their heads were swelling like balloons and changing shape; perhaps that was why they sounded as though they never could have formed words. The window juddered and he flinched back, terrified they might sense him beyond the glass. For a moment he saw their mouths lunging at each other’s faces, tearing.
All at once there was silence. Footsteps stumbled away, he couldn’t tell whose. It took him a long time to part the curtains, and much longer to open the front door. But the street was deserted, and he might have doubted everything he’d seen but for a smear of blood on the window. He ran for tissues and wiped it away, shuddering. The lamp stood behind him, bright and ruthless; its dead eye gazed from the pane. He was surrounded. He could only take refuge in bed and try to keep his eyes closed.
The next day he rang the Engineering Department (Mechanical & Lighting) from the office, and told them where he lived. “What exactly have you put in those lights?”
The girl was probably just a clerk. “No, they’re not mercury vapour,” he said. “You might think they were, but not if you had to live with them, I can tell you. Will you connect me with someone who knows?”
Perhaps she felt insulted, or perhaps his tone disturbed her. “Never mind why I want to know. You don’t want me to know, do you? Well, I know there’s something else in them, let me tell you, and I’ll be in touch with someone who can do something about it.”
As he slammed the receiver down, he saw that his colleagues were staring at him. What was wrong with them? Had the politeness which the job demanded possessed them completely? Were they scared of a bit of honest rage?
On the way home he wandered until he found a derelict area, though the start of winter time had made him more nervous. Already the sky was black, an hour earlier than yesterday, and he was dismayed to find he dreaded going home. Outside his flat the lamp stood waiting, in a street that looked alien as the moon. Nobody was in sight. He unlocked the front door, then he lifted the brick he was carrying and hurled it at the lamp. As the bulb shattered, he closed the door quickly. He spent the evening pretending to write, and stared out at the dark.
Saturday brought back the crowds. Their faces were pink putty, all too malleable. He cursed himself for wasting last night’s dark. If he went to the library for quiet he would have walked two miles for nothing: there would be crowds there too. If only he could afford to move! But it was only the cheap rent here that was allowing him and Margaret to save.
She emerged from the mass of putty faces and dumped shopping on the table. “Isn’t it going well?”
“What do you mean, isn’t it going well? It won’t go better for questions like that, will it? Yes, of course it’s going well!” There was no point in telling her the truth; he had enough to bear without her anxiety. That evening he wrote a few paragraphs, but they were cumbersome and clumsy.
On Sunday he tried to relax, but whenever Margaret spoke he felt there was an idea at the edge of his mind, waiting to be glimpsed and written. “Yes, later, later,” he muttered, trying vainly to recapture the idea. That night she turned restlessly in bed for hours. He lay beside her and wondered uneasily what had gone wrong with the dark.
His lack of sleep nagged him on Monday. His skull felt tight and fragile. Whenever he tried to add up a column of figures a telephone rang, his colleagues laughed inanely, a fragment of conversation came into focus. People wandered from desk to desk. His surroundings were constantly restless, distracting.
One of his taxpayers called and refused to believe he owed four hundred pounds. Don sensed how the man’s hands were clenching, seeking a victim, reaching for him. There was no need to panic, not with the length of the telephone cable between them. He couldn’t be bothered to conceal his feelings. “You owe the money. There’s nothing I can do.”
“You bastards,” the man was screaming, “you f—” as Don put down the receiver.
Some of his colleagues were staring at him. Maybe they could have done better, except that they probably wouldn’t even have realized they were threatened. Did they honestly believe that words and printed forms were answers to the violence? Couldn’t they see how false it all was? Only his triumph over the streetlamp helped him through the day.
He walked most of the way home, enjoying the darkness where lamps were smashed. As he neared his street the bluish light closed in. It didn’t matter, it couldn’t reach his home now. When he began to run, anxious to take refuge, his footsteps sounded flat and false as the light. He turned the corner into his street. Outside his flat the lamp was lit.
It craned its bony concrete neck, a tall thin ghost, its face blazing. It had defeated him. However many times he destroyed it, it would return. He locked himself in and grabbed blindly for the light-switch.
After dinner he sat at his desk and read his chapters, in case Margaret suspected he had failed. The words on the bluish pages seemed meaningless; even his handwriting looked unfamiliar. His hot eyes felt unfamiliar too.
And now it was Margaret’s noises. They sounded forced, unnervingly artificial, sound effects. When he frowned at her she muted them, which only made them more infuriating. Her eyes were red, but he couldn’t help it if she was distressed while he felt as he did, besieged deep in himself. “I’m going to bed,” she said eventually, like a rebuke. When he couldn’t bear sitting
alone any longer, she was still awake. He lay with his back to her in order to discourage conversation, which would distract him. Something was certainly wrong with the dark.
In the morning, when she’d gone to work, he saw what he must do. Since he had no chance of writing at weekends or in the evenings, he must give up his daytime job, which was false anyway. His book was more important, it would say things that needed saying — they would be clear when the time came to write them. In the shaving mirror his grin looked weaker than he felt.
He grinned more widely as he phoned to report himself sick. That falseness was enjoyable. He sat grinning at his desk, waiting for words. But he couldn’t reach back to the self who had written the chapters; however deep in his mind he groped, there was nothing but a dialogue. Isn’t it going well? No, it isn’t going well. No, it isn’t, no, it isn’t, no, it isn’t going well. Repression, regression, lycanthropy. Putty faces bobbed past the window. Now here was the bluish light, moulding them into caricatures or worse. Repression, regression, lycanthropy.
“You’re home early,” Margaret said. He stared at her, probing for the implication, until she looked away.
After dinner she watched television in the bedroom, with the sound turned to a whisper. He followed her, to place more distance between himself and the tinged curtains. As soon as he switched off the light, the living-room was a dead bluish box. When he clawed at the switch, the bluish tinge seemed to have invaded the light of the room.
“You’ve left the light on.”
“Leave it on!” He couldn’t tell her why. He was trapped in himself, and his shell felt brittle. In a way it was a relief to be cut off from her that way; at least he needn’t struggle to explain. She stared at the screen, she swallowed aspirin, she glanced at him and flinched from his indifferent gaze. Shrunken figures jerked about as though they were trying to escape the box of the television, and they felt as real as he did. After a while Margaret slipped into bed and hid her face. He supposed she was crying.
He lay beside her. Voices crowded his mind, shouting. Repression, regression, lycanthropy. Margaret’s hand crept around his waist, but he couldn’t bear to be touched; he shook her off. Perhaps she was asleep. Around him the room was faintly luminous. He gazed at it suspiciously until his eyelids drooped.
When he woke, he seemed hardly to have slept. Perhaps the revelation had woken him, for he knew at last what was wrong with the dark. It had developed a faint bluish tinge. How could the light penetrate the closed door? Was it reaching beneath the door for him? Or had the colour settled on his eyeballs, seeped into them?
It hadn’t trapped him yet. He sneaked into his clothes. Margaret was a vague draped huddle, dimly bluish. He tiptoed to the front door and let himself out, then he began to run.
At the tower blocks he slowed. Concrete, honeycombed with curtained rectangles, massed above him. Orange sodium mushrooms glared along the paths, blackening the grass. The light outside his flat was worse than that; it was worse than moonlight, because it infected everyone, not just the few. That was why he’d felt so strange lately. It had been transforming him.
He must go back for Margaret. They must leave now, this minute. Tomorrow they’d find somewhere else to live, draw on their savings; they could come back in daylight for their possessions. He must go back, he’d left her alone with the light. He ran, closing his eyes against the light as far as he could.
As he reached the street he heard someone padding towards him — padding like an animal. He dodged into an alley almost opposite the flat, but the padding turned aside somewhere. He grinned at the dark; he could outwit the light now that he knew its secret. But as soon as he emerged into the street he sensed that he was being watched.
He saw the face almost at once. It was staring at him between curtains, beside a reflection of the lamp. The face was a luminous dead mask, full of the light. He could see the animal staring out through the eyes. The mask was inside his flat, staring out at him.
He made himself go forward, or perhaps the light was forcing him. Certainly it had won. His head felt cold and hollow, cut off from his trudging. The eyes widened in the mask; the creature was ready to fly at him. The mask writhed, changing.
Suddenly he caught sight of his shadow. The light was urging it towards the window. Its claws were dangling, its head swelled forward eagerly, and this time there was nothing familiar to hold him back, no light he could switch on to change the dead street and the shadow. There was only the enemy in his home. He was the shadow, one hand dangling near the gutter. He snatched up the brick and smashing the window, struggled in through the splintering frame.
The creature backed away, into a corner. For a moment it seemed to be beaten. But when he leapt, hurling the curtains aside, it fought him with its claws. He struggled with it, breaking it, biting, tearing. At last it was still. He staggered blindly into the bedroom, mopping blood from his eyes with the rags of his sleeve.
He switched on the light, but couldn’t tell what colour it was. He felt like a hollow shell. When at last he noticed that the bed was empty, it took him a very long time to force himself to look in the living-room. As he looked, he be came less and less sure of what he was seeing. As to who was seeing it, he had no idea at all.
Out Of Copyright (1980)
The widow gazed wistfully at the pile of books. "I thought they might be worth something."
"Oh, some are," Tharne said. "That one, for instance, will fetch a few pence. But I'm afraid that your husband collected books indiscriminately. Much of this stuff isn't worth the paper it's printed on. Look, I'll tell you what I'll do—I'll take the whole lot off your hands and give you the best price I can."
When he'd counted out the notes, the wad over his heart was scarcely reduced. He carried the bulging cartons of books to his van, down three gloomy flights of stairs, along the stone path which hid beneath lolling grass, between gateposts whose stone globes grew continents of moss. By the third descent he was panting. Nevertheless he grinned as he kicked grass aside; the visit had been worthwhile, certainly.
He drove out of the cracked and overgrown streets, past rusty cars laid open for surgery, old men propped on front steps to wither in the sun, prams left outside houses as though in the hope that a thief might adopt the baby. Sunlight leaping from windows and broken glass lanced his eyes. Heat made the streets and his perceptions waver. Glimpsed in the mirror or sensed looming at his back, the cartons resembled someone crouching behind him. They smelled more dusty than the streets.
Soon he reached the crescent. The tall Georgian houses shone white. Beneath them the van looked cheap, a tin toy littering the street. Still, it wasn't advisable to seem too wealthy when buying books.
He dumped the cartons in his hall, beside the elegant curve of the staircase. His secretary came to the door of her office. "Any luck?"
"Yes indeed. Some first editions and a lot of rare material. The man knew what he was collecting."
"Your mail came," she said in a tone which might have announced the police. This annoyed him: he prided himself on his legal knowledge, he observed the law scrupulously. "Well, well," he demanded, "who's saying what?"
"It's that American agent again. He says you have a moral obligation to pay Lewis's widow for those three stories. Otherwise, he says—let's see—`I shall have to seriously consider recommending my clients to boycott your anthologies.`"
"He says that, does he? The bastard. They'd be better off boycotting him." Tharne's face grew hot and swollen; he could hardly control his grin. "He's better at splitting infinitives than he is at looking after his people's affairs. He never renewed the copyright on those stories. We don't owe anyone a penny. And by God, you show me an author who needs the money. Rolling in it, all of them. Living off their royalties." A final injustice struck him; he smote his forehead. "Anyway, what the devil's it got to do with the widow? She didn't write the stories."
To burn up some of his rage, he struggled down to the cellar with the cartons. His blood dr
ummed wildly. As he unpacked the cartons, dust smoked up to the light-bulbs. The cellar, already dim with its crowd of bookshelves, grew dimmer.
He piled the books neatly, sometimes shifting a book from one pile to another, as though playing Patience. When he reached the ace, he stopped. Tales Beyond Life, by Damien Damon. It was practically a legend; the book had never been reprinted in its entirety. The find could hardly have been more opportune. The book contained "The Dunning of Diavolo"—exactly what he needed to complete the new Tharne anthology, Justice From Beyond the Grave. He knocked lumps of dust from the top of the book, and turned to the story.
Even in death he would be recompensed. Might the resurrectionists have his corpse for a toy? Of a certainty—but only once those organs had been removed which his spirit would need, and the Rituals performed. This stipulation he had willed on his deathbed to his son. Unless his corpse was pacified, his curse would rise.
Undeed, had the father's estate been more readily available to clear the son's debts, this might have been an edifying tale of filial piety. Still, on a night when the moon gleamed like a sepulture, the father was plucked tuber-pallid from the earth.
Rather than sow superstitious scruples in the resurrectionists, the son had told them naught. Even so, the burrowers felt that they had mined an uncommon seam. Voiceless it might be, but the corpse had its forms of protest. Only by seizing its wrists could the corpseminers elude the cold touch of its hands. Could they have closed its stiff lids, they might have borne its grin. On the contrary, neither would touch the gelatinous pebbles which bulged from its face... $
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