“We’re none too close to the kitchens, Tom.” He frowns, then lets the cat jump down and pass through the little door, wriggling after it until both are stopped by a lattice of carved wood behind which firelight bounces. Tallow puts an eye to an opening. Here is one of the palace’s great public rooms. The fire is dying in the grate directly opposite. A long table is scattered with what is left of a feast—and some of the feasters who lie on and about the table. There is beef and mutton and poultry, wine and bread. Tallow tests the panel. It rattles. He seeks for catches and finds nails instead. He reaches for his little knife, on a cord at his throat, draws it up and pries at an edge, pushing it back from the nail until it threatens to splinter. He works his knife around the entire panel, loosening it. Then, grasping the lattice with his fingers, he pushes with his free hand so that the whole is detached. He pulls the panel in and places it carefully behind him, then looks down. It is a fair drop to the flagstones; there seems no easy way of returning, save by moving a piece of furniture, which would betray his means of entrance. The cat, disdaining his master’s caution, and with a noise in his chest, half-purr, half-growl, springs from vent to table in one long leap. His mind made up for him, Tallow swings out, hangs by his fingers, then drops, grazing a small bench he has not seen from above, barking his shin. He curses and hops, resheathing his knife inside his shirt, turning and limping rapidly for the table where the cat already tugs at a turkey. It has been cold in the tunnels and Tallow realises the extent of his discomfort as the fire warms him. He carries a good part of a baron of beef to the fire, sits himself in the inglenook and begins to chew, cocking one eye at the snoring guests—entertainers, by their costume, who entertained themselves too well. Light suddenly falls on these figures and Jephraim is alerted until he looks up to see that there are windows set near the roof; he is unused to windows in his own dominion. Moonlight enters. White clowns and patchcoat harlekins lie upon cloth-of-silver, like dead geese on snow; their disguises are stained with wine which turns from black to red as the strength of the moonlight grows. Their powdered, masked heads are twisted, lying on outstretched arms; their crimson mouths gape, their painted eyebrows twitch, and Tallow fancies they are all murdered, looks about for weapons, sees only slapsticks, bladders and a wooden cucumber, subsides to give his full attention to his meat, feels his belly begin to swell, and sighs, turning a newly ruddy, grease-smeared face towards the dying fire, licking the savoury beef juice from his curved lips (a permanent smile which has saved him from as many disasters as it has threatened to create). It is the cat who looks up first, a whole roasted wing in its mouth, and Jephraim is not slow to hear the footfall. He rushes for the wine bottles, picks one which is too light, grabs another almost full, glances at his doorway, realises he cannot leap for it without abandoning meat and wine, ducks beneath the table, disturbing a grunting zany whose sacklike smock is sour with vomit and whose left hand is buried in the clothing of some ambiguous Isabella who smells altogether too strongly of violets. Cross-legged behind his companions Jephraim watches the far door, through which, clumping gloomily, comes one he recognises, for no other would wear such ornate and useless armour so late at night without a ceremony of some sort to demand it. It is Sir Tancred Belforest, the Queen’s Champion, miserable as ever—as unfulfilled in his way as the Queen he serves, for Gloriana has demanded his word that he will not do violence in her name, nor in the name of Chivalry. Sir Tancred stops to gaze around the room. He crosses to the mirror which reflects the fire. His long moustaches are drooping and he tries to curl them, twisting them around his naked fingers (which jut oddly from the mass of metal encasing the rest of him). He has some success, but not enough. He sighs, clanks to the table and, so Jephraim guesses, pours himself a cup of wine. Studying the noble knight’s gold-spiked knees, Jephraim lifts his own bottle and joins Sir Tancred in a gulp or two. The door creaks and Tallow cranes his neck, observing first a trio of candles, burning cheerfully, then the outline of the young woman who holds the candelabrum. She wears a bulky robe pulled over her scarcely less bulky night-gown. Her face is in shadow, but seems soft and young. There is a further bulk above it, a bulk of dark red hair. From this young woman’s mouth comes a strong impatient sigh. “You are too quick, Sir Tancred, to retreat into silly sulking.”
Sir Tancred creaks a trifle as he turns. “You blame me—and yet it’s you, Lady Mary, who spurns my embrace.”
“I merely feared a spearing from your ornaments and suggested you remove your armour before you took me in your arms. I reject not you, Tancred, my dear, but your suit.”
“This armour is the badge of my calling. It is as much a part of me as my soul, for it displays the nature of my soul.”
Lady Mary (Tallow guesses her to be the youngest of the Perrott girls) moves across the floor and Tallow feels her warmth as she comes close to Sir Tancred. Tallow begins to lust for her, to scheme, a little hopelessly, for a means of making love to her. “Come back with me now, Tancred. The Old Year has passed, as I swore it would not, without a sharing of love between us. Let us, I beg you, begin the New Year in proper resolution.”
The zany groans and stirs. A little more vomit bubbles in his throat. He coughs, soiling his smock again. He takes a firmer hold on whatever it is that he grips in or upon his Isabella and begins to snore in a loud, somewhat self-satisfied tone, disturbing the lovers.
“My dear heart,” murmurs young Mary Perrott.
“Oh, indeed, my dear heart!” replies Tallow very quietly.
Mary tugs at Tancred’s hand.
Unable to resist an impulse, Tallow takes the arm of the zany and stretches it out towards the Champion’s foot, but delays Tancred’s iron ankle with his own hand so that the Champion is checked, kicking loose all too soon, seeing the innocent fingers of the zany there, and pausing to tuck them, with a fastidious metal toe, back beneath the table. Tallow has done all he feels he is able to do and watches sadly as the lovers depart, rustling and clattering, to Lady Mary’s rooms.
Glad to be free of the zany’s company, Tallow emerges from beneath the table, finds a cork, seals his bottle, and puts it in his belt, whistles softly for Tom, flings the cat accurately through the panel, stands tip-toe upon the bench which grazed his shin, reaches long fingers to grasp the ledge and hauls himself upward until he is in his hole again, replacing the panel as best he can, feeling the cold of the tunnels ahead and already regretting his haste in leaving the fire. He sighs and begins to wriggle forward. “Well, Tom, so it is New Year’s Eve we celebrate.” But Tom is racing ahead in pursuit of a rat and does not hear his master. As Tallow crawls behind the eager beast, he hears from beyond the panel a high, fluting wail.
Master Ernest Wheldrake has been in a corner of the hall all this time. He has seen Tallow come and go, he has overheard the lovers, but he has been too drunk to move. Now the poet rises, finds his quill where he dropped it an hour since, finds the notebook in which he had begun to write his verse, treads upon the fingers of the zany and, believing he has crushed some small rodent, tears at near-scarlet hair and wails again: “Oh, why is it that I must destroy so much?”
He leaves the hall, still seeking ink. It was for ink that he originally left his own apartments, a mile or more away, as he sat writing an accusatory sonnet to the wench who broke his heart that morning and whose name he cannot now recall. He stalks the lamp-lit corridors, a small flame-crested crane wading through shallow water, seeking fish, his arms stiffly at his sides, like starched wings, the quill behind his ear, the book in the large purse at his belt, his eyes on the floor, mumbling snatches of alliteration—“Sweet Sarah sate upon the starry step…Proud Pamela this poor ploughman’s heart hath pierced…A doom did Daphne declare that day…”—in an effort to recall the offending maid’s name. He takes a turn or two and discovers himself at an outer door. A tired man-at-arms greets him. He signs for the door to be opened.
“’Tis snowing, sir,” the guard declares kindly, hunching himself in his own furs, by way of em
phasis. “Perhaps the coldest night of the winter, with the river threatening to freeze.”
Gravely Master Wheldrake signs again, piping: “Temperature is merely a state of mind. Anger and other passions shall warm me. I go down to the Town.”
The guard takes his cloak from his shoulders. It engulfs the tiny poet. “Wear this, sir, I beg you, or you’ll be a statue in the gardens by dawn.”
Wheldrake becomes sentimental. “You are a noble knave, a brave, bold, bragging bear of Albion, the best of Boudicca’s valiant breed, a warrior whose goodly deeds shall boast more fame than any limping line that Wheldrake pens. I thank thee, fellow, and bid thee fond farewell.” With which he flings himself through the door, into the dark and shivering night, into the snow, and plunges along a path which winds towards the few lights still burning in a London that largely sleeps. The guard wraps his arms around himself for a moment, watching the poet depart, then draws the door shut with a bang, regretting generosity which, he knows, will not be remembered when the morning comes, yet superstitiously glad to have performed a good deed so early in the year and thus almost certainly assuring himself of a little reciprocal luck.
Master Wheldrake’s own luck pulls him, oblivious, through two snowbanks, across a frozen pool, through a gate in the wall, into the outer lanes of the town, where the snow has not settled so thickly. He takes a familiar road, by instinct rather than judgement, which brings him at last to the shuttered walls of a large ramshackle building which sports a bush on a pole above its main arch and a sign on the door proclaiming itself the Seahorse Tavern. Lights behind the shutters, noise behind the doors, tell Master Wheldrake that this, one of his favourite drinking places and a notoriously unwholesome den, will give him the welcome he most desires, provide the comforts his blood demands, and he knocks, is admitted, passes through the courtyard with its ranks of galleries in the darkness above, enters the public room and sinks into the stink and din of coarse laughter, vulgar jesting and bad wine, for it is amongst ruffians like these, amongst whores, amongst the resentful, cynical, ill-natured and desperate men and women who inhabit this riverside rats’ nest, that the wounded poet can most easily find release from all that burdens him. He lets the guard’s fur fall, cries for wine and, when he produces gold, is given it. The familiar whores come up to him, scratching at his neck, threatening him with all the delights he craves; he grins, he bows, he drinks; he greets those he recognises and those he does not recognise with equal good humour, encouraging their mockery, their contempt, giggling at every insult, screaming delightedly at every pinch and shove, watched by the quiet, cruel eye of a man who sits in a gallery above, sharing a bottle with a burnoosed, bearded and beringed Saracen who is a little disturbed by the crowd’s treatment of Wheldrake.
The Saracen leans towards his companion. “They mean that gentleman harm, I think.”
The other, whose face is largely hidden by heavy black locks and by the brim of an outlandish sombrero which sports the tattered feathers of a crow, whose body is wrapped in a black, stained seacloak, shakes his head. “They perform for him, sir, I assure you. It is how they earn his gold. He’s Wheldrake, from the palace. A protégé of the Queen’s, son of some noble Sunderland family, Lady Lyst’s lover. He spends much of his time in taverns like this one and always has, since he was at Cambridge’s University.”
“You’ve known him so long?”
“Aye, but he has never known me.”
“Oh, Captain Quire!” The Saracen laughs. He is drunk, for he is not used to wine. He is a handsome young merchant, a minor lord in Arabia, that most ambitious of all lands under the Queen’s protection. Doubtless he is flattered by the fact that Captain Arturus Quire has befriended him; Quire knows the whole of London, knows how best to find the most enjoyment in the city. The Moor half-suspects Captain Quire to have an eye on his purse, but he carries only a moderate amount of money, to which the captain is welcome, for the pleasure he has so far provided. The Moor frowns. “Would you be bent on robbing me, Quire?”
“Of what, your honour?”
“My gold, of course.”
“I’m no thief.” Captain Quire’s voice is cold, bored rather than offended.
The Saracen reaches for his winecup, watching curiously as two of the whores begin to lead Master Wheldrake up the stairs and around the gallery, into a passage. “Arabia gathers power daily,” says the young man significantly. “You would be wise to cultivate her merchants; to consider advantageous trading alliances. Our fleets dominate Asia, second only to Albion’s.”
Quire darts him a glance, searching for irony. The Moor raises a glittering hand and smiles to reveal more gold. “I speak of mutual gain, nothing else. It is well known how much our young Caliph loves Queen Gloriana. Her father conquered us, but she redeemed us. She gave us back our pride. We remain grateful. It is in our political interest to retain her protection.” There comes a sudden yell from below and the flames of the fire roar up for a moment; a lamp has been flung into the grate. Two bravos battle, cutlass and dirk, amongst the benches. One is tall and thin, in worn velvets; the other is of medium height, altogether a better swordsman, and, in his leathers, almost certainly a professional soldier. The Moor leans forward towards the rail, but Quire leans back, fingering his lantern jaw, bringing thick, black brows together, considering his own thoughts. Meanwhile Master Uttley the innkeeper, acts with habitual speed, rolling across the filthy floor to the door. He is round-faced, pasty-fleshed, this publican; there are black spots under his skin, like figs in duff, giving him a piebald look. The door is opened and the rooms begins to chill. Master Uttley clears the crowd, this way and that, a dog with its sheep, leaving an avenue for the duellists, who gradually back towards the door, then disappear, clashing, into the night. Master Uttley bars and locks the entrance. He glares towards the sputtering fire. He stoops to pick tankards and plates from amongst the rushes and sawdust. One of his whores attempts to help him, knocks his shoulder, and is cuffed with a jug before Uttley returns to his own den, immediately below the gallery where Captain Quire and the Saracen sit. The fire throws long shadows and the tavern becomes suddenly still. “Possibly we should seek a warmer place?” suggests the Moor.
Quire sinks further into his seat. “This is warm enough for me. You spoke of mutual advantage?”
“I assume that you have shares in ships, or at least command of a vessel, Captain Quire. There is information to be acquired in London which would be denied to me, but which could easily be available to you….”
“Aha. You want me to spy for you. To learn of ventures early so that you may send your own ships ahead, to catch the rival’s trade?”
“I did not mean to suggest that you spy, Captain Quire.”
“Spy’s the word, though.” A dangerous moment. Was Quire offended?
“Certainly not. What I suggest is common practice. Your own people do it in our ports.” He is placatory.
“You think I’m the sort to spy upon my countrymen?”
The Arabian shrugs and refuses the challenge. “You are too intelligent for this, Captain. You deliberately bait me.”
Quire’s thin lips part in a smile. “Aye, sir, but you’re not being frank.”
“If you think so, we’d best terminate our conversation.”
Captain Quire shakes his head. Thick, long ringlets swing from beneath his sombrero. “I must tell you that I own no interest in a ship. I command no ship. I am not even an officer aboard a ship. I am not a seaman. I serve with no company, either ashore or afloat. I’m Quire, nought else but Quire. Therefore I cannot help you at all.”
“Perhaps you could help me more.” Significantly, yet uncertainly.
Quire raises the shoulder nearest the Saracen and leans his chin on it. “Now you intend frankness, eh?”
“We would pay for any kind of information concerning the movement of Albion’s ships, whether military or civil. We would pay for rumours from the Court concerning official adventures. We would pay considerably for spec
ific news of Queen Gloriana’s private converse. I’m told there are means of overhearing her.”
“Indeed, my lord? Who told you so?”
“A courtier who visited Baghdad last year.”
Quire draws in his lips as if considering all this. “I’m not rich, as you may observe.”
The Moor pretends that he has noticed this for the first time. “You’d be improved by a new suit of clothes, that’s true, sir.”
“You are not a fool, my lord.”
“I think that I am not.”
“And you guessed from the first I was neither master nor merchant.”
“There are men of a certain disposition in Albion who affect poverty. One cannot judge….”
Quire nods. He clears his throat. Along the gallery now comes a scrawny, snag-toothed villain wearing leggings of rabbit fur, a torn quilted doublet, a horsehide cap pulled down about his ears. He wears a sword from the guard of which some of the rust has been inexpertly scratched. His gait is unsteady not so much from drink as, it would seem, from some natural indisposition. His skin is blue, showing that he has just come in from the night, but his eyes burn. “Captain Quire?” It is as if he has been summoned, as if he anticipates some epicurean wickedness.
“Tinkler. You are just in time to be my witness. This is the Lord Ibram of Baghdad.”
Tinkler bows, leaning one filthy hand upon the table. Lord Ibram looks uncertainly from Tinkler to Quire.
“The Lord Ibram, I’ll have you know, Master Tinkler, has just insulted me.”
The Moor is at last on his guard. “That is untrue, Captain Quire!” He cannot rise, for the table stops him. He cannot leave without pushing past either Quire or Tinkler, who is evidently a familiar accomplice of the captain’s. “This is to be a quarrel, then,” he says, drawing a sleeve back from his right arm. “Premeditated?”
Gloriana Page 2
