The question arose about where to go. It was Hollis who raised it, and Peter found himself taken aback; the thought had never occurred to him that they would fail to press on. Whatever lay ahead of them in Colorado, he felt more strongly than ever that they had to find out what it was, and it seemed far too late to turn back now. But Hollis, he was forced to concede, had a point. Theo, and Finn, and the woman whom first Alicia and now Mausami claimed was Liza Chou—all had come from the Colony. Whatever was happening with the virals—and obviously something was happening—it appeared that they wanted people alive. Should they go back and warn the others? And Mausami—even if her leg was all right, could she really continue on foot? They had no vehicles and very little in the way of ammunition for the weapons they possessed; they could probably find food on the way, but this would slow them down, and soon they would be entering the mountains, where the terrain would be more difficult. Could they expect a pregnant woman to walk all the way to Colorado? He was only posing these questions, Hollis said, because someone had to; he wasn’t sure what he thought. On the other hand, they had come a long way. Babcock, whatever he was, was still out there, as were the Many. Turning around brought risks of its own.
Sitting on the ground outside the engine, the seven of them—Theo was still sleeping in the train—discussed their options. For the first time since they’d left, Peter sensed uncertainty among the group. The bunker and its bounty of supplies had given them a sense of security—a false one, maybe, but adequate to propel them forward. Now, stripped of their weapons and vehicles, with no food but what they could find, and having been cast four hundred kilometers into an unknown wilderness, the idea of Colorado had become much more tenuous. The events at the Haven had left them all shaken; never had it occurred to them that they would have to count among their obstacles the other human survivors they might encounter, or that a being like Babcock—a viral but also something far more, possessing a power to control the others—could exist.
Alicia, unsurprisingly, said she wanted to press on, as did Mausami—if only, Peter thought, to prove that Alicia was no tougher than she was. Caleb said he would do whatever the group wanted to do, but as he voiced these words his eyes were fixed on Alicia; if it came to a vote, Caleb would side with her. Michael also spoke for continuing, reminding everyone of the Colony’s failing batteries. That’s what this all comes down to, he said. As far as he was concerned, the message from Colorado was the only real hope they had—especially now, after what they’d seen at the Haven.
This left Hollis and Sara. Hollis plainly believed they should turn back. That he had come short of actually saying so, however, suggested that he believed, as Peter did, that the decision had to be unanimous. Sitting beside him in the shade of the train, her legs folded under her, Sara appeared more uncertain. She was squinting across the field, where Amy was continuing her solitary vigil in the grass. Peter realized it had been many hours since he’d heard her voice.
“I remember some of it now,” Sara said after a moment. “When the viral took me. Bits and pieces, anyway.” She lifted her shoulders in a gesture that was half shrug, half shudder, and Peter knew she would say no more about this. “Hollis isn’t wrong. And I don’t care what you say, Maus, you’re in no shape to be out here. But I agree with Michael. If you’re asking for my vote, Peter, that’s it.”
“So we keep going.”
She shifted her eyes toward Hollis, who nodded. “Yes. We keep going.”
The other question was Olson. Peter’s distrust of the man had not abated, and though no one had said as much, he obviously represented a risk—for suicide, if nothing else. Since the train had stopped, he had barely moved from his place on the ground outside the engine, staring vacantly in the direction they’d come. From time to time he would run his fingers through the loose dirt, scooping up a handful and letting it fall through his fingers. He seemed like a man who was weighing his options, none of them very good, and Peter suspected where his thoughts lay.
Hollis pulled Peter aside as they were packing up the supplies. All the shotguns and the rifle now lay on one of the tarps, beside the piles of ammo. They had elected to spend the night in the train—it was as safe a place as any—and set out, on foot, in the morning.
“What should we do about him?” Hollis asked quietly, tipping his head toward Olson. Hollis was holding one of the pistols; Peter had the other. “We can’t just leave him here.”
“I guess he comes.”
“He may not want to.”
Peter considered this for a moment. “Leave him be,” he said finally. “There’s nothing we can do.”
It was late afternoon. Caleb and Michael had gone around to the rear of the engine, to siphon off water from the tanks with a hose they’d found in a closet in the engine’s aft compartment. Peter turned to see Caleb examining a hinged panel, about a meter square, hanging off the underside of the train.
“What’s this?” he asked Michael.
“It’s an access panel. It connects to a crawl space that runs underneath the floor.”
“Anything in there we can use?”
Michael shrugged, busying himself with the hose. “I don’t know. Have a look.”
Caleb knelt and turned the handle. “It’s stuck.”
Peter, watching from five meters away, felt a prickling sensation along his skin. Something clenched inside him. All eyes. “Hightop—”
The panel flew open, sending Caleb tumbling backward. A figure unfolded from inside the tube.
Jude.
Everyone reached for a weapon. Jude stumbled toward them, lifting a pistol. Half his face had been blasted away, revealing a broad smear of exposed meat and glistening bone; one of his eyes was gone, a dark hole. He seemed, in that elongated moment, a being of pure impossibility, half dead and half alive.
“You fucking people!” Jude snarled.
He fired just as Caleb, reaching for the pistol, stepped in front of him. The bullet caught the boy in the chest, spinning him around. In the same instant, Peter and Hollis found the triggers of their weapons, lighting up Jude’s body in a crazy dance.
They emptied both their guns before he toppled.
Caleb was lying face-up on the dirt, one hand clutched at the place where the bullet had entered. His chest rose and fell in shallow jerks. Alicia threw herself onto the ground beside him.
“Caleb!”
Blood was running through the boy’s fingers. His eyes, pointed at the empty sky, were very moist. “Oh shit,” he said, blinking.
“Sara, do something!”
Death had begun to ease across the boy’s face. “Oh,” he said. “Oh.” Then something seemed to catch in his chest and he was still.
Sara was crying, everyone was crying. She got on the ground beside Alicia and touched her elbow. “He’s dead, Lish.”
Alicia shrugged her violently away. “Don’t say that!” She pulled the boy’s limp form to her chest. “Caleb, you listen to me! You open your eyes! You open your eyes right now!”
Peter crouched beside her.
“I promised him,” Alicia pleaded, hugging Caleb close. “I promised him.”
“I know you did.” It was all he could think to say. “We all know it. It’s all right. Let go now.”
Peter gently freed the body from her arms. Caleb’s eyes were closed, his body motionless where it lay in the dust. He was still wearing the yellow sneakers—one of the laces had come untied—but the boy he was, was nowhere. Caleb was gone. For a long moment, nobody said anything. The only sounds were the birds and the wind in the tips of the grass and Alicia’s damp, half-choked breathing.
Then, in a sudden burst, Alicia shot to her feet, snatched Jude’s pistol from the ground, and strode to where Olson was sitting on the dirt. A furious look was in her eyes. The gun was huge, a long-barreled revolver. As Olson looked up, squinting at the dark form looming over him, she reared back and struck him across the face with the butt of the gun, knocking him flat to the ground, cocked the
hammer with her thumb, and aimed the barrel at his head.
“Goddamn you!”
“Lish—” Peter stepped toward her, his hands raised. “He didn’t kill Caleb. Put the gun down.”
“We saw Jude die! We all saw it!”
A trickle of blood was running from Olson’s nose. He made no motion to defend himself or move away. “He was familiar.”
“Familiar? What does that mean? I’m sick of your double-talk. Speak English, goddamnit!”
Olson swallowed, licking the blood from his lips. “It means … you can be one of them without being one of them.”
Alicia’s knuckles were white where she clutched the butt of the revolver. Peter knew she was going to fire. There seemed no stopping this; it was simply what was going to happen.
“Go ahead and shoot if you want.” Olson’s face was impassive; his life meant nothing to him. “It doesn’t matter. Babcock will come. You’ll see.”
The barrel had begun to waver, driven by the current of Alicia’s rage. “Caleb mattered! He was worth more than your whole fucking Haven! He never had anyone! I stood for him! I stood for him!”
Alicia howled, a deep animal sound of pain, and then she pulled the trigger—but no shot came. The hammer fell on an empty chamber. “Fuck!” She squeezed again and again; the gun was empty. “Fuck! Fuck! Fuck!” Then she turned to Peter, the useless pistol dropping from her hand, leaned into his chest, and sobbed.
In the morning, Olson was gone. Tracks led away into the culvert; Peter didn’t have to look to know which way he was headed.
“Should we go look for him?” Sara asked.
They were standing by the empty train, assembling the last of their gear.
Peter shook his head. “I don’t think there’s any point.”
They gathered around the place where they had buried Caleb, in the shade of a cottonwood. They’d marked the spot with a scrap of metal Michael had popped from the hull and etched with the tip of a screwdriver, then affixed to the trunk of the tree with sheet-metal screws.
CALEB JONES
HIGHTOP
ONE OF US
Everyone was there except Amy, who was standing apart, in the tall grass. Beside Peter were Maus and Theo. Mausami was leaning on a crutch Michael had fashioned from a length of pipe; Sara had examined her wound and said she could travel, as long as they didn’t push it. Theo had slept straight through the night, awakening at dawn, and now seemed if not better, then at least on the mend. Yet, standing beside him, Peter could feel something missing in his brother; something had changed, or broken, or been taken away. Something had been stolen from him, in that cell. In the dream. With Babcock.
But it was Alicia who worried him most of all. She was standing at the foot of the grave with Michael, a shotgun cradled across her chest, her face still swollen from crying. For a long time, the rest of the day and all that night, she had said almost nothing. Anyone else might have supposed she was simply grieving for Caleb, but Peter knew differently. She had loved the boy, and that was a part of it. They all had, and Caleb’s absence felt not just strange but wrong, as if a piece of them had been cut away. But what Peter saw now, as he looked into Alicia’s eyes, was a deeper kind of pain. It was not her fault that Caleb was dead, and Peter had told her so. Still, she believed she had failed him. Killing Olson would not have solved anything, though Peter couldn’t help but think it might have helped. Perhaps that was why he hadn’t tried harder—tried at all, really—to take Jude’s gun away from her.
Peter realized he was waiting out of habit for his brother to speak, to issue the command that would set the day in motion. When he didn’t, Peter hitched up his pack and spoke.
“Well,” he said, his throat thick, “we should probably get going. Use the daylight.”
“Forty million smokes out there,” Michael said glumly. “What chance do we have on foot?”
Amy stepped into the circle then.
“He’s wrong,” she said.
For a moment no one spoke. None of them seemed to know where to look—at Amy, at one another—a flurry of startled and amazed glances passing around the circle.
“She can talk?” Alicia said.
Peter stepped gingerly toward her. Amy’s face seemed different to him, now that he had heard her voice. It was as if she were suddenly present, fully among them.
“What did you say?”
“Michael is wrong,” the girl stated. Her voice was neither a woman’s nor a child’s but something in between. She spoke flatly, without intonation, as if she were reading the words from a book. “There aren’t forty million.”
Peter wanted to laugh or cry, he didn’t know which. After everything, for her to speak now!
“Amy, why didn’t you say anything before?”
“I am sorry. I think I had forgotten how.” She was frowning inwardly, as if puzzling over this thought. “But now I have remembered.”
Everyone fell silent again, gaping at her in astonishment.
“So, if there aren’t forty million,” Michael ventured, “how many are there?”
She lifted her eyes to them all.
“Twelve,” said Amy.
IX
THE LAST
EXPEDITIONARY
I am all the daughters of my father’s house, And all the brothers too.
—SHAKESPEARE,
Twelfth Night
FIFTY-SIX
From the Journal of Sara Fisher (“The Book of Sara”)
Presented at the Third Global Conference on the North American Quarantine Period
Center for the Study of Human Cultures and Conflicts
University of New South Wales, Indo-Australian Republic
April 16–21, 1003 A.V.
[Excerpt begins.]
… and that was when we found the orchard—a welcome sight, since none of us has had anything like enough to eat since three days ago, when Hollis shot the deer. Now we are loaded up with apples. They’re small and wormy and if you eat too many of them all at once you get cramps, but it’s good to have a full belly again. We’re bedding down tonight in a rusted metal shed that’s full of old cars and stinks like pigeons. It seems we’ve lost the road for good now, but Peter says that if we continue walking straight east, we should hit Highway 15 in a day or so. The map we found at the gas station in Caliente is all we have to go by.
Amy is talking a little bit more every day. It all still seems new to her, just to have someone to talk to, and sometimes she seems to struggle for the words, like she’s reading a book in her mind and looking for the right ones. But I can tell that talking makes her happy. She likes to use our names a lot, even when it’s clear who she’s speaking to, which sounds funny but by now we are all used to it and even doing it ourselves. (Yesterday she saw me stepping behind a bush and asked me what I was doing, and when I said, I have to pee, she beamed like I’d just given her the best news in the world and said, too loudly, I have to pee also, Sara. Michael burst out laughing, but Amy didn’t seem to mind, and when we were done with our business she said, very politely—she is always polite—I’d forgotten that was what it’s called. Thank you for peeing with me, Sara.)
Which isn’t to say that we always understand her, because half the time we don’t. Michael says it reminds him of talking to Auntie only worse, because with Auntie you always knew she was fooling with you. Amy doesn’t appear to remember anything about where she comes from, except that it was a place with mountains and that it snowed there, which could be Colorado, though we don’t really know. She doesn’t seem afraid of the virals at all, not even the ones, like Babcock, who she calls the Twelve. When Peter asked her what she did in the ring to make him not kill Theo, Amy shrugged and said, as if this were nothing, I asked him to please not do it. I didn’t like that one, she said. He’s full of bad dreams. I thought it would be better to use my please and thank you.
A viral, and she actually said please!
But the thing that sticks in my mind most of all is what ha
ppened when Michael asked her how she’d known to blow the coupler. A man named Gus told me, Amy said. I never even knew that Gus was on the train, but Peter explained what had happened to Gus and Billie, that they’d been killed by the virals, and Amy said, nodding, That was when. Peter got very quiet for a moment, staring at her. What do you mean that was when? he said, and Amy answered, That was when he told me, after he’d fallen off the train. The virals didn’t kill him, I think he broke his neck. But he was around for a little bit after. He was the one who put the bomb between the cars. He saw what was going to happen to the train and thought someone should know.
Michael says there has to be some other explanation, that Gus must have said something to her earlier. But I can tell Peter believes her, and I know I do, too. Peter is more convinced than ever that the signal from Colorado is the key to all of this, and I agree. After what we saw in the Haven, I am beginning to think that Amy is the only hope we have—that any of us has.
Day 31
A real town, the first since Caliente. We are spending the night in some kind of school, like the Sanctuary, with the same little desks in rows in all the rooms. I was worried that it would have more slims in it, but we haven’t found any. We’ve been taking the watch in shifts of two. I’m on second shift with Hollis, which I thought would be hard, sleeping a few hours and then waking up again, then trying to sleep a couple more before dawn. But Hollis makes the time pass easily. For a while we talked of home, and Hollis asked me what I missed the most, and the first thing that came to mind was soap, which made Hollis laugh. I said, What’s so funny and he said, I thought you were going to say the lights. Because I sure as hell miss those lights, Sara. And I said, What do you miss and he was quiet for a moment, and I thought he was going to say Arlo, but he didn’t. He said, The Littles. Dora and the others. The sounds of their voices in the courtyard, and the smell in the Big Room at night. Maybe it’s this place, that it kind of reminds me of them. But that’s what I’m missing tonight, the Littles.
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