“Mdlle. wished to speak with me, monsieur.”
“Indeed! on what subject? if one may ask.”
“Mademoiselle talked about nothing, monsieur.”
“A fertile topic! and did she discourse thereon in the schoolroom, before the pupils?”
“No; like you, monsieur, she asked me to walk into her parlour.”
“And Madame Reuter — the old duenna — my mother’s gossip, was there, of course?”
“No, monsieur; I had the honour of being quite alone with mademoiselle.”
“C’est joli — cela,” observed M. Pelet, and he smiled and looked into the fire.
“Honi soit qui mal y pense,” murmured I, significantly.
“Je connais un peu ma petite voisine — voyez-vous.”
“In that case, monsieur will be able to aid me in finding out what was mademoiselle’s reason for making me sit before her sofa one mortal hour, listening to the most copious and fluent dissertation on the merest frivolities.”
“She was sounding your character.”
“I thought so, monsieur.”
“Did she find out your weak point?”
“What is my weak point?”
“Why, the sentimental. Any woman sinking her shaft deep enough, will at last reach a fathomless spring of sensibility in thy breast, Crimsworth.”
I felt the blood stir about my heart and rise warm to my cheek.
“Some women might, monsieur.”
“Is Mdlle. Reuter of the number? Come, speak frankly, mon fils; elle est encore jeune, plus agee que toi peut-etre, mais juste asset pour unir la tendresse d’une petite maman a l’amour d’une epouse devouee; n’est-ce pas que cela t’irait superieurement?”
“No, monsieur; I should like my wife to be my wife, and not half my mother.”
“She is then a little too old for you?”
“No, monsieur, not a day too old if she suited me in other things.”
“In what does she not suit you, William? She is personally agreeable, is she not?”
“Very; her hair and complexion are just what I admire; and her turn of form, though quite Belgian, is full of grace.”
“Bravo! and her face? her features? How do you like them?”
“A little harsh, especially her mouth.”
“Ah, yes! her mouth,” said M. Pelet, and he chuckled inwardly. “There is character about her mouth — firmness — but she has a very pleasant smile; don’t you think so?”
“Rather crafty.”
“True, but that expression of craft is owing to her eyebrows; have you remarked her eyebrows?”
I answered that I had not.
“You have not seen her looking down then?” said he.
“No.”
“It is a treat, notwithstanding. Observe her when she has some knitting, or some other woman’s work in hand, and sits the image of peace, calmly intent on her needles and her silk, some discussion meantime going on around her, in the course of which peculiarities of character are being developed, or important interests canvassed; she takes no part in it; her humble, feminine mind is wholly with her knitting; none of her features move; she neither presumes to smile approval, nor frown disapprobation; her little hands assiduously ply their unpretending task; if she can only get this purse finished, or this bonnet-grec completed, it is enough for her. If gentlemen approach her chair, a deeper quiescence, a meeker modesty settles on her features, and clothes her general mien; observe then her eyebrows, et dites-moi s’il n’y a pas du chat dans l’un et du renard dans l’autre.”
“I will take careful notice the first opportunity,” said I.
“And then,” continued M. Pelet, “the eyelid will flicker, the light-coloured lashes be lifted a second, and a blue eye, glancing out from under the screen, will take its brief, sly, searching survey, and retreat again.”
I smiled, and so did Pelet, and after a few minutes’ silence, I asked:
“Will she ever marry, do you think?”
“Marry! Will birds pair? Of course it is both her intention and resolution to marry when she finds a suitable match, and no one is better aware than herself of the sort of impression she is capable of producing; no one likes better to captivate in a quiet way. I am mistaken if she will not yet leave the print of her stealing steps on thy heart, Crimsworth.”
“Of her steps? Confound it, no! My heart is not a plank to be walked on.”
“But the soft touch of a patte de velours will do it no harm.”
“She offers me no patte de velours; she is all form and reserve with me.”
“That to begin with; let respect be the foundation, affection the first floor, love the superstructure; Mdlle. Reuter is a skilful architect.”
“And interest, M. Pelet — interest. Will not mademoiselle consider that point?”
“Yes, yes, no doubt; it will be the cement between every stone. And now we have discussed the directress, what of the pupils? N’y-a-t-il pas de belles etudes parmi ces jeunes tetes?”
“Studies of character? Yes; curious ones, at least, I imagine; but one cannot divine much from a first interview.”
“Ah, you affect discretion; but tell me now, were you not a little abashed before these blooming young creatures?
“At first, yes; but I rallied and got through with all due sang-froid.”
“I don’t believe you.”
“It is true, notwithstanding. At first I thought them angels, but they did not leave me long under that delusion; three of the eldest and handsomest undertook the task of setting me right, and they managed so cleverly that in five minutes I knew them, at least, for what they were — three arrant coquettes.”
“Je les connais!” exclaimed M. Pelet. “Elles sont toujours au premier rang a l’eglise et a la promenade; une blonde superbe, une jolie espiegle, une belle brune.”
“Exactly.”
“Lovely creatures all of them — heads for artists; what a group they would make, taken together! Eulalie (I know their names), with her smooth braided hair and calm ivory brow. Hortense, with her rich chesnut locks so luxuriantly knotted, plaited, twisted, as if she did not know how to dispose of all their abundance, with her vermilion lips, damask cheek, and roguish laughing eye. And Caroline de Blemont! Ah, there is beauty! beauty in perfection. What a cloud of sable curls about the face of a houri! What fascinating lips! What glorious black eyes! Your Byron would have worshipped her, and you — you cold, frigid islander! — you played the austere, the insensible in the presence of an Aphrodite so exquisite?”
I might have laughed at the director’s enthusiasm had I believed it real, but there was something in his tone which indicated got-up raptures. I felt he was only affecting fervour in order to put me off my guard, to induce me to come out in return, so I scarcely even smiled. He went on:
“Confess, William, do not the mere good looks of Zoraide Reuter appear dowdyish and commonplace compared with the splendid charms of some of her pupils?”
The question discomposed me, but I now felt plainly that my principal was endeavouring (for reasons best known to himself — at that time I could not fathom them) to excite ideas and wishes in my mind alien to what was right and honourable. The iniquity of the instigation proved its antidote, and when he further added: —
“Each of those three beautiful girls will have a handsome fortune; and with a little address, a gentlemanlike, intelligent young fellow like you might make himself master of the hand, heart, and purse of any one of the trio.”
I replied by a look and an interrogative “Monsieur?” which startled him.
He laughed a forced laugh, affirmed that he had only been joking, and demanded whether I could possibly have thought him in earnest. Just then the bell rang; the play-hour was over; it was an evening on which M. Pelet was accustomed to read passages from the drama and the belles lettres to his pupils. He did not wait for my answer, but rising, left the room, humming as he went some gay strain of Beranger’s.
CHAPTER XII.
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nbsp; DAILY, as I continued my attendance at the seminary of Mdlle. Reuter, did I find fresh occasions to compare the ideal with the real. What had I known of female character previously to my arrival at Brussels? Precious little. And what was my notion of it? Something vague, slight, gauzy, glittering; now when I came in contact with it I found it to be a palpable substance enough; very hard too sometimes, and often heavy; there was metal in it, both lead and iron.
Let the idealists, the dreamers about earthly angel and human flowers, just look here while I open my portfolio and show them a sketch or two, pencilled after nature. I took these sketches in the second-class schoolroom of Mdlle. Reuter’s establishment, where about a hundred specimens of the genus “jeune fille” collected together, offered a fertile variety of subject. A miscellaneous assortment they were, differing both in caste and country; as I sat on my estrade and glanced over the long range of desks, I had under my eye French, English, Belgians, Austrians, and Prussians. The majority belonged to the class bourgeois; but there were many countesses, there were the daughters of two generals and of several colonels, captains, and government EMPLOYES; these ladies sat side by side with young females destined to be demoiselles de magasins, and with some Flamandes, genuine aborigines of the country. In dress all were nearly similar, and in manners there was small difference; exceptions there were to the general rule, but the majority gave the tone to the establishment, and that tone was rough, boisterous, masked by a point-blank disregard of all forbearance towards each other or their teachers; an eager pursuit by each individual of her own interest and convenience; and a coarse indifference to the interest and convenience of every one else. Most of them could lie with audacity when it appeared advantageous to do so. All understood the art of speaking fair when a point was to be gained, and could with consummate skill and at a moment’s notice turn the cold shoulder the instant civility ceased to be profitable. Very little open quarrelling ever took place amongst them; but backbiting and talebearing were universal. Close friendships were forbidden by the rules of the school, and no one girl seemed to cultivate more regard for another than was just necessary to secure a companion when solitude would have been irksome. They were each and all supposed to have been reared in utter unconsciousness of vice. The precautions used to keep them ignorant, if not innocent, were innumerable. How was it, then, that scarcely one of those girls having attained the age of fourteen could look a man in the face with modesty and propriety? An air of bold, impudent flirtation, or a loose, silly leer, was sure to answer the most ordinary glance from a masculine eye. I know nothing of the arcana of the Roman Catholic religion, and I am not a bigot in matters of theology, but I suspect the root of this precocious impurity, so obvious, so general in Popish countries, is to be found in the discipline, if not the doctrines of the Church of Rome. I record what I have seen: these girls belonged to what are called the respectable ranks of society; they had all been carefully brought up, yet was the mass of them mentally depraved. So much for the general view: now for one or two selected specimens.
The first picture is a full length of Aurelia Koslow, a German fraulein, or rather a half-breed between German and Russian. She is eighteen years of age, and has been sent to Brussels to finish her education; she is of middle size, stiffly made, body long, legs short, bust much developed but not compactly moulded, waist disproportionately compressed by an inhumanly braced corset, dress carefully arranged, large feet tortured into small bottines, head small, hair smoothed, braided, oiled, and gummed to perfection; very low forehead, very diminutive and vindictive grey eyes, somewhat Tartar features, rather flat nose, rather high-cheek bones, yet the ensemble not positively ugly; tolerably good complexion. So much for person. As to mind, deplorably ignorant and ill-informed: incapable of writing or speaking correctly even German, her native tongue, a dunce in French, and her attempts at learning English a mere farce, yet she has been at school twelve years; but as she invariably gets her exercises, of every description, done by a fellow pupil, and reads her lessons off a book; concealed in her lap, it is not wonderful that her progress has been so snail-like. I do not know what Aurelia’s daily habits of life are, because I have not the opportunity of observing her at all times; but from what I see of the state of her desk, books, and papers, I should say she is slovenly and even dirty; her outward dress, as I have said, is well attended to, but in passing behind her bench, I have remarked that her neck is gray for want of washing, and her hair, so glossy with gum and grease, is not such as one feels tempted to pass the hand over, much less to run the fingers through. Aurelia’s conduct in class, at least when I am present, is something extraordinary, considered as an index of girlish innocence. The moment I enter the room, she nudges her next neighbour and indulges in a half-suppressed laugh. As I take my seat on the estrade, she fixes her eye on me; she seems resolved to attract, and, if possible, monopolize my notice: to this end she launches at me all sorts of looks, languishing, provoking, leering, laughing. As I am found quite proof against this sort of artillery — for we scorn what, unasked, is lavishly offered — she has recourse to the expedient of making noises; sometimes she sighs, sometimes groans, sometimes utters inarticulate sounds, for which language has no name. If, in walking up the schoolroom, I pass near her, she puts out her foot that it may touch mine; if I do not happen to observe the manoeuvre, and my boot comes in contact with her brodequin, she affects to fall into convulsions of suppressed laughter; if I notice the snare and avoid it, she expresses her mortification in sullen muttering, where I hear myself abused in bad French, pronounced with an intolerable Low German accent.
Not far from Mdlle. Koslow sits another young lady by name Adele Dronsart: this is a Belgian, rather low of stature, in form heavy, with broad waist, short neck and limbs, good red and white complexion, features well chiselled and regular, well-cut eyes of a clear brown colour, light brown hair, good teeth, age not much above fifteen, but as full-grown as a stout young Englishwoman of twenty. This portrait gives the idea of a somewhat dumpy but good-looking damsel, does it not? Well, when I looked along the row of young heads, my eye generally stopped at this of Adele’s; her gaze was ever waiting for mine, and it frequently succeeded in arresting it. She was an unnatural-looking being — so young, fresh, blooming, yet so Gorgon-like. Suspicion, sullen ill-temper were on her forehead, vicious propensities in her eye, envy and panther-like deceit about her mouth. In general she sat very still; her massive shape looked as if it could not bend much, nor did her large head — so broad at the base, so narrow towards the top — seem made to turn readily on her short neck. She had but two varieties of expression; the prevalent one a forbidding, dissatisfied scowl, varied sometimes by a most pernicious and perfidious smile. She was shunned by her fellow-pupils, for, bad as many of them were, few were as bad as she.
Aurelia and Adele were in the first division of the second class; the second division was headed by a pensionnaire named Juanna Trista. This girl was of mixed Belgian and Spanish origin; her Flemish mother was dead, her Catalonian father was a merchant residing in the — — Isles, where Juanna had been born and whence she was sent to Europe to be educated. I wonder that any one, looking at that girl’s head and countenance, would have received her under their roof. She had precisely the same shape of skull as Pope Alexander the Sixth; her organs of benevolence, veneration, conscientiousness, adhesiveness, were singularly small, those of self-esteem, firmness, destructiveness, combativeness, preposterously large; her head sloped up in the penthouse shape, was contracted about the forehead, and prominent behind; she had rather good, though large and marked features; her temperament was fibrous and bilious, her complexion pale and dark, hair and eyes black, form angular and rigid but proportionate, age fifteen.
Juanna was not very thin, but she had a gaunt visage, and her “regard” was fierce and hungry; narrow as was her brow, it presented space enough for the legible graving of two words, Mutiny and Hate; in some one of her other lineaments I think the eye — cowardice had also its distinct
cipher. Mdlle. Trista thought fit to trouble my first lessons with a coarse work-day sort of turbulence; she made noises with her mouth like a horse, she ejected her saliva, she uttered brutal expressions; behind and below her were seated a band of very vulgar, inferior-looking Flamandes, including two or three examples of that deformity of person and imbecility of intellect whose frequency in the Low Countries would seem to furnish proof that the climate is such as to induce degeneracy of the human mind and body; these, I soon found, were completely under her influence, and with their aid she got up and sustained a swinish tumult, which I was constrained at last to quell by ordering her and two of her tools to rise from their seats, and, having kept them standing five minutes, turning them bodily out of the schoolroom: the accomplices into a large place adjoining called the grands salle; the principal into a cabinet, of which I closed the door and pocketed the key. This judgment I executed in the presence of Mdlle. Reuter, who looked much aghast at beholding so decided a proceeding — the most severe that had ever been ventured on in her establishment. Her look of affright I answered with one of composure, and finally with a smile, which perhaps flattered, and certainly soothed her. Juanna Trista remained in Europe long enough to repay, by malevolence and ingratitude, all who had ever done her a good turn; and she then went to join her father in the — — Isles, exulting in the thought that she should there have slaves, whom, as she said, she could kick and strike at will.
These three pictures are from the life. I possess others, as marked and as little agreeable, but I will spare my reader the exhibition of them.
Doubtless it will be thought that I ought now, by way of contrast, to show something charming; some gentle virgin head, circled with a halo, some sweet personification of innocence, clasping the dove of peace to her bosom. No: I saw nothing of the sort, and therefore cannot portray it. The pupil in the school possessing the happiest disposition was a young girl from the country, Louise Path; she was sufficiently benevolent and obliging, but not well taught nor well mannered; moreover, the plague-spot of dissimulation was in her also; honour and principle were unknown to her, she had scarcely heard their names. The least exceptionable pupil was the poor little Sylvie I have mentioned once before. Sylvie was gentle in manners, intelligent in mind; she was even sincere, as far as her religion would permit her to be so, but her physical organization was defective; weak health stunted her growth and chilled her spirits, and then, destined as she was for the cloister, her whole soul was warped to a conventual bias, and in the tame, trained subjection of her manner, one read that she had already prepared herself for her future course of life, by giving up her independence of thought and action into the hands of some despotic confessor. She permitted herself no original opinion, no preference of companion or employment; in everything she was guided by another. With a pale, passive, automaton air, she went about all day long doing what she was bid; never what she liked, or what, from innate conviction, she thought it right to do. The poor little future religieuse had been early taught to make the dictates of her own reason and conscience quite subordinate to the will of her spiritual director. She was the model pupil of Mdlle. Reuter’s establishment; pale, blighted image, where life lingered feebly, but whence the soul had been conjured by Romish wizard-craft!
Delphi Complete Works of the Brontes Page 190
