by Simon Mawer
Also by Simon Mawer
Tightrope
Trapeze
The Glass Room
Gregor Mendel: Planting the Seeds of Genetics
Swimming to Ithaca
The Fall
The Gospel of Judas
Mendel’s Dwarf
A Jealous God
Copyright © Simon Mawer 2018
First published in Great Britain in 2018 by Little, Brown.
Production editor: Yvonne E. Cárdenas
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from Other Press LLC, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. For information write to Other Press LLC, 267 Fifth Avenue, 6th Floor, New York, NY 10016.
Or visit our Web site: www.otherpress.com
The Library of Congress has cataloged the printed edition as follows:
Names: Mawer, Simon, author.
Title: Prague spring / Simon Mawer.
Description: New York : Other Press, 2018.
Identifiers: LCCN 2018013267 (print) | LCCN 2018014355 (ebook) |
ISBN 9781590519677 (Ebook) | ISBN 9781590519660 (softcover)
Subjects: LCSH: Czechoslovakia—Politics and government—1968–1989—
Fiction. | Political fiction. | BISAC: FICTION / Political. | FICTION / Literary.
| FICTION / Historical. | GSAFD: Historical fiction.
Classification: LCC PR9120.9.M38 (ebook) |
LCC PR9120.9.M38 P73 2018 (print) | DDC 823/.914—dc23
LC record available at https://lccn.loc.gov/2018013267
Ebook ISBN 9781590519677
Publisher’s Note
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously.
v5.3.2
a
For Sophia and Olivia,
two more of the next generation
Contents
Cover
Also by Simon Mawer
Title Page
Copyright
Dediction
Part I Chapter 1
Chapter 2
Chapter 3
Part II Chapter 4
Chapter 5
Masaryk
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Part III Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Part IV Chapter 15
Horáková
Chapter 16
Chapter 17
Part V Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Border
Chapter 23
Chapter 24
Part VI Chapter 25
Ghosts
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Part VII Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Part VIII Chapter 36
Chapter 37
Chapter 38
Part IX Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Part X Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
About the Author
I
1
It started in a pub. Not unusual for a journey. Phileas Fogg started his at the Reform Club in London, but then James Borthwick was not Phileas Fogg, and this pub was the nearest thing to a club that James knew. And this journey wasn’t round the world, which these days you can probably do in less than eighty hours and never leave aircraft or airport. So, a pub, a student pub full of noise and laughter and spilt beer, with photographs of rowing eights on the walls and signatures of oarsmen and rugby players on the ceiling and even an oar hanging over the bar. Yes, one of those pubs that anxious tourists enter during the vacations in the vain hope that they are going to witness that ephemeral will-o’-the-wisp student life, when all they find is indifferent bar staff, flabby beer and flabbier meat pies.
“Do you really think it makes any sense at all?” James asked, feeling, for a moment, emboldened. He was sitting at a small, round table, opposite a rather ragged-looking girl, leaning towards her across the table so that they could catch each other’s words amidst the noise. James was feeling nervous because it wasn’t every day that he got this close to someone like Eleanor and he didn’t want to be wafting beery breath all over her in case that should blow her away. Also because, let’s face it, they came from opposite ends of the undergraduate spectrum. She was reading English while he was a scientist of a kind, and she was in her second year whereas he was a fresher. Furthermore—there’s more, we’re going further, into the murky world of class—furthermore, and despite her scruffy appearance, there was something decidedly superior about Eleanor that was noticeable when she spoke, a certain manner of enunciating her consonants, hitting the Ts and Ls and sculpting the vowels, that put her in a social class above James. His voice was vaguely Northern; hers was county. It doesn’t really matter which county. Perhaps even Oxford, although the Oxford voice, with its hooing and its cooing, was really a thing of the past. But the most decided difference between them was not accent or even social class but the plain biological fact that he was male and therefore one of many thousands, whereas she was female and therefore, within the university, as rare as a nun in a monastery. Perhaps that’s a surprise, considering that nowadays women outnumber men by the fraction that superior intelligence and unwavering work habits give them, but in those days it was so: lots of men, few women. Furthermore, those two contrasting versions of the species lived very separate lives for the simple, administrative, historical, insane reason that the colleges were still single-sex. Thus Eleanor belonged to St. Hilda’s, all the way down the High and over the river. Turn right, away from the medieval glories of Magdalen, and you’ll find the rather lesser nineteenth- and twentieth-century glories of St. Hilda’s college just there. No tourist bothers, ever. Whereas James lived in the Renaissance glory of one of the old colleges in the city center, where tourists bother all the time.
Coming from such different worlds, they might have drifted past each other without even passing the time of day had it not been for one of those chance events of university life: they were acting together in a college play.
“Of course it doesn’t make sense in the way you mean,” Eleanor replied, leaving James to wonder which way he did mean and, furthermore, what kind of sense it might make in any other way. Thus instead of reducing his uncertainty, Eleanor had actually succeeded in increasing it. Typical of an arts undergraduate. The subject in question was the play that had brought them together both at a series of rather awkward rehearsals in rooms in college and more immediately on a stage in a hall somewhere in Walton Street, she as a female cripple in an old-fashioned pram and he as the witless male condemned to push pram and female around the rather limited universe of the playwright’s imagination. This unlikely duo was searching, so the storyline went, for the city of Tar. Although why they should wish to get to Tar was never made clear. Sub-Beckett, James wanted to say of the play, but lines like that were dangerous wh
en you were talking to someone who was reading English, especially when you were reading science.
“I suppose not,” was what he replied, which appeared to cover all possible lines of attack. “Do you want another beer?”
“I haven’t finished this one.”
“No.”
She was smoking. James didn’t smoke because he didn’t like it, but she smoked, rolled her own, in fact, because…what? She did like it? Or did she feel that rolling her own made her seem closer to the working class whose virtues she extolled? He wondered other things—did she smoke pot, perhaps? That was the term in those days. Pot, hash, grass, weed. Shit, if you were feeling very edgy. Probably others that he didn’t know. Anyway, did she? And another, much more disturbing question: did her mouth taste of cigarettes? Disturbing because her mouth was itself disturbing. Full, with a slightly heavy upper lip. And very red. Somehow not exactly English. And he knew—for a fleeting moment as he tried to think what else to say—that he would love to kiss it, cigarettes or no cigarettes.
“So what exactly are they searching for? Fando and Lis, I mean.”
“They aren’t exactly searching for anything.”
“Of course not. So what are they approximately searching for?”
That made her laugh. It was lovely, that laugh. Despite the cigarettes, her teeth were very white and the inside of her mouth coral pink. In contrast her skin was quite pale, and her hair—a curly cloud—straw-colored. He would never have admitted it to anyone, but just being there at the table with her, watching her laugh, brought the beginnings of an awkward erection.
“You’re so funny,” she said, which, laughter being the great aphrodisiac, made the erection worse.
“I suppose for fulfillment,” James suggested.
“What on earth do you mean, fulfillment? That’s a weasel word if there ever was one. I thought you scientists were meant to be precise.”
“Well…” he hesitated. “Love, perhaps.”
“God, you’ll be calling them hippies next.”
“Or maybe they’re just looking for a youth hostel.”
It was then, following a further little bout of laughter, that she asked, quite casually, apropos of nothing (as she might have said), the question: What are you doing in the long vac?
Vac. Inwardly James cringed. He hated terms like this. Rugger and cuppers and scouts and other stuff. Soccer as well. And he hated the prospect of long vac for what it was, a desert of nothing to do that stretched aimlessly from Trinity to Michaelmas and was both a purgatory and a wasted opportunity. Trinity and Michaelmas. More of those bloody terms. Terms for terms in this case, Trinity being spring term and Michaelmas being autumn. I mean, what did they mean, for Christ’s sake? Trinity, an atom-bomb test. And Michaelmas, a daisy. “I dunno, really,” he answered her, wishing he had something more impressive to say. “Got to get a job, I suppose, but what I really want to do is travel. I had thought of going to Europe. Hitching. But…”
“But what?”
“I was going with a mate but he’s had to cry off. So…” He hesitated, not wanting to go into too much detail. It wouldn’t sound cool, two guys going round battlefields. Because that’s what it was. A friend from home, like him an enthusiastic wargamer. Not something to admit to freely. Like trainspotting or stamp collecting, it seemed a silly, childish interest. Board games and that. Ludo, Cluedo, Monopoly, all the crappy amusements of childhood. Except that it wasn’t the same, really. It was an attempt to reconstruct the past, to relive it and learn from it. But to explain all that to Eleanor would have just made things worse—she’d have looked at him with that knowing look and made him feel foolish and naive. Better just keep quiet.
“That’s weird,” she said.
“Why weird?”
“I had the same idea. But my friend decided to get married instead.”
“A guy?”
“To a guy. She’s a girl. We were going to retrace the Sentimental Journey. Do you know it?”
“I remember my parents dancing to it in the sitting room. With Workers’ Playtime on the radio.”
Her laughter was so loud the hearties hushed their voices for a moment. “Not the song, you idiot. The book. By Sterne.”
Stern? He knew The Principles of Human Genetics by Curt Stern, but he doubted it was the same author. And of course there was the physicist Otto Stern, who must have published a great deal on quantum mechanics, but it wouldn’t be him. That was the trouble with science—it wasn’t the matter of ordinary discourse. You could get sconced in Hall for talking about bond energies, but you could never get sconced for talking about Shakespeare. Sconced. Another of those terms he hated, this one involving being challenged to drink too much beer out of one of those large silver tankards that graced the dining tables on special occasions in Hall. Punishment, of a kind. But Eleanor was going on. She’d clearly mistaken his ignorance for another of his jokes. “Oh, you should read it. It’s brilliantly funny, although not as important as Tristram Shandy. You have read Tristram Shandy, haven’t you? Anyway, we thought of taking it along with us as a guide—Sentimental Journey, I mean—although Sterne never gets beyond Lyon and the sequel, written by a friend after his death—”
“The friend’s?”
“Sterne’s, you fool. This friend tried to continue the book but his effort just isn’t up to the original. Anyway, that idea’s all finished now because Jenny’s gone and got engaged.”
“Shame.”
“So now I’m wondering what to do with myself.” She took a sip of beer and looked at him thoughtfully. “What about going together?”
The oarsmen had started up again and were making such a song and dance about things that James couldn’t even be sure if he had heard right.
“What did you say?”
She drew on her cigarette and blew blue smoke up towards the nicotine-stained ceiling. “I said, what about going together?”
The singing stopped. At least that is what it seemed to James, sitting there nursing his beer and his erection. “Sounds all right.”
“I mean, just as friends, of course.”
“Of course.”
“The idea was mainly to sleep rough. In railway stations, public parks, you know what I mean. Hostels and pensions at a pinch.”
“Could be dodgy for two girls.”
“That’s what my parents said. But it wouldn’t be as dodgy with a guy, would it?”
“No,” he agreed.
“So what do you say?”
He tried to take a calm swig of beer, but somehow it got caught up in his tonsils. Spluttering, he apologized.
“Of course, if you’ve got other ideas…”
“No, really.”
“It was just a thought…”
He looked at her, wondering. She wasn’t pretty, not in any ordinary meaning of the word, because she wasn’t ordinary-looking—she was striking. That wild, uncontrolled hair, those bold features, her cheeks dotted with faint freckles, her mouth designed with anger and amusement, her eyes alight with a green fire. And she had a reputation that was largely political, although it did extend, in some whispered conversations, to the sexual. She was a member of ORSS, the Oxford Revolutionary Socialist Students, and she had been manhandled—literally, although you could prove nothing; maybe his hand had just slipped—by the Oxford City police during a student occupation of the Clarendon Building. Subsequently she had spent a night in jail and had been charged with disturbing the peace and fined two pounds. Worse than that, she had been threatened by her college with rustication. Rustication was another of those words that James loathed. What was wrong with “suspension,” for Christ’s sake? Anyway, that little incident had made her political reputation. Her sexual reputation, on the other hand, was more obscure. Gossip had it that there had been a man who was no longer around. She had been in love with him but was now off men—a natural but temporary state, James surmised, for someone who had been crossed in love.
“Are you serious?”
“Of course I am.” She giggled.
“What are you laughing at?”
“Nothing. Just a thought, that’s all. No, don’t say it—“
But he already had, and realized his mistake as soon as the words were uttered: “Penny for them.”
She finished her beer. Maybe the suggestion she’d made was a terrible mistake.
“Well?” he insisted.
“Let’s go, shall we?”
“Are you serious?” he asked again, convinced that he must be the butt of some kind of tease.
“About going? Yes. I’ve got to meet someone who’s going to review the play. For the Oxford Mail, no less.”
“I meant, about this summer.”
“Oh, that.”
They climbed the steps up to the daylight of the Broad. Another of those terms. “The Broad.” “The High.” Why was the word “street” left out of the equation? “Well, are you?”
“Maybe, maybe not. Not if you talk in clichés. ‘Penny for them,’ indeed. Look, I must rush. See you later.”
And she’d gone.
2
Then came the performance itself, with its intensity of experience, its focus on the two of them—James and Eleanor, Fando and Lis—as they meandered across a creaking stage before the gaze of a hundred invisible faces. The play, with Lis tied up and dumped in an old pram and swearing love and devotion for her captor. The play with fear and fright and catharsis—Eleanor’s word—both in the script and in the minds of the players. The play, with Fando’s sudden raging temper and equally sudden collapses into recrimination and apology. The play with its inconsequential dialogue—”sub-Beckett,” wrote the reviewer in the Oxford Mail, stealing James’s unuttered line—and hopeless outcome.
“They loved your Mancunian accent, darling,” the director told James at the party after the opening, draping his arm round his shoulder.
