On a Chinese Screen

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On a Chinese Screen Page 15

by W. Somerset Maugham


  And then combining with the irksome throng and the din that exhausts your ears is a stench which time and experience enable you to distin~ guish into a thousand separate stenches. Your nostrils grow cunning. Foul odours beat upon your harassed nerves like the sound of uncouth instruments playing a horrible symphony.

  You cannot tell what are the lives of these thousands who surge about you. Upon your own people sympathy and knowledge give you a hold; you can enter into their lives, at least imaginatively, and in a way really possess them. By the effort of your fancy you can make them after a fashion part of yourself. But these are as strange to you as you are strange to them. You harve no clue to their mystery. For their likeness to yourself in so much does not help you; it serves rather to emphasize their difference. Someone attracts your attention, a pale youth with great horn spectacles and a book under his arm, whose studious look is pleasant, or an old man, wearing a hood, with a grey sparse beard and tired eyes : he looks like one of those sages that the Chinese artists painted in a rocky landscape or under Kang-hsi modelled in porcelain; but you might as well look at a brick wall. You have nothing to go upon, you do not know the first thing about them, and your imagination is baffled.

  But when, reaching the top of the hill, you come once more to the crenellated walls that surround the city and go out through the frowning gate, you come to the graves. They stretch over the country, one mile, two miles, three, four, five, interminable green mounds, up and down the hills, with grey stones to which the people once a year come to offer libation and to tell the dead how fare the living whom they left behind; and they are as thickly crowded, the dead, as are the living in the city; and they seem to press upon the living as though they would force them into the turbid, swirling river. There is something menacing about those serried ranks. It is as though they were laying siege to the city, with a sullen ruthlessness, biding their time; and as though in the end, encroaching irresistibly as fate, they would drive those seething throngs before them till the houses and the streets were covered by them, and the green mounds came down to the water gate. Then at last silence, silence would dwell there undisturbed.

  They are uncanny, those green graves, they are terrifying. They seem to wait.

  LVIII

  A LIBATION TO THE GODS

  SHE was an old woman, and her face was wizened and deeply lined. In her grey hair three long silver knives formed a fantastic headgear. Her dress of faded blue consisted of a long jacket, worn and patched, and a pair of trousers that reached a little below her calves. Her feet were bare, but on one ankle she wore a silver bangle. It was plain that she was very poor. She was not stout, but squarely built, and in her prime she must have done without effort the heavy work in which her life had been spent. She walked leisurely, with the sedate tread of an elderly woman, and she carried on her arm a basket. She came down to the harbour; it was crowded with painted junks; her eyes rested for a moment curiously on a man who stood on a narrow bamboo raft, fishing with cormorants; and then she set about her business. She put down her basket on the stones of the quay, at the water's edge, and took from it a red candle. This she lit and fixed in a chink of the stones. Then she took several joss-sticks, held each of them for a moment in the flame of the candle and set them up around it. She took three tiny bowls and filled them with a liquid that she had brought with her in a bottle and placed them neatly in a row. Then from her basket she took rolls of paper cash and paper "shoes," and unravelled them, so that they should burn easily. She made a little bonfire, and when it was well alight she took the three bowls and poured out some of their contents before the smouldering joss-sticks. She bowed herself three times and muttered certain words. She stirred the burning paper so that the flames burned brightly. Then she emptied the bowls on the stones and again bowed three times. No one took the smallest notice of her. She took a few more paper cash from her basket and flung them in the fire. Then without further ado, she took up her basket, and with the same leisurely, rather heavy tread, walked away. The gods were duly propitiated, and like an old peasant woman in France who has satisfactorily done her day's housekeeping, she went about her business.

  THE END.

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