by Lavie Tidhar
Nearly forty years have passed. I have seen so many dreams blossom and die, so many broken promises, and so many loved ones who followed the natural order of life, the one you rebelled against, forcing me to betray it, too. Papa always said that children should not die before their parents; I accepted that as a commandment.
One hundred and six years after your first departure, that message arrived on the hyperjump channel. That The Persephone would arrive in six days. That it would carry your body. Killed in an excavation accident on the fifth planet of Procyon Alpha. How large an error was it this time? One second, two…? Enough to bury all your passion for transcendence in an avalanche of xenophobic stones. I had wanted to cry, but at one hundred and eleven years of age, one's reflexes grow sluggish and sometimes disappear. I signed for your body in order to process the customary funeral ceremony. It did not surprise me to once again see the mother who had abandoned her home when I was five. Aside from the skin colour or the hair a centimetre or two longer, nothing had changed.
Now I have dressed you with my own hands, something I don't remember you ever having done for me, and I come back to your ears, as useless as my own have been, to those rock crystal earrings from Delta Altair.
Once more I sense the flames as they consume fat, tendons and bones. But I know that this will be the last time. Now you are returning to the heavens in the form of smoke. You return to the night, but not to the stars, those windows open to an endless parade of strangers' homes. Now that you will never leave again, now that, for some reason you could not foresee, the natural order of your life has been fulfilled, I can rest. I no longer have to look at the sky and ask which star you are on.
Branded
Lauren Beukes
South African writer Lauren Beukes is the author of novels Moxyland and Zoo City, raved about by everyone from André Brink to William Gibson. She works as a journalist and TV writer, and lives in Cape Town.
We were at Stones, playing pool, drinking, goofing around, maybe hoping to score a little sugar, when Kendra arrived, all moffied up and gloaming, like, an Aito/329. "Ahoy, Special K, where you been, girl, so juiced to kill?" Tendeka asked while he racked up the balls, all click-clack in their white plastic triangle. Old-school, this pool bar was. But Kendra didn't answer. Girl just grinned, reached into her back pocket for her phone, hung skate-rat-style off a silver chain connected to her belt, and infra'd five rand to the table to get tata machance on the next game.
But I was watching the girl and, as she slipped her phone back into her pocket, I saw that tell-tale glow ‘neath her sleeve. Long sleeves in summer didn't cut it. So, it didn't surprise me none in the least when K waxed the table. Ten-Ten was surprised though. Ten-Ten slipped his groove. But boy kept it in, didn't say anything, just infra'd another five to the table and racked ‘em again. Anyone else but Ten woulda racked ‘em hard, woulda slammed those balls on the table, eish. But Ten, Ten went the other way. Just by how careful he was. Precise ‘n clipped like an assembly line. So you could see.
Boyfriend wasn't used to losing, especially not to Special-K. I mean, the girl held her own ‘gainst most of us, but Ten could wax us all six-love, baby. Boyfriend carried his own cue in a special case. Kif shit, it was. Lycratanium, separate pieces that clicked into each other, assembled slick ‘n cold and casual-like, like he was a soldier in a war movie snapping a sniper rifle together. But Kendra, grinning now, said, "No, my bra. I'm out," set her cue down on the empty table next to us.
"Oh, ja, like Ten's gonna let this hook slide." Rob snorted into his drink.
"Best of three." Tendeka said and smiled loose and easy. Like it didn't matter and chalked his cue.
Girl hesitated and shrugged then. Picked up the cue. Tendeka flicked the triangle off the table, flip-rolling it between his fingers lightly. "Your break."
Kendra chalked-up, spun the white ball out to catch it at the line. Edged it then sideways so's it would take the pyramid out off-centre. Girl leant over the table. Slid the tip of the cue over her knuckles once, taking aim, pulled back and cut loose, smooth as sugar. Crack! Balls twisting out across the table. Sunk four solids straight-up. Black in the middle and not a single stripe down.
Rob whistled. "Shit. You been practising, K?"
Kendra didn't even look up. Took out another two solids and lined up a third in the corner pocket. Girl's lips twitched, but she didn't smile, no, didn't look at Ten, who was still sayin' nothin', like. He chalked his cue again, like he hadn't done it already, and stepped up. The freeze was so tight I couldn't take it. Anyway. I knew what was coming. So, off by the bar I was, but nears enough so I was still in on the action, like. Ten lined ‘em up and took out two stripes at the same time, rocketing ‘em into different pockets. Bounced the white off the pillow and took another, edged out the solid K had all lined up. Another stripe down and boy lined up a fifth blocking the corner pocket. "You're up."
Girl just stood there lookin' as if she was sizing up.
"K. You're up."
Girl snapped her head towards Tendeka. Tuned back in. Took her cue up, leant over, standing on tiptoes and nicked the white ball light as candy, so it floated, spinning, into the middle of table, like. Shrugged at Ten, smiling, and that ball just kept on spinning. Stepped back, set her cue down on the table next and started walking over to the bar, to me, while that white ball, damn, was still spinning.
"Hey! What the fuck?"
"Ah, c'mon, Ten. You know I gotcha down."
"What! Game ain't even started. And what's with this, man? Fuckin' party tricks don't mean shit."
"It's over, Ten."
"You on drugs, girl? You tweaked?"
"Fuck off, Ten."
Ten shoved his cue at Rob, who snatched it quick, and rounded on the girlfriend. "You're mashed, Kendra!" He grabbed her shoulder, spun her round, "C'mon, show me!"
"Kit Kat, baby. Give it a break."
"Oh yeah? Lemme see. C'mon."
"Fuck off, Tendeka! Serious!"
People were looking now. Cams were, too, though in a place like Stones, they probably weren't working none too well. Owner paid a premium for faulty equipment, like. Jazz was defending Kendra now. Not that she needed it. We all knew the girl wasn't a waster, like. Even Ten.
Now me. I was a waster. I was skeef. Jacked that kind shit straight into my tongue, popping lurid lurex candy capsules into the piercing to disseminate, like. Lethe or supersmack or kitty. Some prefer it old-style, pills ‘n needles, but me, the works work best straight in through that slippery warm pink muscle. Porous your mouth is. So's it's straight into the blood and saliva absorbs the rest into your glands. I could tell you all things about that wet-hole mouth that makes it perfect for drugs, like. But, tell you true, it's all cheap shit. Black-market. Ill legit. Not like sweet Kendra's high. Oh, no, girl had gone the straight ‘n arrow. All the way, baby. All the way.
"C'mon Ten, back off, man." Rob was getting real nervous, like. Bartender, too, twitchin' to call his defuser. But Kendra-sweet had enough now, spun on Ten, finally, stuck out her tongue at him like a laaitie. And Jazz sighed. "There. Happy now?" But Ten wasn't. For yeah, sure as sugar, Special-K's tongue was a virgin. Never been pierced by a stud let alone an applijack. Never had that sweet rush as the micro-needles release slick-quick into the fleshy pink. Never had her tongue go numb with the dark oiliness of it so's you can't speak for minutes. Doesn't matter though. Talkin'd be least of your worries. Supposin' you had any. But then Ten knew that all along. Cos you can't play the way the girlfriend did on the rof. Tongue's not the only thing that goes numb. And boyfriend knows it. And everything's click-clicking into place.
"Oh you fucking crazy little shit. What have you done?" Ten was grabbing at her now, tough-like, her swatting at him, pulling away as he tried to get a hold of her sleeve. Jazz was yelling again. "Ease off, Tendeka!" Shouldn't have wasted her air time. Special-K could look after herself all well now. After those first frantic swats, something levelled. Only to be expected when she's so fresh. Stil
l adjustin', like. But you could see it kick in. Sleek, it was. So's instant she's flailing about and the next she lunges, catches him under his chin with the heel of her palm. Boy's head snaps back and at the same time she shoves him hard so's he falls backwards, knocks over a table on his way. Glass smashing and the bartender's pissed now. Everyone still, except Rob who laughed once, abrupt.
Girl gave Ten a look. Cocky as a street kid. But wary, it was, too. Not of him, although he was already getting up. Not that she could sustain, like. Battery was running low now. Was already when she first set down her cue. And boy was pissed indeed. But that look, boys and girls, that look was wary, not of him at all. But of herself, like.
Ten was on his feet now, screaming. The plot was lost, boys and girls. The plot was gone. Cut himself on the broken glass. Like paint splats on to the wooden floor. Lunged at Kendra, backing away, hands up, but still with that look. And boy was big. Intent on serious damage, yelling and not hearing his cell bleep first warning then second. Like I said, the plot was gone. Way past its expiry date.
Then predictable; defuser kicked in. Higher voltage than necessary, like, but bartender was pissed. Ten jerked epileptic. Some wasters I know set off their own phone's defuser, on low settings, like, for those dark an' hectic beats. Even rhythm can be induced, boys and girls. But it's not maklik. Have to hack SAPcom to sms the trigger signal to your phone. Worse now since the cops privatised, upgraded the firewalls. That or tweak the hardware and then the shocks could come random. Crisp you KFC.
Me, I defused my defuser. ‘Lectric and lethe don't mix. Girlfriend in Sea Point pulled the plug one time. Simunye. Cost ten kilos of sugar so's it don't come cheap an' if the tec don't know what they're doing, ha, crisp you KFC. Or worse, Disconnect. Off the networks. Solitary confinement, like. Not worth the risk, boys and girls, unless you know the tec is razor.
So, Ten, jerking to imaginary beats. Bartender hit endcall finally and boy collapsed to floor, panting. Jasmine knelt next to him. Ten's phone still crackling. VIMbots scuttling to clean up blood an' glass and spilled liquor. Other patrons were turning away now. Game over. Please infra another coin. Kendra stood watching a second, then also turned away, walked up to the bar where I was sitting.
"Cause any more kak like that, girl, an I'll crisp you, too." The bartender said as she sat down on the bar stool next to me.
"Oh, please. Like how many dial-ins you got left for the night?" Kendra snapped, but girl was looking almost as strung out as Ten was now.
"Yeah, well don't make me waste ‘em all on you."
"Just get me a Sprite, okay?"
Behind her, Jazz and Rob were holdin' Tendeka up. He made as if to move for the bar, but Jazz pulled him back, wouldn't let him. Not least cos of the look the bartender shot them. Boy was too fried to stir anyway, but said, loud enough for all to hear, "Sell out."
"Get the fuck out, kid." Dismissive the bartender was. Knew there was no fight left.
"Fucking corporate whore!"
"C'mon, Ten. Let's go." Jazz was escortin' him out.
Kendra ignored him. Girl had her Sprite now and downed it in one. Asked for another.
Already you could see it kickin' in.
"Can I see?" I asked, mock sly-shy.
Kendra shot me a look which I couldn't figure and then finally slid up her sleeve reluctant, like, revealing the glow tattooed on her wrist.
The bartender clicked his tongue as he set down the drink. "Sponsor baby, huh?"
Sprite logo was emblazoned there, not on her skin, but under it, shining through, with the slogan, "just be it".
No rinkadink light show, was this. Nanotech she'd signed up for changed the bio-structure of her cells, made ‘em phosphorescent in all the right places. Nothing you couldn't get done at the local light-tat salon, but corporate sponsorship came with all the extras. Even on lethe, I wasn't ‘blivious to the ad campaigns on the underway. But Kendra was the first I knew to get Branded, like.
Girl was flying now. Ordered a third Sprite. Brain reacting like she was on some fine-ass bliss, drowning her in endorphins an serotonin, Sprite binding with aminos and the tiny bio-machines hummin' at work in her veins. Voluntary addiction with benefits. Make her faster, stronger, more co-ordinated. Ninja-slick reflexes. Course, if she'd sold her soul to Coke instead, she'd be sharper, wittier. Coke nano lubes the transmitters. Neurons firing faster, smarter, more productive. All depends on the brand, on your lifestyle of choice and it's all free if you qualify. Waster like me would never get with the programme, but sweet Kendra, straight up candidate of choice. Apply now, boys and girls, while stocks last. You'll never afford this high on your own change.
Special K turned to me, on her fourth now, blissed out on the carbonated nutri-sweet and the tech seething in her hot little sponsor baby bod, nodded, "And one for my friend," to the bartender, like. And who was I to say no?
December 8th
Raúl Flores Iriarte
Translated by Daniel W. Koon and the Author
Raúl Flores lives in Havana. He is the author of several short story collections, from 2000's The Dark Side of the Moon to 2010's Paperback Writer. He is also the author of the novella Balada de Jeanette. The following story, appearing here in English for the first time, won the 2006 Juventud Técnica SF contest.
Hello," I say to John Lennon. It's cold in Manhattan. Much colder than I'm used to. Madonna is circling around the streets like a maniac in her brand-new Porsche, the one I gave her just a few minutes earlier.
"Who are you?" John asks.
I introduce myself. "I'm here to save your life," I tell him.
"What's this about saving my life?" he replies. John speaks impeccable English. As if he had been born in England. And then I remember: he was born in England.
I explain to him about Mark David Chapman. He is the lunatic. He is the assassin. He is the walrus.
"That's crazy," John says. I can almost make out the words as they leave his mouth, like the hook of a great pop song. The one that was never written.
"He's going to come here and kill you today. Tonight. While we're talking here, he's lurking out there. Waiting. Plotting. With a copy of The Catcher in the Rye under his arm."
John looks at me as if I'm crazy, too. Or like he doesn't understand English. Or maybe both.
"That's a good book," he mutters.
"What?" I say.
"Catcher in the Rye. Good book. Salinger is a—"
"Listen," I interrupt him, raising my voice. "This is no time for literary chit-chat. There's barely time to explain. I'll just take your place and try to stop Chapman. Kill him if I have to."
"And you're going to do all this because…?" he asks.
A set of lyrics flashes into my mind like lightning: Because the world is round it turns me on. But instead I say: "To change the future. To give you a new life, borrowed time. You could have a Beatles reunion in a couple years, new songs for the old fans. Won't you please…help me? It'll be just like starting over."
His song (Just Like) Starting Over has been rocketing up the charts. I am hoping he appreciates the reference. I continue: "You see that girl driving that Porsche up and down the street like a maniac? Well, her name is Madonna Louise Veronica Ciccone, but in three or four years, everyone will know her as simply "Madonna". She's got a lot of talent, but right now, nobody knows her. I've changed all that. Bought her the Porsche, given her the money to bankroll her first LP, and I made her sign two hundred or three hundred autographs for me to sell in the future."
After losing a couple of minutes in the cold Manhattan air, I manage to convince John Winston Lennon. It took revealing two or three state secrets, describing what Paul McCartney was up to on November 3, 1967, and showing him my portable time machine.
"But, look," he says, "there's not going to be any Beatles reunion any time ever. That's finished. Over. Kaput. Capisce?"
Winter in Manhattan, a few minutes before ten o'clock. I get out of the limo, Yoko stands next to me. Chapman approaches
from out of the blue and yells something I can't quite make out. My mind is as lucid as ever, but my ears are deaf for the time being, or so it seems.
"Mister John!" he shouts and I can understand him this time.
I turn around, and he empties his pistol's chambers into my chest.
The bullet-proof vest absorbs the impacts.
Then I empty my own gun into him.
The Dakota Hotel, snow falling over a dead man's body with the swirling precision of a nightmare. Yoko begins to cry. John comes up to me and says, "So, that's the guy." Someone out there yells for an ambulance.
Lennon walks out onto the street, maybe to get a better view of the scene, or maybe to hail a taxi to move the corpse to the nearest hospital. Or the nearest morgue. However, at that very instant the ghostlike silhouette of a dark Porsche is crossing the street with the speed of a shooting star. It's all over in a microsecond. Half a microsecond.
The car screeches to a halt, the squeal of its brakes can be heard all the way to San Francisco, and the body of John Winston Lennon goes flying some five metres into the air before crashing into a lamppost. And that's that.