by P. J. Day
"Was your novel finished?" she suddenly asked.
"I think so."
"Then you are out of danger. He will want nothing else of you. But you should have taken it with you."
"I had only sufficient presence of mind to slip it back into the drawer. To-morrow I shall simply demand it."
"You will do nothing of the kind. It is in his handwriting, and you have no legal proof that it is yours. You must take it away secretly. And he will not dare to reclaim it."
"And Jack?"
She had quite forgotten Jack. Women are invariably selfish for those they love.
"You must warn him," she replied.
"He would laugh at me. However, I must speak to Reginald."
"It is of no avail to speak to him. At least, you must not do so before you have obtained the manuscript. It would unnecessarily jeopardise our plans."
"And after?"
"After, perhaps. But you must not expose yourself to any danger."
"No, dear," he said, and kissed her; "what danger is there, provided I keep my wits about me? He steals upon men only in their sleep and in the dark."
"Be careful, nevertheless."
"I shall. In fact, I think he is not at home at this moment. If I go now I may be able to get hold of the manuscript and hide it before he returns."
"I cannot but tremble to think of you in that house."
"You shall have no more reason to tremble in a day or two."
"Shall I see you to-morrow?"
"I don’t think so. I must go over my papers and things so as to be ready at any moment to leave the house."
"And then?"
"Then—"
He took her in his arms and looked long and deeply into her eyes.
"Yes," she replied—"at least, perhaps."
Then he turned to go, resolute and happy. How strangely he had matured since the summer! Her heart swelled with the consciousness that it was her love that had effected this transformation.
"As I cannot expect you to-morrow, I shall probably go to the opera, but I shall be at home before midnight. Will you call me up then? A word from you will put me at ease for the night, even if it comes over the telephone."
"I will call you up. We moderns have an advantage over the ancients in this respect: the twentieth-century Pyramus can speak to Thisbe even if innumerable walls sever his body from hers."
"A quaint conceit! But let us hope that our love-story will end less tragically," she said, tenderly caressing his hair. "Oh, we shall be happy, you and I," she added, after a while. "The iron finger of fate that lay so heavily on our lives is now withdrawn. Almost withdrawn. Yes, almost. Only almost."
And then a sudden fear overcame her.
"No," she cried, "do not go, do not go! Stay with me; stay here. I feel so frightened. I don’t know what comes over me. I am afraid—afraid for you."
"No, dear," he rejoined, "you need not be afraid. In your heart you don’t want me to desert a friend, and, besides, leave the best part of my artistic life in Reginald’s clutch."
"Why should you expose yourself to God knows what danger for a friend who is ready to betray you?"
"You forget friendship is a gift. If it exacts payment in any form, it is no longer either friendship or a gift. And you yourself have assured me that I have nothing to fear from Reginald. I have nothing to give to him."
She rallied under his words and had regained her self-possession when the door closed behind him. He walked a few blocks very briskly. Then his pace slackened. Her words had unsettled him a little, and when he reached home he did not at once resume his exploration of Reginald’s papers. He had hardly lit a cigarette when, at an unusually early hour, he heard Reginald’s key in the lock.
Quickly he turned the light out and in the semi-darkness, lit up by an electric lantern below, barricaded the door as on the previous night. Then he went to bed without finding sleep.
Supreme silence reigned over the house. Even the elevator had ceased to run. Ernest’s brain was all ear. He heard Reginald walking up and down in the studio. Not the smallest movement escaped his attention. Thus hours passed. When the clock struck twelve, he was still walking up and down, down and up, up and down.
One o’clock.
Still the measured beat of his footfall had not ceased. There was something hypnotic in the regular tread. Nature at last exacted its toll from the boy. He fell asleep.
Hardly had he closed his eyes when again that horrible nightmare—no longer a nightmare—tormented him. Again he felt the pointed delicate fingers carefully feeling their way along the innumerable tangled threads of nerve-matter that lead to the innermost recesses of self....
A subconscious something strove to arouse him, and he felt the fingers softly withdrawn.
He could have sworn that he heard the scurrying of feet in the room. Bathed in perspiration he made a leap for the electric light.
But there was no sign of any human presence. The barricade at the door was undisturbed. But fear like a great wind filled the wings of his soul.
Yet there was nothing, nothing to warrant his conviction that Reginald Clarke had been with him only a few moments ago, plying his horrible trade. The large mirror above the fireplace only showed him his own face, white, excited,—the face of a madman.
XXIX.
The next morning’s mail brought a letter from Ethel, a few lines of encouragement and affection. Yes, she was right; it would not do for him to stay under one roof with Reginald any longer. He must only obtain the manuscript and, if possible, surprise him in the attempt to exercise his mysterious and criminal power. Then he would be in the position to dictate terms and to demand Jack’s safety as the price of his silence.
Reginald, however, had closeted himself that day in his studio busily writing. Only the clatter of his typewriter announced his presence in the house. There was no chance for conversation or for obtaining the precious manuscript of "Leontina."
Meanwhile Ernest was looking over his papers and preparing everything for a quick departure. Glancing over old letters and notes, he became readily interested and hardly noticed the passage of the hours.
When the night came he only partly undressed and threw himself upon the bed. It was now ten. At twelve he had promised Ethel to speak to her over the telephone. He was determined not to sleep at all that night. At last he would discover whether or not on the previous and other nights Reginald had secretly entered his room.
When one hour had passed without incident, his attention relaxed a little. His eyes were gradually closing when suddenly something seemed to stir at the door. The Chinese vase came rattling to the floor.
At once Ernest sprang up. His face had blanched with terror. It was whiter than the linen in which they wrap the dead. But his soul was resolute.
He touched a button and the electric light illuminated the whole chamber. There was no nook for even a shadow to hide. Yet there was no one to be seen. From without the door came no sound. Suddenly something soft touched his foot. He gathered all his will power so as not to break out into a frenzied shriek. Then he laughed, not a hearty laugh, to be sure. A tiny nose and a tail gracefully curled were brushing against him. The source of the disturbance was a little Maltese cat, his favourite, that by some chance had remained in his room. After its essay at midnight gymnastics the animal quieted down and lay purring at the foot of his bed.
The presence of a living thing was a certain comfort, and the reservoir of his strength was well nigh exhausted.
He dimly remembered his promise to Ethel, but his lids drooped with sheer weariness. Perhaps an hour passed in this way, when suddenly his blood congealed with dread.
He felt the presence of the hand of Reginald Clarke—unmistakably—groping in his brain as if searching for something that had still escaped him.
He tried to move, to cry out, but his limbs were paralysed. When, by a superhuman effort, he at last succeeded in shaking off the numbness that held him enchained, he awoke just in time to s
ee a figure, that of a man, disappearing in the wall that separated Reginald’s apartments from his room....
This time it was no delusion of the senses. He heard something like a secret door softly closing behind retreating steps. A sudden fierce anger seized him. He was oblivious of the danger of the terrible power of the older man, oblivious of the love he had once borne him, oblivious of everything save the sense of outraged humanity and outraged right.
The law permits us to shoot a burglar who goes through our pockets at night. Must he tolerate the ravages of this a thousand times more dastardly and dangerous spiritual thief? Was Reginald to enjoy the fruit of other men’s labour unpunished? Was he to continue growing into the mightiest literary factor of the century by preying upon his betters? Abel, Walkham, Ethel, he, Jack, were they all to be victims of this insatiable monster?
Was this force resistless as it was relentless?
No, a thousand times, no!
He dashed himself against the wall at the place where the shadow of Reginald Clarke had disappeared. In doing so he touched upon a secret spring. The wall gave way noiselessly. Speechless with rage he crossed the next room and the one adjoining it, and stood in Reginald’s studio. The room was brilliantly lighted, and Reginald, still dressed, was seated at his writing-table scribbling notes upon little scraps of paper in his accustomed manner.
At Ernest’s approach he looked up without evincing the least sign of terror or surprise. Calmly, almost majestically, he folded his arms over his breast, but there was a menacing glitter in his eyes as he confronted his victim.
XXX.
Silently the two men faced each other. Then Ernest hissed:
"Thief!"
Reginald shrugged his shoulders.
"Vampire!"
"So Ethel has infected you with her absurd fancies! Poor boy! I am afraid.... I have been wanting to tell you for some time.... But I think.... We have reached the parting of our road!"
"And that you dare to tell me!"
The more he raged, the calmer Reginald seemed to become.
"Really," he said, "I fail to understand.... I must ask you to leave my room!"
"You fail to understand? You cad!" Ernest cried. He stepped to the writing-table and opened the secret drawer with a blow. A bundle of manuscripts fell on the floor with a strange rustling noise. Then, seizing his own story, he hurled it upon the table. And behold—the last pages bore corrections in ink that could have been made only a few minutes ago!
Reginald smiled. "Have you come to play havoc with my manuscripts?" he remarked.
"Your manuscripts? Reginald Clarke, you are an impudent impostor! You have written no word that is your own. You are an embezzler of the mind, strutting through life in borrowed and stolen plumes!"
And at once the mask fell from Reginald’s face.
"Why stolen?" he coolly said, with a slight touch of irritation. "I absorb. I appropriate. That is the most any artist can say for himself. God creates; man moulds. He gives us the colours; we mix them."
"That is not the question. I charge you with having wilfully and criminally interfered in my life; I charge you with having robbed me of what was mine; I charge you with being utterly vile and rapacious, a hypocrite and a parasite!"
"Foolish boy," Reginald rejoined austerely. "It is through me that the best in you shall survive, even as the obscure Elizabethans live in him of Avon. Shakespeare absorbed what was great in little men—a greatness that otherwise would have perished—and gave it a setting, a life."
"A thief may plead the same. I understand you better. It is your inordinate vanity that prompts you to abuse your monstrous power."
"You err. Self-love has never entered into my actions. I am careless of personal fame. Look at me, boy! As I stand before you I am Homer, I am Shakespeare ... I am every cosmic manifestation in art. Men have doubted in each incarnation my individual existence. Historians have more to tell of the meanest Athenian scribbler or Elizabethan poetaster than of me. The radiance of my work obscured my very self. I care not. I have a mission. I am a servant of the Lord. I am the vessel that bears the Host!"
He stood up at full length, the personification of grandeur and power. A tremendous force trembled in his very finger tips. He was like a gigantic dynamo, charged with the might of ten thousand magnetic storms that shake the earth in its orbit and lash myriads of planets through infinities of space....
Under ordinary circumstances Ernest or any other man would have quailed before him. But the boy in that epic moment had grown out of his stature. He felt the sword of vengeance in his hands; to him was intrusted the cause of Abel and of Walkham, of Ethel and of Jack. His was the struggle of the individual soul against the same blind and cruel fate that in the past had fashioned the ichthyosaurus and the mastodon.
"By what right," he cried, "do you assume that you are the literary Messiah? Who appointed you? What divine power has made you the steward of my mite and of theirs whom you have robbed?"
"I am a light-bearer. I tread the high hills of mankind ... I point the way to the future. I light up the abysses of the past. Were not my stature gigantic, how could I hold the torch in all men’s sight? The very souls that I tread underfoot realise, as their dying gaze follows me, the possibilities with which the future is big.... Eternally secure, I carry the essence of what is cosmic ... of what is divine.... I am Homer ... Goethe ... Shakespeare.... I am an embodiment of the same force of which Alexander, Cæsar, Confucius and the Christos were also embodiments.... None so strong as to resist me."
A sudden madness overcame Ernest at this boast. He must strike now or never. He must rid humanity of this dangerous maniac—this demon of strength. With a power ten times intensified, he raised a heavy chair so as to hurl it at Reginald’s head and crush it.
Reginald stood there calmly, a smile upon his lips.... Primal cruelties rose from the depth of his nature.... Still he smiled, turning his luminous gaze upon the boy ... and, behold ... Ernest’s hand began to shake ... the chair fell from his grasp.... He tried to call for help, but no sound issued from his lips.... Utterly paralysed he confronted ... the Force....
Minutes—eternities passed.
And still those eyes were fixed upon him.
But this was no longer Reginald!
It was all brain ... only brain ... a tremendous brain-machine ... infinitely complex ... infinitely strong. Not more than a mile away Ethel endeavoured to call to him through the night. The telephone rang, once, twice, thrice, insistingly. But Ernest heard it not. Something dragged him ... dragged the nerves from his body dragged, dragged, dragged.... It was an irresistible suction ... pitiless ... passionless ... immense.
Sparks, blue, crimson and violet, seemed to play around the living battery. It reached the finest fibres of his mind.... Slowly ... every trace of mentality disappeared.... First the will ... then feeling ... judgment ... memory ... fear even.... All that was stored in his brain-cells came forth to be absorbed by that mighty engine....
The Princess With the Yellow Veil appeared ... flitted across the room and melted away. She was followed by childhood memories ... girls’ heads, boys’ faces.... He saw his dead mother waving her arms to him.... An expression of death-agony distorted the placid features.... Then, throwing a kiss to him, she, too, disappeared. Picture on picture followed.... Words of love that he had spoken ... sins, virtues, magnanimities, meannesses, terrors ... mathematical formulas even, and snatches of songs. Leontina came and was swallowed up.... No, it was Ethel who was trying to speak to him ... trying to warn.... She waved her hands in frantic despair.... She was gone.... A pale face ... dark, dishevelled hair.... Jack.... How he had changed! He was in the circle of the vampire’s transforming might. "Jack," he cried. Surely Jack had something to explain ... something to tell him ... some word that if spoken would bring rest to his soul. He saw the words rise to the boy’s lips, but before he had time to utter them his image also had vanished. And Reginald ... Reginald, too, was gone.... There was only the mighty b
rain ... panting ... whirling.... Then there was nothing.... The annihilation of Ernest Fielding was complete.
Vacantly he stared at the walls, at the room and at his master. The latter was wiping the sweat from his forehead. He breathed deeply.... The flush of youth spread over his features.... His eyes sparkled with a new and dangerous brilliancy.... He took the thing that had once been Ernest Fielding by the hand and led it to its room.
XXXI.
With the first flush of the morning Ethel appeared at the door of the house on Riverside Drive. She had not heard from Ernest, and had been unable to obtain connection with him at the telephone. Anxiety had hastened her steps. She brushed against Jack, who was also directing his steps to the abode of Reginald Clarke.
