After Many a Summer Dies the Swan

by Aldous Huxley

  “What purpose?” asked Dr. Obispo.

  Jeremy did not answer for a little while. Then he shook his head in bewilderment. “What on earth is happening now?” he said. “Listen to this. ‘My funeral will be conducted with all the Pomp befitting my exalted Rank and the eminence of my Virtues. John and Caroline were miserly and ungrateful enough to object to the expense; but I have insisted that my Obsequies shall cost not a penny less than Four Thousand Pounds. My only Regret is that I shall be unable to leave my subterranean Retreat to see the Pageantry of Woe and to study the expression of grief upon the withered faces of the new Earl and his Countess. Tonight I shall go down with Kate to our Quarters in the Cellarage; and tomorrow morning the World will hear the news of my death. The body of an aged Pauper has already been conveyed hither in Secret from Haslemere, and will take my place in the Coffin. After the Interment the New Earl and Countess will proceed at once to Gonister, where they will take up their Residence, leaving this house untenanted except for Parsons, who will serve as Caretaker and provide for our material wants. The Gold and Bank Notes brought by Parsons from London are already bestowed in a subterranean hiding place known only to myself, and it has been arranged that, every First of June, so long as I live, five thousand pounds in cash shall be handed over by myself to John, or to Caroline, or, in the event of their predeceasing me, to their Heir, or to some duly authorized Representative of the Family. By this arrangement, I flatter myself, I have placed them hardly less in my power than I have been placed in theirs. The betrayal of my secret would cost them the Title and Estates, and would expose them, moreover, to a prosecution for Perjury. Nor is this all. My Life is worth to them five thousand pounds a year in Cash, and they know that, at the first suspicion of foul play, I should at once destroy the sources of their supply. I rely upon Cupidity and Fear to fortify their Honour and to fill the Place left vacant by the Affection they most certainly do not feel.’ And that’s all,” said Jeremy, looking up. “There’s nothing else. Just two more blank pages, and that’s the end of the book. Not another word of writing.”

  There was a long silence. Once more, Dr. Obispo got up and began to walk about the room.

  “And nobody knows how long the old buzzard lived on?” he said at last.

  Jeremy shook his head. “Not outside the family. Perhaps those two old ladies . . .”

  Dr. Obispo halted in front of him, and banged the table with his fist. “I’m taking the next boat to England,” he announced dramatically.

  Chapter IX

  TODAY, even the Children’s Hospital brought Mr. Stoyte no consolations. The nurses had welcomed him with their friendliest smiles. The young House Physician encountered in the corridor was flatteringly deferential. The convalescents shouted “Uncle Jo!” with all their customary enthusiasm, and, as he paused beside their beds, the faces of the sick were momentarily illuminated with pleasure. His gifts of toys were received as usual, sometimes with noisy rapture, sometimes (more touchingly) in the silence of a happiness speechless with amazement and incredulity. On his round of the various wards, he saw, as on other days, the pitiful succession of small bodies distorted by scrofula and paralysis, of small emaciated faces resigned to suffering, of little angels dying, and martyred innocents, and snub-faced imps of mischief tortured into a reluctant stillness.

  Ordinarily it all made him feel good—like he wanted to cry, but at the same time like he wanted to shout and be proud: proud of just being human, because these kids were human and you’d never seen anything so brave as they were; and proud that he had done this thing for them, given them the finest hospital in the state, and all the best that money could buy. But today his visit brought none of the customary reactions. He had no impulsion either to cry or to shout. He felt neither pride, nor the anguish of sympathy, nor the exquisite happiness that resulted from their combination. He felt nothing—nothing except the dull, gnawing misery which had been with him all that day, at the Pantheon, with Clancy, in his down-town office. Driving out from the city, he had looked forward to his visit to the hospital as an asthma patient might look forward to a dose of adrenalin or an opium smoker to a long-postponed pipe. But the looked-for relief had not come. The kids had let him down.

  Taking his cue from what had happened at the end of previous visits, the porter smiled at Mr. Stoyte as he left the hospital and said something about it being the finest bunch of great little kids he ever knew. Mr. Stoyte looked at him blankly, nodded without speaking and passed on.

  The porter watched him go. “Jeepers Creepers!” he said to himself, remembering the expression on Mr. Stoyte’s face.

  Mr. Stoyte drove back to the castle, feeling as unhappy as he had felt when he left it in the morning. He went up with the Vermeer to the fourteenth floor; Virginia was not in her boudoir. He went down to the tenth; but she was not in the billiard room. He dropped to the second; but she was being neither manicured nor massaged. In a sudden access of suspicion, he descended to the sub-sub-basement and almost ran to see if she were in the laboratory with Pete; the laboratory was empty. A mouse squeaked in its cage and behind the glass of the aquarium one of the aged carp glided slowly from shadow into light and from light once more into green shadow. Mr. Stoyte hurried back to the elevator, shut himself in with the Dutchman’s dream of everyday life mysteriously raised to the pitch of mathematical perfection, and pressed the topmost of the twenty-three buttons.

  Arrived at his destination, Mr. Stoyte slid back the gate of the elevator and looked out through the glass panel in the second door.

  The water of the swimming pool was perfectly still. Between the battlements, the mountains had taken on their evening richness of golden light and indigo shadow. The sky was cloudless and transparently blue. A tray with bottles and glasses had been set on the iron table at the further side of the pool, and behind the table stood one of the low couches on which Mr. Stoyte was accustomed to take his sun baths. Virginia was lying on this couch, as though anaesthetized, her lips parted, her eyes closed, one arm dropped limply and its palm lying upwards on the floor, like a flower carelessly thrown aside and forgotten. Half concealed by the table, Dr. Obispo, the Claude Bernard of his subject, was looking down into her face with an expression of slightly amused scientific curiosity.

  In its first irrepressible uprush, Mr. Stoyte’s fury came near to defeating its own homicidal object. With a great effort, he checked the impulse to shout, to charge headlong out of the elevator, waving his fists and foaming at the mouth. Trembling under the internal pressure of pent-up rage and hatred, he groped in the pocket of his jacket. Except for a child’s rattle and two packets of chewing gum left over from his distribution of gifts at the hospital, it was empty. For the first time in months, he had forgotten his automatic.

  For a few seconds, Mr. Stoyte stood hesitating, undecided what to do. Should he rush out, as he had first been moved to do, and kill the man with his bare hands? Or should he go down and fetch his gun? In the end, he decided to get the gun. He pressed the button, and the lift dropped silently down its shaft. Unseeing, Mr. Stoyte glared at the Vermeer; and from her universe of perfected geometrical beauty, the young lady in blue satin turned her head from the open harpsichord and looked out, past the draped curtain, over the black and white tessellated floor—out through the window of the picture frame into that other universe in which Mr. Stoyte and his fellow creatures had their ugly and untidy being.

  Mr. Stoyte ran to his bedroom, opened the drawer in which his handkerchiefs were kept, rummaged furiously among the silks and cambrics, and found nothing. Then he remembered. Yesterday morning he had worn no jacket. The gun had been in his hip pocket. Then Pedersen had come to give him his Swedish exercises. But a gun in the hip pocket was uncomfortable, if you did things on your back, on the floor. He had taken it out and put it away in the writing desk in his study.

  Mr. Stoyte ran back to the elevator, went down four floors and ran to the study. The gun was in the top left-hand drawer of the writing table; he remembered ex
actly.

  The top left-hand drawer of the writing table was locked. So were all the other drawers.

  “God damn that old bitch!” Mr. Stoyte shouted, as he tugged at the handles.

  Thoughtful and conscientious in every detail, Miss Grogram, his secretary, always locked up everything before she went home.

  Still cursing Miss Grogram, whom he hated at the moment almost as bitterly as he hated that swine there on the roof, Mr. Stoyte hurried back to the elevator. The gate was locked. During his absence in the study, somebody must have pressed the recall button on some other floor. Through the closed door he could hear the faint hum of the machinery. The elevator was in use. God only knew how long he would have to wait.

  Mr. Stoyte let out an inarticulate bellow, rushed along the corridor, turned to the right, opened a swing door, turned to the right again and was at the gate of the service lift. He seized the handle and pulled. It was locked. He pressed the recall button. Nothing happened. The service elevator was also in use.

  Mr. Stoyte ran back along the corridor, through the swing door, then through another swing door. Spiralled round a central well that went down two hundred feet into the depths of the cellars, the staircase mounted and descended. Mr. Stoyte started to climb. Breathless after only two floors, he ran back to the elevators. The service elevator was still in use; but the other responded to the call of the button. Dropping from somewhere overhead, it came to a halt in front of him. The locked door un locked itself. He pulled it open and stepped in. The young lady in satin still occupied her position of equilibrium in a perfectly calculated universe. The distance of her left eye from the left side of the picture was to its distance from the right side as one is to the square root of two minus one; and the distance of the same eye from the bottom of the picture was equal to its distance from the left side. As for the knot of ribbons on her right shoulder—that was precisely at the corner of an imaginary square with the sides equal to the longer of the two golden sections into which the base of the picture was divisible. A deep fold in the satin skirt indicated the position of the right side of this square and the lid of the harpsichord marked the top. The tapestry in the upper right-hand corner stretched exactly one-third of the way across the picture and had its lower edge at a height equal to the base. Pushed forward by the browns and dusky ochres of the background, the blue satin encountered the black and white marble slabs of the floor and was pushed back, to be held suspended in mid picture-space, like a piece of steel between two magnets of opposite sign. Within the frame nothing could have been different; the stillness of that world was not the mere immobility of old paint and canvas; it was also the spirited repose of consummated perfection.

  “The old bitch,” Mr. Stoyte kept growling to himself and then, turning in memory from his secretary to Dr. Obispo, “The swine!”

  The elevator came to a stop. Mr. Stoyte darted out and hurried along the corridor to Miss Grogram’s empty office. He thought he knew where she kept the keys; but it turned out that he was wrong. They were somewhere else. But where? where? where? Frustration churned up his rage into a foam of frenzy. He opened drawers and flung their contents on the floor, he scattered the neatly filed papers about the room, he overturned the dictaphone, he even went to the trouble of emptying the bookshelves and upsetting the potted cyclamen and the bowl of Japanese goldfish which Miss Grogram kept on the window sill. Red scales flashed among the broken glass and the reference books. One gauzy tail was black with spilled ink. Mr. Stoyte picked up a bottle of glue and, with all his might, threw it down among the dying fish.

  “Bitch!” he shouted. “Bitch!”

  Then suddenly he saw the keys, hanging in a neat little bunch on a hook near the mantelpiece, where, he suddenly remembered, he had seen them a thousand times before.

  “Bitch!” he shouted with redoubled fury, as he seized them. He hurried towards the door, pausing only to push the typewriter off its table. It fell with a crash into the chaos of torn paper and glue and goldfish. That would serve the old bitch right, Mr. Stoyte reflected with a kind of maniacal glee as he ran towards the elevator.

  Chapter X

  BARCELONA had fallen.

  But even if it had not fallen, even if it had never been besieged, what then?

  Like every other community, Barcelona was part machine, part sub-human organism, part nightmare-huge projection and embodiment of men’s passions and insanities—their avarice, their pride, their lust for power, their obsession with meaningless words, their worship of lunatic ideals.

  Captured or uncaptured, every city and nation has its being on the plane of the absence of God. Has its being on the plane of the absence of God, and is therefore foredoomed to perpetual self-stultification, to endlessly reiterated attempts at self-destruction.

  Barcelona had fallen. But even the prosperity of human societies is a continual process of gradual or catastrophic falling. Those who build up the structures of civilization are the same as those who undermine the structures of civilization. Men are their own termites, and must remain their own termites for just so long as they persist in being only men.

  The towers rise, the palaces, the temples, the dwellings, the workshops; but the heart of every beam is gnawed to dust even as it is laid, the joists are riddled, the floors eaten away under the feet.

  What poetry, what statues—but on the brink of the Peloponnesian War! And now the Vatican is painted—just in time for the sack of Rome. And the Eroica is composed—but for a hero who turns out to be just another bandit. And the nature of the atom is elucidated—by the same physicists as volunteer in war-time to improve the arts of murder.

  On the plane of the absence of God, men can do nothing else except destroy what they have built—destroy even while they build—build with the elements of destruction. Madness consists in not recognizing the facts; in making wishes the fathers of thoughts; in conceiving things to be other than they really are; in trying to realize desired ends by means which countless previous experiments have shown to be inappropriate.

  Madness consists, for example, in thinking of oneself as a soul, a coherent and enduring human entity. But, between the animal below and the spirit above, there is nothing on the human level except a swarm of constellated impulses and sentiments and notions; a swarm brought together by the accidents of heredity and language; a swarm of incongruous and often contradictory thoughts and desires. Memory and the slowly changing body constitute a kind of spatio-temporal cage, within which the swarm is enclosed. To talk of it as though it were a coherent and enduring “soul” is madness. On the strictly human level there is no such thing as a soul.

  Though constellations, feeling-arrangements, desire-patterns. Each of these is strictly conditioned by the nature of its fortuitous origin. Our “souls” are so little “us” that we cannot even form the remotest conception how “we” should react to the universe, if we were ignorant of language in general, or even of our own particular language. The nature of our “souls” and of the world they inhabit would be entirely different from what it is, if we had never learnt to talk, or if we had learnt to talk Eskimo instead of English. Madness consists, among other things, in imagining that our “soul” exists apart from the language our nurses happen to have taught us.

  Every psychological pattern is determined; and, within the cage of flesh and memory, the total swarm of such patterns is no more free than any of its members. To talk of freedom in connexion with acts which in reality are determined is madness. On the strictly human level no acts are free. By their insane refusal to recognize facts as they are, men and women condemn themselves to have their desires stultified and their lives distorted or extinguished. No less than the cities and nations of which they are members, men and women are for ever falling, for ever destroying what they have built and are building. But whereas cities and nations obey the laws that come into play whenever large numbers are involved, individuals do not. Or rather need not; for though in actual fact most individuals allow themselves to be subjecte
d to these laws, they are under no necessity to do so. For they are under no necessity to remain exclusively on the human level of existence. It is in their power to pass from the level of the absence of God to that of God’s presence. Each member of the psychological swarm is determined; and so is the conduct of the total swarm. But beyond the swarm, and yet containing and interpenetrating it, lies eternity, ready and waiting to experience itself. But if eternity is to experience itself within the temporal and spatial cage of any individual human being, the swarm we call the “sour” must voluntarily renounce the frenzy of its activity, must make room, as it were, for the other timeless consciousness, must be silent to render possible the emergence of pro-founder silence. God is completely present only in the complete absence of what we call our humanity. No iron necessity condems the individual to the futile torment of being merely human. Even the swarm we call the soul has it in its power temporarily to inhibit its insane activity, to absent itself, if only for a moment, in order that, if only for a moment, God may be present. But let eternity experience itself, let God be sufficiently often present in the absence of human desires and feelings and preoccupations: the result will be a transformation of that life which must be lived, in the intervals, upon the human level. Even the swarm of our passions and opinions is susceptible to the beauty of eternity; and being susceptible becomes dissatisfied with its own ugliness; and being dissatisfied undertakes to change itself. Chaos gives place to order—not the arbitrary, purely human order that comes from the subordination of the swarm to some lunatic “ideal,” but an order that reflects the real order of the world. Bondage gives place to liberty—for choices are no longer dictated by the chance occurrences of earlier history, but are made teleologically and in the light of a direct insight into the nature of things. Violence and mere inertia give place to peace—for violence is the manic, and inertia the depressive, phase of that cyclic insanity, which consists in regarding the ego or its social projections as real entities. Peace is the serene activity which springs from the knowledge that our ‘‘souls” are illusory and their creations insane, that all beings are potentially united in eternity. Compassion is an aspect of peace and a result of the same act of knowledge.