Drinking sweet, hot coffee at his usual table, he passes the necessary hour while the market stalls and the stage for the evening pageant assemble themselves to the attentions of robot crabs and the clang of poles and the shouts of a few largely unnecessary artisans. The town, meanwhile, stretches itself and scratches its belly and emerges from its long meals and lovers’ slumbers. The girl with that Audrey Hepburn look, whom he now knows is called Jeannette, gives him a smile and goes over to say hi, bonjour. She thinks it’s sweet, that a mad old mountain goat like Tom should take the long way around to learning her language. And so does Michel, her boyfriend, who is as urbane and charming as anyone can be who’s got the muscles of a cartoon god and the green scaly skin of a reptile. They even help Tom carry his few boxes of stuff from the boot of his Citroën to the stall he’s booked, and wish him luck, and promise to come back and buy something later on in the evening, although Tom suspects they’ll be having too much fun by then to remember him.
But it turns out that business at his stall is surprisingly brisk in any case. It’s been this way for a couple of weeks now, and if it continues, Tom reckons he’ll have to order some new SETI t-shirts and tea towels to replace his lost stock, although the tea towels in particular will be hard to replace after all these years, seeing as people don’t seem to have any proper use for them any longer. They ask him what they’re for, these big SETI handkerchiefs, and then tie them around their necks like flags. Who’d have thought it—that tea towels would be a casualty of this future he finds himself in? But bargaining, setting a price for something and then dropping it to make the sale; that’s no problem for Tom. The numbers of another language come almost easily to him; he supposes his brain dimly remembers it once had an aptitude for maths.
The Foire aux Sorcières seems an odd festival for summer, but, even before the darkness has settled, the children are out, dressed as witches, ghosts, goblins, and waving lanterns which cast, through some technical trick Tom can’t even guess at, a night-murk across their faces. Still, the whole occasion, with those sweet and ghastly faces, the trailing sheets with cut eye-holes, the shrieking, cackling devices, has a pleasantly old-fashioned feel about it to Tom. Even the flyers, when they emerge, have done nothing more to change themselves than put on weird costumes and makeups, although, to Tom’s mind at least, many of them had looked the part already. The scene, as the sun finally sinks behind the tenements and a semblance of cool settles over the hot and frenzied square, is incredible. Some of the people wandering the stalls have even dressed themselves up as old-fashioned aliens. He spots a bulge-headed Martian, then a cluster of those slim things with slanted eyes that were always abducting people in the Midwest, and even someone dressed as that slippery grey thing that used to explode out of people’s stomachs in the films, although the guy’s taken the head off and is mopping his face with one of Tom’s SETI tea towels because he’s so hot inside it. If you half-closed your eyes, Tom thinks, it really could be market day on the planet Zarg, or anywhere else of a million places in this universe which he suspects that humanity will eventually get around to colonizing, when it stops having so much fun here on earth. Look at Columbus, look at Cook, look at Einstein, look at NASA. Look at Terr. We are, in the depths of our hearts, a questing, dreaming race.
Small demons, imps, and several ghosts cluster around him now, and ask him qu’est-ce que SETI? which Tom attempts to explain in French. They nod and listen and gaze up at him with grave faces. He’s almost thinking he’s starting to get somewhere, when they all dissolve into gales of laughter and scatter off though the crowds. He watches them go, smiling, those ghosts, those flapping sheets. When he refocuses his gaze, Madame Brissac has materialized before him. She is dressed as an old-fashioned witch. But she seems awkward beneath her stick-on warts and green make-up, shorn of the usual wooden counter which, even now that they’re attempting to talk to each other in the same language, still separates Tom and her. Still, she politely asks the price of his SETI paperweights, and rummages in her witchy bag and purchases one from him, and then comments on the warmth and the beauty of this evening, and how pretty and amusing the children are. And Tom agrees with her in French, and offers Madame Brissac a SETI tea towel at no extra cost, which she declines. Wishing him a good evening, she turns and walks away. But Tom still feels proud of himself, and he knows that’s she’s proud of him, too. It’s an achievement for them both, that they can talk to each other now in the same language, although, being Madame Brissac, she’ll never quite let it show.
The music rides over him. The crowds whoop and sing. The lanterns sway. Down the slope towards the river, the lace-draped stalls look almost cool in the soft breeze, which plays down from the hills and over the tenements as Tom sweats in his SETI t-shirt. Jean-Benoît’s down there, dressed in red as fallen Lucifer and surrounded by lesser demons, and looking most strange and splendid for his evening off. There’s no sign, though, of the woman in the dark blue dress whom Tom glimpsed standing in the sunlight all those weeks ago. He knows that Terr’s dead now, although the thought still comes as a cold, blunt shock to him. So how could there ever be any sign of Terr?
Tom’s got his days better sorted now. He’s never again gotten so drunk as to lose one whole day and imagine Thursday is Wednesday. In fact, nowadays, Tom never has a drink at all. It would be nice to say that he’s managed it through pure willpower. But he’s old, and a creature of habit, even when the habits are the wrong ones. And this is the future, after all. So Tom’s taken a vial, just as he had done several times before, and the need, the desire, the welling emptiness, faded so completely that he found himself wondering for the first few days what all the trouble and fuss had been about. But that was two months ago, and he still rarely entertains the previous stupid thoughts about how a social drink, a sip and a glass here and there, would be quite safe for someone like him. Even on a night such as this, when the air smells of wine and sweat and Pernod and coffee and Gitanes, and he can hear bottles popping and glasses clinking and liquid choruses of laughter all around the square, he doesn’t feel the usual emptiness. Or barely. Or at least he’s stopped kidding himself that it’s something the alcohol will ever fill, and decided to get on with the rest of his life unaided.
He sometimes wonders, during the long hot afternoons of his lessons with Madame Brissac, whether a woman in a blue dress and grey or blonde hair really did enter the bureau de poste to inquire about an elderly American called Tom Kelly on that magical Thursday. Sometimes, he’s almost on the brink of interrupting her as she forces him through the endless twists and turns of French grammar, although he knows she’d probably regard it as an unnecessary distraction. He’s thought of asking Jean-Benoît, too—at least, when he’s not dressed up as Lucifer—if he remembers a woman who could have been old or might have been young coming to his café, and who undertook to pass on the message cards he’d forgotten to take with him. Would they remember Terr? Would they deny that they’d ever seen her at all? More likely, Tom has decided, they’ll have long forgotten such a trivial incident amid the stream of faces and incidents which populate their lives.
Tom glances up from the bright Place de la Révolution at the few faint stars which have managed to gather over the rooftops and spires of St. Hilaire. Like Terr—or the ghost of her—he suspects they’ll remain a mystery that he’ll carry to his grave. But there’s nothing so terrible about mysteries. It was mystery, after all, which drew him to the stars in the first place. Wonder and mystery. He smiles to himself, and waves to Jeannette and Michel as they pass through the crowds. Then Jean-Benoît, amid great cheers, flaps his crimson wings and rises over the stalls and hovers floodlit above the church spire to announce the real beginning of the night’s festivities, which will involve fireworks, amazing pageants, dancing …
This Foire aux Sorcières will probably still be going on at sunrise, but Tom Kelly knows it will be too much for him. He’s getting too old for this world he finds himself in. He can barely keep pace. But he pe
rmits himself another smile as he starts to pack up his stall of SETI memorabilia, the t-shirts and paperweights, the lapel pins embossed with a tiny representation of the Drake Equation, which not a single person who’s bought one of the things has ever asked him to explain. He’s looking forward to the midnight drive back up his mountain in his old Citroën, and the way the stars will blossom when he finally turns off the headlights and steps into the cool darkness outside his hut, with the glitter of his tripwires, the hum and glow of his machines. Who knows what messages might be up there?
He’s Tom Kelly, after all.
And this might be the night.
He’s still listening, waiting.
© 2001 by Ian R. MacLeod.
Originally published in Sci Fiction.
Reprinted by permission of the author.
ABOUT THE AUTHOR
Ian R. MacLeod is the acclaimed writer of challenging and innovative speculative and fantastic fiction. His most recent novel, Wake Up and Dream, won the Sidewise Award for Alternate History, while his previous works have won the Arthur C. Clarke Award, the John W. Campbell Memorial Award, and the World Fantasy Award, and have been translated into many languages. His short story, “Snodgrass,” was developed for television in the United Kingdom as part of the Sky Arts series Playhouse Presents. MacLeod grew up in the West Midlands region of England, studied law, and spent time working and dreaming in the civil service before moving on to teaching and house-husbandry. He lives with his wife in the riverside town of Bewdley. This novella also appears in the author’s collection, Snodgrass and Other Illusions, which is available from Open Road Media. Learn more at openroadmedia.com/ian-macleod.
To learn more about the author and this story, read the Author Spotlight.
NOVEL EXCERPTS
Orbit Books Presents
Symbiont
(novel excerpt)
Mira Grant
CHAPTER 1
SEPTEMBER 2027
Dr. Cale’s lab might have been concealed in an abandoned bowling alley, but she’d clearly never seen that as a reason for her equipment to be anything less than state-of-the-art. The MRI scanner was kept in a private room, and was as elaborate and complex as anything they had at SymboGen. I tried to focus on how surprising it was to see a piece of machinery that complicated in a place like this as I shed my clothing on the floor and allowed Nathan to help me into the scanning bed. I’d been through this process before. It made it easy for me to lie still and close my eyes, pretending that none of the last few weeks had happened; that everything was still normal, that I was still me, and not the thing that I was desperately afraid I was becoming. Or worse, the thing I was even more afraid I had been all along.
The MRI came to life around me, the hammers and clangs of the vast machine blending with the insistent pounding of the drums in my ears until there was nothing else: just sound, vibrating through my flesh, anchoring itself beneath my sternum. My flesh, my sternum. Ownership was so easy to claim, but did I have any right to it?
Please, please, it’s something else, I thought, lying to myself one last time while the option was still open to me. Please, it’s not what I think it is. Please, there’s another answer …
The MRI gave one final pulse as it shut off. The sudden silence was deafening, only slightly lessened by the hum of the automated scanning bed sliding back out into the room, where the chill air raised goose bumps on my arms and legs. I grabbed a lab coat off the side of the machine, pulling it on as I climbed back to my feet. It didn’t do much to cut the chill, but I didn’t want to spend the time to pick up my clothes.
Nathan was seated at the monitor, the display reflecting off his glasses as he pulled up the first images of my insides. I stopped behind him, putting my hand on his shoulder. He put one of his hands over mine, using the other to continue working the mouse.
My abdomen should have been occupied by a lot of things: organs, scarring, and the pasty white mass of the SymboGen implant, which would naturally gravitate toward the base of my digestive system. It wasn’t there. The blood tests had been telling the truth: there was no residual tapeworm protein in my blood because there was no tapeworm in my digestive system. Nathan clicked to the next image. It wasn’t in my lungs, either. The image after that proved that my spinal cord was clean.
His fingers tightened on mine. I think that if I had told him to stop then, he would have, and we would both have walked away with the question unanswered. I didn’t tell him to stop. I needed to know. He did too, if only so that we would both be standing in the same place for once.
Nathan clicked the mouse. Everything changed.
The image showed the inside of a human skull, normal save for some small remodeling of the bone toward the back. The brain was there, lit up in bright colors that represented activity during the MRI. The tapeworm was there too, showing up as loops of nonreactive white against the bright neural map. It was deeply integrated, slithering in and out of brain tissue. But I’d known that before I’d seen the image, hadn’t I? I’d figured it out when I met Adam and Tansy, when I was faced with the reality of their existence. When I’d started to care about them, despite their monstrous origins.
Even knowing what they were hadn’t been strictly necessary, had it? Sherman was a tapeworm too, and I had always liked him best, out of all the people at SymboGen. From the moment I’d met him, I’d liked him. If I’d had even the slightest clue that he was a product of Dr. Cale’s lab, that would have given me the information I needed. When I met a tapeworm, when I met somebody like me, I liked them. I couldn’t help myself. Even if I’d wind up disliking them later, I started from a place of “you are family.”
So yes, I’d figured it out, and then I’d locked it away, because I hadn’t wanted to admit it to myself. Admitting it would make it real. Only I guess pictures could do the same thing, because I didn’t even try to deny that the image on the screen was me.
For the first time in my life, I was looking at who—at what—I really was.
I was never Sally Mitchell after all.
“The protein markers couldn’t cross the blood-brain barrier in a detectable form,” said Nathan. His voice was soft, like he was afraid anything louder would startle me. He wasn’t wrong. “It’s why we couldn’t detect …” He stopped, obviously unsure how to finish the sentence.
There was no kind way to do it. “Honey, you’re not human” isn’t a conversation either of us was equipped to have. “Mom was right,” I whispered. She’d called me a stranger, and it had hurt, but it hadn’t hurt as much as it should have, had it? No, because I’d already figured out the same thing she had: that I wasn’t Sally. Her daughter died in the accident that put her in the hospital. I was a stranger living inside her baby’s skin. I was a stranger to the entire human race. “Oh, my God. Nathan. Do you see … ?”
“It doesn’t change anything,” he said, suddenly fierce. He let go of my hand as he stood, pushing the chair out of the way before he turned and wrapped his arms around me. He pulled me against him, holding me so tight that I was almost scared he would crush me. I put my arms around him in turn, doing my best to hug him just as hard. Voice still sharp, he said, “Do you understand me? It doesn’t change anything.”
I raised my head and looked over his shoulder. Dr. Cale had parked her wheelchair in the doorway. She was sitting there watching us, an expression of profound regret on her face. I wouldn’t have believed that she was capable of looking so sad, but in that moment, she managed it, and in that moment, she looked like her son. Coloring and race didn’t matter, not when stacked up against that expression.
So much of the way she had always interacted with me made sense now. So much of it still needed to be made sense of. “No,” I said. “It changes everything.” The broken doors that Dr. Cale had spoken of so often were open now; I could no longer pretend that they were just a children’s story, something I could safely forget about or ignore.
I looked back to Nathan, raising my eyes to his face a
nd searching for any sign of rejection or revulsion. I didn’t want to leave him, but I didn’t want to make him stay with me if he couldn’t deal with the reality of what I was. I wasn’t sure I could deal with the reality of what I was—the calm I was feeling was probably shock, and would pass, replaced by hysteria. Better to make my choices now, when I could trust myself, than to let it wait until I was no longer thinking clearly.
How was I thinking at all? A tapeworm, no matter how cunningly engineered, didn’t have the size or complexity to think human-sized thoughts—but I managed it somehow. I had to be … the tapeworm part of me had to be driving Sally Mitchell’s brain, using it as storage somehow, like a person uses a computer. The thought made my stomach clench, and so I focused back on Nathan, who was safe; Nathan, who had never known Sally, but had fallen in love with Sal, with me, with the girl who had helped her injured sister into his office. He’d never batted an eye at any of my idiosyncrasies. Sally’s family had learned to love me when I replaced their daughter. Nathan had never needed to forget a person I could never be. That had always been so valuable to me. I was starting to understand a little bit more about why.
He met my eyes unflinchingly, and all I saw there was concern, and hope, and yes, love. He looked the same as he always had: black hair, brown eyes behind wire-framed glasses, golden-tan skin, and a serious expression that could spring into a smile at any moment. I didn’t see any fear or dismissal, or even dismay, in that face. I blinked.
“You knew,” I said, bewildered. “How did you know?”
“I told him.” Dr. Cale sounded tired. I pulled away from Nathan and turned to face his mother, who was pale where he was dark, from her sun-deprived skin to the watery blue of her eyes and the ashy blonde of her hair. Her shoulders sagged as she looked at me, and she said, “Back in my lab, when you were asleep on Adam’s cot. I thought he should … I’m sorry, Sal, but I thought my son should know that his girlfriend wasn’t entirely human. You clearly weren’t ready to have the same conversation. Perhaps it was wrong of me.”
Lightspeed Magazine, Issue 54 Page 19
