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Learning to Lose

Page 53

by David Trueba


  ————

  The translator would like to thank David Trueba, Javier Calvo, Doug Fielding, and Dídac.

  Copyright © 2008 David Trueba

  Copyright © 2008 Editorial Anagrama

  Originally published in Spanish as Saber perder by Editorial Anagrama, S.A., Barcelona, Spain, in 2008

  Translation copyright © 2009 Mara Faye Lethem

  This work has been published with a subsidy from the Directorate General of Books, Archives and Libraries of the Spanish Ministry of Culture.

  “Lullaby” (1937) copyright © 1940 & 1968 by W. H. Auden, from Collected Poems by W. H. Auden. Used by permission of Random House, Inc.

  Production Editor: Yvonne E. Cárdenas

  All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from Other Press LLC, except in the case of brief quotations in reviews for inclusion in a magazine, newspaper, or broadcast. For information write to Other Press LLC, 2 Park Avenue, 24th Floor, New York, NY 10016. Or visit our Web site: www.otherpress.com

  The Library of Congress has cataloged the printed edition as follows:

  Trueba, David, 1969-

  [Saber perder. English]

  Learning to lose / David Trueba ; translated by Mara Faye Lethem.

  p. cm.

  Originally published in Spanish as Saber perder in 2008.

  eISBN: 978-1-59051-388-0

  1. Teenage girls—Fiction. 2. Traffic accident victims—Fiction. 3. Soccer players—Fiction. 4. Fathers and daughters—Fiction. 5. Fathers and sons—Fiction. 6. Guilt—Fiction. 7. Fear of failure—Fiction. 8. Interpersonal relations—Fiction. 9. Madrid (Spain)—Fiction. 10. Psychological fiction. I. Lethem, Mara. II. Title.

  PQ6670.R77S2313 2010

  863′.64 dc22

  2010006933

  PUBLISHER’S NOTE:

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  v3.0

 

 

 


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