‘But I am forgetting Amaril. Their footsteps had brought down an old manservant with a candle. Amaril demanded to see the master of the house. He had already come to a decision. The old father lay asleep in an old-fashioned four-poster bed, in a room covered in bat-droppings, at the top of the house. Semira was by now practically insensible. But Amaril had come to a great decision. Taking the candle in one hand and the small Semira in the crook of his arm, he walked the whole way up to the top and kicked open the door of the father’s room. It must have been a strange and unfamiliar scene for the old man to witness as he sat up in bed — and Amaril describes it with all the touching flamboyance of the romantic, even moving himself in the recital so that he is in tears as he recalls it. He is touched by the magnificence of his own fancy, I think; I must say, loving him as much as I do, I felt tears coming into my own eyes as he told me how he put down the candle beside the bed, and kneeling down with Semira, said “I wish to marry your daughter and take her back into the world.” The terror and incomprehension of the old man at this unexpected visit took some time to wear off, and for a while it was hard to make him understand. Then he began to tremble and wonder at this handsome apparition kneeling beside his bed holding up his noseless daughter with his arm and proposing the impossible with so much pride and passion.
‘“But” the old man protested “no-one will take her, for she has no nose.” He got out of bed in a stained nightshirt and walked right round Amaril, who remained kneeling, studying him as one might an entomological specimen. (I am quoting.) Then he touched him with his bare foot — as if to see whether he was made of flesh and blood — and repeated: “Who are you to take a woman without a nose?” Amaril replied: “I am a doctor from Europe and I will give her a new nose,” for the idea, the fantastic idea, had been slowly becoming clear in his own mind. At the words, Semira gave a sob and turned her beautiful, horrible face to his, and Amaril thundered out: “Semira, will you be my wife?” She could hardly articulate her response and seemed little less doubtful of the whole issue than was her father. Amaril stayed and talked to them, convincing them.
‘The next day when he went back, he was received with a message that Semira was not to be seen and that what he proposed was impossible. But Amaril was not to be put off, and once more he forced his way in and bullied the father.
‘This, then, is the fantasy in which he has been living. For Semira, as loving and eager as ever, cannot leave her house for the open world until he fulfils his promise. Amaril offered to marry her at once, but the suspicious old man wants to make sure of the nose. But what nose? First Balthazar was called in and together they examined Semira, and assured themselves that the illness was due neither to leprosy nor syphilis but to a rare form of lupus — a peculiar skin T.B. of rare kind of which many cases have been recorded from the Damietta region. It had been left untreated over the years and had finally collapsed the nose. I must say, it is horrible — just a slit like the gills of a fish. For I too have been sharing the deliberations of the doctors and have been going regularly to read to Semira in the darkened rooms where she has spent most of her life. She has wonderful dark eyes like an odalisque and a shapely mouth and well-modelled chin: and then the gills of a fish! It is too unfair. And it has taken her ages to actually believe that surgery can restore the defect. Here again Amaril has been brilliant, in getting her interested in her restoration, conquering her self-disgust, allowing her to choose the nose from that portfolio, discuss the whole project with him. He has let her choose her nose as one might let one’s mistress choose a valuable bracelet from Pierantoni. It was just the right approach, for she is beginning to conquer her shame, and feel almost proud of being free to choose this valuable gift — the most treasured feature of a woman’s face which aligns every glance and alters every meaning: and without which good eyes and teeth and nan become useless treasures.
‘But now they have run into other difficulties, for the restoration of the nose itself requires techniques of surgery which are still very new; and Amaril, though a surgeon, does not wish there to be any mistake about the results. You see, he is after all building a woman of his own fancy, a face to a husband’s own specifications; only Pygmalion had such a chance before! He is working on the project as if his life depended on it — which in a way I suppose it does.
‘The operation itself will have to be done in stages, and will take ages to complete. I have heard them discussing it over and over again in such detail that I feel I could almost perform it myself. First you cut off a strip of the costal cartilage, here, where the rib joins the breastbone, and make a graft from it. Then you cut out a triangular flap of skin from the forehead and pull down-wards to cover the nose — the Indian technique, Balthazar calls it; but they are still debating the removal of a section of flesh and skin from inside the thigh.… You can imagine how fascinating this is for a painter and sculptor to think about. But meanwhile Amaril is going to England to perfect the operative technique under the best masters. Hence his demand for a visa. How many months he will be away we don’t know yet, but he is setting out with all the air of a knight in search of the Holy Grail. For he intends to complete the operation himself. Meanwhile, Semira will wait for him here, and I have promised to visit her frequently and keep her interested and amused if I can. It is not difficult, for the real world outside the four walls of her house sounds to her strange and cruel and romantic. Apart from a brief glimpse of it at carnival-time, she knows little of our lives. For her, Alexandria is as brilliantly coloured as a fairy-story. It will be some time before she sees it as it really is — with its harsh, circumscribed contours and its wicked, pleasure-loving and unromantic inhabitants. But you have moved!’
Mountolive apologized and said: ‘Your use of the word “unromantic” startled me, for I was just thinking how romantic it all seems to a newcomer.’
‘Amaril is an exception, though a beloved one. Few are as generous, as unmercenary as he. As for Semira — I cannot at present see what the future holds for her beyond romance.’ Clea sighed and smiled and lit a cigarette.
‘Espérons’ she said quietly.
VIII
‘A hundred times I’ve asked you not to use my razor’ said Pombal plaintively ‘and you do so again. You know I am Aafraid of syphilis. Who knows what spots, when you cut them, begin to leak?’
‘Mon cher collègue’ said Pursewarden stiffly (he was shaving his lip), and with a grimace which was somewhat intended to express injured dignity, ‘what can you mean? I am British. Hein?’
He paused, and marking time with Pombal’s cut-throat declaimed solemnly:
‘The British who perfected the horseless carriage
Are now working hard on the sexless marriage.
Soon the only permissible communion
Will be by agreement with one’s Trade Union.’
‘Your blood may be infected’ said his friend between grunts as he ministered to a broken suspender with one fat calf exposed upon the bidet. ‘You never know, after all.’
‘I am a writer’ said Pursewarden with further and deeper dignity. ‘And therefore I do know. There is no blood in my veins. Plasma’ he said darkly, wiping his ear-tip, ‘that is what flows in my veins. How else would I do all the work I do? Think of it. On the Spectator I am Ubique, on the New Statesman I am Mens Sana. On the Daily Worker I sign myself as Corpore Sana. I am also Paralysis Agitans on The Times and Ejaculatio Praecox in New Verse. I am …’ But here his invention failed him.
‘I never see you working’ said Pombal.
‘Working little, I earn less. If my work earned more than one hundred pounds a year I should not be able to take refuge in being misunderstood.’ He gave a strangled sob.
‘Compris. You have been drinking. I saw the bottle on the hall table as I came in. Why so early?’
‘I wished to be quite honest about it. It is your wine, after all. I wished to hide nothing. I have drunk a tot or so.’
‘Celebration?’
‘Yes.
Tonight, my dear Georges, I am going to do something rather unworthy of myself. I have disposed of a dangerous enemy and advanced my own position by a large notch. In our service, this would be regarded as something to crow about. I am going to offer myself a dinner of self-congratulation.’
Who will pay it?’
‘I will order, eat and pay for it myself.’
‘That is not much good.’
Pursewarden made an impatient face in the mirror.
‘On the contrary’ he said. ‘A quiet evening is what I most need. I shall compose a few more fragments of my autobiography over the good oysters at Diamandakis.’
‘What is the title?’
‘Beating about the Bush. The opening words are “I first met Henry James in a brothel in Algiers. He had a naked houri on each knee.”
Henry James was a pussy, I think.’
Pursewarden turned the shower on full and stepped into it crying: ‘No more literary criticism from the French, please.’
Pombal drove a comb through his dark hair with a laborious impatience and then consulted his watch. ‘Merde’ he said, ‘I am going to be retarded again.’
Pursewarden gave a shriek of delight. They adventured freely in each other’s languages, rejoicing like schoolboys in the mistakes which cropped up among their conversations. Each blunder was greeted with a shout, was turned into a war-cry. Pursewarden hopped with pleasure and shouted happily above the hissing of the water: ‘Why not stay in and enjoy a nice little nocturnal emission on the short hairs?’ (Pombal had described a radio broadcast thus the day before and had not been allowed to forget it.) He made a round face now to express mock annoyance. ‘I did not say it’ he said.
‘You bloody well did.’
‘I did not say “the short hairs” but the “short undulations” — des ondes courtes.’
‘Equally dreadful. You Quai d’Orsay people shock me. Now my French may not be perfect, but I have never made a ——’
‘If I begin with your mistakes — ha! ha!’
Pursewarden danced up and down in the bath, shouting ‘Nocturnal emissions on the short hairs’. Pombal threw a rolled towel at him and lumbered out of the bathroom before he could retaliate effectively.
Their abusive conversation was continued while the Frenchman made some further adjustments to his dress in the bedroom mirror. ‘Will you go down to Etoile later for the floor-show?’
‘I certainly will’ said Pursewarden. ‘I shall dance a Fox-Macabre with Darley’s girl-friend or Sveva. Several Fox-Macabres, in fact. Then, later on, like an explorer who has run out of pemmican, purely for body-warmth, I shall select someone and conduct her to Mount Vulture. There to sharpen my talons on her flesh.’ He made what he imagined to be the noise a vulture makes as it feeds upon flesh — a soft, throaty croaking. Pombal shuddered.
‘Monster he cried. ‘I go — good-bye.’
‘Good-bye. Toujours la maladresse!’
‘Toujours.’ It was their war-cry.
Left alone, Pursewarden whistled softly as he dried himself in the torn bath-towel and completed his toilet. The irregularities in the water system of the Mount Vulture Hotel often drove him across the square to Pombal’s flat in search of a leisurely bath and a shave. From time to time too, when Pombal went on leave, he would actually rent the place and share it, somewhat uneasily, with Darley who lived a furtive life of his own in the far corner of it. It was good from time to time to escape from the isolation of his hotel-room, and the vast muddle of paper which was growing up around his next novel. To escape — always to escape.… The desire of a writer to be alone with himself — ‘the writer, most solitary of human animals’; ‘I am quoting from the great Pursewarden himself’ he told his reflection in the mirror as he wrestled with his tie. Tonight he would dine quietly, self-indulgently, alone! He had gracefully refused a halting dinner invitation from Errol which he knew would involve him in one of those gauche, haunting evenings spent in playing imbecile paper-games or bridge. ‘My God’ Pombal had said, ‘your compatriots’ methods of passing the time! Those rooms which they fill with their sense of guilt! To express one idea is to stop a dinner party dead in its tracks and provoke an awkwardness, a silence.… I try my best, but always feel I’ve put my foot in it. So I always automatically send flowers the next morning to my hostess.… What a nation you are! How intriguing for us French because how repellent is the way you live!’
Poor David Mountolive! Pursewarden thought of him with compassion and affection. What a price the career diplomat had to pay for the fruits of power! ‘His dreams must forever be awash with the memories of fatuities endured — deliberately endured in the name of what was most holy in the profession, namely the desire to please, the determination to captivate in order to influence. Well! It takes all sorts to unmake a world.’
Combing his hair back he found himself thinking of Maskelyne, who must at this moment be sitting in the Jerusalem express jogging stiffly, sedately down among the sand-dunes and orange-groves, sucking a long pipe; in a hot carriage, fly-tormented without and roasted within by the corporate pride of a tradition which was dying.… Why should it be allowed to die? Maskelyne, full of the failure, the ignominy of a new post which carried advancement with it. The final cruel thrust. (The idea gave him a twinge of remorse for he did not underestimate the character of the unself-seeking soldier.) Narrow, acid, desiccated as a human being, nevertheless the writer somewhere treasured him while the man condemned him. (Indeed, he had made extensive notes upon him — a fact which would certainly have surprised Maskelyne had he known.) His way of holding his pipe, of carrying his nose high, his reserves.… It was simply that he might want to use him one day. ‘Are real human beings becoming simply extended humours capable of use, and does this cut one off from them a bit? Yes. For observation throws down a field about the observed person or object. Yes. Makes the unconditional response more difficult — the response to the common ties, affections, love and so on. But this is not only the writer’s problem — it is everyone’s problem. Growing up means separation in the interests of a better, more lucid joining up.… Bah!’ He was able to console himself against his furtive sympathy with Maskelyne by recalling a few of the man’s stupidities. His arrogance! My dear fellow, when you’ve been in “I” as long as I have you develop intuition. You can see things a mile off.’ The idea of anyone like Maskelyne developing intuition was delightful. Pursewarden gave a long crowing laugh and reached for his coat.
He slipped lightly downstairs into the dusky street, counting his money and smiling. It was the best hour of the day in Alexandria — the streets turning slowly to the metallic blue of carbon paper but still giving off the heat of the sun. Not all the lights were on in the town, and the large mauve parcels of dusk moved here and there, blurring the outlines of everything, repainting the hard outlines of buildings and human beings in smoke. Sleepy cafés woke to the whine of mandolines which merged in the shrilling of heated tyres on the tarmac of streets now crowded with life, with white-robed figures and the scarlet dots of tarbushes. The window-boxes gave off a piercing smell of slaked earth and urine. The great limousines soared away from the Bourse with softly crying horns, like polished flights of special geese. To be half-blinded by the mauve dusk, to move lightly, brushing shoulders with the throng, at peace, in that dry inspiriting air … these were the rare moments of happiness upon which he stumbled by chance, by accident. The pavements still retained their heat just as water-melons did when you cut them open at dusk; a damp heat slowly leaking up through the thin soles of one’s shoes. The sea-winds were moving in to invest the upper town with their damp coolness, but as yet one only felt them spasmodically. One moved through the dry air, so full of static electricity (the crackle of the comb in his hair), as one might swim through a tepid summer sea full of creeping cold currents. He walked towards Baudrot slowly through little isolated patches of smell — a perfume shed by a passing woman, or the reek of jasmine from a dark archway — knowing that the damp sea air w
ould soon blot them all out. It was the perfect moment for an aperitif in the half-light.
The long wooden outer balconies, lined with potted plants which exhaled the twilight smell of watered earth, were crowded now with human beings, half melted by the mirage into “fugitive cartoons of gestures swallowed as soon as made. The coloured awnings trembled faintly above the blue veils which shifted uneasily in the darkening alleys, like the very nerves of the lovers themselves who hovered here, busy on the assignations, their gestures twinkling like butterflies full of the evening promises of Alexandria. Soon the mist would vanish and the lights would blaze up on cutlery and white cloth, on ear-rings and flashing jewellery, on sleek oiled heads and smiles made brilliant by their darkness, brown skins slashed by white teeth. Then the cars would begin once more to slide down from the upper town with their elegant precarious freight of diners and dancers.… This was the best moment of the day. Sitting here, with his back against a wooden trellis, he could gaze sleepily into the open street, unrecognized and ungreeted. Even the figures at the next table were unrecognizable, the merest outlines of human beings. Their voices came lazily to him in the dusk, the mauve-veiled evening voices of Alexandrians uttering stockyard quotations or the lazy verses from Arabic love-poems — who could tell?
How good the taste of Dubonnet with a zeste de citron, with its concrete memory of a Europe long-since abandoned yet living on unforgotten below the surface of this unsubstantial life in Alexander’s shabby capital! Tasting it he thought enviously of Pombal, of the farmhouse in Normandy to which his friend hoped one day to return heart-whole. How marvellous it would be to feel the same assured relations with his own country, the same certainty of return! But his gorge rose at the mere thought of it; and at the same time the pain and regret that it should be so. (She said: ‘I have read the books so slowly — not because I cannot read fast as yet in Braille; but because I wanted to surrender to the power of each word, even the cruelties and the weaknesses, to arrive at the grain of the thought.’) The grain! It was a phrase which rang in one’s ear like the whimper of a bullet which passes too close. He saw her — the marble whiteness of the sea-goddess’ face, hair combed back upon her shoulders, staring out across the park where the dead autumn leaves and branches flared and smoked; a Medusa among the snows, dressed in her old tartan shawl. The blind spent all day in that gloomy subterranean library with its pools of shadow and light, their fingers moving like ants across the perforated surfaces of books engraved for them by a machine. (‘I so much wanted to understand, but I could not.’) Good, this is where you break into a cold sweat; this is where you turn through three hundred and sixty-five degrees, a human earth, to bury your face in your pillow with a groan! (The lights were coming on now, the veils were being driven upwards into the night, evaporating. The faces of human beings.…) He watched them intently, almost lustfully, as if to surprise their most inward intentions, their basic designs in moving here, idle as fireflies, walking in and out of the bars of yellow light; a finger atwinkle with rings, a flashing ear, a gold tooth set firmly in the middle of an amorous smile. ‘Waiter, kaman wahed, another please.’ And the half-formulated thoughts began to float once more across his mind (innocent, purged by the darkness and the alcohol): thoughts which might later dress up, masquerade as verses.… Visitants from other lives.
The Alexandria Quartet Page 62
