‘I am always so bad the first time, why is it?’
‘So am I.’
‘Are you afraid of me?’
‘No. Nor of myself.’
‘Did you ever imagine this?’
‘We must both have done. Otherwise it would not have happened.’
‘Hush! Listen.’
Rain was now falling in sheets as it so often did before dawn in Alexandria, chilling the air, washing down the stiffly clicking leaves of the palms in the Municipal Gardens, washing the iron grilles of the banks and the pavements. In the Arab town the earthen streets would be smelling like a freshly dug graveyard. The flower-sellers would be putting out their stocks to catch the freshness. I remembered their cry of ‘Carnations, sweet as the breath of a girl!’ From the harbour the smells of tar, fish and briny nets flowing up along the deserted streets to meet the scentless pools of desert air which would later, with the first sunlight, enter the town from the east and dry its damp façades. Somewhere, briefly, the hushing of the rain was pricked by the sleepy pang of a mandoline, inscribing on it a thoughtful and melancholy little air. I feared the intrusion of a single thought or idea which, inserting itself between these moments of smiling peace, might inhibit them, turn them to instruments of sadness. I thought too of the long journey we made from this very bed, since last we lay here together, through so many climates and countries, only to return once more to our starting-point, again captured once more by the gravitational field of the city. A new cycle which was opening upon the promise of such kisses and dazed endearments as we could now exchange — where would it carry us? I thought of some words of Arnauti, written about another woman, in another context: ‘You tell yourself that it is a woman you hold in your arms, but watching the sleeper you see all her growth in time, the unerring unfolding of cells which group and dispose themselves into the beloved face which remains always and for ever mysterious — repeating to infinity the soft boss of the human nose, an ear borrowed from a sea-shell’s helix, an eyebrow thought-patterned from ferns, or lips invented by bivalves in their dreaming union. All this process is human, bears a name which pierces your heart, and offers the mad dream of an eternity which time disproves in every drawn breath. And if human personality is an illusion? And if, as biology tells us, every single cell in our bodies is replaced every seven years by another? At the most I hold in my arms something like a fountain of flesh, continuously playing, and in my mind a rainbow of dust.’ And like an echo from another point of the compass I heard the sharp voice of Pursewarden saying: ‘There is no Other; there is only oneself facing forever the problem of one’s self-discovery!’
I had drifted into sleep again; and when I woke with a start the bed was empty and the candle had guttered away and gone out. She was standing at the drawn curtains to watch the dawn break over the tumbled roofs of the Arab town, naked and slender as an Easter lily. In the spring sunrise, with its dense dew, sketched upon the silence which engulfs a whole city before the birds awaken it, I caught the sweet voice of the blind muezzin from the mosque reciting the Ebed — a voice hanging like a hair in the palm-cooled upper airs of Alexandria. ‘I praise the perfection of God, the Forever existing; the perfection of God, the Desired, the Existing, the Single, the Supreme; the Perfection of God, the One, the Sole.… The great prayer wound itself in shining coils across the city as I watched the grave and passionate intensity of her turned head where she stood to observe the climbing sun touch the minarets and palms with light: rapt and awake. And listening I smelt the warm odour of her hair upon the pillow beside me. The buoyancy of a new freedom possessed me like a draught from what the Cabal once called ‘The Fountain of All Existing Things’. I called ‘Clea’ softly, but she did not heed me; and so once more I slept. I knew that Clea would share everything with me, withholding nothing — not even the look of complicity which women reserve only for their mirrors.
II
So the city claimed me once more — the same city made now somehow less poignant and less terrifying than it had been in the past by new displacements in time. If some parts of the old fabric had worn away, others had been restored. In the first few weeks of my new employment I had time to experience both a sense of familiarity and one of alienation, measuring stability against change, past against present tense. And if the society of my friends remained relatively the same, new influences had entered, new winds had sprung up; we had all begun, like those figures on revolving turntables in jewellers’ shops, to turn new facets of ourselves towards each other. Circumstances also helped to provide a new counterpoint, for the old, apparently unchanged city had now entered the penumbra of a war. For my part I had come to see it as it must always have been — a shabby little seaport built upon a sand-reef, a moribund and spiritless backwater. True this unknown factor ‘war’ had given it a specious sort of modern value, but this belonged to the invisible world of strategies and armies, not to ourselves, the inhabitants; it had swollen its population by many thousands of refugees in uniform and attracted those long nights of dull torment which were only relatively dangerous, for as yet the enemy was confining his operations strictly to the harbour area. Only a small area of the Arab quarter came under direct fire; the upper town remained relatively untouched, except perhaps for an occasional error of judgement. No, it was only the harbour at which the enemy scratched, like a dog at an inflamed scab. A mile away from it the bankers conducted their affairs by day as if from the immunity of New York. Intrusions into their world were rare and accidental. It came as a painful surprise to confront a shop-front which had been blasted in, or a lodging-house blown inside out with all its inhabitants’ clothes hanging in festoons from the neighbouring trees. This was not part of the normal expectation of things; it had the shocking rarity value merely of some terrible street accident.
How had things changed? It was not danger, then, but a less easily analysable quality which made the notion of war distinctive; a sensation of some change in the specific gravity of things. It was as if the oxygen content of the air we breathed were being steadily, invisibly reduced day by day; and side by side with this sense of inexplicable blood-poisoning came other pressures of a purely material kind brought about by the huge shifting population of soldiers in whom the blossoming of death released the passions and profligacies which lie buried in every herd. Their furious gaiety tried hard to match the gravity of the crisis in which they were involved; at times the town was racked by the frenetic outbursts of their disguised spleen and boredom until the air became charged with the mad spirit of carnival; a saddening and heroic pleasure-seeking which disturbed and fractured the old harmonies on which personal relationships had rested, straining the links which bound us. I am thinking of Clea, and her loathing for the war and all it stood for. She feared, I think, that the vulgar blood-soaked reality of this war world which spread around her might one day poison and infect our own kisses. ‘Is it fastidious to want to keep your head, to avoid this curious sexual rush of blood to the head which comes with war, exciting the women beyond endurance? I would not have thought the smell of death could be so exciting to them! Darley, I don’t want to be a part of this mental saturnalia, these overflowing brothels. And all these poor men crowded up here. Alexandria has become a huge orphanage, everyone grabbing at the last chance of life. You haven’t been long enough yet to feel the strain. The disorientation. The city was always perverse, but it took its pleasures with style at an old-fashioned tempo, even in rented beds: never up against a wall or a tree or a truck! And now at times the town seems to be like some great public urinal. You step over the bodies of drunkards as you walk home at night. I suppose the sunless have been robbed even of sensuality and drink compensates them for the loss! But there is no place in all this for me. I cannot see these soldiers as Pombal does. He gloats on them like a child — as if they were bright lead soldiers — because he sees in them the only hope that France will be freed. I only feel ashamed for them, as one might to see friends in convict garb; out of shame and sympat
hy I feel like turning my face away. Oh, Darley, it isn’t very sensible, and I know I am doing them a grotesque injustice; possibly it is just selfishness. So I force myself to serve them teas at their various canteens, roll bandages, arrange concerts. But inside myself I shrink smaller every day. Yet I always believed that a love of human beings would flower more strongly out of a common misfortune. It isn’t true. And now I am afraid that you too will begin to like me the less for these absurdities of thought, these revulsions of feeling. To be here, just the two of us, sitting by candlelight is almost a miracle in such a world. You can’t blame me for trying to hoard and protect it against the intrusive world outside, can you? Curiously, what I hate most about it all is the sentimentality which spells violence in the end!’
I understood what she meant, and what she feared; and yet from the depths of my own inner selfishness I was glad of these external pressures, for they circumscribed our world perfectly, penned us up more closely together, isolated us! In the old world I would have had to share Clea with a host of other friends and admirers. Not now.
Curiously, too, some of these external factors around us, involving us in its death-struggles — gave our newest passion a fulfilment not based on desperation yet nevertheless built just as certainly upon the sense of impermanence. It was of the same order, though different in kind to the dull orgiastic rut of the various armies; it was quite impossible to repudiate the truth, namely, that death (not even at hand, but in the air) sharpens kisses, adds unbearable poignance to every smile and handclasp. Even though I was no soldier the dark question mark hovered over our thoughts, for the real issues of the heart were influenced by something of which we were all, however reluctantly, part: a whole world. If the war did not mean a way of dying, it meant a way of ageing, of tasting the true staleness in human things, and of learning to confront change bravely. No-one could tell what lay beyond the closed chapter of every kiss. In those long quiet evenings before the bombardment began we would sit upon that small square of carpet by the light of candles, debating these matters, punctuating our silences with embraces which were the only inadequate answer we could offer to the human situation. Nor, lying in each other’s arms during those long nights of fitful sleep broken by the sirens, did we ever (as if by a silent convention) speak of love. To have uttered the word might acknowledge a more rare yet less perfect variety of the state which now bewitched us, perfected in us this quite unpremeditated relationship. Somewhere in Moeurs there is a passionate denunciation of the word. I cannot remember into whose mouth the speech has been put — perhaps Justine’s. ‘It may be defined as a cancerous growth of unknown origin which may take up its site anywhere without the subject knowing or wishing it. How often have you tried to love the “right” person in vain, even when your heart knows it has found him after so much seeking? No, an eyelash, a perfume, a haunting walk, a strawberry on the neck, the smell of almonds on the breath — these are the accomplices the spirit seeks out to plan your overthrow.’
Thinking of such passages of savage insight — and they are many in that strange book — I would turn to the sleeping Clea and study her quiet profile in order to … to ingest her, drink the whole of her up without spilling a drop, mingle my very heartbeats with hers. ‘However near we would wish to be, so far exactly do we remain from each other’ wrote Arnauti. It seemed to be no longer true of our condition. Or was I simply deluding myself once more, refracting truth by the disorders inherent in my own vision? Strangely enough I neither knew nor cared now; I had stopped rummaging through my own mind, had learned to take her like a clear draught of spring water.
‘Have you been watching me asleep?’
‘Yes.’
‘Unfair! But what thinking?’
‘Many things.’
‘Unfair to watch a sleeping woman, off her guard.’
‘Your eyes have changed colour again. Smoke.”
(A mouth whose paint blurred slightly under kisses. The two small commas, which were almost cusps, almost ready to turn into dimples when the lazy smiles broke surface. She stretches and places her arms behind her head, pushing back the helmet of fair hair which captures the sheen of the candle-light. In the past she had not possessed this authority over her own beauty. New gestures, new tendrils had grown, languorous yet adept to express this new maturity. A limpid sensuality which was now undivided by hesitations, self-questionings. A transformation of the old ‘silly goose’ into this fine, indeed impressive, personage, quite at one with her own body and mind. How had this come about?)
I: ‘That commonplace book of Pursewarden’s. How the devil did you come by it? I took it to the office today.’
She: ‘Liza. I asked her for something to remember him by. Absurd. As if one could forget the brute! He’s everywhere. Did the notes startle you?’
I: ‘Yes. It was as if he had appeared at my elbow. The first thing I fell upon was a description of my new chief, Maskelyne by name. It seems Pursewarden worked with him once. Shall I read it to you?’
She:’I know it.’
(‘Like most of my compatriots he had a large hand-illuminated sign hanging up on the front of his mind reading ON NO ACCOUNT DISTURB. At some time in the distant past he had been set going like a quartz clock. He will run his course unfaltering as a metronome. Do not let the pipe alarm you. It is intended to give a judicial air. White man smoke puff puff, white man ponder puff puff. In fact white man is deeply deeply asleep under the badges of office, the pipe, the nose, the freshly starched handkerchief sticking out of his sleeve.’)
She: ‘Did you read it to Maskelyne?’
I: ‘Naturally not.’
She: ‘There are wounding things about all of us in it; perhaps that is why I took a fancy to it! I could hear the brute’s voice as he uttered them. You know, my dear, I think I am the only person to have loved old Pursewarden for himself while he was alive. I got his wavelength. I loved him for himself, I say, because strictly he had no self. Of course he could be tiresome, difficult, cruel — like everyone else. But he exemplified something — a grasp on something. That is why his work will live and go on giving off light, so to speak. Light me a cigarette. He had cut a foothold in the cliff a bit higher than I could dare to go — the point where one looks at the top because one is afraid to look down! You tell me that Justine also says something like this. I suppose she got the same thing in a way — but I suspect her of being merely grateful to him, like an animal whose master pulls a thorn from its paw. His intuition was very feminine and much sharper than hers — and you know that women instinctively like a man with plenty of female in him; there, they suspect, is the only sort of lover who can sufficiently identify himself with them to … deliver them of being just women, catalysts, strops, oil-stones. Most of us have to be content to play the role of machine à plaisir!’
I: ‘Why do you laugh, suddenly like that?’
She: ‘I was remembering making a fool of myself with Pursewarden. I suppose I should feel ashamed of it! You will see what he says about me in the notebook. He calls me “a juicy Hanoverian goose, the only truly kallipygous girl in the city”! I cannot think what possessed me, except that I was so worried about my painting. It had dried up on me. I couldn’t get any further somehow, canvas gave me a headache. I finally decided that the question of my own blasted virginity was the root cause of the business. You know it is a terrible business to be a virgin — it is like not having one’s Matric or Bac. You long to be delivered from it yet … at the same time this valuable experience should be with someone whom you care for, otherwise it will be without value to your inside self. Well, there I was, stuck. So with one of those characteristic strokes of fancy which in the past confirmed for everyone my stupidity I decided — guess what? To offer myself grimly to the only artist I knew I could trust, to put me out of my misery. Pursewarden, I thought, might have an understanding of my state and some consideration for my feelings. I’m amused to remember that I dressed myself up in a very heavy tweed costume and flat shoes, and
wore dark glasses. I was timid, you see, as well as desperate. I walked up and down the corridor of the hotel outside his room for ages in despair and apprehension, my dark glasses firmly on my nose. He was inside. I could hear him whistling as he always did when he was painting a water colour; a maddening tuneless whistle! At last I burst in on him like a fireman into a burning building, startling him, and said with trembling lips: “I have come to ask you to dépuceler me, please, because I cannot get any further with my work unless you do.” I said it in French. It would have sounded dirty in English. He was startled. All sorts of conflicting emotions flitted across his face for a second. And then, as I burst into tears and sat down suddenly on a chair he threw his head back and roared with laughter. He laughed until the tears ran down his cheeks while I sat there in my dark glasses sniffing. Finally he collapsed exhausted on his bed and lay staring at the ceiling. Then he got up, put his arms on my shoulders, removed my glasses, kissed me, and put them back. Then he put his hands on his hips and laughed again. “My dear Clea” he said, “it would be anyone’s dream to take you to bed, and I must confess that in a corner of my mind I have often allowed the thought to wander but … dearest angel, you have spoilt everything. This is no way to enjoy you, and no way for you to enjoy yourself. Forgive my laughing! You have effectively spoiled my dream. Offering yourself this way, without wanting me, is such an insult to my male vanity that I simply would not be able to comply with your demand. It is, I suppose, a compliment that you chose me rather than someone else — but my vanity is larger than that! In fact your request is like a pailful of slops emptied over my head! I shall always treasure the compliment and regret the refusal but … if only you had chosen some other way to do it, how glad I would have been to oblige! Why did you have to let me see that you really did not care for me?”
The Alexandria Quartet Page 88
