Dawn roused him. Lilith was still sleeping, curled like a child on the sand, and for some time he stood gazing down at her. She was very beautiful, and now, with her tawny eyes closed, she seemed much less mysterious; she seemed no island nymph or dryad, but simply a lovely, savage, primitive girl. Yet he knew—-or he was beginning to suspect—the mad truth about Austin Island. If the truth were what he feared, then he might as well fall in love with a sphinx, or a mermaid, or a female centaur, as with Lilith.
He steeled himself. "Lilith!" he called gruffly.
She awoke with a start of terror. For a moment she faced him with sheer panic in her eyes; then she remembered, gasped, and smiled tremulously. Her smile made it very hard for him to remember what it was that he feared in her, for she looked beautifully and appealingly human save for her wild, flame-colored eyes, and even what he fancied he saw in those might be but his own imagining.
She followed him toward the trees. There was no sign of her bestial bodyguards, though Carver suspected their nearness. He breakfasted again on fruits chosen by Lilith, selected unerringly, from the almost infinite variety, by her delicate nostrils. Carver mused interestedly that smell seemed to be the one means of identifying genera on this insane island.
Smell is chemical in nature. Chemical differences meant glandular ones, and glandular differences, in the last analysis, probably accounted for racial ones. Very likely the differences between a cat, say, and a dog was, in the ultimate sense, a glandular difference. He scowled at the thought and stared narrowly at Lilith; but, peer as he might, she seemed neither more nor less than an unusually lovely little savage—except for her eyes.
He was moving toward the eastern part of the island, intending to follow the brook to the site of the ruined cabin, if it was a ruined cabin. Again he noted the girl's nervousness as they approached the stream that nearly bisected this part of the valley. Certainly, unless her fears were sheer superstition, there was something dangerous there. He examined his gun again, then strode on.
At the bank of the brook Lilith began to present difficulties. She snatched his arm and tugged him back, wailing, "No, no, no!" in frightened repetition.
When he glanced at her in impatient questioning, she could only repeat her phrase of yesterday. "Lay shot" she said, anxiously and fearfully. "Lay shot!"
"Humph!" he growled. "A cannon's the only bird I ever heard of that could—" He turned to follow the watercourse into the forest.
Lilith hung back. She could not bring herself to follow him there. For an instant he paused, looking back at her slim loveliness, then turned and strode on. Better that she remained where she was. Better if he never saw her again, for she was too beautiful for close proximity. Yet Heaven knew, he mused, that she looked human enough. But Lilith rebelled. Once she was certain that he was determined to go on, she gave a frightened cry. "Alan!" she called. "Al-an!"
He turned, astonished that she remembered his name, and found her darting to his side. She was pallid, horribly frightened, but she would not let him go alone.
Yet there was nothing to indicate that this region of the island was more dangerous than the rest. There was the same mad profusion of varieties of vegetation, the same unclassifiable leaves, fruits, and flowers. Only—or he imagined this—there were fewer birds.
One thing slowed their progress. At times the eastern bank of the rivulet seemed more open than their side, but Lilith steadfastly refused to permit him to cross. When he tried it, she clung so desperately and so violently to his arms that he at last yielded, and plowed his way through the underbrush on his own bank. It was as if the watercourse were a dividing line, a frontier, or—he frowned—a border.
By noon they had reached a point which Carver knew must be close indeed to the spot he sought. He peered through the tunnel that arched over the course of the brook, and there ahead, so overgrown that it blended perfectly with the forest wall, he saw it.
It was a cabin, or the remains of one. The log walls still stood, but the roof, doubtless of thatch, had long ago disintegrated. But what struck Carver first was the certainty, evident in design, in window openings, in doorway, that this was no native hut. It had been a white man's cabin of perhaps three rooms.
It stood on the eastern bank; but by now the brook had narrowed to a mere rill, gurgling from pool to tiny rapids. He sprang across, disregarding Lilith's anguished cry. But at a glimpse of her face he did pause. Her magnificent honey-hued eyes were wide with fear, while her lips were set in a tense little line of grimmest determination. She looked as an ancient martyr must have looked marching out to face the lions, as she stepped deliberately across to his side. It was almost as if she said, "If you are bound to die, then I will die beside you."
Yet within the crumbling walls there was nothing to inspire fear. There was no animal life at all, except a tiny, ratlike being that skittered out between the logs at their approach. Carver stared around him at the grassy and fern grown interior, at the remnants of decaying furniture and the fallen debris. It had been years since this place had known human occupants, a decade at the very least.
His foot struck something. He glanced down to see a human skull and a human femur in the grass. And then other bones, though none of them were in a natural position. Their former owner must have died there where the ruined cot sagged, and been dragged here by—well, by whatever it was that had feasted on human carrion.
He glanced sidewise at Lilith, but she was simply staring affrightedly toward the east. She had not noticed the bones, or if she had, they had meant nothing to her. Carver poked gingerly among them for some clue to the identity of the remains, but there was nothing save a corroded belt buckle. That, of course, was a little; it had been a man, and most probably a white man.
Most of the debris was inches deep in the accumulation of loam. He kicked among the fragments of what must once have been a cupboard, and again his foot struck something hard and round—no skull this time, but an ordinary jar.
He picked it up. It was sealed, and there was something in it. The cap was hopelessly stuck by the corrosion of years; Carver smashed the glass against a log. What he picked from the fragments was a notebook, yellowedged and brittle with time. He swore softly as a dozen leaves disintegrated in his hands, but what remained seemed stronger. He hunched down on the log and scanned the all-but-obliterated ink.
There was a date and a name. The name was Ambrose Callan, and the date was October 25th, 1921. He frowned. In 1921 he had been—let's see, he mused; fifteen years ago—he had been in grade school. Yet the name Ambrose Callan had a familiar ring to it.
He read more of the faded, written lines, then stared thoughtfully into space. That was the man, then. He remembered the Callan expedition because as a youngster he had been interested in far places, exploration, and adventure, as what youngster isn't? Professor Ambrose Callan of Northern; he began to remember that Morgan had based some of his work with artificial species—synthetic evolution—on Callan's observations.
But Morgan had only succeeded in creating a few new species of fruit fly, of Drosophila, by exposing germ plasm to hard X-rays. Nothing like this—this madhouse of Austin Island. He stole a look at the tense and fearful Lilith, and shuddered, for she seemed so lovely—and so human. He turned his eyes to the crumbling pages and read on, for here at last he was close to the secret.
He was startled by Lilith's sudden wail of terror. "Lay shot!" she cried. "Alan, lay shot!"
He followed her gesture, but saw nothing. Her eyes were doubtless sharper than his, yet—There! In the deep afternoon shadows of the forest something moved. For an instant he saw it clearly—a malevolent pygmy like the cat-eyed horror he had glimpsed drinking from the stream. Like it? No, the same; it must be the same, for here on Austin no creature resembled another, nor ever could, save by the wildest of chances.
The creature vanished before he could draw his weapon, but in the shadows lurked other figures, other eyes that seemed alight with nonhuman intelligence. He fired, and
a curious squawling cry came back, and it seemed to him that the forms receded for a time. But they came again, and he saw without surprise the nightmare horde of creatures.
He stuffed the notebook in his pocket and seized Lilith's wrist, for she stood as if paralyzed by horror. He backed away out of the doorless entrance, over the narrow brook. The girl seemed dazed, half hypnotized by the glimpses of the things that followed them. Her eyes were wide with fear, and she stumbled after him unseeing. He sent another shot into the shadows.
That seemed to rouse Lilith. "Lay shot!" she whimpered, then gathered her self-control. She uttered her curious call, and somewhere it was answered, and yet further off, answered again.
Her pack was gathering for her defense, and Carver felt a surge of apprehension for his own position. Might he not be caught between two enemies?
He never forgot that retreat down the course of the little stream. Only delirium itself could duplicate the wild battles he witnessed, the unearthly screaming, the death grips of creatures not quite natural, things that fought with the mad frenzy of freaks and outcasts. He and Lilith must have been slain immediately save for the intervention of her pack; they slunk out of the shadows with low, bestial noises, circling Carver cautiously, but betraying no scrap of caution against—the other things.
He saw or sensed something that had almost escaped him before. Despite their forms, whatever their appearance happened to be, Lilith's pack was doglike. Not in looks, certainly; it was far deeper than that. In nature, in character; that was it.
And their enemies, wild creatures of nightmare though they were, had something feline about them. Not in appearance, no more than the others, but in character and actions. Their method of fighting, for instance—all but silent, with deadly claw and needle teeth, none of the fencing of canine nature, but with the leap and talons of feline. But their aspect, their—their catness was more submerged by their outward appearance, for they ranged from the semi-human form of the little demon of the brook to ophidian-headed things as heavy and lithe as a panther. And they fought with a ferocity and intelligence that was itself abnormal.
Carver's gun helped. He fired when he had any visible target, which was none too often; but his occasional hits seemed to instill respect into his adversaries.
Lilith, weaponless save for stones and her wooden knife, simply huddled at his side as they backed slowly toward the beach. Their progress was maddeningly slow, and Carver began to note apprehensively that the shadows were stretching toward the east, as if to welcome the night that was sliding around from that half of the world. Night meant—destruction.
If they could attain the beach, and if Lilith's pack could hold the others at bay until Carver could build a fire, they might survive. But the creatures that were allied with Lilith were being overcome. They were hopelessly outnumbered. They were being slain more rapidly with each one that fell, as ice melts more swiftly as its size decreases.
Carver stumbled backward into orange-tinted sunlight. The beach! The sun was already touching the coral spit, and darkness was a matter of minutes—-brief minutes.
Out of the brush came the remnants of Lilith's pack, a half dozen nondescripts, snarling, bloody, panting, and exhausted. For the moment they were free of their attackers, since the catlike fiends chose to lurk among the shadows. Carver backed farther away, feeling a sense of doom as his own shadow lengthened in the brief instant of twilight that divided day from night in these latitudes. And then swift darkness came just as he dragged Lilith to the ridge of the coral spit.
He saw the charge impending. Weird shadows detached themselves from the deeper shadows of the trees. Below, one of the nondescripts whined softly. Across the sand, clear for an instant against the white ground coral of the beach, the figure of the small devil with the half-human posture showed, and a malevolent sputtering snarl sounded. It was exactly as if the creature had leaped forward like a leader to exhort his troops to charge.
Carver chose that figure as his target. His gun flashed; the snarl became a squawl of agony, and the charge came.
Lilith's pack crouched; but Carver knew that this was the end. He fired. The flickering shadows came on. The magazine emptied; there was no time now to reload, so he reversed the weapon, clubbed it. He felt Lilith grow tense beside him.
And then the charge halted. In unison, as if at command, the shadows were motionless, silent save for the low snarling of the dying creature on the sand. When they moved again, it was away—toward the trees!
Carver gulped. A faint shimmering light on the wall of the forest caught his eye, and he spun. It was true! Down the beach, down there where he had left his box of supplies, a fire burned, and rigid against the light, facing toward them in the darkness, were human figures. The unknown peril of fire had frightened off the attack. He stared. There in the sea, dark against the faint glow of the West, was a familiar outline. The Fortune! The men there were his associates; they had heard his shots and lighted the fire as a guide.
"Lilith!" he choked. "Look there. Come on!"
But the girl held back. The remnant of her pack slunk behind the shelter of the ridge of coral, away from the dread fire. It was no longer the fire that frightened Lilith, but the black figures around it, and Alan Carver found himself suddenly face to face with the hardest decision of his life.
He could leave her here. He knew she would not follow, knew it from the tragic light in her honey-hued eyes. And beyond all doubt that was the best thing to do; for he could not marry her. Nobody could ever marry her, and she was too lovely to take among men who might love her—as Carver did. But he shuddered a little as a picture flashed in his mind. Children! What sort of children would Lilith bear? No man could dare chance the possibility that Lilith, too, was touched by the curse of Austin Island.
He turned sadly away—a step, two steps, toward the fire. Then he turned.
"Come, Lilith," he said gently, and added mournfully, "other people have married, lived, and died without children. I suppose we can, too."
The Fortune slid over the green swells, northward toward New Zealand. Carver grinned as he sprawled in a deck chair. Halburton was still gazing reluctantly at the line of blue that was Austin Island.
"Buck up, Vance," Carver chuckled. "You couldn't classify that flora in a hundred years, and if you could, what'd be the good of it? There's just one of each, anyway."
"I'd give two toes and a finger to try," said Halburton. "You had the better part of three days there, and might have had more if you hadn't winged Malloa. They'd have gone home to the Chathams sure, if your shot hadn't got his arm. That's the only reason they made for Macquarie."
"And lucky for me they did. Your fire scared off the cats."
"The cats, eh? Would you mind going over the thing again, Alan? It's so crazy that I haven't got it all yet."
"Sure. Just pay attention to teacher and you'll catch on." He grinned. "Frankly, at first I hadn't a glimmering of an idea myself. The whole island seemed insane. No two living things alike! Just one of each genus, and all unknown genera at that. I didn't get a single clue until after I met Lilith. Then I noticed that she differentiated by smell. She told good fruits from poisonous ones by the smell, and she even identified that first cat-thing I shot by smell. She'd eat that because it was an enemy, but she wouldn't touch the dog-things I shot from her pack."
"So what?" asked Halburton, frowning.
"Well, smell is a chemical sense. It's much more fundamental than outward form, because the chemical functioning of an organism depends on its glands. I began to suspect right then that the fundamental nature of all living things on Austin Island was just the same as anywhere else. It wasn't the nature that was changed, but just the form. See?"
"Not a bit."
"You will. You know what chromosomes are, of course. They're the carriers of heredity, or rather, according to Weissman, they carry the genes that carry the determinants that carry heredity. A human being has forty-eight chromosomes, of which he gets twenty-four fr
om each parent."
"So," said Halburton, "has a tomato."
"Yes, but a tomato's forty-eight chromosomes carry a different heredity, else one could cross a human being with a tomato. But to return to the subject, all variations in individuals come about from the manner in which chance shuffles these forty-eight chromosomes with their load of determinants. That puts a pretty definite limit on the possible variations.
"For instance, eye color has been located on one of the genes on the third pair of chromosomes. Assuming that this gene contains twice as many brown-eye determinants as blue-eye ones, the chances are two to one that the child of whatever man or woman owns that particular chromosome will be brown-eyed—if his mate has no marked bias either way. See?"
"I know all that. Get along to Ambrose Callan and his notebook."
"Coming to it. Now remember that these determinants carry all heredity, and that includes shape, size, intelligence, character, coloring—everything. People—or plants and animals—can vary in the vast number of ways in which it is possible to combine forty-eight chromosomes with their cargo of genes and determinants. But that number is not infinite. There are limits, limits to size, to coloring, to intelligence. Nobody ever saw a human race with sky-blue hair, for instance."
"Nobody'd ever want to!" grunted Halburton.
"And," proceeded Carver, "that is because there are no blue-hair determinants in human chromosomes. But—and here comes Callan's idea—suppose we could increase the number of chromosomes in a given ovum. What then? In humans or tomatoes, if, instead of forty-eight, there were four hundred eighty, the possible range of variation would be ten times as great as it is now.
"In size, for instance, instead of the present possible variation of about two and a half feet, they might vary twenty-five feet! And in shape—a man might resemble almost anything! That is, almost anything within the range of the mammalian orders. And in intelligence—" He paused thoughtfully.
The Lost Master - The Collected Works Page 31
