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Dark Tales

Page 13

by Shirley Jackson


  “That’s awful wet,” the young man said. He opened the door and took the suitcase from Miss Harper. “I’ll just throw it in the back,” he said, and turned and tossed the suitcase into the back of the truck; Miss Harper heard the sodden thud of its landing, and wondered what things would look like when she unpacked; my bottle of cologne, she thought despairingly. “Get in,” the young man said, and, “My God, you’re wet.”

  Miss Harper had never climbed up into a truck before, and her skirt was tight and her gloves slippery from the rain. Without help from the young man she put one knee on the high step and somehow hoisted herself in; this cannot be happening to me, she thought clearly. The young man pulled away fastidiously as Miss Harper slid onto the seat next to him.

  “You are pretty wet,” the driver said, leaning over the wheel to look around at Miss Harper. “Why were you out in the rain like that?”

  “The bus driver.” Miss Harper began to peel off her gloves; somehow she had to make an attempt to dry herself. “He told me it was my stop.”

  “That would be Johnny Talbot,” the driver said to the other young man. “He drives that bus.”

  “Well, I’m going to report him,” Miss Harper said. There was a little silence in the truck, and then the driver said, “Johnny’s a good guy. He means all right.”

  “He’s a bad bus driver,” Miss Harper said sharply.

  The truck did not move. “You don’t want to report old Johnny,” the driver said.

  “I most certainly—” Miss Harper began, and then stopped. Where am I? she thought, what is happening to me? “No,” she said at last, “I won’t report old Johnny.”

  The driver started the truck, and they moved slowly down the road, through the mud and the rain. The windshield wipers swept back and forth hypnotically, there was a narrow line of light ahead from their headlights, and Miss Harper thought, what is happening to me? She stirred, and the young man next to her caught his breath irritably and drew back. “She’s soaking wet,” he said to the driver. “I’m wet already.”

  “We’re going down to the old lady’s,” the driver said. “She’ll know what to do.”

  “What old lady?” Miss Harper did not dare to move, even turn her head. “Is there any kind of a bus station? Or even a taxi?”

  “You could,” the driver said consideringly, “you could wait and catch that same bus tomorrow night when it goes through. Johnny’ll be driving her.”

  “I just want to get home as soon as possible,” Miss Harper said. The truck seat was dreadfully uncomfortable, she felt steamy and sticky and chilled through, and home seemed so far away that perhaps it did not exist at all.

  “Just down the road a mile or so,” the driver said reassuringly.

  “I’ve never heard of Ricket’s Landing,” Miss Harper said. “I can’t imagine how he came to put me off there.”

  “Maybe somebody else was supposed to get off there and he thought it was you by mistake.” This deduction seemed to tax the young man’s mind to the utmost, because he said, “See, someone else might of been supposed to get off instead of you.”

  “Then he’s still on the bus,” said the driver, and they were both silent, appalled.

  Ahead of them a light flickered, showing dimly through the rain, and the driver pointed and said, “There, that’s where we’re going.” As they came closer Miss Harper was aware of a growing dismay. The light belonged to what seemed to be a roadhouse, and Miss Harper had never been inside a roadhouse in her life. The house itself was only a dim shape looming in the darkness, and the light, over the side door, illuminated only a sign, hanging crooked, which read BEER BAR & GRILL.

  “Is there anywhere else I could go?” Miss Harper asked timidly, clutching her pocketbook. “I’m not at all sure, you know, that I ought—”

  “Not many people here tonight,” the driver said, turning the truck into the driveway and pulling up in the parking lot which had once, Miss Harper was sad to see, been a garden. “Rain, probably.”

  Peering through the window and the rain, Miss Harper felt, suddenly, a warm stir of recognition, of welcome; it’s the house, she thought, why, of course, the house is lovely. It had clearly been an old mansion once, solidly and handsomely built, with the balance and style that belonged to a good house of an older time. “Why?” Miss Harper asked, wanting to know why such a good house should have a light tacked on over the side door, and a sign hanging crooked but saying BEER BAR & GRILL; “Why?” asked Miss Harper, but the driver said, “This is where you wanted to go. Get her suitcase,” he told the other young man.

  “In here?” asked Miss Harper, feeling a kind of indignation on behalf of the fine old house, “into this saloon?” Why, I used to live in a house like this, she thought, what are they doing to our old houses?

  The driver laughed. “You’ll be safe,” he said.

  Carrying her suitcase and her pocketbook Miss Harper followed the two young men to the lighted door and passed under the crooked sign. Shameful, she thought, they haven’t even bothered to take care of the place; it needs paint and tightening all around and probably a new roof, and then the driver said, “Come on, come on,” and pushed open the heavy door.

  “I used to live in a house like this,” Miss Harper said, and the young men laughed.

  “I bet you did,” one of them said, and Miss Harper stopped in the doorway, staring, and realized how strange she must have sounded. Where there had certainly once been comfortable rooms, high-ceilinged and square, with tall doors and polished floors, there was now one large dirty room, with a counter running along one side and half a dozen battered tables; there was a jukebox in a corner and torn linoleum on the floor. “Oh, no,” Miss Harper said. The room smelled unpleasant, and the rain slapped against the bare windows.

  Sitting around the tables and standing around the jukebox were perhaps a dozen young people, resembling the two who had brought Miss Harper here, all looking oddly alike, all talking and laughing flatly. Miss Harper leaned back against the door; for a minute she thought they were laughing about her. She was wet and disheartened and these noisy people did not belong at all in the old house. Then the driver turned and gestured to her. “Come and meet the old lady,” he said, and then, to the room at large, “Look, we brought company.”

  “Please,” Miss Harper said, but no one had given her more than a glance. With her suitcase and her pocketbook she followed the two young men across to the counter; her suitcase bumped against her legs and she thought, I must not fall down.

  “Belle, Belle,” the driver said, “look at the stray cat we found.”

  An enormous woman swung around in her seat at the end of the counter, and looked at Miss Harper; looking up and down, looking at the suitcase and Miss Harper’s wet hat and wet shoes, looking at Miss Harper’s pocketbook and gloves squeezed in her hand, the woman seemed hardly to move her eyes; it was almost as though she absorbed Miss Harper without any particular effort. “Hell you say,” the woman said at last. Her voice was surprisingly soft. “Hell you say.”

  “She’s wet,” the second young man said; the two young men stood one on either side of Miss Harper, presenting her, and the enormous woman looked her up and down. “Please,” Miss Harper said; here was a woman at least, someone who might understand and sympathize, “please, they put me off my bus at the wrong stop and I can’t seem to find my way home. Please.”

  “Hell you say,” the woman said, and laughed, a gentle laugh. “She sure is wet,” she said.

  “Please,” Miss Harper said.

  “You’ll take care of her?” the driver asked. He turned and smiled down at Miss Harper, obviously waiting, and, remembering, Miss Harper fumbled in her pocketbook for her wallet. How much, she was wondering, not wanting to ask, it was such a short ride, but if they hadn’t come I might have gotten pneumonia, and paid all those doctor’s bills; I have caught cold, she thought with great clarity
, and chose two five-dollar bills from her wallet. They can’t argue over five dollars each, she thought, and sneezed. The two young men and the large woman were watching her with great interest, and all of them saw that after Miss Harper took out the two five-dollar bills there were a single and two tens left in the wallet. The money was not wet. I suppose I should be grateful for that, Miss Harper thought, moving slowly. She handed a five-dollar bill to each young man and felt that they glanced at one another over her head.

  “Thanks,” the driver said; I could have gotten away with a dollar each, Miss Harper thought. “Thanks,” the driver said again, and the other young man said, “Say, thanks.”

  “Thank you,” Miss Harper said formally.

  “I’ll put you up for the night,” the woman said. “You can sleep here. Go tomorrow.” She looked Miss Harper up and down again. “Dry off a little,” she said.

  “Is there anywhere else?” Then, afraid that this might seem ungracious, Miss Harper said, “I mean, is there any way of going on tonight? I don’t want to impose.”

  “We got rooms for rent.” The woman half turned back to the counter. “Cost you ten for the night.”

  She’s leaving me bus fare home, Miss Harper thought; I suppose I should be grateful. “I’d better, I guess,” she said, taking out her wallet again. “I mean, thank you.”

  The woman accepted the bill and half turned back to the counter. “Upstairs,” she said. “Take your choice. No one’s around.” She glanced sideways at Miss Harper. “I’ll see you get a cup of coffee in the morning. I wouldn’t turn a dog out without a cup of coffee.”

  “Thank you.” Miss Harper knew where the staircase would be, and she turned and, carrying her suitcase and her pocketbook, went to what had once been the front hall and there was the staircase, so lovely in its still proportions that she caught her breath. She turned back and saw the large woman staring at her, and said, “I used to live in a house like this. Built about the same time, I guess. One of those good old houses that were made to stand forever, and where people—”

  “Hell you say,” the woman said, and turned back to the counter.

  The young people scattered around the big room were talking; in one corner a group surrounded the two who had brought Miss Harper and now and then they laughed. Miss Harper was touched with a little sadness now, looking at them, so at home in the big ugly room which had once been so beautiful. It would be nice, she thought, to speak to these young people, perhaps even become their friend, talk and laugh with them; perhaps they might like to know that this spot where they came together had been a lady’s drawing room. Hesitating a little, Miss Harper wondered if she might call “Good night,” or “Thank you” again, or even “God bless you all.” Then, since no one looked at her, she started up the stairs. Halfway there was a landing with a stained-glass window, and Miss Harper stopped, holding her breath. When she had been a child the stained-glass window on the stair landing in her house had caught the sunlight, and scattered it on the stairs in a hundred colors. Fairyland colors, Miss Harper thought, remembering; I wonder why we don’t live in these houses now. I’m lonely, Miss Harper thought, and then she thought, but I must get out of these wet clothes; I really am catching cold.

  Without thinking she turned at the top of the stairs and went to the front room on the left; that had always been her room. The door was open and she glanced in; this was clearly a bedroom for rent, and it was ugly and drab and cheap. The light turned on with a cord hanging beside the door, and Miss Harper stood in the doorway, saddened by the peeling wallpaper and the sagging floor; what have they done to the house, she thought; how can I sleep here tonight?

  At last she moved to cross the room and set her suitcase on the bed. I must get dry, she told herself, I must make the best of things. The bed was correctly placed, between the two front windows, but the mattress was stiff and lumpy, and Miss Harper was frightened at the faint smell of dark couplings and a remote echo in the springs; I will not think about such things, Miss Harper thought, I will not let myself dwell on any such thing; this might be the room where I slept as a girl. The windows were almost right—two across the front, two at the side—and the door was placed correctly; how they did build these old places to a square-cut pattern, Miss Harper thought, how they did put them together; there must be a thousand houses all over the country built exactly like this. The closet, however, was on the wrong side. Some oddness of construction had set the closet to Miss Harper’s right as she sat on the bed, when it ought really to have been on her left; when she was a girl the big closet had been her playhouse and her hiding place, but it had been on the left.

  The bathroom was wrong, too, but that was less important. Miss Harper had thought wistfully of a hot tub before she slept, but a glance at the bathtub discouraged her; she could simply wait until she got home. She washed her face and hands, and the warm water comforted her. She was further comforted to find that her bottle of cologne had not broken in her suitcase and that nothing inside had gotten wet. At least she could sleep in a dry nightgown, although in a cold bed.

  She shivered once in the cold sheets, remembering a child’s bed. She lay in the darkness with her eyes open, wondering at last where she was and how she had gotten here: first the bus and then the truck, and now she lay in the darkness and no one knew where she was or what was to become of her. She had only her suitcase and a little money in her pocketbook; she did not know where she was. She was very tired and she thought that perhaps the sleeping pill she had taken much earlier had still not quite worn off; perhaps the sleeping pill had been affecting all her actions, since she had been following docilely, bemused, wherever she was taken; in the morning, she told herself sleepily, I’ll show them I can make decisions for myself.

  The noise downstairs which had been a jukebox and adolescent laughter faded softly into a distant melody; my mother is singing in the drawing room, Miss Harper thought, and the company is sitting on the stiff little chairs listening; my father is playing the piano. She could not quite distinguish the song, but it was one she had heard her mother sing many times; I could creep out to the top of the stairs and listen, she thought, and then became aware that there was a rustling in the closet, but the closet was on the wrong side, on the right instead of the left. It is more a rattling than rustling, Miss Harper thought, wanting to listen to her mother singing, it is as though something wooden were being shaken around. Shall I get out of bed and quiet it so I can hear the singing? Am I too warm and comfortable, am I too sleepy?

  The closet was on the wrong side, but the rattling continued, just loud enough to be irritating, and at last, knowing she would never sleep until it stopped, Miss Harper swung her legs over the side of the bed and, sleepily, padded barefoot over to the closet door, reminding herself to go to the right instead of the left.

  “What are you doing in there?” she asked aloud, and opened the door. There was just enough light for her to see that it was a wooden snake, head lifted, stirring and rattling itself against the other toys. Miss Harper laughed. “It’s my snake,” she said aloud, “it’s my old snake, and it’s come alive.” In the back of the closet she could see her old toy clown, bright and cheerful, and as she watched, enchanted, the toy clown flopped languidly forward and back, coming alive. At Miss Harper’s feet the snake moved blindly, clattering against a doll house where the tiny people inside stirred, and against a set of blocks, which fell and crashed. Then Miss Harper saw the big beautiful doll sitting on a small chair, the doll with long golden curls and wide-lashed blue eyes and a stiff organdy party dress; as Miss Harper held out her hands in joy the doll opened her eyes and stood up.

  “Rosabelle,” Miss Harper cried out, “Rosabelle, it’s me.”

  The doll turned, looking widely at her, smile painted on. The red lips opened and the doll quacked, outrageously, a flat slapping voice coming out of that fair mouth. “Go away, old lady,” the doll said, “go away, old lady, go away.”<
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  Miss Harper backed away, staring. The clown tumbled and danced, mouthing at Miss Harper, the snake flung its eyeless head viciously at her ankles, and the doll turned, holding her skirts, and her mouth opened and shut. “Go away,” she quacked, “go away, old lady, go away.”

  The inside of the closet was all alive; a small doll ran madly from side to side, the animals paraded solemnly down the gangplank of Noah’s ark, a stuffed bear wheezed asthmatically. The noise was louder and louder, and then Miss Harper realized that they were all looking at her hatefully and moving toward her. The doll said “Old lady, old lady,” and stepped forward; Miss Harper slammed the closet door and leaned against it. Behind her the snake crashed against the door and the doll’s voice went on and on. Crying out, Miss Harper turned and fled, but the closet was on the wrong side and she turned the wrong way and found herself cowering against the far wall with the door impossibly far away while the closet door slowly opened and the doll’s face, smiling, looked for her.

  Miss Harper fled. Without stopping to look behind she flung herself across the room and through the door, down the hall and on down the wide lovely stairway. “Mommy,” she screamed, “Mommy, Mommy.”

  Screaming, she fled out the door. “Mommy,” she cried, and fell, going down and down into darkness, turning, trying to catch onto something solid and real, crying.

  “Look, lady,” the bus driver said. “I’m not an alarm clock. Wake up and get off the bus.”

  “You’ll be sorry,” Miss Harper said distinctly.

  “Wake up,” he said, “wake up and get off the bus.”

  “I intend to report you,” Miss Harper said. Pocketbook, gloves, hat, suitcase.

  “I’ll certainly report you,” she said, almost crying.

  “This is as far as you go,” the driver said.

  The bus lurched, moved, and Miss Harper almost stumbled in the driving rain, her suitcase at her feet, under the sign reading RICKET’S LANDING.

 

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