Gareth L Powell

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Gareth L Powell Page 9

by Gareth Powell


  He swallowed hard. He had to get out and find help. He took a fresh

  grip on the sides of his vat and pulled himself from the liquid’s sucking

  embrace. Standing, the stuff came up to his knees. When he stepped up, out of

  the tank, his toes curled against the chill metal floor and gooseflesh prickled his

  calves and thighs. The air smelled cold and sterile like the inside of a fridge.

  The vat yawned open like a grave behind him. He needed to find a doctor or

  nurse, somebody to tell him what was going on, and what was wrong with

  him. “Hello?”

  No answer came. Hugging himself and shivering, he made his way

  along the row of sunken, frozen caskets. Through the transparent lid of each,

  he could see a shadowed, sleeping form within.

  “Anybody?”

  He left gloopy-wet footprints behind him. Every few paces, he had to

  stop to hawk and spit phlegm onto the floor.

  Was this a morgue? Were those vats filled with the preserved dead?

  At the end of the row, he came to some stairs, which led him down to

  the floor of the ‘auditorium’, to a thick metal door of the kind he imagined

  you’d find on a submarine.

  A chrome wheel opened the door. He tried to turn it the wrong way. His

  arms felt weaker than they should have done. When the wheel got stuck, he

  cursed through chattering teeth and hauled it back in the opposite direction.

  Right tight, left loose. Somebody had taught him that once, but he didn’t

  know who it might have been, or when.

  After a few rotations, the wheel clunked to a stop and the lock

  disengaged. The door swung inwards. After the gloom of the vault, he had to

  shade his eyes against the light from within.

  “Hello?” He could hear the alarm more clearly now. The walls and floor

  were tiled in white. Lockers lined the centre of the room. If you added the smell

  of chlorine, this could have been the changing room of a public swimming

  baths anywhere in the world. The air in this room was warmer than in the vault,

  though, and triggered a fresh bout of shivering.

  He needed to find some clothes.

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  Each of the lockers had a number, and a hand-shaped scanner set into

  its door. He worked his way along the row, mashing his fingers and palm

  against each one in turn. On the nineteenth attempt, the scanner accepted his

  handprint and the locker door clicked open. Inside, he found a towel and a set

  of shrink-wrapped clothes hanging from a hook. He took the towel and used it

  to dry the worst of the goo from his skin and hair, then picked the package out.

  Inside the polythene was a blue one-piece overall in tough, durable cotton, with

  a coloured mission patch sewn onto the left shoulder and some sort of logo

  sewn onto the right. The nametag on the breast read, ‘Pembroke, Jason. The

  writing on the mission patch appeared to be in French. Hands shaking, he tore

  off the thin plastic covering and lets it fall to the tiled floor. He didn’t bother

  looking for underwear. Instead, he threaded his feet through the legs of the

  suit, wriggled his arms into its sleeves, and pulled the zipper up as far as it

  would go. The wrists and ankles had Velcro cuffs, and he fastened these as

  well. Then he stood straight and tried to control his breathing. Clothed, he felt

  less vulnerable and more in control. His chest and throat hurt, and he kept

  coughing up scraps of green vat gunk, but at least he was alive.

  The mirror on the inside of the locker door showed the reflection of a

  middle-aged man: a few grey hairs; nothing he recognised.

  “Jason Pembroke,” he said aloud. The name meant nothing. It didn’t feel

  familiar on his tongue and he wasn’t even sure how to pronounce it. Should

  the end of the surname rhyme with crook or croak? He repeated it a few times,

  trying each variation, and then shrugged.

  The only other items left in the locker were a pair of soft-soled shoes and

  a wooden box. He slipped the shoes over his half-frozen feet, and carefully

  lifted out the box. The word, ‘MEMORIES’ had been sprayed across the lid in

  military stencil. He opened it and frowned at the objects inside: a scrap of

  sheep’s wool; an old USB memory stick; a gold ring; a lump of clear Perspex;

  something which he suspected might be a used plastic bullet; a pebble; a silver

  ball bearing; and a gold pen. He stirred them with his index finger, trying to

  decode meaning from their jumble.

  Something’s badly wrong, he thought. The alarm was still ringing, but he

  could hear no voices, no running feet. A hospital shouldn’t have been this

  deserted, even at night. And then there was the fact that he’d almost drowned.

  He clenched his jaw. How the hell had that been allowed to happen? And what

  were those tanks, anyway? What were those people doing in them, and why

  were they submerged?

  He snapped the box’s lid shut and made for the door at the far end of

  the changing room. It opened onto a wide corridor. Perhaps, if he could make

  his way to an exit, he could get out into the street and find someone who could

  tell him what was going on. But which way should he turn? There weren’t any

  windows; no clues as to which floor he was on. Not even an emergency exit

  sign.

  He coughed and spat, and, still carrying the wooden box in his hands,

  set off to the left. Somebody had once told him that the key to solving a maze

  was to keep turning left. He didn’t know how true that was, but it was better

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  than nothing. In the land of the lost, the half-assed theory was king. If he kept

  turning left, he was sure he’d eventually come to a lift or some stairs, or some

  other means of escape.

  THE MONSTER WALKED for what seemed a long time, but the only doors he

  passed lead into rooms identical to the one he’d just left – more changing

  rooms, with further vaults beyond. After a couple of hundred metres, he came

  to a place where the corridor walls were stained with something that looked

  like mildew or black mould. Water dripped from the seals around the light

  panels set into the roof, forming little pools on the floor. Half the lights weren’t

  working properly. Some stuttered intermittently. Wires hung from an

  unscrewed wall fixture. He slowed his pace. This was starting to look less like

  a hospital and more like an abandoned building site. Still, he kept shuffling

  forwards; he didn’t know what else to do.

  At the end of the corridor, a pair of thick double doors blocked his path.

  Pushing through, he found himself in a much larger space. The corridor had

  become a bridge across a wide, bowl-shaped depression. A circular window

  had been set into the bottom of the bowl. Through its shattered remains, he

  could see leaping orange flames.

  Something in the basement’s on fire, the monster thought. Smoke

  trickled up through the gaps in the broken glass. It stank of burning plastic.

  Instinctively, he covered his mouth and nose, and, on wobbling legs, began to

  cross the bridge.

  The few remaining panels in the circular window were coloured with

  abstract tessellations: fractal fern leaves interlocked in a jagged riot of flowery

  light, giving
an effect similar to a cathedral’s rose window. Above, the arching

  ceiling had been mirrored with thousands of silvery tiles, like an inverted disco

  ball. Mote-like reflections of dancing firelight speckled the walls.

  When he reached the bridge’s midway point, directly above the broken

  window, he heard a loud whoosh. The light from below snapped off. The

  flames disappeared, as if sucked away, and the smoke spilling from the

  opening stopped, and then started draining back the way it had come, whirling

  around the bottom of the bowl-shaped room like water leaving a bath. The

  monster felt the air in the chamber stir as it started to move along with the

  smoke. The pressure changed, and he had to swallow to pop his ears.

  The air was being pulled from the room. He assumed it had something

  to do with the flames below consuming all the oxygen. The wind of it tugged

  at his clothing with insistent fingers, and he ran.

  Bursting through the doors at the far end of the bridge, he gulped in a

  series of grateful, heaving breaths. His clothes and hair smelled like a bonfire,

  his lips and tongue were dry.

  The building was ablaze! He had to get out.

  ON THIS SIDE of the double doors, the corridor walls seemed to have been hewn

  from black stone. He didn’t stop to admire them. Instead, he ran away from the

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  burning room, soft shoes slapping the flagstone floor. There was another door

  ahead.

  Oh God, he thought, please don’t let me die in a fire.

  Passing through this next door, he entered a large space filled with a

  knot of corrugated pipes and tubes. Water dripped from leaky joints; steam

  hissed. Some of the pipes were copper and pencil-thin; others were made of

  tough black plastic and were as wide as subway tunnels. He couldn’t see the

  roof or the floor. A metal catwalk led him through the tangle. In places, he had

  to duck or even crawl.

  When he reached the far end, he emerged into a large gallery: a rock-

  walled cavern lined with statues carved from what looked like gold. He

  guessed each of the sculpted figures was at least thirty feet in height. They

  depicted what seem to be ordinary men and women in modern clothing. They

  wore suits and ties, open-necked shirts and sweaters, skirts, spectacles, and

  wristwatches, and their stances were relaxed, almost informal. They weren’t

  beseeching or striking heroic poses; they were simply standing companionably,

  oblivious to the fire alarm. Some of the figures had their hands in their pockets;

  some held champagne glasses. They radiated calm. In the dim light, their

  burnished skin seemed to glow with subtle radiance. To the monster, the effect

  was of being a small child at a cocktail party.

  What kind of fucked-up hospital was this, anyway?

  The fire alarm still rang in his ears and the scent of smoke clung to his

  clothes. He gripped the wooden box to stop his hands from trembling. His

  stomach felt like a clenched fist. Behind him, the nest of pipes hissed and

  gurgled. Ahead, through the thicket of golden legs, he caught sight of a

  window. It was round, like the smashed glass porthole he’d passed a few

  moments earlier, but this one looked intact, and it was set into the wall rather

  than the floor. Through its clear glass, he saw darkness.

  Nighttime, he thought, and his heart surged. That would explain why

  there was nobody about. As he staggered closer, he made out a handful of stars:

  tiny, cold points of light scattered like static against the sky.

  This could be his way out. At the very least, he thought he might be able

  to hammer on the glass to attract attention.

  When he reached it, the window was as wide across as his outstretched

  arms, and the glass was cold against his forehead. He looked down, expecting

  to see a street or parking lot, and his mouth fell open.

  There were no firefighters.

  There was no street.

  There were no cars or buildings.

  The monster’s legs finally gave out and he slid down into a kneeling

  position. The memory box fell from his fingers and spilled its contents against

  the base of the window. Plastic, stone and metal objects rattled and skittered

  across the rock floor.

  Stars lay beyond the window. Stars, and something the shape of a vast,

  dark rugby ball, which he now realised had always been there, waiting for him.

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  THE END

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  Thanks for reading!

  If you enjoyed this novella, please visit my website: www.garethlpowell.com

  and check out my other works.

  You could also consider following me on Twitter and Patreon.

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