Well I'm here because someday
Someone will need a ride,
And I'll throw away my drink and say
"The coach awaits outside."
"NO PASSENGER"
The Coachman paused at the threshold, and listenedlistened. Thean's voice was high-pitched and sharp as needles, and, as near as he could tell from just outside the door, held no trace of fear. He was in time, then. He waited for her to finish bilking this customer. It would be soon enough afterward, to go in and warn her that-
"So, it's you," she was saying. "I must say I'm surprised. I had expected some other of Her slaves."
There was another voice, but he couldn't make out the words. The old woman's voice came again. "Slave I said, and slave I meant. Or would worm be better?Madam Moria isn't afraid of worms. Now that I see you, I'm less afraid. How does She control you,worm? Does She promise you riches? Does She come to you in your dreams? In Voices out of the night? As a fire-oh. Voices, is it? Well, that shouldn't surprise me," More muttering that he couldn't make out,then, "Oh, and you have a nice shiny toy to play with? Well, get on with it. Madam Moria has friends on the other side she hasn't seen in years, and she'll have a good laugh with them about this. But don't think your mistress will be able to hold me like She's holding Cynthia. No. I've been ready for you since yesterday, and it's too late for that. Well, what are you waiting for? Shoot if you're going to."
The Coachman stepped into the room, as the skinny, short-haired man turned, holding a gun that looked as if it were too large for him. They stared at each other for a moment, then the man with the gun stepped back so he could watch both of them.
"Who are you?" snapped the old gypsy woman.
The gun began to tremble. The Coachman ignored the gunman. "Your servant, madam. Is this fellow troubling you?"
Something like amusement came into the old eyes,and she said, "Yes. See him out, will you?"
The gun trembled more. "I'll kill you both," stammered the gunman. "I have a gun."
"So I see," said the Coachman. He reached into his back pocket, slowly, smoothly, as if it was the most natural action in the world. "I have a knife."
He opened the Nevaja with a harsh, ratcheting sound. "I have learned something from all these gypsies, you know," he said. The blade was seven inches long, the handle of glittering steel with parts of the antler of the red deer worked into the grip. Blade and handle curved into a thin and wicked shape. The Coachman held it to the side, blade in and slightly up, and he waited. The gunman pressed his lips together and raised his pistol.
TEN
How the Wolf Took to Traveling
16 NOV 08:52
Did It cross your mind to wonder
Who put in the call?
Did you take the time to ask
What I'm doing here at all
I don't know why
I even try
To talk to you
"IF I HAD THE VOICE"
"What?" Durand asked distractedly.
"I said," Stepovich began, and then recalled his own words and couldn't make sense of them. Dove?The word had come to him as a picture in his mind,and he'd vocalized it. The tattered Gypsy reminded him of a small snowy dove. He pushed the image out of his thoughts. "I said some bastard's been pawing through my private papers," he extemporized. He pointed accusingly at the day pencil pot. "If it's under there, it's private," he instructed Durand.
The puppy seemed unmoved. "Didn't know a murder file could be private," he said coolly. "Unless you're personally involved in it somehow."
There was a little moment of silence in which all the implications of that statement settled.
"Are you asking if I'm dirty?" All sorts of minor variables were flipping through his mind. Whether to stand up first, or to take him right from the chair.Whchair.Wherehim first. Brain just humming along like a computer, while he watched Durand know what he was thinking and not back off. One of two things;Durand was either braver than Stepovich had thought, or stupider. Maybe both. He just stood there, blinking those big eyes like a calf. Tiffany Marie probably thought he was cute when he did that.Somthat. Somehowught ballooned the anger inside him. Who the hell did this kid think he was, to imply Stepovich was dirty? He'd been copping since Dumbshit was in grade school.
"Are you telling me there wasn't a knife?" Durand asked softly, and Stepovich felt his anger turn cold and leak away. Durand had known it all along. Stepovich felt old, and sick, and weary. I want to go home,a little voice inside him wailed, and he suddenly felt the truth of that cry, and the despair of not knowing where home was anymore, or how to get there. He turned his chair away from Durand and tried to slide the papers back into the envelope that was suddenly too small for them. He felt again the sick weight of that knife in his pocket. Are you asking me if I'm dirty, he demanded of himself, and all of the answers were hedging and hesitant.
"You want to talk about this in the car. Step? Or here and now?"
Stepovich didn't want to talk about it at all, but Durand was taking the papers and envelope from him and sliding the ones into the other as if it were easy.Takeasy.Taking In another minute he'd be taking Stepovich by tile elbow in a firm grip and walking him out the door. That thought was enough to get Stepovich to his feet. He walked ahead of Durand down the hallway. Part of him suggested that if he'd bothered to get to know Durand, if he'd bothered to really make him his partner, that now he'd have some idea of what the kid would do. But he hadn't, and he didn't.
His mouth was dry, the grey day seemed too bright,everything was too sharp. The pavement of the parking lot gritted under his feet; he saw brown crumbs of broken beer bottle, cigarette butts, noticed the lettering on the tires of the patrol car. The weatherman had lied-the heavy fog of the day was not dispersing, he felt it damp on his face, and the door handle was cold with it. Frayed spot on the upholstery of the seat. A dead leaf was caught under the windshield wiper. He smelled Jade East cologne from whoever had driven the car last shift, and Camel cigarettcigarettes.Once third year on the force, he'd been shot.A kshot.A done it, with a stolen twenty-two, in a panic when they'd caught him up on the roof of a school with a bag of petty cash. The bullet had gone through his shoulder, clipping one bone, tearing muscle and meat on its way through. At the time the pain had been numbing and he'd thought he was dying and every little thing had suddenly been like this,sharp and concise and realer than real life. He wondered if he thought he was dying now. Maybe. Maybe the last piece of his life that he had any control over was about to be snatched out of his grip. Maybe that was the same as dying.
Durand started the car. "Step," he said firmly, and Durand couldn't meet his eyes. It made him sick to know the power Durand had over him right now. "I want to know what's going on. All of it," he said,and Stepovich found himself nodding shakily, already editing Ed out of it, already shaving the corners off the truth, he who used to take such pride in telling the whole truth and nothing but. From the moment that damn knife came into his hands, it had cut his life to ribbons.
Sidewalks and parking meters were sliding past the window. Somehow they'd gotten out of the parking lot and onto Cushman without Stepovich noticingnoticing.Hedeep breath. "When we first saw the Gypsy, I knew it wasn't him. I mean, I know he matched the description and all, but I knew he wasn't the guy who did the liquor store clerk. Just the way you know stuff sometimes, you know what I mean."Durand wouldn't, couldn't know what he meant, the kid just hadn't been a cop that long. Sure enough, at the next red light, Durand turned onto Eucalyptus and gave him another shot of calf eyes.
Stepovich shut his eyes for a second, tried to find some logic to hang his reasoning on. "Number one,"he said, trying to sound orderly, except his voice was too shaky. "There's the weapon of choice thing. Perp uses a gun in one holdup, generally that's what he'll use in all of them. The liquor store killer used a gun.But gun.But stop the Gypsy, all he has is a knife."
"So now you remember the knife?" Durand asked softly.
Stepovich was suddenly too tired to eve
n flinch."Expired plates," he said, pointing at a battered red Chevette. Durand put on the lights, hit the sirens for one pulse. The Chevette pulled over obedientobediently.Stepovichthe car, feeling heavy, while Durand went forward to talk to the driver. It was an effort to pick up the mike and call in the plate and driver's license number. But there was nothing outstandoutstanding.Stepovichave let him off with a warning to get it taken care of, but Durand ticketed him. That was like Durand. By the book, no matter what. No matter who.
Durand got back into the car. They watched the Chevette pull back into traffic, followed it a few moments later. "So," Durand said after a few blocks."There was a knife when we busted the gypsy."
"The liquor store was done with a gun," Stepovich pointed out stubbornly.
"And he used the knife later."
Stepovich took a breath to try a different beginning when the radio spit at them. "Shots fired, thirty-four sixteen Oak Street upper, all available units in the area please respond."
Durand looked at him, eyes wide. Asking, does she mean us?
"Left on St. Thomas," he barked at Durand, and was suddenly in control again as Durand hit the sirens and lights and whipped around the startled drivers in front of them. Stepovich picked up the mike,said, "Four dash eight responding," replaced it, and gripped the seat at exactly where the upholstery was frayed, and he wondered briefly how many other cops had grabbed this car here. "Two more lights, then go right and we should be there, or pretty damn close."Durand's jaw was jutting out like he'd been chiseled out of rock, and Stepovich realized this was the first time he'd been on a "shots fired" call. The kid's eyes were darting and bright, Stepovich's own guts were clenching already, hot damn, this was it, real-time,but it was a better, cleaner kind of fear than what he'd been feeling earlier. Guess he'd rather face a wacko with a gun than answer Durand's questions.
The merciless daylight exposed the street's dreariness. Trash mixed with snow in the gutters, and fog lurked sulkily between the buildings with the sodden winos. It took Stepovich a moment to connect where he was to where he'd been last night. When he did,he felt cornered. This gypsy thing was going to have him, there was no avoiding it, and he didn't need to see Madam Moria stepping up into a park carriage drawn by a mismatched team of horses to know just how bad it had gotten.
Durand drove right past the team and carriage as Stepovich snapped, "Stop here." The man helping Madam Moria into the carriage was dark; no gypsy,but there was something odd about him anyway. He wore contemporary clothes, but they no more fit him than Groucho glasses and a plastic nose would have.It have.Itthe way he tucked the carriage robe around the old woman, covering her against the damp mists and the lake wind, the way he handed up her canes to her, in the forgotten courtesy of a time long past.
Had to be the Coachman. Stepovich's eyes took in details with practiced speed. The Coachman wore a flat leather cap pulled down hard over black hair that curled at the turned-up collar of his worn jacket. His eyes were dark and black mustaches framed lips full and soft as a whore's, but even sadder. His skin was olive, and wind-leathered and lined with good nature despite his mouth. His jacket just grazed the top of his narrow hips, and his jeans were tucked into boots that never came from a store. He looked at the blue-and-white as if it were a pack of wolves. He lifted an arm in a strangely defensive motion, and for an instant Stepovich thought he was reaching for a weapon. But the Coachman only clutched the front of his own shirt, and then clambered up onto the driver's seat of the carriage.
The Coachman was picking up the reins as Durand crammed on the brakes and nosed the patrol car in right in front the carriage. He and Stepovich were out of the car in an instant, Durand already pulling his gun out. Stepovich tried to calm him. "I'll take those two and fasten them down. You…"
"I'll check upstairs," Durand cut in, and he was off, either ignoring or not hearing Stepovich's,"Damnit, not alone, wait a second…"
And there he was, torn, his partner going off in the one direction he shouldn't go alone, and the carriage driver picking up the reins and the wheels were starting to turn, grating against the asphalt. "Damnit, Durand, get your ass back here," he yelled, and then spun to the carriage, shouting, "Hold it!"
He had his hand on his gun, letting them knowhow serious he was. Madam Moria looked at him with disapproval, as if she were a dowager looking down at him from the back seat of her limousine, and he were a street urchin waving a dead rat at her. She was unimpressed. The driver, in contrast, was sitting very still and straight. Stepovich moved up on them quickly. The Coachman sat so stiffly, Stepovich wondered what was wrong with him. Hiding something?The fingers that held the reins were strong and somehow elegant, a magician's hands. The horses, grey and brown, were stolid, waiting. The Coachman looked straight ahead, between his two horses, as if he were totally uninvolved in what was happening here.
"All right. Get down from there, both of you. Move slowly," He intended to shake them down quick, get them into the back of the patrol car and then go after Durand before he got his stupid ass blown off.
They weren't moving slowly; they weren't moving at all. "Did you hear me?" he demanded, wanting to grab the driver and shake him right out of his coat.Thecoat. Then swayed slightly as if getting ready to move, then was still again. Sweat was making Stepovich's uniform stick to him, and his ears were straining against hearing that single gunshot that might come at any moment. There were more sirens approaching, thank god.
"Get in." Madam Moria spoke softly, but testily, a grandma directing an ill-mannered child. "And be quick. The thread grows brittle in my fingers. If we are to follow it back and see where it leads, we must go now, before She sees it and cuts it short."
She pushed her canes to one side and gripped the edge of the carriage and leaned back as if to make room for him to climb in past her, and that was when he saw the brightness on her fingers, shining red, wet and fresh and vital. He caught movement from the corner of his eye, the driver turning and lifting something, something black, and Stepovich dove for the man, launched himself across the side of the carriage and over the seat. He hit the point of his pelvic bone going over, and landed sprawled awkwardly in the carriage, gripping the driver's wrist and shaking the handle and curled lash of a whip out of it.
The driver released it easily, and did not struggle at all. Stepovich dragged his feet up under him and knelt on the seat, gripping the man by one wrist and the front of his jacket. Christ, his hip hurt, and he tasted blood in his mouth where he'd bitten his own lip, but this guy was sitting there as straight as he could with Stepovich hanging off him, and his face impassive, only his mouth pinched tight and hard. Stepovich stared into black eyes deeper than the pits of hell.
Stepovich tightened his grip. "Now, asshole, we are going to get down quietly and slowly, you hear me?" The man nodded slowly, and Stepovich thought he saw a glint in his eyes, but it might only have been the reflection of Madam Moria's wooden cane as she brought it down smartly on the back of Stepovich's skull.
AUTUMN DAY, AROUND NOON
Most of his money was gone before ten
When he smiled, and took out his knife.
"All right," he said, "we'll just try once again.
But this time, we'll play for your life."
"THE GYPSY"
The fog still rested on the city like a coachman's blanket,and the Gypsy decided that there was something at work beyond the capricious ways of the weather. Yet he smelled nothing of evil in it, nor of good for that matter.Smatter. Sohat could lead him to the Wolf, and at the right time? What could lead him to his brothers?His hands twitched, and he thought he could remember a time when he would have been able to learn such a thing easily, and perhaps another time when he would simply have known. He felt a slight desire to escape, to run away, to walk by paths that only he knew. The desire wasn't strong, but it was familiar. He knew, then, that he had not only felt it before, but had acted upon it. He had turned away and run, and-
His head hurt. He took out the pie
ce of paper,which he understood at last, and crumpled it up and threw it away. To clear his head, he breathed deeply of the fog. Even as he did so, he heard the siren-the siren that had followed him for all this time, and seemed to warn of danger impending rather than to call him toward it.
He turned in the opposite direction and began walking. The fog swirled before him, making patterns that amused him although he knew-he knew they were meaningless. What an odd thing to know, he thought.thought.Are there patterns in the fog that do have meaning?
Then he nodded to himself. Yes. This is the magic of the day, and this is a day of magic. He reached out his hands, to take hold of the power that floated in the air around him, and-"You must do this no more…use the skills of another world in this one."
Very well, then. But this world must have its own power and skills. He could find and use them, and he would, because he was-
He was-
No.
He gathered his memories as a child gathers spilled marbles. No distractions, not now, when he had, perhaps, the chance to do something.
He was here, in the city, in the forest of walls, the ocean of lights, the wilderness of sounds, meadows of currents and tides of forces beyond the imaginings of the old gods. Light? Moving, twin beams stabbing through the streets, eyes to peer and a voice to warn,Walls? Endless, one leading to another, all of them high and eternal and shimmering. Sound? The siren was gone now, but something rumbled under his feet,and music came from nowhere and everywhere, and it was the voice of the Beast. And the streets which linked them, forming a mosaic as intricate as the veins on an oak leaf, each different, each the same.
Pick one.
Light, then, to guide him through the eternal day.
This one, the glow of a storefront office that advertised daily employment, led to that one, the eyes of a panel truck, which pointed to that one, the neon of a barbecue lunch counter.
The Gypsy Page 45
