by Greer Gilman
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Small Beer Press
www.lcrw.net
Copyright ©2009 by Small Beer Press
First published in 2009, 2009
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NOTICE: This work is copyrighted. It is licensed only for use by the original purchaser. Making copies of this work or distributing it to any unauthorized person by any means, including without limit email, floppy disk, file transfer, paper print out, or any other method constitutes a violation of International copyright law and subjects the violator to severe fines or imprisonment.
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CONTENTS
one: jack daw's pack
two: a crowd of bone
three: unleaving
Acknowledgments
About the Author
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Cloud & Ashes
Three Winter's Tales
This is a work of fiction. All characters and events portrayed in this book are either fictitious or used fictitiously.
Cloud & Ashes: Three Winter's Tales copyright 2009 by Greer Gilman. All rights reserved.
"Jack Daw's Pack” copyright 2000 by Greer Gilman. First published in Century 5.
"A Crowd of Bone” copyright 2003 by Greer Gilman. First published in Trampoline.
"Unleaving” copyright 2009 by Greer Gilman.
nineweaving.livejournal.com
Small Beer Press
150 Pleasant Street #306
Easthampton, MA 01027
www.smallbeerpress.com [email protected]
Distributed to the trade by Consortium.
Library of Congress Cataloging-in-Publication Data
Gilman, Greer Ilene
Cloud & ashes : three winter's tales / by Greer Gilman.—1st ed.
p. cm.
ISBN 978-1-931520-55-3 (hardcover : alk. paper)
I. Title. II. Title: Cloud and ashes.
PS3557.I453C56 2009
813'.54—dc22
2009000450
First edition 1 2 3 4 5 6 7 8 9
Printed on 50# Natures Book Natural (30% PCR) by Thomson-Shore, Dexter, MI.
Text set in Centaur MT 11 pt. Titles set in Aquiline.
Cover art 2009 by Kathleen Jennings (www.tanaudel.wordpress.com).
one: jack daw's pack
The Crow
He is met at a crossroads on a windy night, the moon in tatters and the mist unclothing stars, the way from Ask to Owlerdale: a man in black, whiteheaded, with a three-string fiddle in his pack. Or in a corner of an ale house, querulous among the cups, untallied; somehow never there for the reckoning, though you, or Hodge, or any traveller has drunk the night with him. A marish man: he speaks with a reedy lowland wauling, through his beak, as they say. He calls Cloud crowland. How you squall, he says, you moorland ravens; how you peck and pilfer. He speaks like a hoodie crow himself, all hoarse with rain, with bawling ballads in the street. Jack Daw, they call him. A witty angry man, a bitter melancholy man. He will barter; he will gull. In his pack are bacca pipes, new ones, white as bones, and snuff and coney-skins and cards. He plays for nothing, or for gold; packs, shuffles. In a game, triumphant, he plucks out the Crowd of Bone, or Brock with her leathern cap and anvil, hammering at a fiery heart, a fallen star. (It brock, but I mended it.) Death's doxy, he calls her, thief and tinker, for she walks the moon's road with her bag, between the hedges white with souls; she takes. Here's a lap, he says, in his shawm's voice, sharp with yelling out for ale. Here's a blaze needs no bellows. Here's a bush catches birds. He mocks at fortune. The traveller in the inn forgets what cards he held, face down, discarded in the rings of ale; he forgets what gold he lost. He'd none in his pockets, yet he played it away, laid it round and shining on the sanded board, a bright array. On each is stamped a sun.
And elsewhere on that very night, late travelling the road between Cold Law and Soulsgrave Hag, no road at all but white stones glimmering, the sold sheep heavy in his purse, another Tib or Tom or Bartlemy will meet Jack Daw. He will stand at the crossroads, bawling in his windy voice, a broadside in his hand. There'll be a woodcut at the head: a hanged man on the gallantry, crows rising from the corn. Or this: a pretty drummer boy, sword drawn against the wood, and flaunting in her plumy cap. Two lovers’ graves, entwined. A shipwreck, and no grave at all. You must take what he gives. Yet he will barter for his wares, and leave the heavy purse still crammed with coppers, for his fee is light. He takes only silver, the clipped coin of the moon: an hour of the night, a dream of owls. Afterwards, the traveller remembers that the three-string fiddle had a carven head, the face his own. With a cold touch at his heart, he knows that Jack Daw's fiddle wakes the dead; he sees their bones, unclad and rising, clothing with the tune. They dance. He sees his girl, left sleeping as he thought; Joan's Jack, gone for a soldier; his youngest child. Himself. They call him to the dance. He sees the sinews of the music string them, the old tunes, “Cross the Water to Babylon,” “The Crowd of Bone.” Longways, for as many as will, as must, they dance: clad in music, in the flowers and the flesh.
* * * *
What The Crowd Of Bone Sang
She is silent, Ashes, and she dances, odd one out. In the guisers’ play, she bears a bag of ashes of the old year's crown to sain the hearths of the living, the hallows of the earth. The children hide from her, behind the door and in the shadow of the kist; not laughing, as they fear the Sun. Click! Clack! He knocks the old man dead, that headed him before. And tumbled by the knot of swords, he rises, flaunting in their gaze. The girl who put on Ashes with her coat of skins, who stalks them, bites her cheek and grimaces so not to laugh; she feels her power. She looks sidelong at the Sun.
They say that Ashes’ mother got her gazing in her glass. Undo, the raven said, and so she did, undid, and saw her likeness in the stony mirror, naked as a branch of thorn. The old witch took it for herself; she cracked the glass, she broke the tree. They bled. Devouring, she bore her daughter, as the old moon bears the new, itself again; yet left hand to its right. And they do say the old one, Annis, locks her daughter in the dark of moon, winterlong and waning, and that Ashes’ birth, rebirth, is spring. They say the sun is Ashes’ lightborn brat. She is the shadow of the candle, the old moon's daughter and her mirror; she is tarnished with our breath and death. She's winter's runaway.
They are old who tell this.
But the girl who put on Ashes with her tattered coat walks silent, flown with night and firelight and masking. She is giddy with the wheel of stars. She sees the brands whirled upward, sees the flash of teeth, of eyes. The guisers shout and jostle. They are sharp as foxes in her nostrils: smoke and ale and eager sweat. She moves among them, nameless; she wears her silence like a cloak of night. Ah, but she can feel the power in her marrow, like a vein of stars. Her feet are nightfall. She could tuck a sleeping hare within her jacket, take a hawk's eggs from its breast. Her hand could beckon like the moon and bid a crone come dancing from the chimneynook to sweep about her and about; could call the sun to hawk at shadows, or a young man to her lap, and what he will.
And in the morning, she will lay by Ashes with her rags, and wash her face, and comb the witchknots from her hair; but Ashes in the tale goes on.
In spring, she rises from her mother Annis’ dark; they call the snowdrops Ashes’ Steps. The rainbow is her scarf. She dances, whirling in the April storm; she fills her hands with hailstones, green as souls. And there are some have met her, walking backward on the Lyke Road, that they call the white hare's trod, away from death; she leaps within the cold spring, falling, filling up the traveller's hands. She is drunken and she eats.
At May, the riddlecake, as round as the wheeling sun, is broken into shards, one marked with ash
es; he that draws her share is Sun. But he was sown long since, and he's forgotten harrowing. He rises and he lies. Light work. He breaks the hallows knot of thorn; he eats the old year's bones for bread. Sun calls the stalk from the seeded earth, draws forth the green blade and the beard to swell his train. He gives the meadows green gowns. And flowers falling to his scythe lie tossed and tumbled, ah, they wither at his fiery kiss. They fall in swathes, in sweet confusion, to his company of rakes, his rade of scythesmen all in green. The hay's his dance. Vaunting, he calls the witchstone, Annis, to the dance, for mastery of the year, and wagers all his reckless gold. But he has spent his glory and must die. The barley is himself.
Ashes reaps him. By harvesting, she's sunburnt, big with light. She wears a wreath of poppyheads; her palms are gashed, they're red with garnering. They open like a cry. Her sickle fells the standing corn, the hare's last hallows, and he's gathered in her sheaf. She's three then, each and all the moon, his end: her sickle shearing and her millstone trundling round, her old black cauldron gaping for his bones.
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The Harper's Lad
His hair was yellow as the broom, as ragged as the sun. A ranting lad, a spark for kindling of the year. His name was Ash. It was Unhallows, in the grey between May Eve and morning. On the hills, the fires died. He'd leapt the nine hills in a turning wheel, from dusk to dusk, and rode rantipole with witches. Ah, they'd raged, howking at the earth with long blue nails. When they shook their tangled hair, the soulstones clattered, red as blood, and eyestones, milky white and black; and birdskulls, braided through the orbits, in their nightlong hair. He was drunk with dancing. He'd another girl to meet; had lingered, waking with his blue-eyed witch. The owl flew out, the raven in, sang mocking in his head, like Ashes in the old play. As he slouched along the moor, he heard a hoarse voice, in windy snatches, singing. Some belantered rantsman, he thought.
"Oh, my name it is Jack Hall, chimney sweep, chimney sweep ... “ A crow's voice, chanting, hoarded iron in a hinge.
There were some had sung all night, thought Ash; he'd gone to other games. It was lightward, neither sun nor moon, but the grey cock's hour. He was late. He hastened toward the beck.
"And I've candles lily white, oh, I stole them in the night, for to light me to the place where I must lie."
They met by the trey stone, back of Law. A fiddler from a dance, it seemed, in a broad hat and battered jacket, with his face like the back of a spade. His hair was white as barley. “Out,” he cries. “D'ye call this a road?"
"Flap ower it then, awd corbie. D'ye call that a voice?"
"Called thee."
A glance at the three-string fiddle. “Canst play us a dance on thy crowdy, catgut? Light our heels, then."
"What, is thy candle out?"
"I've a lantern to light it at."
"Of horn?"
But Ash was thinking of the blue-eyed witch, as rough as juniper, as fierce. She'd scratched him. Ash thought of the fire, how it whirled and crackled when they burned the bush; the sparks flew up like birds. The fire was embers: for a coal of juniper will burn a winter's night. Would burn a nine month at the heather's roots. Closing his eyes, he saw late-risen stars whirl round, the Flaycraw all one side afire, and rising, naked to his bones. The hanged lad in the sky. He played for the dancers in the starry hey. He played the sun to rise. But that was Hallows; they were winter stars, another turning of the wheel, and other witches. Vixens in a cage of straw. Hey up, he must be giddy drunk. Were all yon ale and randy turned his wits. But he'd a spark in him yet. And Ash thought of the dark-eyed lass who waited, like a sloethorn and a clear gold sky. A raveler. Whin. He'd best be going on. He tossed a coin to the fiddler. “Here's to thy bitch."
"And for thy pains."
They found the broadside in his jacket, after. Some said the woodcut was a high green gallows, and the harper's boy hanged dead. And others, it were nothing like: the white hare running and the hag behind. The black hare's bonny, but the white is death, they say: the moon's prey and her shadow.
Ash thrust the broadside in his pocket and went on down the road. His tousled head was bare, as yellow as the weeds called chimneysweepers, that are gold and come to dust.
* * * *
Scythes and Cup
Poor Tom o Cloud, and so he died?
His husk, an old wife says, and drinks. Scarce bearded when he's threshed and sown. Another, brown as autumn, broad-lapped, takes the cup; she kneads the cake. Wha's dead? He's for thy belly, when he's risen, girl. He's drunken and he sleeps; his dreams are hallows, all a maze of light, of leaves. When's time, he'll wake wood. And says the third, as thrawn as frost, the youngest of the three: At dusk, at Hallows Eve, he rises, starry wi’ a ceint o light: t'Sheaf, Awd Flaycraw, clapping shadows frae th’ fields of night. Yon hanged lad i’ th’ sky.
And Ashes?
Ah, she mourns and she searches. And rounding wi’ his child, she spins. D'ye see yon arain webs ont moor? Tom's shrouds, they call ‘em. Bastards’ clouts. And she may rive at Mally's thorn for shelter; owl's flown, there's none within. No hallows. So she walks barefoot and bloodfoot, and she lives on haws and rain. And moon's her coverlid, her ragged sheet.
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Sheath and Knife
The girl lies waiting in the high laithe, knife in hand. Hail rattles on the slates. She cannot hear—what? Hunters. Closer still, she holds the knife, the same which cut the cord. Her breasts seep milk, unsuckled. Ah, they ache. Her blood wells, she is rust and burning; blood will draw them. Talons. Wings. Her mind is black and bright with fever. She would slip them, fight them, but her body clags her. It is sodden; it is burning. Sticks and carrion. The wind wauls, the rooftrees creak; below is muck and sleet and stone. She's drawn the ruined ladder up. Holed up. She stares at dark until the earth cants, until the knife's edge calls her back. Sharp across her palm: a heartline. White, then red. Her blood and milk spilled on the musty straw. That will call them, that will draw them from the dark, the tree, the bairn. But the earth starves for what she will not give it. Their voices tell her she is famine, she is hailseed, withering, the cold share in the dust.
She was Ashes. Ah, she'd flyted with them, wives and lasses, as they'd stripped her of her guising, scrubbed her, tugged the witchknots from her hair. Cross all and keep nowt, they'd told her, turning out the sooty pockets, folding up the tattered coat; and late and morning, privily, desperately, she'd drenched and drenched, but could not rid her belly of the seed. She's Ashes still. Still guising, in a tinker's jacket, oh, a brave lad, with her bloody hole. Caught in Ashes. Holed up. Crouching, clenching, in her darklong pain, she'd heard the shadows of the women mocking, turning out the pockets of the coat. Knife. Haws. Pebbles. Eggshells. There, the whirligig she'd cried for, that she'd broken, long years since. They hold up a skint and bloody hare. Here's one been poaching. Shivering, she shuts her eyes, but still she sees the brat like bruised fruit trodden in the grass, the cry between her legs. Windfall for the old ones. Ashes to ashes. His furled hand, like bracken. His blind mouth at her tit. If they'd found him there, they'd slain him, for the earth to drink. Keep nowt. She'd hung no rags to the hallows tree, when she'd left him. She'd not beg awd ones. And she'd nowt to give. Her hair was cut long since and burned. Her tongue was dry. But she'd wrapped him in a stolen jacket, nowt of Ashes. Twined a stranger's tawdry ring about his neck. Why? For the daws to pyke at? She's seen the crows make carrion of halfborn lambs, their stripped skulls staring from their mothers’ forks. On the slates, the dry rain dances, shards of Annis, shards of souls. Heel of hands against her aching eyes, until it's red, all red as foxes, and their green stench in the rain.
* * * *
Coffer and Keys
At Hallows Eve, Ashes’ mother hunts, unthralled from her stone. She is the wintersoul, the goddess of the high wild places, fells and springs and standing stones, the mistress of the deer. Her child's her prey.
Her mother Annis hates her, that her child (her child) is not herself. She wears he
r daughter at her throat in chains of ice, her blood as rings; she tears the new Sun, red with birthblood, from her daughter's side.
In winter, Ashes dies, is graved within her mother's dark.
And her bairn's shut up in Annis’ kist, says an old wife, jangling her bunch of keys. Down where she sits i’ dark, and tells her hoard of souls. And he's Sun for her crown. So all t'world's cold as Law and blind as herself. She leans and whispers. D'ye hear her at window with her nails? The dark-eyed children huddle by the hearth and stare at her, the old wife crouching with her cards of wool. Her shadows cross her shadows, like a creel unweaving. Ah, but he's for Mally's lap, she haps him all in snow. It's winter and her loom is bare. Wood's her cupboard, and her walls are thorn; her bower's all unswept. Thou can't get in but she lets thee. And she's Tom Cloud's nurse. But Brock—ah, well now, Brock's death's gossip and she's keys to all locks. Will I tell ye how Brock stole him?
Why? says the boldest.
For a bagpipe that plays of itself, says the eldest, as she rocks the babby. Hush, ba.
For a bellows til her blaze.
Not for Annis.
But there are some say Ashes journeys on the river of her milk, that she's the lost star from the knot of stars they call Black Annie's Necklace, or Nine Weaving, or the Clew, that rises with the fall of leaves, a web like gossamer and rain. The Nine are sisters, and they weave the green world and the other with a mingled skein of light and dark, weave soul and shroud and sail; but Ashes winds the Sun within her, that the old Moon shears.
And some say no, that Ashes is a waif on earth, and scattered with the leaves. She rocks the cradle in the midnight kitchen, where no coal nor candle is, in houses where a child has died. And some have heard her lulling in the dying embers; seen her shadow in the moonspill, in the leaf's hand at the pane.
* * * *
Poppyheads
The woman in the stubble field moves slowly, searching. Her palms are creased with blood. Her tangled hair is grey. There is something that she's lost: a knife among the weeds, a stone from off her ring. Her child, she says. If you suckle at her dry breast, drink her darkness, she must speak your fortune, love and death. She once told other fates, with other lips. And still she squats among the furrows, lifting up her ragged skirts for anyone or none. She holds herself open, like an old sack in a barn. No seed within, all threshed to chaff and silence. She was Ashes. She is no one. By the sticks of the scarecrow, she crouches, scrabbling at the clodded earth and crying, “Mam. Mam, let me in!"
