The Places We Sleep

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The Places We Sleep Page 3

by Caroline Brooks DuBois

you’re a world traveler.

  You’ve been places.

  Look at me! I’ve never

  left this Podunkville.”

  “Yeah, but at this rate, I’ll have whiplash

  by high school.”

  25.

  My dictionary offers up all it knows:

  1. brat /brat/ - noun. somebody, especially a child, who is regarded as tiresomely demanding and selfish in a childish way

  2. brat /brat/ - noun. the son or daughter of a serving member of one of the armed forces

  which is really nothing,

  more or less what I already knew.

  26.

  In a dream,

  I’m falling,

  like a body from a building,

  falling away from something I need to hold on to,

  falling from an unfathomable height,

  falling away from others,

  from the faces I recognize—

  pushed to the edge of bleachers,

  out of group pictures,

  squeezed to the back of lines,

  staring from a car’s rear window

  as we drive away again

  from everything

  I think

  I know.

  27.

  We fold name tents today.

  Some teachers still don’t know our names.

  One called me Amber twice the other day,

  and the gym teacher just calls me “You!”

  Crease the paper hot-dog style.

  Write your name big and bold.

  Place it at the front of your desk.

  Use it in each class.

  I write ABBEY—colorful and cheerful.

  But it might as well say New Girl

  because that’s what half

  the class calls me.

  I notice Jiman’s composure

  when she’s called upon, how she shakes her hair

  from her shoulders, lifts her head up

  like she doesn’t mind being new and unknown.

  And when a teacher mispronounces her name,

  Jiman simply corrects her, without apology,

  but respectfully, politely—and even

  the teacher seems impressed.

  28.

  Our teachers try to discuss

  what’s happened—the attack

  on our nation.

  In Art, Mr. Lydon asks us to paint our emotions.

  I choose red and black

  to smear across my bone-white paper

  because that’s how I feel.

  He pauses behind my easel and studies my work,

  my hands become birds and I start to tremble.

  But when he moves on, I feel invisible.

  Camille paints the shape of the Pentagon with colors that run

   off the page.

  Tommy watches Sheila paint New York’s new skyline.

  Assuming the role of Most Talented,

  Jiman paints the coolest flag I’ve ever seen,

  with abstract stars and stripes outside the rectangle.

  But then in the lunch line,

  one kid says to another, right in front of her,

  “They should all go back to where they came from!”

  And I see Jiman freeze,

  a carton of milk squeezed

  in her hand

  and I think I hear her whisper

  I am Muslim

  but also American.

  Later in Social Studies, we read stories

  about the man who crossed a tightrope between the Twin Towers,

  the man who parachuted from the north tower,

  and the man who scaled the south one.

  Mrs. Baker asks,

  “Who here has visited New York?”

  My head pounds

  as I try not to think of Mom

  so far away.

  Then Camille, with her talky-talk mouth,

  can’t help but proudly inform the class:

  “Abbey’s mom is there right now.”

  Someone coughs, “Big deal!”

  Thanks, Camille!

  for building my fan club

  one card-carrying member at a time.

  “Do tell, Abbey!” Mrs. Baker prompts me,

  after glancing again

  at my name tent.

  Through clenched teeth

  I inform the class,

  “My aunt is missing—”

  and everyone turns and stares

  and demands to know more.

  Suddenly I can’t swallow, can’t breathe,

  feel my heart speed up

  a few beats.

  I have a captive audience!

  And I’ve forgotten how to speak.

  And the sound of my own voice

  out loud in the classroom

  is terrifying.

  29.

  I have to ask for the hall pass again.

  Each and every bathroom knows me now.

  This is the one where Sheila Loves Tommy!

  is scrawled on a stall door.

  Before, I’d never considered the disposal

  boxes, their creaky lids, the loud crumpling

  that paper makes, the dispenser by the sink

  hanging loose from the wall, the mirrors

  reflecting, or mocking me—hung too high

  to help, if I need to check my clothes.

  30.

  In Music, we sing “America the Beautiful.”

  I feel dizzy and mumble the words

  and find myself wondering

  what “God shed His grace on thee” really means.

  Across from me, Camille sings her heart out,

  eyes closed, face beaming, mouth wide—

  fearless personified.

  That is so like Aunt Rose!

  A tear runs down my cheek,

  and I shove it aside.

  Aunt Rose lives and breathes music.

  It’s not what she does for money

  but what she does for love. She once

  told me, “Abbey, I’d rather sing than talk.”

  Plus, she hums nonstop—

  and plays more instruments than I can count: piano, guitar,

  violin, harmonica, and even drums.

  Mom always says, “Rose is the creative one,

  and I’m the mathematical one.”

  I want to be just like Aunt Rose.

  Once in their New York apartment, I broke a maraca

  while marching in a pretend parade

  with my cousins Jackson and Kate.

  The tiny pellets scattered

  from one end of their apartment to the other—

  rolling away lickety-split.

  I can still hear Aunt Rose proclaiming:

  “Let the music spread.

  Little seeds for new melodies!”

  A sob now catches in my throat.

  That’s just how she is!

  Or should I say—was?

  My mind

  is

  stuck

  in

  present

  tense.

  31.

  The past seems so far from today.

  But only one month ago,

  we were at the beach.

  And my cousins and I

  built a towering castle of sand

  as tall as Kate.

  Until the tide came

  and stole it away.

  32.

  On the school bus

  after school,

  I spy Jiman

  who appears comfortable

 
sitting alone.

  I sketch her,

  wish I could be

  more like her.

  Jiman,

  an illustration of confidence.

  I repeat her name in my head.

  Jiman,

  a portrait study in nonchalance.

  She’s new to Tennessee. Just like me.

  She sits alone. I sit alone, too,

  but a microphone and spotlight

  seem to amplify and highlight

  my every unsure

  move.

  I wonder if Jiman

  notices me, wonder if she observes

  the war the football boys wage

  on the weak.

  I glance quickly

  in their direction.

  They are all eyes

  and busy mouths

  when they spot me

  and bust out laughing

  and whisper things,

  then laugh some more.

  I let my hair fall

  curtain-like across my face.

  Show’s over! I think

  and push forward and off

  that rotten,

  stinking

  bus.

  33.

  I used to think “stationed”

  meant staying put,

  like the word “stationary,”

  but I was wrong.

  It’s more like a brief rest,

  then a forwarding address,

  and time to learn a new zip code

  —and way of life—

  all over again.

  If it weren’t for Camille,

  I’d be ready to pack up,

  disappear. Be gone.

  But this time, when my family moves,

  I have so much to lose.

  Our current house is painted

  a greenish-brown, and it’s at least

  twenty miles from the base,

  which is now on

  High Alert!

  “Security’s tight!” Dad explains.

  He’s awaiting his orders.

  I can’t recall all of my previous bedrooms.

  This one here is pink.

  So random it seems, the places we sleep.

  I place a thick towel between me

  and my clean sheets.

  I’ve been staring at this ceiling

  since the beginning of summer,

  since back in June,

  when Dad got stationed in Tennessee.

  Mom and I are stationed here, too.

  The last state was South Carolina,

  and before that

  it was

  Colorado.

  34.

  Today Ms. Dequire

  sends me to the school nurse,

  convinced I have a bladder infection,

  and I can’t find the words

  to disagree.

  Her closet of a room is papered

  with rainbows and food charts,

  and she explains, “Abbey, I’m here to help.”

  So slowly I begin,

  “I got my—” thankfully she knows where I’m going with this

  and pulls out a picture of the pelvic region

  from a drawer in her desk.

  She names a few body parts.

  And I cringe at each.

  Then she points to the two

  fallopian tubes, and my mind drifts

  to the Twin Towers and New York,

  where Mom now sleeps.

  Finally she asks, “Do you have any questions for me?”

  I pause…

  then begin, “I have been wondering

  when it all will end…”

  And for a second or two,

  the nurse just stares, as if I’m asking

  about something else entirely, as if I’ve asked

  something too personal, a question for which

  there’s no answer. Her hesitation

  makes me fidget with the hall pass.

  “My mom…just left…and I—

  I’m just ready for it to end.”

  I drop my shoulders

  and begin to cry in this tiny room

  with this total stranger.

  Then, guess what?

  The nurse, smelling of powder and bread, hugs me,

  and it feels good,

  and I hug her back—

  and I believe she needed it, too.

  And we sit there hugging like idiots

  for a full minute or two.

  Then she hands me a tissue and says,

  “It’s monthly, about four to seven days each cycle.

  That’s not too bad, is it?”

  35.

  In the bus lines after school, when Angela and Lana

  point to me and announce,

  “New girl’s got a DISEASE that Nurse can’t cure!”

  to everyone who’s around to hear,

  including Jacob and the back-of-the-bus boys,

  Camille marches up

  in their puffed-up, lip-glossed faces

  and says exactly what she thinks:

  “If anyone’s got a disease, it’s you!

  A disease of the heart.

  Doctors say yours are missing.”

  And that’s why

  Camille is my all-time best friend—

  even over Makayla in South Carolina,

  and Lisa in Colorado.

  I’d even go so far as saying

  we’re like blood sisters,

  but without the blood,

  unless you count the colors of red

  flushed through our faces right now—

  hers shining like courage,

  and mine a mixture

  of embarrassment

  and pride.

  36.

  On the bus,

  Camille beams,

  pumped up by her victory:

  “Did you see their smiles vanish?”

  “You have a way with words,” I agree.

  “I do, it’s true.” She closes her eyes,

  lays her head on my shoulder—

  affection comes so easy

  for her.

  I take in the moment, soak it up.

  This is what having a true best friend feels like.

  “Why doesn’t Jacob

  ride the bus much?” eventually I ask,

  remembering her other best friend

  and all the boys

  who witnessed the scene

  just now.

  “He does. Sometimes.” Camille yawns

  catlike in the afternoon sun.

  Camille and Jacob have been friends

  since forever, even though he’s a year older.

  They play basketball or soccer in her backyard

  most afternoons—and have done so for years.

  And although I haven’t known Camille

  for near that long, and I don’t play sports,

  I knew the minute we met at the community pool

  this summer that we’d be good friends too.

  She bounced right up to me at the snack bar,

  dripping water and out of breath,

  and exclaimed, “I love your swimsuit!

  I’m Camille. Who’re you?”

  That’s all it took!

  We just knew.

  I pause my thoughts

  when we come to my stop,

  say goodbye to Camille

  and jump up to leave.

  But once again,

  I’m caught off guard

  as I file forward />
  to exit the bus

  and a boy’s foot juts out

  and trips me up.

  On purpose?

  Maybe

  it’s

  new kid

  target

  practice.

  It happens so quickly,

  I barely catch myself.

  As I collect my stuff,

  he mumbles to himself, “Didn’t even

  see you there!”

  like I don’t

  exist.

  37.

  Dad tapes the MISSING flyer

  Mom sent of Aunt Rose

  to the refrigerator,

  beside a permission slip,

  shopping lists,

  and photos.

  Are you really missing

  if you don’t wander off in the woods,

  get snatched in the mall, or run away?

  I can’t help but think of stranger danger

  and America’s Most Wanted.

  Uncle Todd took that picture.

  Aunt Rose is smiling at him, in their kitchen.

  Jackson and Kate make faces behind her.

  I can almost hear her voice—she was saying:

  “Hurry up! Take the picture!

  My cookies are burning.”

  Then afterward, she dashed to rescue

  the sugar cookies from the oven.

  A treat because I was visiting!

  She didn’t know then

  that now she’d be missing.

  I study her face, fear her features

  will fade until the picture

  is all that’s left

  of that memory.

  On news shows,

  fences are papered with flyers like Aunt Rose’s,

  like yard-sale signs or concert posters.

  The flyers multiply like a quilt of worry

  sewn by loved ones: pictures from weddings,

  graduations, birthdays, ordinary days—

  faces smiling,

  smiling,

  smiling.

  All those happy faces.

  38.

  On a certain show,

  I hear a phrase

  for the very first time:

  “Human remains.”

  And it sounds like humans

  who stay behind—a hopeful sign of people alive.

  Then the true meaning sinks in—

  They may not find Aunt Rose.

  Without warning,

  there’s pressure in my chest

  like I might explode.

  I call the New York apartment,

 

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