Sharon Tate: A Life

Home > Other > Sharon Tate: A Life > Page 36
Sharon Tate: A Life Page 36

by Ed Sanders


  My question is this: did ______ __ ________ urge you, and offer you money, to kill Sharon Tate? Yes or no, please.

  And if yes he did, could you tell me where this meeting with him to discuss killing her took place? At Esalen? At a house in Topanga Canyon? In LA? Where?

  Thank you for answering. You could call me.

  Sincerely,

  Ed Sanders

  So far, no answer, no phone call.

  As for the true motive that caused Manson to send his marauders into the house on Cielo Drive, we may never know. And the allegation that Sharon Tate was the target? Indeed, it may all be smoke and mirrors, and ultimately impossible to prove beyond doubt’s shadow. Meanwhile, Time’s Wingèd Chariot is clacking onward and erasing much of the access to the past.

  But, even though the world moves on, decade after decade, that does not prevent loose ends flapping in the multi-decade breeze, and no loose ends can prevent our sense of outrage and anger for the horrible injustice perpetrated upon Sharon Tate and her friends.

  Index

  abortion, Polanski’s desire for Tate to have, 63, 116, 121, 123, 132

  Academy Awards, 138

  The Adventures of a Young Man (film), 11–12

  The Adventures of Gerard (film), 127

  advertising, 14–15, 57–58

  Aherne, Brian, 68, 85, 267

  Aimez-Vous les Femmes? (film), 25–26

  All Eyes on Sharon Tate (documentary), 40, 87

  Allied Artists Picture Corporation, 151–152

  Altobelli, Rudy, 122, 130–132, 136, 138, 182, 214–215, 217, 233

  Ambassador Hotel, 96–98, 100–106

  American Prince (Curtis), 54

  The Americanization of Emily (film), 19–20

  Anderson, Michael, 37

  Andrews, Julie, 19–20, 27

  Anger, Kenneth, 157–158

  Apple Records, 89

  Archerd, Army, 76–77, 116

  army intelligence, 7–8

  assassination of Robert Kennedy, 94, 98–100, 102–105, 265–267

  Atkins, Susan, 158, 197(fig.), 258(fig.)

  arrest of, 251

  Beatles’ “Sexy Sadie,” 87

  Beausoleil’s arrest, 174

  Cielo Drive killings, 178–179, 189–195

  confession, 255–260

  Hinman murder, 159–160

  Hinman-Tate connection, 213

  homicide investigation, 253

  impetus for the murders, 181

  LaBianca homicide reports, 241–242

  lost Buck knife, 240

  Manson trial, 270

  writing in blood, 243

  Auschwitz, 3–4

  autopsy of Cielo Drive victims, 212–213

  Avedon, Richard, 60

  Bachmann, Gideon, 91

  Bailey, Ella, 156

  Baldwin, Linda, 251

  Barabbas (film), 11

  Bardiwill, George, 26

  Barker Ranch, 264

  Barnes, Joanna, 55–56

  Barrett, Rona, 233

  Bass, Alfie, 44, 47

  Beatles, 25, 65–66, 69, 87, 89, 166

  Beatty, Warren, 31, 35, 68, 85–86, 125, 131, 133, 223, 230–232, 234, 236–237

  Beausoleil, Robert

  arrest for Hinman murder, 173–176, 241

  attempt to leave the Family, 156–157, 173

  blaming Hinman murder on Black Panthers, 243

  connection between Hinman and Cielo Drive killings, 213

  copy-cat killings, 270

  English Satanists, 263–264

  Hinman murder, 158–161

  Hinman’s relationship with, 158

  light show party, 75

  Mondo Hollywood, 228

  motive for Tate-LaBianca murders, 181

  rivalry with Manson, 157

  beauty contests, 3, 6–7

  Be-Ins, 69, 71

  Beir, Fred, 110, 146–147

  Bergen, Candice, 89, 121, 237

  Bergman, Ingrid, 14

  The Beverly Hillbillies (television program), 17–18, 21, 25, 32

  Beymer, Richard, 11–15

  Big Sur, 74, 77–78, 163

  Black Panthers, 243–244

  Blue (film), 75–76, 168

  Boone, Pat, 10

  Bowers, John, 50, 59–60

  Brach, Gérard, 41, 43–44, 46, 84, 126–127

  Bradley, Tom, 148

  Brandt, Steve, 83, 215

  Braun, Michael, 167

  Braunsberg, Andy, 126–127, 209–210, 215–216

  Break up the Dance (film), 6

  Broccoli, Albert, 132

  Brooke-Taylor, Tim, 135–136

  Browar, Herb, 17–18

  Brown, Daniel, 98–102, 104–105

  Browning, Norma Lee, 57

  Brunner, Mary, 158–159, 161, 175–176, 181

  Brynner, Yul, 110, 233–234

  Bugliosi, Vincent, 130–131

  Burrud, Bill, 76–77

  Burton, Richard, 35, 91, 93, 257

  The Byrds, 55

  Caballero, Richard, 260

  Cadre Films, 26, 41, 66, 77–78, 117, 127

  Calley, John, 18, 41–42

  Canby, Vincent, 108

  Cannes Film Festival, 90–91

  cannibalism, 25, 85, 118–119

  car theft, 243–244

  Cardinale, Claudia, 54–56

  Carroll, Harrison, 23–24

  Carruthers, Ben, 124–125

  Cassavetes, John, 68, 70

  Castle, William, 66, 68, 78, 224–225

  Catch–22 (film), 94

  censorship, 116, 119

  Cerf, Bennett, 224

  Chapman, Winifred, 166–167, 170, 187, 199–201

  Chappell, Walter, 28, 121, 123, 132

  Chateau Marmont, 85–86, 85(fig.), 116, 226, 267

  Chayefsky, Paddy, 19–20, 29

  Christie, Julie, 83, 142

  Ciao Federico! Fellini Directs Satyricon (documentary), 91–92

  Cielo Drive house

  Ann Ford’s birthday party, 163

  events leading up to the murders, 164–165, 182–184

  Folger and Frykowski’s stay at, 148–149

  housewarming party, 124–125

  killings at, 188–194

  Manson Family’s drive to, 179

  Manson’s search for Melcher, 130–131

  Tate and Polanski acquiring, 122–123

  Tate’s return to America, 145

  The Cincinnati Kid (film), 28–29

  Coburn, James, 236

  Cohn-Bendit, Daniel, 89

  Cold War, 4–5, 13, 126–127

  Columbia Pictures, 107–108

  Communism, 9–10, 78–80, 238

  Compton Group, 35

  Concini, Ennio de, 116–117

  Conrad, Charles, 21

  cooking, Tate’s, 107

  copy-cat murders, 174

  Cord, Alex, 76, 113, 145, 168, 171, 206–207, 227

  Corey, Jeff, 21

  credit card fraud, 175

  Crowley, Aleister, 39, 157

  Crowther, Bosley, 22, 80

  Cul-de-Sac (film), 35, 41, 113

  Curtis, Tony, 54–56, 58

  Daley, John, 267–268

  A Dandy in Aspic (film), 88

  Davis, Bruce, 159–160, 263

  Davis, Edward, 260

  Davis, Sammy, Jr., 95, 106, 111–112

  Dawson, Harrison Pickens “Pic,” 124–125, 236, 238–239

  Day, Doris, 121, 126

  A Day at the Beach (film), 138–139

  The Day of the Dolphin (film), 126–127, 138–139, 141, 167, 209

  De Rosa, J. J., 200–201

  De Sica, Vittorio, 135–136

  Death Valley, 128–129, 189, 247–253, 256–257, 264

  DeCarlo, Danny, 181

  Dee, Sandra, 20–21

  Deemer, Earl, 220, 236

  Democratic Primary, 92–98

  Deneuve, Catherine, 40, 87

  The Detective (film), 72
/>   Di Pierro, Thomas, 103–104

  Do You Like Women? (film), 25–26

  domestic abuse, 23–24

  dominating men, Tate’s penchant for, 23, 82–83

  Donner Party, 116–117, 127

  Donner Pass (film), 118–119, 138

  Don’t Make Waves (film), 54–60, 69, 146

  Dorgan, Joe, 217

  Dornan, Don, 223–234

  Douglas, Kirk, 31, 145, 226

  Downes, Terry, 44

  Downhill Racer (film project), 66

  Doyle, William, 124–125, 220, 236–239

  Draper, Dave, 54–56, 60

  Dreiser, Vera, 259

  drug deals

  August 8 delivery to Tate’s house, 171

  Frykowski’s wholesaling of MDA, 149, 165–166

  Hinman’s mescaline manufacturing, 156, 158–159

  Manson’s fundraising through, 128

  marijuana imports, 149

  motivating Hinman’s murder, 158

  motivating Tate-LaBianca murders, 180–182, 216, 219, 221–224, 230, 237–238, 241

  narcotics investigation, 268–270

  Sebring’s business, 164

  drug use

  crime scene, 206

  English satanic cult, 86, 264–265, 269–270

  Garretson’s polygraph test, 213–214

  Helter Skelter, 177–178

  Manson Family, 128–129

  murder scene, 188–189

  Polanski and Tate, 42

  Polanskis’ housewarming party, 125

  Rosemary’s Baby preview, 88

  Satanic cults, 111–112

  Sebring’s heavy coke use, 236

  Sebring’s house parties, 52, 110–111

  Summer of Love, 69

  Valley of the Dolls, 62–64, 80

  Duke, Doris, 123, 150

  Duke, Patty, 63–65, 76, 92, 106–107

  Dunaway, Faye, 40, 87

  Dutton, Fred, 96, 101

  Easy Rider (film), 164

  Elliott, Cass, 124, 164, 223, 236–237

  English Satanists

  INS investigation, 86

  Manson’s connection to, 263–264

  role in Tate murder, 182, 263–266, 268

  See also Satanism

  environmental damage, 5–6

  Esalen Institute, 161, 163

  Esquire magazine, 78–80

  Evans, Linda Ann, 60

  Evans, Peter, 141–142

  Evans, Robert, 66–67, 72–73, 109, 115, 139, 215

  exile, Polanski’s, 121

  extras in films, 11, 19–20

  Eye magazine, 115

  Eye of the Devil (film), 37–40, 59

  The Factory (disco), 111

  Falcon’s Lair, 123, 150

  A Farewell to Arms (Hemingway), 12

  Farrow, Mia, 67, 70–71, 78, 86–88, 92, 109–110, 112, 126

  fate, Tate’s belief in, 150

  The Fearless Vampire Killers (film), 41–51, 53, 55, 57–61, 76, 83, 113, 228

  Federal Bureau of Narcotics and Dangerous Drugs, 219, 221, 269

  Federal Reserve Bank bag, 251

  Federici, William, 221–223, 269–270

  fellatio-miracle, Manson’s, 129

  Fellini, Federico, 26, 91–92

  Filmways, 17–19, 21–23, 29, 32, 34, 37, 40–43, 54–58, 61, 66

  Final Solution, Hitler’s, 1

  Fine, Mark, 164

  First Homicide Investigation Progress Report, 239–240

  Fitzgerald, Paul, 219, 223–234

  flag at the murder scene, 187–188, 228

  Fokianos, John, 210

  Folger, Abigail, 130, 163, 187

  crime scene, 200, 203

  drug use, 147

  events leading up to the murders, 165, 168, 170, 172, 175

  lifestyle and interests, 148

  moving into Cielo Drive house, 131

  murder of, 189, 191–194

  psychic reading, 162

  Sebring’s debt, 238

  “trespassory conduct” accusation, 233

  Folger, Peter, 233

  Fonda, Jane, 67, 125, 165

  Ford, Ann, 121, 149, 163, 171–172

  Forquet, Philippe, 20–24, 72

  Fraker, William, 78

  France, student protest movement in, 89–92

  Franke, Linda, 10

  Frankenheimer, Evans, 93, 97

  Frankenheimer, John, 93, 96–98

  Fromme, Lynne “Squeaky,” 153, 177

  Frykowski, Wojtek, 187

  Ann Ford’s birthday party, 163

  crime scene, 200, 202–203

  dolphin research, 127

  Doyle’s video-buggering, 237

  drug deals, 216, 223–224, 230

  drug use, 147

  events leading up to the murders, 164–168, 170, 172

  First Homicide Investigation Progress Report, 240

  Folger’s desire to leave, 165

  investigation of the murders, 215

  LaBianca murders, 180–181

  lifestyle and interests, 148–149

  Manson’s visit to Cielo Drive, 130

  motives for the murders, 219–220, 224

  moving into Cielo Drive house, 131

  murder of, 188–194

  psychic reading, 162

  “trespassory conduct” accusation, 233

  funerals of the Cielo Drive victims, 226–228

  Furie, Sidney, 37

  Gardiner, Jack, 264

  Garland, Judy, 62

  Garner, James, 19–20

  Garretson, William, 131–132, 149, 182–183, 185, 201–202, 206, 213, 218

  Gassman, Vittorio, 135–136

  Gefsky, Hal, 14, 17–20, 24, 35

  George, Carl, 266

  Gleason, Bill, 243–244

  Glutz, Sadie. See Atkins, Susan

  Godard, Jean-Luc, 90–91

  Golden Globe Award, 92

  golden penis, 88

  Gone with the Wind party, 147, 149

  Good, Sandy, 175–176, 250

  Goodwin, Richard, 95–96

  Graciette, Maria, 162

  Graham, Sheilah, 88

  Graham, Virginia, 255–260

  Grant, Cary, 68

  Grant, Lee, 65

  Greenburgh, Tony, 113, 209

  Greenwald, Alvin, 227

  Grenoble Protocol, 90

  Grier, Roosevelt, 102

  Griffin, Merv, 53–54

  Grogan, Clem, 250, 253

  Guenther, Charles, 174, 212, 253, 260

  Guthrie, Woody, 73

  Gutierrez, Manuel, 218

  Gutowski, Gene

  Aherne’s beach house, 68

  background, 26

  Compton Group film, 35

  dissolution of Cadre Films, 127

  golden penis, 88

  loan to Polanski, 40

  Paganini project, 117

  protecting Polanski, 215

  Rosemary’s Baby premiere, 112

  Tate’s return to America, 143

  The Fearless Vampire Killers, 43

  Gutowski, Judy, 68, 77–78

  Hamill, Pete, 106

  Hanford, Washington, 4–7

  Hardenbergh, Henry J., 70

  Hardy, Thomas, 142

  Harrigan, Thomas, 124–125

  Hatami, Shahrokh

  aftermath of the murders, 225

  Ann Ford’s birthday party, 163

  Cielo Drive house, 122–123

  events leading up to the murder, 171–172

  Eye of the Devil filming, 39

  footage of Jay Sebring’s party, 110–111

  Gone with the Wind party, 149

  Manson’s first visit to Cielo Drive, 130

  occult interests and activities, 269

  Polanski filming sexual scenes, 119–120

  Rosemary’s Baby documentary, 72

  Tate’s pregnancy, 120–121, 132

  Haudiquet, Philippe, 43

  Hayward, Susan, 62

&
nbsp; Helder, R.J., 204, 213, 237, 240–241

  Helter Skelter, 125, 128, 154, 176, 179–180, 217

  Hemingway, Ernest, 11–12

  Hemmings, David, 38, 59

  Henry, Mike, 32

  Heresma, Heere, 115, 138–139

  Hesera, Simon, 85, 115, 120, 138–139, 209

  Hiller, Arthur, 37

  Hinman, Gary

  automobile used in Tate murders, 173

  Beausoleil’s connection to, 75, 158

  Cielo Drive killings and, 195, 212–213

  connecting the murder to Black Panthers, 243

  events leading to the death of, 155–156, 158–161

  homicide investigation, 173–174

  LaBianca homicide reports, 241–242

  hit list, Manson’s, 251, 257

  Hollywood Studio Club, 18–19

  home movies, Polanski’s, 119, 126, 219–220, 223–224

  homicide investigations

  autopsies and initial investigation, 212

  Colonel Tate’s arrival, 207–208

  connecting the Tate, LaBianca, and Hinman killings, 212–216, 218–219, 260–261

  discovery of the bodies, 199–206

  drugs and cult involvement, 227–228, 237, 241

  First Homicide Investigation Progress Report, 239–240

  Paul Tate’s investigation, 235–239

  Polanski’s investigation, 231–233

  Polanski’s polygraph test, 220

  Polanski’s press conference, 229–231

  psychic void-scan of the crime scene, 228–229

  research methods, 188

  Sadie’s prison confession, 256–260

  Second Homicide Investigation Progress Report, 240–241

  Sirhan’s sentence, 139

  video tapes and photographs, 219–220, 233–235

  Watson’s capture, 260

  homicides

  drugs and cult involvement, 221–224

  events leading up to Cielo Drive killings, 163–168, 170–171, 176–179, 182–184

  funerals, 226–228

  LaBianca murders, 211–212, 216–218, 241–242

  Manson Family’s arrival at Cielo Drive, 184–188

  motive for, 179–182

  Polanskis’ housewarming party, 124–125

  Polanski’s notification of Tate’s death, 209–210

  post-event violence, 224–225

  sequence of events, 188–196

  Hopper, Dennis, 164, 223

  Hopper, Hedda, 12, 14–15

  Hotchner, A.E., 11–12, 126, 223–224

  Houghton, Robert, 241

  House Un-American Activities Committee, 21

  Howard, Ronni, 257–259

  Hoyt, Barbara, 177–178

  Hudson, Sarah, 93–94, 97

  Huerta, Doris, 100–101

  human sacrifice, 37–38

  Humphrey, Hubert, 102

  Hurkos, Peter, 228–229

  Immigration and Naturalization Service (INS), 86, 265–266

  impotence, Polanski’s, 141

  In the French Style (film), 20

 

‹ Prev