Table of Contents
COPYRIGHT INFO
A NOTE FROM THE PUBLISHER
THE MEGAPACK SERIES
THE SIGNAL-MAN, by Charles Dickens
THE SOUL OF THE GREAT BELL, by Lafcadio Hearn
PRESENT AT A HANGING, by Ambrose Bierce
CANON ALBERIC’S SCRAP-BOOK by M. R. James
THE MASS OF SHADOWS, by Anatole France
THE MAN WHO WENT TOO FAR, by E.F. Benson
THE THING AT NOLAN, by Ambrose Bierce
THE PHANTOM ’RICKSHAW, by Rudyard Kipling
THE RIVAL GHOSTS by Brander Matthews
THE INTERVAL, by Vincent O’Sullivan
A GHOST, by Guy De Maupassant
A COLD GREETING, by Ambrose Bierce
THE TURN OF THE SCREW, by Henry James
THE SHADOWS ON THE WALL, by Mary E. Wilkins Freeman
THE MESSENGER, by Robert W. Chambers
THE BEAST WITH FIVE FINGERS, by W. F. Harvey
WHAT WAS IT?, by Fitz-James O’Brien
THE SHELL OF SENSE, by Olivia Howard Dunbar
THE WOMAN AT SEVEN BROTHERS, by Wilbur Daniel Steele
AT THE GATE, by Myla Jo Closser
LIGEIA, by Edgar Allan Poe
THE HAUNTED ORCHARD, by Richard Le Gallienne
KERFOL, by Edith Wharton
THE WIND IN THE ROSE-BUSH, by Mary E. Wilkins Freeman
THE STORY OF MING-Y, by Lafcadio Hearn
GHOST STORY MEGAPACK VOL 2
Version 1.0.1
COPYRIGHT INFO
The Second Ghost Story Megapack is copyright © 2013 by Wildside Press LLC. Indiviual stories are copyrighted by their authors. Cover art © Thinkstock. All rights reserved. For more information, contact the publisher through wildsidepress.com or the Wildside Press Forums.
NOTE
Language has not been updated for “political correctness” and some stories may contain language which some may find offensive. Please note that languages change and evolve, and what was acceptable in the time of original publication may prove offensive to some today.
A NOTE FROM THE PUBLISHER
Over the last year, our “Megapack” series of ebook anthologies has proved to be one of our most popular endeavors. (Maybe it helps that we sometimes offer them as premiums to our mailing list!) One question we keep getting asked is, “Who’s the editor?”
The Megapacks (except where specifically credited) are a group effort. Everyone at Wildside works on them. This includes John Betancourt, Carla Coupe, Steve Coupe, Bonner Menking, Colin Azariah-Kribbs, Robert Reginald, A.E. Warren, and many of Wildside’s authors…who often suggest stories to include (and not just their own!)
A NOTE FOR KINDLE READERS
All of the Kindle versions of our Megapacks employ active tables of contents for easy navigation…please look for one before writing reviews on Amazon that complain about the lack! (They are sometimes at the ends of ebooks, depending on your reader/version.)
RECOMMEND A FAVORITE STORY?
Do you know a great classic science fiction story, or have a favorite author whom you believe is perfect for the Megapack series? We’d love your suggestions! You can post them on our message board at http://movies.ning.com/forum (there is an area for Wildside Press comments).
Note: we only consider stories that have already been professionally published. This is not a market for new works.
TYPOS
Unfortunately, as hard as we try, a few typos do slip through. We update our ebooks periodically, so make sure you have the current version (or download a fresh copy if it’s been sitting in your ebook reader for months.) It may have already been updated.
If you spot a new typo, please let us know. We’ll fix it for everyone (and email a revised copy to you when it’s updated, in either epub or Kindle format). You can email the publisher at [email protected].
—John Betancourt
Publisher, Wildside Press LLC
www.wildsidepress.com
THE MEGAPACK SERIES
SCIENCE FICTION & FANTASY
The Edward Bellamy Megapack
The First Reginald Bretnor Megapack
The Philip K. Dick Megapack
The Murray Leinster Megapack
The Second Murray Leinster Megapack
The Martian Megapack
The Andre Norton Megapack
The Pinocchio Megapack
The H. Beam Piper Megapack
The Pulp Fiction Megapack
The Randall Garrett Megapack
The Second Randall Garrett Megapack
The Mack Reynolds Megapack
The First Science Fiction Megapack
The Second Science Fiction Megapack
The Third Science Fiction Megapack
The Fourth Science Fiction Megapack
The Fifth Science Fiction Megapack
The Sixth Science Fiction Megapack
The Seventh Science Fiction Megapack
The Robert Sheckley Megapack
The Steampunk Megapack
The Time Travel Megapack
The Vampire Megapack
The Werewolf Megapack
The Wizard of Oz Megapack
HORROR
The Achmed Abdullah Megapack
The E.F. Benson Megapack
The Second E.F. Benson Megapack
The Cthulhu Mythos Megapack
The Ghost Story Megapack
The Second Ghost Story Megapack
The Third Ghost Story Megapack
The Horror Megapack
The M.R. James Megapack
The Macabre Megapack
The Second Macabre Megapack
The Mummy Megapack
MYSTERY
The Achmed Abdullah Megapack
The Charlie Chan Megapack (not available in the U.S.)
The Craig Kennedy Scientific Detective Megapack
The Detective Megapack
The Father Brown Megapack
The Jacques Futrelle Megapack
The Dashiell Hammett Megapack
The Mystery Megapack
The Penny Parker Megapack
The Pulp Fiction Megapack
The Victorian Mystery Megapack
The Wilkie Collins Megapack
GENERAL INTEREST
The Adventure Megapack
The Baseball Megapack
The Cat Megapack
The Second Cat Megapack
The Christmas Megapack
The Second Christmas Megapack
The Classic American Short Stories Megapack
The Classic Humor Megapack
The Dog Megapack
The Military Megapack
WESTERNS
The B.M. Bower Megapack
The Max Brand Megapack
The Buffalo Bill Megapack
The Cowboy Megapack
The Zane Grey Megapack
The Western Megapack
The Second Western Megapack
The Wizard of Oz Megapack
YOUNG ADULT
The Boys’ Adventure Megapack
The Dan Carter, Cub Scout Megapack
The G.A. Henty Megapack
The Rover Boys Megapack
The Tom Corbett, Space Cadet Megapack
The Tom Swift Megapack
AUTHOR MEGAPACKS
The Achmed Abdullah Megapack
The Edward Bellamy Megapack
The B.M. Bower Megapack
The E.F. Benson Megapack
The Second E.F. Benson Megapack
The Max Brand Megapack
The First Reginald Bretnor Megapack
The Wilkie Collins Megapack
The Guy de Maupassant Megapack
The Jacques Futrelle Megapack
The Randall Garrett Megapack
The Anna Katharine Green Megapack
The Zane Grey Megapack
The Second Randall Garrett Megapack
The Dashiell Hammett Megapack
The M.R. James Megapack
The Murray Leinster Megapack
The Second Murray Leinster Megapack
The George Barr McCutcheon Megapack
The Talbot Mundy Megapack
The Andre Norton Megapack
The H. Beam Piper Megapack
The Mack Reynolds Megapack
The Rafael Sabatini Megapack
The Saki Megapack
The Robert Sheckley Megapack
THE SIGNAL-MAN, by Charles Dickens
“Halloa! Below there!”
When he heard a voice thus calling to him, he was standing at the door of his box, with a flag in his hand, furled round its short pole. One would have thought, considering the nature of the ground, that he could not have doubted from what quarter the voice came; but instead of looking up to where I stood on the top of the steep cutting nearly over his head, he turned himself about, and looked down the Line. There was something remarkable in his manner of doing so, though I could not have said for my life what. But I know it was remarkable enough to attract my notice, even though his figure was foreshortened and shadowed, down in the deep trench, and mine was high above him, so steeped in the glow of an angry sunset, that I had shaded my eyes with my hand before I saw him at all.
“Halloa! Below!”
From looking down the Line, he turned himself about again, and, raising his eyes, saw my figure high above him.
“Is there any path by which I can come down and speak to you?”
He looked up at me without replying, and I looked down at him without pressing him too soon with a repetition of my idle question. Just then there came a vague vibration in the earth and air, quickly changing into a violent pulsation, and an oncoming rush that caused me to start back, as though it had force to draw me down. When such vapour as rose to my height from this rapid train had passed me, and was skimming away over the landscape, I looked down again, and saw him refurling the flag he had shown while the train went by.
I repeated my inquiry. After a pause, during which he seemed to regard me with fixed attention, he motioned with his rolled-up flag towards a point on my level, some two or three hundred yards distant. I called down to him, “All right!” and made for that point. There, by dint of looking closely about me, I found a rough zigzag descending path notched out, which I followed.
The cutting was extremely deep, and unusually precipitate. It was made through a clammy stone, that became oozier and wetter as I went down. For these reasons, I found the way long enough to give me time to recall a singular air of reluctance or compulsion with which he had pointed out the path.
When I came down low enough upon the zigzag descent to see him again, I saw that he was standing between the rails on the way by which the train had lately passed, in an attitude as if he were waiting for me to appear. He had his left hand at his chin, and that left elbow rested on his right hand, crossed over his breast. His attitude was one of such expectation and watchfulness that I stopped a moment, wondering at it.
I resumed my downward way, and stepping out upon the level of the railroad, and drawing nearer to him, saw that he was a dark, sallow man, with a dark beard and rather heavy eyebrows. His post was in as solitary and dismal a place as ever I saw. On either side, a dripping-wet wall of jagged stone, excluding all view but a strip of sky; the perspective one way only a crooked prolongation of this great dungeon; the shorter perspective in the other direction terminating in a gloomy red light, and the gloomier entrance to a black tunnel, in whose massive architecture there was a barbarous, depressing, and forbidding air. So little sunlight ever found its way to this spot, that it had an earthy, deadly smell; and so much cold wind rushed through it, that it struck chill to me, as if I had left the natural world.
Before he stirred, I was near enough to him to have touched him. Not even then removing his eyes from mine, he stepped back one step, and lifted his hand.
This was a lonesome post to occupy (I said), and it had riveted my attention when I looked down from up yonder. A visitor was a rarity, I should suppose; not an unwelcome rarity, I hoped? In me, he merely saw a man who had been shut up within narrow limits all his life, and who, being at last set free, had a newly-awakened interest in these great works. To such purpose I spoke to him; but I am far from sure of the terms I used; for, besides that I am not happy in opening any conversation, there was something in the man that daunted me.
He directed a most curious look towards the red light near the tunnel’s mouth, and looked all about it, as if something were missing from it, and then looked at me.
That light was part of his charge? Was it not?
He answered in a low voice—“Don’t you know it is?”
The monstrous thought came into my mind, as I perused the fixed eyes and the saturnine face, that this was a spirit, not a man. I have speculated since, whether there may have been infection in his mind.
In my turn, I stepped back. But in making the action, I detected in his eyes some latent fear of me. This put the monstrous thought to flight.
“You look at me,” I said, forcing a smile, “as if you had a dread of me.”
“I was doubtful,” he returned, “whether I had seen you before.”
“Where?”
He pointed to the red light he had looked at.
“There?” I said.
Intently watchful of me, he replied (but without sound), “Yes.”
“My good fellow, what should I do there? However, be that as it may, I never was there, you may swear.”
“I think I may,” he rejoined. “Yes; I am sure I may.”
His manner cleared, like my own. He replied to my remarks with readiness, and in well-chosen words. Had he much to do there? Yes; that was to say, he had enough responsibility to bear; but exactness and watchfulness were what was required of him, and of actual work—manual labour—he had next to none. To change that signal, to trim those lights, and to turn this iron handle now and then, was all he had to do under that head. Regarding those many long and lonely hours of which I seemed to make so much, he could only say that the routine of his life had shaped itself into that form, and he had grown used to it. He had taught himself a language down here,—if only to know it by sight, and to have formed his own crude ideas of its pronunciation, could be called learning it. He had also worked at fractions and decimals, and tried a little algebra; but he was, and had been as a boy, a poor hand at figures. Was it necessary for him when on duty always to remain in that channel of damp air, and could he never rise into the sunshine from between those high stone walls? Why, that depended upon times and circumstances. Under some conditions there would be less upon the Line than under others, and the same held good as to certain hours of the day and night. In bright weather, he did choose occasions for getting a little above these lower shadows; but, being at all times liable to be called by his electric bell, and at such times listening for it with redoubled anxiety, the relief was less than I would suppose.
He took me into his box, where there was a fire, a desk for an official book in which he had to make certain entries, a telegraphic instrument with its dial, face, and needles, and the little bell of which he had spoken. On my trusting that he would excuse the remark that he had been well educated, and (I hoped I might say without offence) perhaps educated above that station, he observed that instances of slight incongruity in such wise would rarely be found wanting among large bodies of men; that he had heard it was so in workhouses, in the police force, even in that last desperate resource, the army; and that he knew it was so, more or less, in any great railway staff. He had been, when young (if I could believe it, sitting in that hut,—he scarcely could), a student of natural ph
ilosophy, and had attended lectures; but he had run wild, misused his opportunities, gone down, and never risen again. He had no complaint to offer about that. He had made his bed, and he lay upon it. It was far too late to make another.
All that I have here condensed he said in a quiet manner, with his grave, dark regards divided between me and the fire. He threw in the word, “Sir,” from time to time, and especially when he referred to his youth,—as though to request me to understand that he claimed to be nothing but what I found him. He was several times interrupted by the little bell, and had to read off messages, and send replies. Once he had to stand without the door, and display a flag as a train passed, and make some verbal communication to the driver. In the discharge of his duties, I observed him to be remarkably exact and vigilant, breaking off his discourse at a syllable, and remaining silent until what he had to do was done.
In a word, I should have set this man down as one of the safest of men to be employed in that capacity, but for the circumstance that while he was speaking to me he twice broke off with a fallen colour, turned his face towards the little bell when it did NOT ring, opened the door of the hut (which was kept shut to exclude the unhealthy damp), and looked out towards the red light near the mouth of the tunnel. On both of those occasions, he came back to the fire with the inexplicable air upon him which I had remarked, without being able to define, when we were so far asunder.
Said I, when I rose to leave him, “You almost make me think that I have met with a contented man.”
(I am afraid I must acknowledge that I said it to lead him on.)
“I believe I used to be so,” he rejoined, in the low voice in which he had first spoken; “but I am troubled, sir, I am troubled.”
He would have recalled the words if he could. He had said them, however, and I took them up quickly.
“With what? What is your trouble?”
“It is very difficult to impart, sir. It is very, very difficult to speak of. If ever you make me another visit, I will try to tell you.”
“But I expressly intend to make you another visit. Say, when shall it be?”
“I go off early in the morning, and I shall be on again at ten to-morrow night, sir.”
“I will come at eleven.”
He thanked me, and went out at the door with me. “I’ll show my white light, sir,” he said, in his peculiar low voice, “till you have found the way up. When you have found it, don’t call out! And when you are at the top, don’t call out!”
The Second Ghost Story Megapack Page 1
