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ELLERY QUEEN MYSTERY MAGAZINE
March/April 2007
Vol. 129, Nos. 3 & 4. Whole Nos. 787 & 788
Dell Magazines
475 Park Avenue South
New York, NY 10016
Edition Copyright © 2006 by Dell Magazines, a division of Crosstown Publications
Ellery Queen is a registered trademark of the Estate of Ellery Queen. All rights reserved worldwide.
All stories in Ellery Queen Mystery Magazine are fiction. Any similarities are coincidental.
ISSN 0013-6328 published monthly except for double-issues of March/April and September/October.
Cover illustration by George Eisenberg}.
CONTENTS
FICTION
Going Back by ANN CLEEVES
Brothers by ED GORMAN
Ivory Crossroads by JAMES POWELL
The Old Wife's Tale by GILLIAN ROBERTS
The Day After by BARBARA CALLAHAN
Doorway to Heaven by FRANK T. WYDRA
Dead Gray by KEITH SNYDER
Personal Space by JERRY SYKES
Death at Delphi by MARILYN TODD
Valentine, July Heat Wave by JOYCE CAROL OATES
REVIEWS
Blog Bytes by ED GORMAN
The Jury Box by JON L. BREEN
FICTION
Hero Time by ANDREW KLAVAN
Wheeze by MICHAEL Z. LEWIN
Say That Again by PETER LOVESEY
The Old Story by LIZA CODY
One Good One by CHUCK HOGAN
The Girl Next-Door by EDWARD D. HOCH
Crash Tackle by KEITH MILES
Makeover by BILL JAMES
DEPARTMENT OF FIRST STORIES
Murder in Key West by MICHAEL HASKINS
PASSPORT TO CRIME
A Viennese Romance by STEFAN SLUPETZKY
Click a Link for Easy Navigation
CONTENTS
GOING BACK by Ann Cleeves
Blog Bytes by Ed Gorman
BROTHERS by Ed Gorman
IVORY CROSSROADS by James Powell
THE OLD WIFE'S TALE by Gillian Roberts
THE DAY AFTER by Barbara Callahan
THE JURY BOX by Jon L. Breen
DOORWAY TO HEAVEN by Frank T. Wydra
DEAD GRAY by Keith Snyder
PERSONAL SPACE by Jerry Sykes
DEATH AT DELPHI by Marilyn Todd
A VIENNESE ROMANCE by Stefan Slupetzky
VALENTINE, JULY HEAT WAVE by Joyce Carol Oates
HERO TIME by Andrew Klavan
MURDER IN KEY WEST by Michael Haskins
WHEEZE by Michael Z. Lewin
SAY THAT AGAIN by Peter Lovesey
THE OLD STORY by Liza Cody
ONE GOOD ONE by Chuck Hogan
THE GIRL NEXT-DOOR by Edward D. Hoch
CRASH TACKLE by Keith Miles
MAKEOVER by Bill James
NEXT ISSUE...
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GOING BACK by Ann Cleeves
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Art by Allen Davis
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Winner of the 2006 Duncan Lawrie Dagger for her novel Raven Black (Macmillan), Ann Cleeves works with libraries developing services for readers. The Dagger judges said of her winning book: “Superb sense of place. A depiction of an enclosed community with modern and entrenched values constanly competing. A thrilling read” Her new book: Hidden Depths.
Susan had thought she would recognise the place immediately. The pictures in her head were solid and precise. She revisited them regularly, saw them like photos. The grey line of houses surrounded by grey hills. The school playground only separated from fields by a low stone wall, so the wind blowing across it chapped their lips and turned their fingers blue. The tubular steel climbing frame where she'd hung from her knees, her skirt falling over her upper body and the three girls in the corner of the yard sniggering and pointing, shouting at the boys to look. We can see your knickers! We can see your knickers! The chimney-shaped stove in the junior classroom, which the caretaker filled with coke and which belched out sulphur-tasting fumes. Her mother's mouth crimped in disapproval.
But everything was different. The village had become a fashionable place to live, within easy commuting distance of Leeds. You could tell that rich people lived here. The school had been converted into a picture from a glossy magazine. Through plate-glass windows you could see a pale wood mezzanine floor and exposed beams. Susan wondered if there was any chance of seeing inside, of smelling the wood and touching the heavy fabric of the curtains. Changes to the School House, where she'd lived, were more modest, but the lines of the severe square box had been softened by a conservatory and hanging baskets. In her memory she saw the house through drizzle and fog. Her mother's resentment at being forced to live there had imposed its own microclimate. Today there was the pale, lemon sunshine of early spring.
And she was back. A fiftieth birthday present to herself. What did they call it? Exorcising ghosts.
So she stood for a moment trying to find her bearings. She sensed Tom's impatience, but this was her time. Let him wait. She stared fiercely down the road, then closed her eyes and laid the pattern of houses over the landscape of her memory.
"They've widened the lane,” she said. “The verge was deeper then."
He kept quiet. He knew it was important not to say the wrong thing.
When they'd moved here from Leeds, her mother had called it a cultural desert. It had been her father's first headship and he'd had no real choice in the matter. He hadn't fitted in at his previous school and had been told by the director of education to apply. He had no vocation for teaching. In the war he'd been happy, had hoped the fighting would go on forever. Afterwards, what could he do? The government needed teachers and would pay him to train.
Her mother had met him when he was a mature student and had rather liked the idea of marrying a teacher. It was a respectable profession. Perhaps she pictured him in a gown taking assembly in an oak-panelled hall. Susan thought she couldn't have been aware then of the reality—the poor pay, the grubby children who wet their pants and carried nits. Her father didn't have the academic qualification to teach in a grammar school. He was reduced to drilling the times tables into the heads of bored seven-year-olds, to supervising the half-dressed prancing to Music and Movement on the wireless. It was no job, he said, for a grown man.
And this, he had to admit, was no real headship. There were only thirty children, fifteen infants and fifteen juniors. He took the juniors in one classroom and Miss Pritchard took the infants in the other. Susan's mother never liked Miss Pritchard, who was plump, comfortable, and vacuous. She liked nothing about the village at all. All she could think of was moving back to the city.
The house was always cold. Even in summer the damp in the walls and the floor seeped into your bones. The wind blew over the Pennines and under the doors. Susan remembered the building in black and white, like the fuzzy pictures on the television in the corner of the front room. Her parents sat every evening in silence watching television, surrounded by their utility furniture, the few good pieces of china her mother had inherited from a well-off aunt, an inscribed tankard whi
ch had been given to her father when he left his last school. And always, sometimes even drowning out the voices on the TV, there was the sound of the sheep on the hill. Like a baby crying in the distance.
Susan had escaped outside, to ride her bike down the lane and play on the climbing frame in the schoolyard. Always on her own. Nobody wanted to be friends with the teacher's lass. They were frightened she'd tell on them. She saw them sometimes, the other girls, Heather and Diane and Marilyn, sitting on the pavement outside the council houses down the hill, their heads together over some game. She never went to join them. She knew she wouldn't be welcome and besides, her mother didn't like her mixing. But she watched them. She always knew what they were up to.
She had been so strong then, so easy in her body. She'd walked miles across the hills. There'd been handstands against the wall, reckless slides across ice on the playground, cartwheels. Her mother hadn't approved. If she saw her daughter on the climbing frame she'd rap on the kitchen window to call her into the house.
"What's the matter?” Susan knew how to play the innocent. She'd had to learn.
"Behaving like that. Showing your underwear to that boy.” The boy was Eddie Black, a slow, gentle fifteen-year-old who lived in the cottage next to the school. He spent much of his time in the garden, in a wire mesh aviary, caring for his birds.
Susan wondered why that was so wrong. Why was that different from doing Music and Movement in front of her father? Or his coming into her bedroom when she was dressing? But she said nothing. She knew it was impossible to argue with her mother when her mouth was stretched in that thin-lipped way. When the sherry bottle was uncorked on the kitchen table and the first glass was already empty.
One evening stuck in her memory. It had been just before Easter and her mother had gone into Leeds to a concert. The Messiah. She'd driven herself in the black Morris Minor. An adventure, but an ordeal. She'd never enjoyed driving. When she returned she was a different woman. Susan thought, if she'd bumped into her in the street, she wouldn't have recognised her, the colour in her cheeks, the way she stood. It was like coming back to the village today and not recognising it. Susan had sat on the stairs wrapped up in the candlewick dressing gown listening to her mother's voice.
"Let's move, Philip. Please can we move back? A fresh start."
She hadn't heard her father's answer, but the next day nothing had changed and the move was never mentioned again. She couldn't tell if anything was different between them.
And me? Susan wondered. What was I feeling in this house I don't know anymore? Nothing. I crept around on the edge of their lives, frozen and silent, trying above all not to make things worse. In school it was the same. Making myself invisible so they wouldn't poke and pinch and jeer. I only felt alive when I was outside, when I was running or climbing. Or watching.
"Well?” Tom asked, breaking into her memories.
"The gate into the field's in the same place."
It could even be the same gate. It was green with lichen and sagging on its hinges. The same sound of wind and sheep. The quarry had finished working even before her day. Now only a tractor would go through occasionally. This was rough grazing and took little work.
"We used to have Sports Day in that field, the flat bit near the gate. The quarry's up the hill."
She said used to but as far as she could remember it had only happened once. Her father must have made some arrangement with the farmer. They'd all trooped out through the open gate. No uniform sports kit. It wasn't that sort of school. She was the only one with an Airtex shirt and navy blue shorts. Heather wore a cotton dress, very short. The fashion. She was in her last year of juniors and already had breasts, which bounced as she ran. Not that she'd put much effort into the running. It had been a simpering show. She'd looked around her making sure they were all watching. But Susan had won the race. She'd crossed the line even before the boys. That'll show them, she'd thought. Flying across the field, she'd felt triumphant. This small world was hers. Let the other girls say what they liked. And of course they'd had plenty to say. Real girls didn't run. Not like that.
Now, middle-aged, she felt the first twinges of arthritis in her shoulders and her knees. She was overweight and unfit. All her movements were tentative. She'd never have that freedom again. The confidence to balance, arms outstretched, on the top bar of the farm gate. That sense of running over the uneven grass. She caught her breath to prevent a wail of loss and regret.
Soon after Sports Day, Heather Mather had gone missing. At first everyone thought she'd run away, hitched a lift into Leeds or sneaked onto the Secondary Modern bus. She was a flighty thing. “Too old for her years,” said Mrs. Tillotson, the widow who took the Sunday school and played the out-of-tune organ in the church. A policeman came to the school and talked to them all in turn, looking very big and clumsy sitting on one of the children's chairs, his bum hanging over each side. They hadn't laughed at him. They knew he was trying to be friendly. Her father had stood at the front of the class, watching and frowning. Even if Susan had wanted to tell the policeman what she knew about Heather Mather and where she was, it would be quite impossible with her father listening in.
Then, when Heather didn't return, the word in the village was that Eddie Black had taken her. Eddie lived with his mother and though he'd left school, he didn't work. Susan knew Eddie hadn't taken Heather. He wouldn't know how to hurt her. He was painfully careful when he held his birds, and once when Susan had tripped and fallen, grazing her knee so it bled, he had cried. But everyone in the village said he'd taken her. One night someone threw a rock through Mrs. Black's bedroom window. The next morning Eddie woke up to find that two of his birds were dead. Their necks had been twisted. He stood in his garden and looked round him, bewildered, his mouth slightly open, as if he couldn't really understand what had happened.
Heather never turned up and her body was never found. The police wanted to charge Eddie with her murder, but decided that they had insufficient evidence. Even in those days, more was needed than neighbourhood gossip and a gut feeling that the boy was odd. They needed a body.
Beside her, Tom coughed. He didn't want this to last all day. He wanted to be home in Durham before it got dark. He knew it was important, but he was a great one for routine. He liked to get his dinner on time. Susan untied the frayed baler twine which attached the gate to the post, lifted it on its hinges over the long grass, and they walked through.
"This way,” she said. “Mind, though, it's a bit of a walk."
Heather Mather had boyfriends nobody knew anything about. Not a real boyfriend. Not a lad her own age to have a giggle with, holding hands on the way down from the hill. Games of doctors and nurses in the shed at the bottom of the garden, brief forbidden kisses and flushed red faces. The other girls played games like that, but not Heather. She was too old for her years, as Mrs. Tillotson had said, and when she thought no one was looking she had a watchful, wary look. Sometimes Susan thought if she hadn't been the teacher's daughter, they might have been friends. Heather's boyfriends were older. They were men, not boys. She got into their cars and drove off with them and when she got back she lied about where she'd been. Even to Marilyn and Diane.
Uncle Alec took me to the pictures in town.
And Uncle Alec lied about it, too.
It were a good film, weren't it, love?
His arm around her, protective, as they stood on the short strip of pavement, the only pavement in the village, outside her house. Alec Mather, her dad's brother, who worked as gamekeeper on the big estate, who was tall and strong and carried a gun. Who had a dog that would do anything Alec told it, that would go through fire for him, everyone said, but that snarled and bared its teeth at anyone else. Susan tried for a moment to remember the name of the dog. Why wouldn't it come to her, when everything else was so clear? Soon she gave up. She had other, more disturbing memories.
It hadn't been Alec's car Heather had climbed into, her skirt riding up so she nearly showed her knickers, the
first time Susan had watched her. It could have been one of Alec's friends who was driving. He was about the same age, dark hair greased back, a tattoo on the back of his hand. And later, when he dropped Heather back in the lane down to the church, Alec was there to meet them. When Heather wasn't looking (though Susan was, hiding at the top of a high stone wall which surrounded the churchyard) the stranger handed him a five-pound note. Alec slipped it quickly into the pocket of his jacket. The wall was nearly three feet thick, covered with ivy and overhung with branches. Susan could remember the smell of the ivy even now, as they walked across the field, up the hill towards the quarry. This was the first of several encounters she witnessed over the months. Sometimes the men were strangers and sometimes she recognised them. Money usually changed hands.
Would she have described this to the friendly policeman when he came to the classroom to ask about Heather if her father hadn't been there, listening in? Perhaps she would. Then everything would have been different. Her whole life. She wouldn't be here walking up the hill with Tom on an April afternoon.
After that day she watched Heather more closely. She listened to the women talking after church. Heather's father had gone away to work. He'd got a job as a cook in the merchant navy. Alec spent a lot of time with the family to keep an eye on things. It only made sense.
And one afternoon Susan watched Heather climb into her father's car, the teacher's car. It was soon after Sports Day, at the start of the school holidays, one of those rare hot, still days. In the house there had still been a chill caused by the rotting walls and her parents’ antagonism. Her father said he had an NUT meeting in Leeds and her mother wanted a lift into town. He'd told her it wasn't possible. He'd promised a lift to colleagues from the villages on the way. There wouldn't be room in the Morris for Sylvia, too. She'd sulked, fetched the sherry from the sideboard, which she only did at lunchtime when she was severely provoked. Outside it was airless. Susan felt the sun burning her bare arms and legs, beating up from the tarmac of the playground. She went to her nest on the churchyard wall not to watch but to find some shade.
EQMM, March-April 2007 Page 1
