Jim Crow's Counterculture

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Jim Crow's Counterculture Page 40

by Lawson, R. A.


  Illinois Central Railroad, 3, 106

  “I’m Ready” (Dixon), 77

  Indiana, 88, 108, 110, 133

  Indianapolis, 108, 133

  Indianola, Miss., 25, 54, 58, 91–92

  “It’s Hard Time” (Short), 149

  “Jack o’ Diamonds” (Jefferson), 160

  Jackson, Bessie. See Bogan, Lucille

  Jackson, Bruce, 13

  Jackson, Miss., 25, 106, 146

  Jacobs, Little Walter, 172

  James, Skip, 129, 146, 147

  jazz, 64, 84–85, 99, 113, 115, 126–27, 130, 175, 189

  Jefferson, Blind Lemon, 6, 19–20, 25, 27, 35, 49, 133–34, 137–38, 159–60

  Jenkins, Hezekiah, 146–47

  Jennings, Waylon, 197

  Jim Crow: establishment of, 33, 45–46, 47–48, 57, 98, 198

  Marxist analysis of, 14, 42–43

  prison system of, 30, 36–41, 43. See also disfranchisement; lynching; segregation

  “Jim Crow Blues” (Davenport), 103

  “Joe Louis Blues” (Martin), 176

  Johnson, Blind Willie, 122–24, 126–27

  Johnson, Jack, 93, 177

  Johnson, Lonnie, 6, 129, 145, 190

  accompanying Peetie Wheatstraw, 132–33, 147

  accompanying Tex Alger, 59

  accompanying Victoria Spivey, 25

  Johnson, Louise, 9, 84

  Johnson, Robert, 13, 25, 52, 68, 108–9, 127, 132, 159

  death of, 62–63

  and devilment, 94–95, 131–32

  guitar technique of, 53

  and influence on Waters, 25, 170

  Johnson, Tommy, 8, 71

  Johnson, Willie. See Johnson, Blind Willie

  Jones, Curtis, 106

  Jones, LeRoi. See Baraka, Amiri

  Jones, Lewis, 68

  Jones Night Spot, 58

  jook joints, 29, 58, 66, 75–76, 144

  “Junior, A Jap’s Skull” (Blackwell), 190–91

  Kansas, 97

  Kansas Joe, 138–39

  Keil, Charles, 10, 17, 77

  King, B. B., 24, 25, 58, 69, 74–75, 129

  on blues music, 10, 20–21, 54

  in Memphis, 58–59, 91

  on sharecropping, 47

  Kizart, Lee, 76

  “Kokomo Blues” (Arnold), 108, 159

  Kolchin, Peter, 11–12

  Ku Klux Klan, 110–11, 135

  Kubik, Gerhard, 13

  Lacy, Rube, 19–20, 54

  “Last Monday” (Ledbetter), 38, 43

  Laury, Booker, 52

  Law, Don, 94, 108

  Ledbetter, Huddie (Leadbelly), 50, 69, 74, 79, 167, 178, 192–93, 198

  first appearance in New York City, 28–32, 71

  life in Texas, 35–40

  and Popular Front politics, 41–43, 182

  and prison, 30, 36–37, 38–41, 109, 133–34

  working with Lomaxes, 14, 26–27, 28–31, 41–43, 161, 183

  youth in Louisiana, 33–34

  Leland, Miss., 26, 141

  Lemann, Nicholas, 45

  “Let’s Have a New Deal” (Martin), 163, 176

  Leuchtenburg, William, 153

  Levine, Lawrence, 9, 11, 53–54

  Lewis, Jerry Lee, 196

  Lexington, Miss., 103, 119

  Library of Congress, 41–42, 68, 160, 170–71

  Lipscomb, Mance, 75

  Little Milton. See Campbell, Little Milton

  Litwack, Leon, 21, 49

  Lomax, Alan, 59, 68, 82, 160–61, 183, 185, 190

  on blues form, 52, 54, 63

  and Popular Front, 14, 15, 27, 41

  working with Muddy Waters, 24– 25, 170–71

  Lomax, John, 160–61

  on conservatism of black music, 12–14

  working with Ledbetter, 27–28, 30–31, 41, 43

  Louis, Joe, 93, 175–80

  Louisiana, 26, 30, 34, 40–41, 137, 160–61

  as birthplace of blues, 5

  delta region of, 3

  and disfranchisement, 33. See also New Orleans; Shreveport

  “Louisiana Blues” (Waters), 26, 173

  Louisville, 133

  Love, Charles, 75

  Love, Jasper, 162

  Lower Mississippi Valley, 55, 94, 105–6, 170

  flooding in, 134–37

  geography of, 3, 97–98

  during Great Depression, 144

  politics in, 48–49, 143–44

  socioeconomy of, 45, 68

  lynching, 44, 49–50, 104, 125, 189

  “Mademoiselle from Armentiers,” 121–22

  “Mannish Boy” (Waters), 69–70

  marijuana. See blues musicians and drug use

  marine corps, 182, 184

  Martin, Carl, 139, 145, 162–63, 176

  Maxwell Street (Chicago), 172

  May, Butler, “String Beans,” 7–8, 23

  McClennan, Tommy, 88–90, 106

  McCoy, Joe. See Kansas Joe McCulloch, Bill, 13

  McFadden, Specks, 81, 88

  McGhee, Brownie, 149

  McMillen, Neil, 2, 22, 62, 64, 79, 117

  “Me and My Captain,” 1, 60

  Melrose, Lester, 88

  Memphis, 51, 106, 136, 137, 171

  blues scene in, 58

  Handy’s career in, 61

  King’s move to, 59, 91. See also Beale Street

  “Memphis Blues” (Handy), 7, 8, 61, 72, 79

  Memphis Jug Band, 71

  Memphis Minnie, 108, 138–39

  Memphis Slim, 44, 59, 108

  Meridian, Miss., 86

  Michigan, 100, 179. See also Detroit

  “Midnight Special” (Ledbetter), 38, 41, 109

  migration. See Great Migration

  Miller, Rice (Aleck). See Williamson, Sonny Boy II

  Millinder, Lucky, 189–90

  Mississippi, 5, 25, 37, 51, 71, 75, 85, 98, 111, 119, 120, 125, 146, 185

  migration from, 84, 86, 89–92, 100, 103, 105–6, 130, 171–73

  politics in, 47–49, 61, 124. See also Delta, the

  “Mississippi Heavy Water Blues” (Hicks), 138

  Mississippi River, 55, 68, 135–40

  Mississippi Sheiks, 25

  Missouri, 5, 90, 100, 109, 120, 136. See also St. Louis

  mobility. See under blues musicians

  Montgomery, Isaiah, 105

  Montgomery, Little Brother, 9, 26–29

  Moore, Alice, 65

  Moorhead, Miss., 99

  Mooringsport, La., 33–34, 40

  Morganfield, McKinley. See Waters, Muddy

  Morton, Jelly Roll, 5, 69, 84, 130

  Moss, Buddy, 149

  Moton, Robert, 143

  Mound Bayou, Miss., 105

  Mounds Landing, Miss., 137

  “Mr. Crump” (Handy), 61–62

  “Mr. Hitler” (Ledbetter), 192–93

  “Mr. Livinggood” (Wheatstraw), 129–30

  Mt. Olive, Miss., 119

  Mullen, Robert, 117

  Murray, Albert, 19

  National Association for the Advancement of Colored People (NAACP), 19, 57, 67, 104, 114, 153, 155, 180

  National Recovery Administration (NRA), 156, 162

  navy, 182, 184

  Neff, Pat, 32, 39–40

  Negro Songs of Protest (Gellert), 14

  New Deal, 153–58, 162–67, 169, 196

  “New Highway 51 Blues” (McClennan), 106

  New Negro, 86, 92–93

  New Orleans, 71, 84, 106, 187

  flooding in, 136

  racial violence in, 51, 56, 60

  Storyville neighborhood of, 36, 58, 69

  New York City, 49, 84, 98, 99, 110, 127, 176–77, 179, 189

  Ledbetter’s move to, 28–32, 41, 71, 134

  Popular Front in, 41, 182

  recordings made in, 133, 158, 165, 166, 177–78. See also Harlem

  Niebuhr, Reinhold, 155

  Niles, Abbe, 179

  Niles, John Jacob, 116, 121–22
r />   Noise (Attali), 63–64

  Odum, Howard, 53, 100

  Ohio, 100

  Oliver, King, 25, 84

  Oliver, Paul, 55, 148

  on blues and accommodation, 12–13, 14

  Oscher, Paul, 76

  Pace, Henry, 67, 98

  Palestine, Tex., 104

  Palmer, Sylvester, 111

  “The Panic is On” (Jenkins), 146, 147

  Paramount Records, 9, 66, 95, 98, 146, 197

  Patton, Charley, 20, 27, 53, 70, 98, 132, 196

  and Flood of 1927, 26, 140–42

  and recording career, 9, 84

  “Pearl Harbor Blues” (Clayton), 188, 193

  Pearson, Barry Lee, 13

  Pee-Wee’s Saloon, 61

  Percy, Leroy, 142

  Percy, Will Alexander, 142

  Perryman, Rufus. See Speckled Red

  Pershing, John J., 120, 122

  Peyton, Dave, 67

  Plessy v. Ferguson, 33, 48

  Poetry of the Blues (Charters), 12

  Powdermaker, Hortense, 14, 92

  “Preachin’ Blues” (House), 6, 66

  Presley, Elvis, 8, 57, 196

  prison blues, 31–32, 37–40, 43, 59

  prison system. See under Jim Crow

  Public Works Administration (PWA), 164–67

  Pullum, Joe, 165

  race records, 9, 19–20, 60–61, 129–31, 145, 191, 197. See also individual record labels

  racial violence, 36, 51–52, 56, 60, 104, 110–11, 116, 179–80, 182, 184. See also lynching

  racism. See disfranchisement; Jim Crow; lynching; racial violence; segregation

  “Railroad Bill,” 77–78

  Rainey, Ma (Gertrude), 5–6, 9, 70

  Rainey, Memphis Ma (Lillie Mae Glover), 9, 70, 112

  ramblin’. See blues musicians and mobility

  “Rambling On My Mind” (R. Johnson), 52

  Ramsey, Frederic, 12

  Randolph, A. P., 180, 184

  Reconstruction, 33, 45–47, 51, 124, 143, 198

  “Red Cross Blues” (Davis), 159–60

  “Red Cross Blues” (Roland), 158–62

  “Red Cross Man” (Bogan), 158–59

  Red River, 35, 36, 140

  Red Summer (1919), 60, 111

  religion. See blues and black Christians; devilment; voodoo

  Republicans, 48, 144, 197

  resistance in blues music, 14–17, 26, 40, 43–44, 57, 62, 79–80, 198–99. See also accommodation in blues music

  “Rising High Water Blues” (Jefferson), 137–38

  “Road Tramp Blues” (Wheatstraw), 147–48

  Roark, James, 45

  Rogers, Jimmy, 76, 172

  Roland, Walter (Alabama Sam), 158–61, 165, 182

  “Roosevelt and Hitler” (Ezell), 185–86

  Roosevelt, Eleanor, 152–53

  Roosevelt, Franklin, 162, 177

  death of, 186–87, 198

  and race issues, 151, 153, 164, 184

  viewed by African Americans, 152–53, 165, 167, 174, 186–87, 188

  Rorabaugh, W. J., 72–73, 76

  Rosedale, Miss., 26, 141

  San Antonio, Tex., 108, 165

  Savage, Joe, 82–83

  Schmeling, Max, 93, 175, 176–79

  Scott, Miss., 85, 154

  Scott, Sonny, 158–59, 166

  Seals, Baby, 7–8, 23

  segregation, 44, 47–48, 57. See also Jim Crow

  Selective Service Act (1917), 118

  Serhoff, Doug, 8

  sharecropping, 45–47, 98, 169–70

  effect of Great Depression on, 144, 154–55

  “She Got Jordan River in Her Hips” (Short), 68–69

  Shines, Johnny, 8

  on pleasing the audience, 31

  on Robert Johnson, 53, 68, 94

  Short, J. D., 54–55, 68–69, 149–50

  “Shorty George” (Ledbetter), 31–32, 43, 109, 161

  Shreveport, 29, 34, 58, 69, 89, 90

  Singing Soldiers (Niles), 121

  “Sinking Sun Blues” (Wheatstraw), 128, 131

  Sitkoff, Harvard, 145

  “Sittin’ On Top of the World,” 25, 167

  Slavery: historiography of, 11–12

  and oral tradition, 4–5, 28, 51, 53–55

  and spirituals, 96–97

  “Sloppy Drunk Blues” (Williamson), 70

  Smith, Bessie, 1, 6, 81, 98

  Smith, Lucius, 72

  Smith, Mamie, 8, 60, 73, 79, 81, 160

  “Soldier Man Blues” (anonymous), 116, 122

  “Soldier Man Blues” (Washington), 191

  “Southern Blues” (Broonzy), 99

  Spand, Charlie, 146

  Spann, Otis, 172

  Speckled Red, 161

  Spencer, Jon, 13, 65

  Spirituals and the Blues (Cone), 15

  Spivey, Victoria, 25

  St. Bernard Parish, La., 136

  St. Louis, 90–91, 107, 110, 111, 133, 149–50, 170

  “St. Louis Blues” (Handy), 7, 51, 81–82, 83

  Stackhouse, Houston, 8

  Stark, Will, 46–47

  Still, William Grant, 93

  Stimson, Henry, 182

  Stomping the Blues (Murray), 19

  Stovall Plantation, 24, 130, 169–71, 173

  Strange Career of Jim Crow (Woodward), 46

  “Strange Fruit” (Holiday), 49

  String Beans. See May, Butler, “String Beans”

  Sugarland Penitentiary, 37–40

  Sumner, Miss., 26, 140

  “sundown towns,” 111, 112

  “Sweet Home Chicago” (R. Johnson), 108–9, 159

  Sykes, Roosevelt, 113, 169, 181, 184

  syncopation, 4–5, 28

  “Take a Whiff on Me,” 31, 71–72

  Tampa Red, 25, 106, 108, 146, 148

  Tchula, Miss., 75

  Tennessee, 3, 55, 137. See also Memphis

  “Tennessee Peaches” (Wheatstraw), 69, 140

  Tennessee Valley Authority (TVA), 156

  Texas, 30, 35–36, 104, 116, 120, 122, 138, 160. See also Deep Ellum; San Antonio; Sugarland

  Thomas, James, 75–76

  Thomas, Rufus, 58

  Thornton, Big Mama, 196

  Titon, Jeff Todd, 12–13, 16, 20

  “Training Camp Blues” (Sykes), 169, 181

  “Traveling Riverside Blues” (R. Johnson), 68

  Trotter, William Monroe, 118

  Tunica Co., Miss., 37

  Tutwiler, Miss., 7, 46, 61, 198

  Twain, Mark, 136

  “Uncle Sam Called the Roll” (Gaither), 181

  “Uncle Sam Says” (J. White), 182–83

  “Unemployment Stomp” (Broonzy), 180

  Vardaman, James K., 48, 61, 124

  vaudeville circuit. See chitlin’ circuit

  Vicksburg, Miss., 51, 58, 98, 120, 137

  Victor Military Band, 8

  violence. See blues musicians and violence; lynching; racial violence

  Vocalion, 62, 94, 197

  voodoo, 65, 66

  voting rights, 164. See also disfranchisement

  Wald, Elijah, 3, 8–9, 13, 27

  Walker, Ortiz, 63

  Walker, T-Bone, 23

  “Walking Blues,” 25, 66, 170

  “Wang Dang Doodle” (Howlin’ Wolf), 74

  “Wartime Blues” (Williamson), 181

  Washboard Sam, 69, 156–58

  Washington, Booker T., 48, 87, 97, 105, 130

  Washington, D.C., 21, 42, 117, 134–35, 150

  Washington, Inez, 191

  Waters, Muddy, 45, 69–70, 76, 77, 127, 129, 196

  and Alan Lomax, 23–25, 170–73

  and Aristocrat Records, 172–73

  life in Chicago, 172–74

  life in Mississippi, 57–58, 169–70

  WDIA, 8, 58

  “We Got to Win” (Williamson), 182

  “We Sure Got Hard Times Now” (Hicks), 148

  Weldon, Casey Bill, 129, 132, 166


  “Welfare Store Blues” (Williamson), 128, 161–62

  “We’re Gonna Have to Slap the Dirty Little Jap” (Millinder), 189–90

  West Africa, 1, 4–5, 28, 52–54, 65

  “What More Can a Man Do?” (Wheatstraw), 133

  Wheatstraw, Peetie, 73–74, 96, 109–10, 129–32, 196, 198

  depression and New Deal songs by, 147–48, 149–50, 166–67

  musical style of, 128–29, 132–34

  origins in Cotton Plant, Ark., 109, 131, 132

  sexual song by, 69, 139–40

  “When I Get My Bonus” (Wheatstraw), 167

  “When the Levee Breaks” (Kansas Joe), 138–39

  “When the War Was On” (W. Johnson), 122–24, 127

  “Whiskey Blues,” 70

  White, Bukka, 45, 46, 58, 59, 69, 73, 90–91

  White, Josh, 182–83

  White, Newman, 12, 13

  “Whoa, Back, Buck” (Ledbetter), 27, 31

  Williams, Big Joe, 68, 106, 108, 129, 150

  Williams v. Mississippi, 48

  Williamson, Joel, 65,

  Williamson, Sonny Boy (John Lee), 9, 70, 108, 128, 161–62, 172, 180–81, 182, 184, 196

  Williamson, Sonny Boy II (Rice Miller), 9

  Wilson, August, 1, 199

  Wilson, Woodrow, 116, 117–18, 120, 122–23, 125–26

  Wisconsin. See Grafton, Wisc. WLAC, 8

  Woodson, Carter, 87

  Woodward, C. Vann, 46

  Woofter, T. J., 100

  Work, John, 68, 170

  “Working On the Project” (Wheatstraw), 166

  Works Progress Administration (WPA), 164–66

  World War I, 198

  and black volunteerism, 118

  and Great Migration, 92, 102

  racial violence during, 36, 104. See also African Americans during World War I

  World War II, 174–75, 179–82, 184–87, 195, 198. See also African Americans during World War II; blues and anti-Hitler songs; blues and anti-Japanese songs

  Wright, Gavin, 47

  Wright, Richard, 3, 17, 27, 41, 56, 65, 92, 128, 147, 179, 195

  Yazoo, Miss., 88

  Yazoo and Mississippi Valley Railroad, 98

  “Yellow Dog Blues” (Handy), 7, 98

 

 

 


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