The curtains began to move. Her eyes were round and at them in the first flickering moment. This time they not only shuddered, but seemed to eddy, and then to belly out. A coldness grasped and held the ventricles of her heart. And the curtains, the whole length of the rounded blue curtains moved towards her across the carpet. Something was pushing them. They travelled out towards her, then the ends rose sailing, sailed wide, opened to reveal nothing but the night, the empty balcony—then as suddenly collapsed and receded back to where they had hung motionless before. She let out the deep breath that whitening she had held all that time. Only, then, a breath of wind again; a curious swell on the compressed summer air. And now again the curtains hung still. She gulped sickly, crumpled and decided to shut the window—better not to risk that sort of fright again, one never knew what one’s heart might do. But, just then, she hardly liked to approach those curtains. As the atmosphere of a nightmare cannot be shaken off for some minutes after waking, so those curtains held for a while their ambience of dread. Clara lay still. In a few minutes those fears quietened, but now forgetting the sense of fright she made no attempt to leave the bed, it was too comfortable, she would read again for a little. She turned over and picked up her magazine. Then a short while later, stretching, she half-turned to the curtains again. They were wide open. A man was standing exactly in the centre, outlined against the night outside, holding the curtains apart with his two hands.
*
Ron Raikes, five-foot-nine, grey eyes, thin brown hair, brown sports jacket, black hat, stood on the balcony holding the curtains aside looking in at this girl twisted round in her white-sheeted bed. He held the curtains slightly behind him, he knew the street to be dark, he felt safe. He wanted to breathe deeply after the short climb of the painter’s ladder—but instead held it, above all kept quite still. The girl was staring straight at him, terrified, stuck in the pose of an actress suddenly revealed on her bedroom stage in its flood of light; in a moment she would scream. But something here was unusual, some quality lacking from the scene he had expected—and he concentrated, even in that moment when he knew himself to be in danger, letting some self-assured side of his mind wander and wonder what could be wrong.
He thought hard, screwing up his eyes to concentrate against the other unsteady excitements aching in his head—he knew how he had got here, he remembered the dull disconsolate hours waiting round the station, following two girls without result, then walking away from the lighted crowds into these darker streets and suddenly seeing a glimpse of this girl through the lighted window. Then that curious, unreasoned idea had crept over him. He had seen the ladder, measured the distance, then scoffed at himself for risking such an escapade. Anyone might have seen him … and then what, arrest for house-breaking, burglary? He had turned, walked away. Then walked back. That extraordinary excitement rose and held him. He had gritted his teeth, told himself not to be such a fool, to go home. Tomorrow would be fresh, a fine day to spend. But then the next hours of the restless night exhibited themselves, sounding their emptiness—so that it had seemed too early to give in and admit the day worthless. A sensation then of ability, of dexterous clever power had taken him—he had loitered nearer the ladder, looking up and down the street. The lamps were dull, the street empty. Once a car came slurring past, changed gear, accelerated off petulantly into the night, away to nowhere. The sound emphasized the quiet, the protection of that deserted hour. He had put a hand on the ladder. It was then the same as any simple choice—taking a drink or not taking a drink. The one action might lead to some detrimental end—to more drinks, a night out, a headache in the morning—and would thus be best avoided; but the other, that action of taking, was pleasant and easy and the moral forehead argued that after all it could do no harm? So, quickly, telling himself he would climb down again in a second, this man Raikes had prised himself above the lashed night-plank and had run up the ladder. On the balcony he had paused by the curtains, breathless, now exhilarated in his ability, agile and alert as an animal—and had heard the sound of the girl turning in bed and the flick of her magazine page. A moment later the curtains had moved, nimbly he had stepped aside. A wind. He had looked down at the street—the wind populated the kerbs with dangerous movement. He parted the curtains, saw the girl lying there alone, and silently stepped on to the threshold.
Now when at last she screamed—a hoarse diminutive sob—he knew he must move, and so soundlessly on the carpet went towards her. As he moved he spoke: ‘I don’t want to hurt you’—and then knowing that he must say something more than that, which she could hardly have believed, and knowing also that above all he must keep talking all the time with no pause to let her attention scream—‘Really I don’t want to hurt you, you mustn’t scream, let me explain—but don’t you see if you scream I shall have to stop you….’ Even with a smile, as soft a gesture as his soft quick-speaking voice, he pushed forward his coat pocket, his hand inside, so that this girl might recognize what she must have seen in detective stories, and even believe it to be his hand and perhaps a pipe, yet not be sure: ‘… but I won’t shoot and you’ll promise won’t you to be good and not scream—while I tell you why I’m here. You think I’m a burglar, that’s not true. It’s right I need a little money, only a little cash, ten bob even, because I’m in trouble, not dangerous trouble, but let me tell you, please, please listen to me, Miss.’ His voice continued softly talking, talking all the time quietly and never stuttering nor hesitating nor leaving a pause. Gradually, though her body remained alert and rigid, the girl’s face relaxed.
He stood at the foot of the bed, in the full light of the bedside lamp, leaning awkwardly on one leg, the cheap material of his coat ruffled and papery. Still talking, always talking, he took off his hat, lowered himself gently to sit on the end of the bed—rather to put her at her ease than to encroach further for himself. As he sat, he apologized. Then never pausing he told her a story, which was nearly true, about his escape from a detention camp, the cruelty of his long sentence for a trivial theft, the days thereafter of evasion, the furtive search for casual employment, and then worst of all the long hours of time on his hands, the vacuum of time wandering, time wasting on the café clocks, lamp-posts of time waiting on blind corners, time walking away from uniforms, time of the headaching clocks loitering at the slow pace of death towards his sole refuge—sleep. And this was nearly true—only that he omitted that his original crime had been one of sexual assault; he omitted those other dark occasions during the past three weeks; but he omitted these events because in fact he had forgotten them, they could only be recollected with difficulty, as episodes of vague elation, dark and blurred as an undeveloped photograph of which the image should be known yet puzzles with its indeterminate shape, its hints of light in the darkness and always the feeling that it should be known, that it once surely existed. This was also like anyone trying to remember exactly what had been done between any two specific hours on some date of a previous month, two hours framed by known engagements yet themselves blurred into an exasperating and hungry screen of dots, dark, almost appearing, convolving, receding.
So gradually as he offered himself to the girl’s pity, that bed-clothed hump of figure relaxed. Once her lips flexed their corners in the beginning of a smile. Into her eyes once crept that strange coquettish look, pained and immeasurably tender, with which a woman takes into her arms a strange child. The moment of danger was past, there would be no scream. And since now on her part she seemed to feel no danger from him, then it became very possible that the predicament might even appeal to her, to any girl nourished by the kind of drama that filled the magazines littering her bed. As well, he might look strained and ill—so he let his shoulders droop for the soft extraction of her last sympathy.
Yet as he talked on, as twice he instilled into the endless story a compliment to her and as twice her face seemed to shine for a moment with sudden life—nevertheless he sensed that all was not right with this apparently well-contrived affair. For this, he
knew, should be near the time when he would be edging nearer to her, dropping his hat, picking it up and shifting thus unostensibly his position. It was near the time when he would be near enough to attempt, in one movement, the risk that could never fail, either way, accepted or rejected. But … he was neither moving forward nor wishing to move. Still he talked, but now more slowly, with less purpose; he found that he was looking at her detachedly, no longer mixing her image with his words—and thus losing the words their energy; looking now not at the conceived image of something painted by the desiring brain—but as at something unexpected, not entirely known; as if instead of peering forward his head was leant back, surveying, listening, as a dog perhaps leans its head to one side listening for the whistled sign to regulate the bewildering moment. But—no such sign came. And through his words, straining at the diamond cunning that maintained him, he tried to reason out this perplexity, he annotated carefully what he saw. A white face, ill white, reddened faintly round the nostrils, pink and dry at the mouth; and a small fat mouth, puckered and fixed under its long upper lip: and eyes also small, yet full-irised and thus like brown pellets under eyebrows low and thick: and hair that colour of lustreless hemp, now tied with a bow so that it fell down either side of her cheeks as lank as string: and round her thin neck, a thin gold chain just glittering above the dull blue wool of that bed-jacket, blue brittle wool against the ill white skin: and behind, a white pillow and the dark wooden head of the bed curved like an inverted shield. Unattractive … not attractive as expected, not exciting … yet where? Where before had he remembered something like this, something impelling, strangely sympathetic and—there was no doubt—earnestly wanted?
Later, in contrast, there flashed across his memory the colour of other faces—a momentary reflection from the scarlet-lipped face on one of the magazine covers—and he remembered that these indeed troubled him, but in a different and accustomed way; these pricked at him in their busy way, lanced him hot, ached into his head so that it grew light, as in strong sunlight. And then, much later, long after this girl too had nervously begun to talk, after they had talked together, they made a cup of tea in her kitchen. And then, since the July dawn showed through the curtains, she made a bed for him on the sofa in the sitting-room, a bed of blankets and a silk cushion for his head.
Two weeks later the girl Clara came home at five o’clock in the afternoon carrying three parcels. They contained two coloured ties, six yards of white material for her wedding dress, and a box of thin red candles.
As she walked towards her front door she looked up at the windows and saw that they were shut. As it should have been—Ron was out as he had promised. It was his birthday. Thirty-two. For a few hours Clara was to concentrate on giving him a birthday tea, forgetting for one evening the fabulous question of that wedding dress. Now she ran up the stairs, opened the second door and saw there in an instant that the flat had been left especially clean, tidied into a straight, unfamiliar rigour. She smiled (how thoughtful he was, despite his ‘strangeness’) and threw her parcels down on the sofa, disarranging the cushions, in her tolerant happiness delighting in this. Then she was up again and arranging things. First the lights—silk handkerchiefs wound over the tops of the shades, for they shone too brightly. Next the tablecloth, white and fresh, soon decorated with small tinsels left over from Christmas, red crackers with feathered paper ends, globes gleaming like crimson quicksilver, silver and copper snowflakes.
(He’ll like this, a dash of colour. It’s his birthday, perhaps we could have gone out, but in a way it’s nicer in. Anyway, it must be in with him on the run. I wonder where he is now. I hope he went straight to the pictures. In the dark it’s safe. We did have fun doing him up different—a nice blue suit, distinguished—and the moustache is nice. Funny how you get used to that, he looks just the same as that first night. Quite, a quiet one. Says he likes to be quiet too, a plain life and a peaceful one. But a spot of colour—oh, it’ll do him good.)
Moving efficiently she hurried to the kitchen and fetched the hidden cake, placed it exactly in the centre of the table, wound a length of gold veiling round the bottom, undid the candle-parcel, and expertly set the candles—one to thirty-one—round the white-iced circle. She wanted to light them, but instead put down the matches and picked off the cake one silver pellet and placed this on the tip of her tongue: then impatiently went for the knives and forks. All these actions were performed with that economy and swiftness of movement peculiar to women who arrange their own houses, a movement so sure that it seems to suggest dislike, so that it brings with each adjustment a grimace of disapproval, though nothing by anyone could be more approved.
(Thirty-one candles—I won’t put the other one, it’s nicer for him to think he’s still thirty-one. Or I suppose men don’t mind—still, do it. You never know what he really likes. A quiet one—but ever so thoughtful. And tender. And that’s a funny thing, you’d think he might have tried something, the way he is, on the loose. A regular Mr Proper. Doesn’t like this, doesn’t like that, doesn’t like dancing, doesn’t like the way the girls go about, doesn’t like lipstick, nor the way some of them dress … of course he’s right, they make themselves up plain silly, but you’d think a man …?)
Now over to the sideboard, and from that polished oak cupboard take very carefully one, two, three, four fat quart bottles of black stout—and a half-bottle of port. Group them close together on the table, put the shining glasses just by, make it look like a real party. And the cigarettes, a coloured box of fifty. Crinkly paper serviettes. And last of all a long roll of paper, vivid green, on which she had traced, with a ruler and a pot of red paint: HAPPY BIRTHDAY RON!
This was now hung between two wall-lights, old gas-jets corded with electricity and shaded—and then she went to the door and switched on all the lights. The room warmed instantly, each light threw off a dark glow, as though it were part of its own shadow. Clara went to the curtains and half-drew them, cutting off some of the daylight. Then drew them altogether—and the table gleamed into sudden night-light, golden-white and warmly red, with the silver cake sparkling in the centre. She went into the other room to dress.
Sitting by the table with the mirror she took off her hat and shook her head; in the mirror the hair seemed to tumble about, not pinned severely as usual, but free and flopping—she had had it waved. The face, freckled with pin-points of the mirror’s tarnish, looked pale and far away. She remembered she had much to do, and turned busily to a new silk blouse, hoping that Ron would still be in the pictures, beginning again to think of him.
She was not certain still that he might not be the man whom the police wanted in connection with those murders. She had thought it, of course, when he first appeared. Later his tender manner had dissipated such a first impression. He had come to supper the following night, and again had stayed; thus also for the next nights. It was understood that she was giving him sanctuary—and for his part, he insisted on paying her when he could again risk enquiring for work. It was an exciting predicament, of the utmost daring for anyone of Clara’s way of life. Incredible—but the one important and over-riding fact had been that suddenly, even in this shocking way, there had appeared a strangely attractive man who had expressed immediately an interest in her. She knew that he was also interested in his safety. But there was much more to his manner than simply this—his tenderness and his extraordinary preoccupation with her, staring, listening, striving to please and addressing to her all the attentions of which through her declining youth she had been starved. She knew, moreover, that these attentions were real and not affected. Had they been false, nevertheless she would have been flattered. But as it was, the new horizons became dreamlike, drunken impossible. To a normally frustrated, normally satisfied, normally hopeful woman—the immoral possibility that he might be that murderer would have frozen the relationship in its seed. But such was the waste and the want in lonely Clara that, despite every ingrained convention, the great boredom of her dull years had seemed to gat
her and move inside her, had heaved itself up like a monstrous sleeper turning, rearing and then subsiding on its other side with a flop of finality, a sigh of pleasure, welcoming now anything, anything but a return to the old dull days of nothing. There came the whisper: ‘Now or never!’ But there was no sense, as with other middle-aged escapists, of desperation; this chance had landed squarely on her doorstep, there was no striving, no doubt—it had simply happened. Then the instinctive knowledge of love—and finally to seal the atrophy of all hesitation, his proposal of marriage. So that now when she sometimes wondered whether he was the man the police wanted, her loyalty to him was so deeply assumed that it seemed she was really thinking of somebody else—or of him as another figure at a remove of time. The murders had certainly stopped—yet only two weeks ago? And anyway the man in the tweed coat was only wanted in connection with the murders … that in itself became indefinite … besides, there must be thousands of tweed coats and black hats … and besides there were thousands of coincidences of all kinds every day….
The Stories of William Sansom Page 8
