"Good, Freeman. Write it up and we'll add it to the package. The guy already confessed."
The detective in charge didn't want to hear about I.Q.s and broken homes and mothers who cut their own wrists.
"The guy was stalking women on boathouse row. Gettin' his jollies watching 'em bounce down the jogging path every morning. It gets to be too much for his pants to hold, he grabs one, she fights, he cuts her.
"His footprints are next to the body. Her shoe is by the parking spot where people saw him this morning. Only thing we're missing is the knife, which is probably in the river and DNA, which we ain't gonna get cause he never finished the rape.
"Whata ya mean it doesn't make sense, Freeman? The guy confessed. He keeps sayin', 'She was too pretty to live. She was too pretty to live.' What more do you want?"
Charges were filed despite my suggestion that we rethink the case. The lieutenant listened politely to me and said: "There's a sense of urgency with a case like this, Freeman. Sometimes you have to put it together quickly and act. You can't grind on every little aspect. That's the way it works sometimes."
I told him I thought we had the wrong man. Three weeks later he approved my transfer back to patrol. Arthur Williams went to prison. He may still be there.
I awoke with my finger on the dime-sized scar at my neck. I had been drifting most of the night between dreams and consciousness, caught between those two places and feeling like I didn't belong in either.
I got out of bed, lit the stove and then stood at my eastern window. An early light filtered in through leaves still dripping from the night rain. I heard the low grunt of an anhinga and spotted the bird swimming along small patches of standing water with just its head and long flexible neck showing. I watched him awhile as he stabbed into the water at fish and then I turned to start coffee. Padding across the room I stopped to pull on a pair of faded shorts and heard, or maybe felt, a soft thunk of wood against wood. The single vibration had shivered up from the foundation stilts, or maybe the staircase. I stood, listening, and heard it again. Paranoia got the best of me and I went quietly to my duffel bag and slipped my hand to the bottom, finding the oilskin-wrapped package and drawing it out. The warrant servers had indeed been careful. My 9mm handgun had been re-wrapped. The sixteen-round clip folded into the cloth so the two metals wouldn't scrape together. It was done carefully by men who knew weapons.
I undid the trigger lock and fed the clip up into the handle and held the gun in my right hand. I had not picked it up with purpose in over two years. I stared at the barrel. Despite the packing, a hint of brownish rust was oxidizing on the edges from the humid Florida air.
I felt the thunk again. This time it seemed too purposeful. I went to the door and opened it slowly with my left hand. At the base of the staircase, with his back propped against a stanchion of the dock, sat Nate Brown. The early light caught the silver in his hair. He had one bare foot flat on the deck and the other draped over into a sixteen-foot wooden skiff. With a subtle movement of that leg he thunked the bow against the dock piling.
"Ain't gotcha no alarm clock, eh?" he said without looking up.
I slipped the 9mm into my waistband in the small of my back and stepped out the door.
"I don't usually get visitors," I said, and quickly added, "this early."
I took two steps down and sat on the top landing. Brown remained where he was. He had a sawgrass bud in his left palm and was carving out the tender white part to eat with a short knife that had a distinctive curved blade. It looked too much like the blade I'd taken from Gunther's scabbard after the plane wreck and accidentally dropped into the mud of the glades.
"You ain't gone need that pistol," he said, finally looking up at me. I just stared at him, trying to see what might be in his eyes.
"I heard ya load it."
I took the gun from behind me where it was digging into my backbone and laid it on the plank next to me. In the rising light I could see the dark stain under Brown where water had dripped off his clothes. His trousers were wet through and there was a water line that changed the color of his denim shirt at midchest. Somehow he must have walked through the thick swamp from the west to my shack and found it in the dark. There had been no moonlight in the overnight storm.
"How about some coffee?" I finally said. "I was just making some."
"We ain't got time," he answered. The tone of authority that had struck me at the Loop Road bar was back in his voice. "We got to go."
I started to ask where, but he cut me off.
"It's the girl. The little one. You're gonna have to come git her."
Now I could see his pale eyes as he stood up and there was an urgency in them that seemed foreign to his face.
"The kidnapped girl? Where?" I said, unconsciously picking up my gun. "Where is she? Is she dead?"
"Yonder in the glade," Brown answered, barely tipping his head to the west. "She ain't real good. But she's alive."
"Who's with her? Is there anyone with her? Can we get a helicopter out there?" Now the urgency was in my throat.
"Ain't nobody with her now. An' ain't nobody now who can find her 'cept me. You're gonna have to git her," the old man said, his voice flat but still holding strength. "You alone. Let's go."
I walked back in the shack and laid the gun on my table and quickly dressed, taking an extra minute to pull on a pair of high combat boots I rarely used. I picked up Billy's cell phone and punched his number, got his answering machine and left a hurried message that I was heading out into the Glades with Brown and would call him back with details. I stuffed a first- aid kit into a waterproof fanny pack and strapped it around my waist. As I clomped down the stairs I put the cell phone inside too. Brown didn't object.
I climbed into the stern of the shallow skiff and Brown crouched on a broad seat built about a third of the way back from the bow. Using a cypress boat pole almost as long as the skiff itself, he pushed us down my access trail and onto the river.
"It'll be faster goin' up the canal with two," he said, heading upstream.
The old man seemed like a magician with the boat, poling and steering his way up my river at a speed that I could match only on my best days in the canoe. Sometimes he would stand erect, working the pole its full length but suddenly slip to his knees to duck a cypress limb and never miss his rhythm. I watched him bend down and noted the short leather scabbard on his belt where he'd holstered his curved knife. It was then that I remembered my 9mm. I'd left it on the table. I had also not thought to fasten Cleve's new lock on the door. I had not needed the gun for some time and I hoped I wouldn't need it now.
We got to the dam in twenty minutes, half my usual time, and I helped Brown hoist the skiff over. It was a flat-bottomed craft, made of marine plywood in a simple but efficient way. The techniques of both building and maneuvering such a skiff had been passed down through generations of Gladesmen. When Brown pushed off again I watched him as we slid past the spot where I'd found the wrapped body of the dead child. He never hesitated, never turned his head, either toward the spot in memory or away from it in avoidance. He just kept poling, his taut shoulders and back moving under the faded cotton of his damp shirt like the smooth muscles of a racehorse under its hide.
"I believe she will be fine" and "We'll be there directly" were his only answers to my questions about the girl.
I sat back in frustration and watched him. The sun was up full over the eastern horizon now, deepening the blue in the sky and slicing through the river canopy like light through cheesecloth. We passed the canoe park and I stifled an urge to call out to Ham Mathis at the rental shack.
In another thirty minutes we pushed through a shallow bog of cattails and green maidencane to a canal levee where a culvert fed fresh water to the river. Brown jumped out into knee- deep water and I followed as he tugged his skiff up the grass-covered levee bank with a half dozen lunges. I tried to push from the stern but wasn't much help and I was again awed by the strength coming out of a small man who we'd a
lready determined was nearly eighty years old.
From the high berm I looked out over the open expanse of Everglades and tried to get a fix on our direction, but Brown had the skiff floating again and his silence screamed, "Get your ass down here." I knew we were on the L-10 canal and headed deep into the Glades. The canal system had been dredged eighty years ago to transport commercial fish and produce from Lake Okeechobee, the huge liquid heart of Florida, to the shipping centers on the coast. But I couldn't tell how far or how fast we were going. Now in open water, Brown used the full power of the pole and could push the skiff nearly a hundred yards with a single stroke. He worked silently, except the times he spotted an alligator lying in the grass at the water's edge or a snout like a floating chunk of dark-colored bark in the distance.
"Gator," he would call out, not in warning, but like a cop in a prowl car might say "crackhead" or "eight-baller" to his partner as they cruised a drug area. This was Brown's work sector. The neighborhood he knew. I was on his turf and at his mercy.
As the sun climbed up the sky he did not seem to tire or slow or even sweat. I had to admire his ability to grind. After more than an hour he suddenly stopped poling and steered to the side. No marker. No trail. No indication that this spot was any different than the miles we'd already passed. When he jumped down into the water I followed and we hoisted the skiff to the top of the berm. To the west lay acres of freshwater marsh, stretched out golden in the high sun just like I'd seen from the cockpit of Gunther's plane. On the horizon was a faint line of dark green rising like a ridge and bumping the skyline. We had to pull the skiff some thirty yards through shallow water and around clumps of grass the size of small autos until Brown found a serpentine trail of deeper water that spun out toward the faint hardwood hammock in the distance. He tossed me a quart of water in a clear Bell canning jar. It was sealed with a metal screw-on collar and a rubber rimmed lid.
"We'll be there directly," he said, stripping off his shirt to expose a sleeveless white T-shirt underneath. I had taken off my own shirt and draped it over my head and shoulders as protection against the sun. We pushed off again and this time Brown took up a spot on a smaller poling platform at the back of the skiff. He started us down the middle of the water trail and I straddled the center platform, alternately looking ahead trying to keep my bearings and watching him, standing above me, framed in the blue canvas of sky and squinting into the distance.
"Who brought her out here, Nate?" I finally asked, wondering if he would let go of it.
"Ain't for me to say," he answered, and I wasn't sure whether the response meant he knew but wouldn't tell, or that he simply wouldn't speculate. But somehow I believed that it had not been him.
In short time I lost track of the turns and directions we moved. I had no clue why he took one watery path over another. On occasion I would stand up on the platform, wobbling the boat, and see that we were gaining on the line of trees. Then I would sit back down and take a drink from the jar. The heat was rising and the sawgrass smelled warm and close, like hay in a summer barn, but the sweet odor of wet decay mixed with it to create an odd perfume. It was not like my river where everything was dominated by moisture. Out here the battle between a drying sun and the soaking water was waged in the six- foot-high envelope of space we were sliding through.
I didn't know how much time had passed. An hour, maybe more, as the wall of trees grew taller and more distinct. Finally Brown shoved the nose of the skiff up into the grass and we stepped out onto semi-solid land. He yanked the boat up on a dry mound.
"Got to walk in," he said, and started off.
I stuck the water jar in my bag and followed, watching where he stepped and peeking ahead, hoping to see some sign of a destination. We walked thirty yards through ankle-deep mud, my boots making sucking noises with each step. Then we climbed a gradual rise onto a dry ridge and plunged into the hammock.
I slipped my shirt back on and it stuck to my skin with sweat and when we stepped into the shade it quickly took on the feel of a cold wet cloth. The place was filled with thick trees; reddish gumbo-limbo whose limbs bent and curled at odd angles, mahogany that was native to South Florida but had been harvested out of most areas, and scaly, black-spotted poisonwood that was dangerous to the touch.
There was no trail. Brown made his own and I tried to follow but where he gracefully ducked past wide swathes of spiderwebs, I caught them full in the face, the sticky filament pasting across my eyes and lips. While I wiped at the strands I would trip over a root or knot of vines and then look up to see Brown fading into the vegetation and shadows ahead.
I struggled to keep up, slushing down through water-filled ditches and back up over downed trunks of mottled pigeon plum. But my eyes had adjusted to the filtered light and after several minutes I could see the unnatural shape of dark right angles in the trees up ahead. A structure became more defined, and when we got to the clearing, I could see it was a shack not unlike my own but in sadder shape. Balanced on top of a shell mound, it was built of rough-hewn lumber that was darkly weathered and rotting at its corners. The spine of the tar- papered roof was broken and sagged at the middle. A tall wooden rack that might have served as a child's swing in another world stood off to the side and was hung with alligator skins from four to six feet long.
Brown had stopped at the edge of the clearing and stood staring at the building, his eyes narrowed as if he was still in the sun, his shoulders slumped slightly. He was going no farther, and for the first time in the journey he seemed tired.
"You'll have to git her," he said with a nod at the shack.
CHAPTER 20
I strode across the scuffed incline to the front steps, looking back at Brown only once to confirm that he was not following. The first step up to the raised porch creaked under my boot. I hesitated at the hinged plank door and listened for several seconds to stone quiet. Then I turned the dull metal knob and went in low and quick.
The room was in muted darkness. The only two windows were so smeared with dirt that the little light that snuck through was yellow and dull.
I came slowly out of my crouch and could make out a three- legged table that had tumbled against the front wall without its balance. A small stone fireplace was to the left, its ashes dead. A chair was standing alone in the middle of the floor, the seat facing the door as if someone had been waiting. I picked up the glint of broken glass from an oil lamp that had been shattered, its pieces scattered in one corner. The room smelled of animal grease, rotted food and wet smoke. My eyes adjusted, but I still almost missed her.
She was on the floor, partly wrapped in a child's filthy blanket and tucked far under a wood-framed cot. Her eyes were closed but when I touched her I felt soft muscle quiver under my hand.
"It's all right, sweetheart. It's OK. I'm here to help you. You're all right now," I said softly.
I got my hands around her and slowly pulled her out from under the bed. She did not fight but I heard a tiny keening start up in the back of her throat and it was heart-wrenching to know that that was all the struggle she had left in her.
I pulled a cover from the bed and wadded it up and slipped it under her head. Her face was swollen under a layer of grime and a crust of dried moisture was gathered in her lashes and the corners of her eyes. I thought of dehydration and took the mason jar from my bag.
"Here, sweetheart. Take some water."
I tipped the water to her cracked lips but at first could only wet them. Most of what I poured ran down her chin and neck, leaving streaks through the dirt on her skin. Then she began to take it, her mouth opening slightly like a tiny fish trying to breathe.
I felt her for injuries. I looked for blood. She did not recoil at my touch but kept her eyes shut. Maybe she couldn't open them. Maybe she never wanted to open them again. After the cursory check I got on the cell phone, punched in 911 and before the operator could tie me up with questions, I identified myself as a police officer and asked her to put me through to Vincente Diaz with the FD
LE special task force in Broward and, yes, it was an emergency. I kept repeating myself and it still took three more dispatchers and what seemed like ten minutes to get to Diaz. The public's perception of police technological efficiency is always skewed by TV and movies. They are never that good.
"Vince Diaz," the detective finally answered.
"Diaz, this is Max Freeman."
"Max. When did you rejoin the brotherhood?"
I ignored the sarcasm.
"Diaz, I've got the girl, the Alvarez girl."
There was silence and I thought we'd been cut off or had lost the satellite connection.
"Diaz?"
"OK. OK, Freeman. Take it easy, all right? Slow down man. Tell me what's going on."
Diaz's voice had slipped into negotiator mode and I realized I'd used the wrong words.
"I found her, Diaz. I found the kid and she's alive. But you gotta get some help out here now."
"Jesus. You found her? How the hell… Where are you, Max?"
I could hear him talking out into a room, spreading the word before coming back to me.
"OK, Max. She's alive? Right? You said she's alive? Where the hell are you?"
I got up and walked outside, hoping for better reception. Nate Brown was gone. If the old man had been in on it, he'd turned by bringing me here. If he'd truly been trying to find the killer, as his group at Loop Road had indicated, maybe they'd succeeded, and taken care of it on their own. Either way, I had a feeling Brown wouldn't be back and I had little clue to where the hell I was.
I looked up into the tree canopy as if there'd be a damn street sign. This was not Thirteenth and Chestnut. You couldn't call in an address.
"We're in the Glades," I said. "Somewhere south of my river off the L-10 canal. West of the canal and in a long hardwood hammock somewhere."
I could visualize them going to the map in Hammonds' office, tracing their fingers from the yellow pushpin that was my river shack. It was quiet on the porch. The air in the trees had gone still and the smell of rotting animal carcass drifted from the gator rack. There was no bird sound. No leaf flutter. Just dead silence.
The Blue Edge of Midnight mf-1 Page 16
